Category: Music

The Olympics Of Thursday Beer World News

Every four years I wake up and think: “…oh, yeah – people luge…” I am not sure how much those of you out there in my international readership care about the winter Olympics but it is fairly big here in Canada. It’s always nice to learn about the new ways that Mr. Putin has devised to crush the dreams and steal those medals earned by strapping young folk from rural Manitoba. And unlike the recent Super Bowl victory, I don’t expect beer to end up featured in any public rioting. And we know how to maintain a reasonable distance between athletic excellence and beer. Sure we do. Yup.

Enough about sport. How about some art? To the right is an image posted by Martin Taylor on Twitter the other day. Seemingly a plain snapshot, it is one of the best compositions I have ever seen. And a character study. And a morality play. Not to mention the portrait in the portrait. For a still life, there is plenty of action going on. Lovely.

Ron’s wife Delores has made her position clear – Ron needs to make some real money from this whole beer writing lark.

Not beer: unexpected sexism.

As I noted a couple of weeks ago, Jordan has shown how one big brewery led bleat-fest on the government’s share of beer is fairly poorly founded. Rod Hill, professor of economics at the University of New Brunswick, has added one more factor to the discussion of the taxation of beer in Canada:

Adjusted for inflation, the tax on a 500 ml bottle was 19 cents in 1976, 18 cents in 1987, 19.5 cents in 1999. At just under 16 cents, it is the lowest it’s been in 40 years. Last year’s budget will keep it at that low level into the indefinite future.

Beer choir.

Lots of opinions in the UK about one craft brewer wanting to join the national executive of CAMRA, the fabulous consumer interest lobby group.  A fairly juvenile manifesto was posted, the sort of third-rate entitled stuff that we have to put up with time to time.  The Tand wrote this, weighing the pros and cons. At Lady Sinks The Booze, the analysis was a bit more direct and unimpressed. And BB2* raise two proper points:

Our gut feeling is that this feels like a PR move more than anything and we’re not sure brewers should be on the NE…

Oddly, the candidate’s manifesto is also somehow similar to the somewhat foggy revitalization statement that the Ontario Craft Brewers have published. Both in their own way miss the mark, shimmer with perhaps unspoken motive. Is the fundamental problem with such things that both the rebellious and counter-reformation forces churning around the brewing of good beer basically have little to say? Could it be that beer takes care of itself quite nicely?

By comparison, a very useful and succinct discussion of value and expense related to low strength beers broke out on Twitter amongst a couple of fine beer writers and a couple of small scale US brewers. Exactly as an open marketplace of ideas should work if folk have their brain bucket properly adjusted. There may be hope after all.

That’s enough for now. Sports are on. There’s quad mixed luge coming on the TV soon. And full contact curling after that.  This is great…

*pronounced as in the Dutch: bay-bay-tvay.

Your Mid-January Thursday Beery New Round-Up

It’s been a big week. The Arctic air mass has left us so Easlakia once again is a ball of slush. It’s been a dryish January around these parts but only “-ish” – so don’t go all hostile. Much more veg. No fries. Walks as walks can be walked. It’s good for you. Hmm. Ice storm coming Friday. That should be sweetly end-timesy. Like what Lars just went through recently… maybe. You and I? We have done nothing for good beer. Not like Lars. Speaking of getting off the kookoo juice, I like this: “…waking up fresh at 8am on a Saturday morning after 8 hours uninterrupted sleep.” Try it. It’s good.

I was very sad to read a Ed’s blog about the passing of Graham Wheeler. During my home brewing years his book (with a drizzle of R. Protz) Brew Your Own British Real Ale was a constant companion. One thing I will always appreciate having learned from him was how small differences between recipes created remarkably different ales.  A great loss.

This is the national anthem of beer.

Caption contest! What the hell was Mr. B saying with that expression? It’s a third of an Elvis, clearly. Click for the full view. Was Jordan using that dab of tuna fish juice behind the ear as cologne – again? Robin caught the moment* at a beer dinner Wednesday night in the centre of the universe which famously included house made gentleman’s relish, the only relish a gentleman ever needs. Perhaps Mr. B was musing on the qualifications JSJ brought to the table, gentlemanly-wise. Surely not.

Speaking of hostile, it was a bit odd reading the follow up this week to Eric Asimov’s bit in The New York Times on brown beer. His column was just a round up of the brown ales you can try in the New York market with, yes, a little jig and jag about beer nerds. Then…. accusations, handbags and recriminations. Reminded me a lot about last week’s crisis over pointing out – “theatrical gasp” – sexism in craft beer.** What a round up of “the superior gathered to get the boot in” that was. And now, while it is clear that it’s probably never going to be a good idea to go all “bored quasi-intellectual snobbery intro is the tiredest of journalistic tropes” if you want to be taken seriously, I was quite happy Jeff told his what his actual issue was with this week’s panic. Not my issue but a reasonable issue as he framed it. Still, Asimov’s a fabulous wine writer who makes complex things make sense – and successful enough to have no interest in making his own status an issue. Me, I liked the piece. And, tellingly, so did a lot of the paper’s readership if the many many comments are anything to go by. So say it loud and say it proud: brown ale is go! As in other hobby interests, this again goes to show that good beer still needs a bit of aging to get past these angst-ridden teenaged years. Yes, these may still be the times of doubtful mild cheddar. As I say to my own kids, it gets better. I hope.

700 employees! Damn good thing they are still small.

Nearby, Robsterowski in Glasgow posted an interesting pit on those little knives or tongue depressors used to smack the head of a fancy beer pour – skimmers. I’ve never thought much about them so his work has added to my understanding by about 1237382%.

Not beer: King Crimson’s Larks Tongues in Aspic.  This was 45 years ago now. Talk about gentleman’s relish.

There, another 23 minutes I can’t get back. Don’t forget to lay your bets on next week’s crisis in the shrinking good beer writing marketplace. Who lashes out next? Stay tuned. Meantime I will likely be back on the weekend with something about brewing in the 1500s you won’t care about. See you then.

*Shared without consent.
**Was it only last week? Nate S. uncovered this weeks Pigs Of Craft award winners. Folks just don’t get it.

“No Liquor On Earth Is Like Nottingham Ale!”

As a lad, before the internet, I was a keener for the BBC World Service. I actually visited the studios at Bush House on the Strand in 1980 on a family holiday and sat in on a Dave Lee Travis show taping. Most evenings I would listen to the shortwave and at the top of the hour before the news hear the station’s identification signal, the Lillibullero. Little did I know that the short tune played right after “This is London” and before the “beep beep beep beep beep beeeeeeeeep” of the hour was taken from an English folk song called “Nottingham Ale“,* the singing of which which you can hear here. 

I learned that fact searching for references to the great ales of late 1600s England in an archive of mid- and late-1700s colonial New York newspapers. I came across this lyric to the right which was to be sung to the tune of “Nottingham Ale.” It was published in New York’s Gazette of the United States on 18 August 1790. Which means that there was some understanding in NYC at that time of Nottingham, England having, you know, an ale. So well known, in fact, that a brewer in New York, John F. Jones, appears to have been using the name for one of his own local ales if the New York Gazette of 12 March 1803 is to be believed.

What isn’t in the archive are references to Derby ale,** Hull ale or Margate ale, the coastal and carted ales of England in the 1600s. As we have seen, there are plenty of references in the NY press to other English ales not much discussed in the 1600s – ales like Taunton, Burton and Gainsborough. What is remarkable seems to be how while the pattern of naming these great ales for the cities from which they came continued, these transoceanic ales were named after a largely if not entirely a distinct class of city. Hmm.

Anyway, this short post bridges a few things that I need to unpack a bit more but most of all it should serve as encouragement for all you all to learn the words and tune of “Nottingham Ale” so that we may sing it when we meet next. Extra points for learning the version in praise of St. Andrew set out above, too.

*Amongst other antecedents.
**Need to work on a Derby post. I have found quite a lovely map from 1680…

Saturday Night In A Rain Soaked Beer Tent

I rarely think of things as being “Canadian” because “Canadian” is a bit elusive. Usually you need an American friend to let you know something is weird so that you can tell him “oh, that’s Canadian.” Sitting in a beer tent at long plastic covered tables during a cold downpour watching iconic 1970s rockers April Wine on a military base at a civvie invitation only concert feet in chilling puddles watching soldiers and pals and dates and, apparently, parents and grandparents having a good time on the one macro beer on offer struck me as pretty Canadian as I was sitting in the midst of it there last night. There in the foggy tent on the parade square asphalt. Do other nations even have laws requiring beer tents? The stamping of hands as you go in? I didn’t have any beer. Not because I didn’t like the beer. Mooseheads pale ale is decent enough for a beer tent. Fact: the porta potties were a hurricane away. Others didn’t pass on the opportunity. Watched one guy down eight or ten Mooseheads in the first half hour we were there. He was givin’ ‘er. As we say. It was so foggy in the tent from the downpour outside that it started condensing on the inside of the tent, rain reforming to pour on our heads. A science lesson in itself. We left not just because of that or because it was so loud that I stuffed wads of Kleenex in my ears but because they played their 1979 cover of King Crimson’s “21st Century Schizoid Man” which I had not appreciated they had in fact once recorded. They did an excellent job for the eleven minutes of that tune but the crowd was there for songs on the radio, songs with lyrics like “tonight is a wonderful night to fall in love, oh yeah” and not covers of early prog rock speed metal. Earlier, folk had happily Legion danced to the opening band, Whiskey Overdrive, playing classic rock covers. Legion dancing requires a generous application of the elbows. And a few Mooseheads. There’s a real happy levelling that goes on when military folk are partying. The opposite of the oneupsmanship you can get at house parties filled with strangers. Military folk already know who in the room is one up. Still, there was a bit of a crush at the exit gate as we left. But plenty stayed. It was really good. Good company. Good out dinner before. Good being among Canadians. People were having a time.

Session 9: When Beer And Music Shaped My Life

sessionlogosmA bit like Greg, when I thought about the topic for this month’s edition of “The Session”, hosted and proposed by Tomme Arthur of Lost Abbey, I was initially disappointed as this one’s generality seems to be taking us another notch farther and farther away from the beer and nearer and nearer to a free for all, allowing for a drift towards that glaring lack of attention to detail that any good beer blogger should fear.

Yet the posts so far today have dispelled my fear as has just wallowing in a bit of recollecting. I have to go quite a ways back to a time when music and beer were more closely associated for me. Not as background music either – when one older brother came back from a trip to family in the early ’80’s, his most telling remark was that the British pubs he had visited all seems to have jukeboxes compared to our last trip, the summer of punk in 1977. And they were all playing “Born in the USA”. That’s not music. That’s music in a can.

hfx1-1Stephen Beaumont’s post for the session – or one of them – makes a very good point about the music in a bar being a huge part of the
experience but it is also important to note that canned music is a fairly recent introduction into a lot of bars – a reality of only the last 35-25 years. Even in my youth of the early 80s many Halifax taverns were still only either loud with conversation or had live music. And it was that live music we sought out because we sang, too. Maritime Canadians like me have a capacity for shout-singing a good shanty with the best of them and we sang them in the taverns like the Lower Deck with certain songs being somewhat obligatory like “Barrett’s Privateers” by Stan Rogers and, of course, the cultural anthem “Farewell to Nova Scotia” which usually brought the house down in pubs like the Lower Deck with the long tables being hammered and dimpled by beer glasses keeping the beat, students and guys in the navy sharing their benches and trying to out do each other on the chorus:

God damn them all
I was told we’d cruise the seas for American gold
We’d fire no guns, shed no tears
Now I’m a broken man on a Halifax pier,
The last of Barrett’s Privateers

hfx2The music was real and I was making it, the tavern was on a Halifax pier and the beer was then, for the most part, locally brewered draft by regionals Keiths and Moosehead even if a few imports were popping up like Newcastle Brown and the oddly present but welcomed Frydenlund lager from Norway – both also coastal brews. Stephen shares a bit of the flavour of Halifax that from that time, too, in his post:

Then there are times when beer trumps music, as it does in this story told to me many years ago by Kevin Keefe, founder of eastern Canada’s first brewpub, the Granite Brewery in Halifax. Winning Maritimers over to British-style ales wasn’t the easiest of tasks for Kevin, but in doing so he recognized that he would create for himself a sort of captive audience. And so, one by one, he convinced the locals to switch from the regional lagers and bland, blonde ales to his unique dark ales and best bitters, including, eventually, one long-time hold-out we’ll call Alan. Alan was for many months skeptical about the appeal of the Granite’s ales, Kevin told me, but after numerous tastes and talks, finally came around and began to drink the Best Bitter on a regular basis. This continued for some time, up to and including the evening when a hugely popular band was playing in a rival bar, attracting away the bulk of Kevin’s clientele.

Funny. The Alan I knew in the mid-80s of Halifax (me), the one hunting out the best place to belt out the best song at closing time, was starting to enjoy craft beer in a Halifax brewpub that actually pre-dated the one that came to be called the Granite Brewery. As I went on about back here, their equipment was originally at a sort of down at the heels place called Ginger’s which was a few blocks, a few rougher blocks nearer the train station and the docks, south of where the places now called the Granite and Ginger’s sits today. We’d also another source for early craft beer from a southern New Brunswick brewery, Hans House, that I do not think made it into the 90s.

But Kevin Keefe is right. It was the place as much as anything that made learning about his early efforts at craft beer so attractive and so different – whether that first harbour town tavern or later, at the Henry House, the new sort of upscale pub that he introduced into the scene that made for the setting. And those places of his had, for much of the time, something hard to find these day of mainly canned tunes or those days of table thumping massed messed choirage – the peace of no music at all.