Corduroys wiff-wiff-wiffing down a linoleum floored hallway. That’s all I can recall from the first week of Septembers if I am being honest. The rest is all a mixed of high school anxious misery and stupid fun – except that sound of new cords on the first day of school. Was I really into beer that much then? Were there September beers before undergrad? I have no recollection other than drinking the one I was handed at some kid’s unfortunate parents’ place, grabbing whatever we could sneak out with while their folks were off shopping. Someone else’s hell to pay when it was all found out later. September beer was a thing in the 1620s. But what was it? Apparently went with Cheshire cheese. That September beer post also has one of my favourite harvest time images, from 1680:
In husbandry affairs they are very neat, binding up all sorts of grain in sheaves; they give the best wages to labourers of any in England, in harvest giving 4 and 5 shillings for an acre of wheat and 2s. a day meat and drink, which doth invite many stout workmen hither from the neighbouring country to get in their harvest. So that you shall find, especially on Sundays, the roads full of troops of workmen with their scythes and sickles, going to the adjacent town to refresh themselves with good liquor and victuals…
Ahh, harvest at the time of mellow fruitfulness… as I blogged about twenty years ago* yesterday. September is also the time when craft beer in the US apparently hits its highest share of the overall market. I know that this is the case because BA Bart posted the helpful chart right there up at the top of this post to confirm that fact. It also confirms that craft beer’s share is down overall something around 2.5% from 2018 to 2022. Which may explain why those breweries and bars are shutting. Yet it also shows that the share in September 2022 was about the same as July 2018. Is that important? Dunno. But it does somewhat create that discussion with many points of view my authoring team leader Carlo Devito triggered over at FB:
Call it a contraction. A correction. A classic cycle of Boom and bust. Whatever. But you are spot on…yes. My % is off but my numbers are correct….I feel. I’ll stand by 1,500 to 3,000. Remember. I’m including wineries and distilleries in this. Not just breweries. This is all craft beverage businesses.
More tiny breweries making their living making less beer? Could be. Seems a reasonable next reality. And Pete Brown asked a good question this week which received plenty of response about the realities of the past:
Question/discussion time: in general, but specifically in brewing, does heritage really matter? Without progress, everything stagnates. But is there value in remembering the past, and encouraging others to do so? If so, what is it?
My thought in these matters? Change is constant – but that still can’t explain bad ideas. It can be a bad idea just to cling on to heritage just as much as it can be a bad idea to run from it. No doubt those workers in 1680 would love the labour standards we enjoy today. Me, I responded that in the late 1800s new brewing techniques in North America were leading to new forms of beer, plus mergers and many closures which often now blamed on temperence.
Then as now, the breweries which didn’t move with the times were the ones left behind. In 1907, one Ontario old school holdout’s beer was tasted by someone hip to the new ways: “not at all nice and had a pronounced old, harsh flavour… devoid of character in every way…“** Sounds a lot like 2023 looking back at 1998. Or 1955 looking back at 1907 for that matter. Stagnation. Perhaps that old, harsh flavour could be recreated as Old Stag Pale Ale! Speaking of changing reality if not “de void” we see that The Beer Nut was frankly surprised after encountering a couple of NA beers:
Honestly, I thought these would be worse than they were. They can’t be accused of going for the lowest common denominator or turning out non-alcoholic clichés. They’ve put the work in and may even be in the upper tier of this sort of product available in Ireland. Not that that’s saying much.
Speaking of new forms of things, Eoghan wrote about a very rare bird, the new gueuze from Belgiums newest lambic brewers, Danseart:
The Dansaert Gueuze is the culmination of BBP’s mixed- and spontaneous-fermentation Dansaert brewery project, a beer that’s been in the works since January 2020. But the Dansaert Gueuze – a blend of one-, two-, and three-year-old Lambics made to the Oude Geuze specifications set down in EU law – is not just a milestone for BBP. It’s a landmark beer for Brussels too, because it’s the first of its kind to have been made in Brussels by a new producer for several generations. Lambic, indigenous to Brussels and once one of the city’s dominant beer styles, was virtually extinct by the early 1990s. There was only two lambic breweries left in Brussels, and only one – Brasserie Cantillon – still making beer the same way as previous generations of brewers. In fact, such was the complete eradication of the Lambic tradition in the 20th century that it’s entirely unclear who preceded BBP as the previous newest Lambic brewery.
Neato. An odder ripple in the beerosphere was noted this week, objections to one brewery taking on an more unexpected focus than a new lambic or NA beers. Joe‘s giving a side eye. Matt was particularly ripe: “How is the grain being farmed? How is the enzyme produced? Who has actually been to the brewery in question and seen the process?” and then apologized. To help resolve matters, the most patient and polite even if too pressed and perhaps put upon Jessica Mason in The Drinks Business published a response to questions raised about one NY state brewery’s raw beer brewing process and a defence of the practice’s benefits:
After all, he hinted, there will always be questions the business will be have time to answer further down the line. Regarding the debates online and the push for data-driven evidence directly and immediately from his brewhouse, he said: “These are very valid questions but are a distraction from what we are doing, which is simply skipping the malting process entirely… In other words, like-for-like if you take one barley farmer and one brewhouse and you brew the exact same beer in the traditional way and you brew it our way, in that controlled environment — where all things are otherwise equal — then this is what you save: 350ml of water and 16g of CO2 per 500ml of beer served.”
Hey maybe it will work! You know, I wonder if being overly concerned about this sort of stuff should lead one to be concerned. It’s all about perspective. Someone tries something. Maybe it works. Things go on. Conversely and probably more in the too much perspective category, there was a passing of note at least adjacent to the world of clinky-drinky with the death of Jimmy Buffet. Never owned a record of his. Still, I probably heard and hummed along to “Margaritaville” in pubs or at parties as much as any other drinking related song out there. Easy enough to do. But this observation from Jason Wilson of Everyday Drinking really is quite remarkable… so I remark… or at least take note:
I’ve always believed we experience drinks very much like we experience the popular songs of our youth. An ounce and a half of booze, a three-minute song—ephemeral for sure, yet in the right context you may remember it your whole life. We know that no new song, regardless of how well made it is, will ever matter as much the ones we heard as a teenager. When I listened to those 1970s Buffett songs again this week, I was struck by how melancholy they are. I’m definitely not the only one commenting on this. There is even a meme making the rounds on social media that suggests if you drop “Margaritaville” into a minor key, it becomes very dark.
Much more in the major key, Beth Demmon continued her Prohibitchin’ series with an interview with Bex Pezzullo of California-based Sincere Cider and her wide ranging interests and back story:
It took nearly 20 minutes for Bex and I to get through chatting about the Hollywood writers’ strike, comparing how quickly our social batteries drain, how to make friends as adults, why we both prefer honesty over tact, and how prison populations artificially inflate town populations for tax benefits to even start talking about Sincere Cider. But honestly, who wants to hear about target markets and five-year sales projections when Bex is talking about working at Bonnaroo? But in talking about Bonnaroo—the annual music and arts festival in Manchester, Tennessee—and her experience having to clear out the outdoor furniture section at Target to construct a makeshift backstage for the musicians after an incident with some destructive raccoons, her personal values still managed to reveal themselves.
Brimming with positivity, David Jesudason’s piece “Ypres Castle, Rye—A Bastion From Hate” in Pellicle yesterday with is a great portrait of the world created by our old pal Jeffery John Bell including his approach to creating a great welcoming tolerant pub:
“It’s my house, and I’m the one curating,” Jeff tells me. “I pick the music. I pick the beers. The lighting, the decor—everything is deliberate. And to some extent you have to curate the conversation at the bar—I don’t police it—but you can steer people. If someone says something beyond the pale or outside the environment you’ve created I say: ‘I don’t agree with that’,” he adds.”
It’s a wonderful portrait about making and shaping space with some particularly lovely photos by Claire Bullen, like this one to the right. Contented lad. I like it so much I am going to put it on the Christmas cards this year.
Do you like wines? I know Jeff does. And would you like a short but handy starter guide to liking them more? Eric Asimov published one this week in The New York Times:
The basics remain, but in between lie incremental alternatives that may offer a richer selection but require a greater degree of understanding. Consider the options that now turn up on contemporary retail shelves or wine lists. You might be asked to choose from transparent whites or golden whites, orange wines ranging from pinkish to amber, rosés in pale or dark hues and reds that are light, dark or somewhere in between. Additional subdivisions further complicate matters. If you want a sparkling wine, would that be pét-nat, traditional method or tank? Do you want that red chillable? Or dense and heavy? Perhaps you would like an oceanic white, or would you prefer it to be mountain?
Speaking of coming to an understanding, Boak and Bailey wrote about being excited by a few beers recently and helped me with this trim description of that thing called an Italian lager:
Bearing in mind Italian Pilsner was basically a mythical entity to us at the start of this year, it struck us as absolutely convincing. It was extremely bitter and desert dry despite its 6.4% ABV. It had the requisite white wine quality with suggestions of elderflower and lemon. On a warm evening, after you’ve schlepped up Christmas steps, it’s exactly the glass of lager you dream of drinking. OK, so beer can still excite us, we’re not dead yet, we said.
That so neatly summed up my last Italo-Pils experience that I had a Pavlovian response, then a Proustian recollection and perhaps even Swedenborgian moment all at once.***
Finally, did you think there would be an agument being made for a revival of malty beers? How about an 1800 word argument like the one by Jim Vorel in Paste this week which carries with it more than a hint of suspicion and perhaps an implicit accussaion:
The expected “malt backbone” once referenced in styles such as pale ale increasingly disappeared, while surviving styles such as amber ale, pale wheat ale or brown ale found their hop rates increased and malt character toned down to appeal more to IPA drinkers. Porter and stout increasingly ditched actual malt-driven flavors for the wide world of desserty adjuncts. By the mid-2010s, we had entered an era where malt-forward flavors were being shunned by many drinkers whether they realized it or not, and we still find ourselves in this position today. This holding pattern has stretched on for almost a decade.
Bet September ales were malty. Good and malty, I bet. Just the thing, a spot of the old September.
And that is that. Done. No drunk elephant story this week. I looked. I tried, Stan. Still, as per always and forever, you can check out the many ways to find good reading about beer and similar stuff via social media and other forms of comms to connect – even including at my somewhat quieter than expected Threads presence @agoodbeerblog. Got on BlueSky this week and added it to my IG, FB, X, Mastodon, Threads, Substack Notes and a deservedly dormant Patreaon presence. I am multi! I am legion!! Yet totally sub. All in all, I still am preferring the voices on Mastodon, like these ones discussing beer:
Alan McLeod | A Good Beer Blog (… me…)
Stan Hieronymus | The Man!
Boak & Bailey | The B² experience
Curmudgeon Ale Works | Jonathon is Brewing
Katie Mather | Shiny Biscuit and Corto
David Jesudason | “Desi Pubs” (2023) author
BeoirFest | They say “Let’s Talk Beer”
Ron Pattinson | The RonAlongAThon Himself
Al Reece AKA Velky Al | Fuggled
Jennifer Jordan | US hops historian
Andreas Krennmair | Vienna beer and lager historian
Beer Ladies Podcast | Lisa Grimm and colleagues
The Bar Towel | Toronto’s chat zone for beer lovers
Chicago Beer Society | Folk in Chicago getting social over beer
Jay Brooks | Brookston Beer Bulletin
Joe Stange | Belgian beer expert, beer magazine editor
Cider Bar | Barry makes Kertelreiter cider
Laura Hadland | CAMRA historian and beer writer
Brian Alberts | US beer historian
Jon Abernathy | The Beer Site
Maureen Ogle | US Beer Historian
Lars Garshol | Norwegian Beer Historian and Kveik Hunter
James Beeson | Beeson on Beer
Carla Jean | MAINER!!!
Thandi Guilherme | Beer Ladies Podcast Co-host
Lisa Grimm | Beer Ladies Podcast Co-host
Roy of Quare Swally | Beery ramblings from Northern Ireland
Rob Talksbeer | Podcaster and Youtuber
Anthony Gladman | UK Drinks Writer
Jeff Alworth | Manna Of Beervana
Northwest Beer Guide | Fairly self explanatory… but not NW Latvia…
Evan Rail | Prague based GBH editor, freelance writer, NYT etc.
Todd Alström | 50% of the Alströms
Jacob Berg | Beer talking librarian
Anyone else? And, yes, we also check the blogs, podcasts and newsletters to stay on top of things (though those things called “newsletters” where 1995 email lists meet the blogs of 2005 may be coming to an end of value if the trend with so many towards the dull dull dull means anything) including more weekly recommendations from Boak and Bailey every Saturday and Stan at his spot on those Mondays! Get your emailed issue of Episodes of my Pub Life by David Jesudason on many Fridays. And Phil Mellows is at the BritishBeerBreaks. Once a month, Will Hawkes issues his London Beer City newsletter and do sign up for Katie’s now much more occassional but always wonderful newsletter, The Gulp, too. Ben’s Beer and Badword is back! And check out the Atlantic Canada Beer Blog‘s weekly roundup. There is new reading at The Glass. Any more? Yes! Check to see the highly recommended Beer Ladies Podcast. And the long standing Beervana podcast . There is the Boys Are From Märzen podcast too and check out the travel vids at Ontario’s own A Quick Beer. There is more from DaftAboutCraft‘s podcast, too. All About Beer has introduced a podcast. There’s also The Perfect Pour. Plus follow the venerable Full Pint podcast. And the Craft Beer Channel on Youtube soon celebrating a decade of vids. And remember BeerEdge, too, and The Moon Under Water… if you have $10 a month for this sort of thing… I don’t. Pete Brown’s costs a fifth of that. There was also the Beer O’clock Show but that was gone after a ten year run but returned renewed and here is the link!
*Yikes! This today is me at 60 looking back at me at 40 looking back at me at 20… and finding a beer related anecdote!
**Which sorta points out how “heritage” is the collection and shaping and editing of only the bits of history we like. See: “Practical Notes on a Visit through American and Canadian Ale Breweries”, Journal of Institute of Brewing, 1907, Vol. 13, Issue 4, page 360 – 362.
***Roughly, the image is of a tree full of slobbering angels stuffing their faces with tiny butter cookies but going on and on about the butter cookies from before.
Jeff Bell is a great publican, and I reckon his pub(s) would be in my Top 10. Mrs RM is a huge fan of the Ypres, and it really is a pub with widespread appeal.
Wish he’d sell Bass, mind !