Category: Craft Fibs

The Beery News Notes For The End Of January And Perhaps Of BrewDog

What an odd week. Very bad stuff about craft beer in the UK then more about very bad things in Ontario craft beer. Didn’t help that I was reading Motherwell, a recent memoir about someone about my age whose family didn’t emigrate from the same bit of Scotland mine left behind for Canada in 1956. Grim pain and judgemental negativity pulsing through a hardscrabble family living through hard times in an industrial town near Glasgow. We dodged. Just a few phrases I heard growing up echoed. I hated “know your place” the most, especially as I didn’t have to. Why bother? Why should anyone? Why in craft beer now? Who are these assholes?

MindbogglIng. Let’s start somewhere else. Stan’s latest edition of Hop Queries came out this week with good news from the Czech Republic:

Czech farmers harvested 18.2 million pounds of hops (for perspective, that’s about as much as Americans grow of Citra alone), 40 percent more than 2020 and 34 percent more than the 10-year average. Average yield of 1,467 pounds per acre was an all-time high. (American farmers average 1,900.)

Gary updated a series of posts that he began in 2020 – who hasn’t been up to that sort of thing? – and included the image to the left. It’s not a super huge .jpg but worth a click. I love the name of the beer – PICNIC BEER. It needs an exclamation mark. It needs to be on every brewery’s list of brands. Anyway, Gary was actually not writing so much about PICNIC BEER out of Minnesota as the use of the term “sand porter” in Montreal brewing in days of yore – by which I mean the late 1800s aka The Gilded Era:

Until recently I felt the sand-topped lid idea made the most sense (some English brewers still practiced it into the next centuries, using “marl”, a similar idea). However, in studying recently the history of a Minnesota brewery, Fleckenstein, I now have a further idea what sand porter meant.

Speaking of yore, the free web service known as A London Inheritance included a post on the George Inn in Southwark which was, as we all recall, the subject of Pete Brown’s book Shakespear’s Local. Lots of unconventional photographic views and mapping, like this one to the right giving a very unromantic vision of what you actually see from across the street. It is actually a massive post. A data fest. Well worth reading. The post includes this astute observations about the value of certain second hand books:

Old books help as they provide information closer to the time they are recording. Some care must be taken to double check, but they are a good source of information. These books also have their own history as they pass from owner to owner over the years, accumulating a memory of their time with some of the owners of the book.

The post then goes on to highlight photos and even a letter relevant to the subject that had only been stuck in copies of books that he had found over the years. All fabulously illustrating the unique archival value blogs. Much praise to the author… whose name is not particularly highlighted on the site. Freddie?

On a similar theme but in a colonial context, I saw a reference on Facebook to Ten Mile House in Halifax, NS (my old home town) this week and wondered what shape that was in:

The house was located ten miles from Halifax on the Bedford Highway. It was built in the late 1700s for Colonel Joseph Scott on land granted to him in the 1760s. In 1798 it was called Scott’s Inn, and opened as a House of Entertainment by John Maddock. Joseph Scott died in 1800 and his widow Margaret conveyed property to John Lawlor. Who opened and operated Lawlor’s Inn from 1802- 1809, possibility later.

Nice image at the Nova Scotia Archives website. As you can see from the thumbnail it is now sitting well back of the main road, the Bedford Highway, but looks from photos on Google to be in very good shape right by The Chickenburger. There are plenty of these colonial taverns and inns out there if you know what you are looking for. Like a favourite of mine, the Fryfogle. Interesting note: at the time Ten Mile House was in operation as Scott’s Inn in the late 1790s, it was just down the road from the estate of Queen Victoria’s father, the Duke of Kent. The tavern not the Chickenburger. The Chickenburger is old but not that old. I will pay it a visit when I am back there in early March.

And in one last note about built heritage of pubs, taverns and inns this piece in Eater Chicago was interesting in terms of how one preservation project was undertaken:

While Lincoln Square reconfigures during the pandemic — across the street from the Brauhaus space, the Huettenbar has quietly closed (owners hold to hope that it could eventually reopen) — fans can take solace that the Brauhaus has returned in a slightly different format. The bar, at least in spirit, is now located on the second floor of the DANK Haus German American Cultural Center.

In a less physical form of preservation, Edd Mather posted this bit of video on facebook, a fabulous step back into the near past of Ireland and the question of corks v. crown caps which relies on any number of associated technologies:

 

OK – the bad news. I have mentioned this before so let’s be upfront. Once upon a time, BrewDog sponsored this blog. When they were tiny, not the £2 billion international corporation they are now. I still have that label from a sample they sent at the time and it was put on with Scotch Tape. Well before the stupid squirrel and certainly well before BBC Scotland News detailed what apparently everyone in the trade knew but too often was not willing to put into print. The main allegations so far:

a. James Watt owns a massive amount of shares in the global beer brand Heineken hypocritically contrary to his “big beer is bad” stance.
b. James Watt is accused of being a pervy boss;
c. BrewDog falsified paperwork submitted to allow it to import into the United States; and
d. BrewDog carefully structured the Equity for Pinks fundraising to benefit the brewery and not the investors.

This reaction to the first bit of news is gold. Deals between breweries started to come apart. Punks with Purpose said the fight goes on. There were also calls for a resignation. Also questions: “why the obsession?” I will leave it there* as you all know this – and my job is to root out the unknown and beery for your reading delight.** BrewDog has not been delightful for many many years. But we need to remind ourselves, while they are big they are just one of many – as @esbroadfoot helped remind us by inviting  and sharing stories of rotten treatment, largely in the Canadian craft scene.

Still, by Wednesday, it all seems to have put JJB/Stonch in a reflective mood:

Placing orders to fill an empty pub cellar has made me realise what an amazing choice of absolutely superb beer from independents I have. Yes, the craft beer industry has its bad sides, and faces daunting challenges this year, but let’s not forget how brilliant it is.

He’s always hated BrewDog pubs (“…Awful aesthetic, odd places….”) but appreciates how others feel cheated. He also reminds us to be kind to the good folk who distribute our beer. He also posted a link to a 15 year old post about the horrors of a pub crawl in St. Albans, home of CAMRA, for a fair and balanced set of thoughts.

Elsewhere in space and time, Ron has been exploring the colour of milds and has come across a new unit of measurement – tint!

The biggest problem is the lack of hard data. It’s tricky calculating the colour from the ingredients, especially when sugar is involved. As this is mostly only described very vaguely. There are very few records of beer colour before WW I. Occasionally chemical analyses will include a number for the colour, mostly in some weird scale that died out 100 plus years ago. Only a handful of Barclay Perkins records from the Edwardian period include the beer’s colour. At least that’s what I thought. Until I happened to notice that line in a Fullers brewing record. That “Tint” number looked like it was in an understandable scale. The type of Lovibond used before WW II.

Even further afield, does Syracuse have a low estimation of its own worth in the beer world? Like Toronto?  As bad as that? I spent a lot of time in Syracuse up to a certain point… the point at which the Canadian dollar collapsed from parity to 75 cents frankly. For AAA baseball. For the beer shopping day trips. For bars now long gone like The Blue Tusk and Clark’s Ale House. For Wegman’s. I love Syracuse. I used to cross sometimes just for the white hots. Je me souviens… but more to the south…

Finally, note: union made. Nova Scotian beer cases always said that too. Plus health tax included. So by drinking beer you knew were doing your part. I might do a bit of that when I head out east in March, too.

That’s it for now. Too much. For more check out the updates from Boak and Bailey mostly every Saturday and from Stan every Monday, plus more with the weekly Beer Ladies Podcast, and at the weekly OCBG Podcast on Tuesday and sometimes on a Friday posts at The Fizz as well. There is a monthly sort of round up at The Glass. (Or is that dead now?) There is more from the DaftAboutCraft podcast, too. And the Beervana podcast. And sign up for Katie’s irregular newsletter, The Gulp, too (… back this week!) And check out the Atlantic Canada Beer Blog‘s weekly roundup. Plus follow the venerable Full Pint podcast. And Fermentation Radio with Emma Inch. The AfroBeerChick podcast as well! And also look at Brewsround and Cabin Fever. And Ben has his own podcast, Beer and Badword (which I hope is  revived soon…)  And remember BeerEdge, too, and The Moon Under Water.

*But if this is correct and such acts are common in craft beer, well, we can all agree that anyone who knew this and is claiming to be reporting on the beer trade… is pretty much a fail, right? If not complicit… right?
**Plus I am aware of my own little realistic chance of not ending up in HELL!!!

The Thursday Beery News Notes For When Winter Actually Showed Up

While we didn’t break the record of most snow in a century like Ottawa to our north did, I has to shovel snow five times on Monday to clear and keep the driveway clear. Not sure I would find, as a result, the idea of a pub with an outside men’s room would be wonderful. I mean I have heard of such things… but here? That doorless door there? It’d be filled with drift. Snow drift. Right up to that bracket to the left of the door frame there. Don’t fancy that. Chilly. Something something rhymes with chilly.

Well, perhaps speaking of which, the big news broke on Wednesday that Brewdog has apparently been falsifying documents submitted to the US government. As BBC Scotland found out:

Scottish beer giant Brewdog sent multiple shipments of beer to the US, in contravention of US federal laws, a BBC investigation has found. Staff at its Ellon brewery told the BBC they were put under pressure in 2016 and 2017 to ship beer with ingredients that had not been legally approved. One US-based importer said they had been deceived by Brewdog. In a social media post on Wednesday, Brewdog CEO James Watt admitted to “taking shortcuts” with the process.

Having practiced low level criminal defense law for about a decade, it is always great to see a suspect get chatty like that. What makes it really quite amazing is how §70.331 of the Fed Reg Title 27, Chapter 1* related to the Alcohol Tobacco Tax and Trade Bureau of the US Treasury Department provides that:

Any person who willfully delivers or discloses to any officer or employee of the Bureau any list, return, account, statement, or other document, known by him to be fraudulent or to be false as to any material matter, shall be fined not more than $10,000 ($50,000 in the case of a corporation) or imprisoned not more than 1 year, or both.

But that right up there, as a pal says when I point to a by-law at work… “that’s a law!” Which it is. Which allows for a year in jail. Yikes. Dumbasses. No wonder Dan Shelton, former US importer and man whose name became a new verb, stated that he had been deceived: “They did lead somebody in my company to falsify documents.” Wow.  To think Brewdog once sponsored this blog… I am so embarrassed. I would have thought Prince Andrew’s situation might have been a warning to Brits who are a bit deluded about their proper place. No, apparently not. Perhaps it was a plan to distract folk from their incredibly retrograde insensitive and perhaps even Neanderthal-esque approach to promoting better mental health… you know, when they weren’t, what did the BBC write in that article… running a model workplace… what was it?

One former worker told the investigation: “The pressure was enormous. ‘Just make it happen’, that was the culture. It was clear to us this was coming from the top – from James [Watt].”

Elsewhere and hardly at all as suspect, Stan has been on a bit of a roll, posting five times at his space. He may be making a point of some sort. He wrote this under the heading “#nottwitter 04“:

Can somebody point me to a blog post, an academic paper, something from the New York Times, wherever, that provides insight into what might be called unhealthy nostaglia and the ramifications? And how might it relate tradition as a trap?

I am not sure what is up. Is there a pattern?  Whatever it is, it may be that this post’s point is found in the next post, the Monday beer links: “when we buy into that nostalgia, it might be best to stop and consider what we are longing for.” Isn’t what nostalgia what beer is for? Remembering? Daydreaming? Hmm. Then – get this – then Stan hid a clue in the title of his next post: ethyl octanoate. Ethyl. Octanoate. Think about it. Anyway, it terms of the speed of nostalgia, it moves fast with craft beer. Four Pure and Magic Rock are in a “process“:

We want to update you on some news. As we go through this process, our priority remains our superb team and brewing great beers.

Better a process than a legal process, eh? The Grocer has deets:

“While no decisions have been made, we need to determine how to best set Magic Rock and Fourpure up for success in the coming years. Our team have been informed of the review and we are committed to supporting them through this time.” Fourpure has struggled to make headway in the supermarkets, despite the huge surge in alcohol sales over the course of the pandemic…. In contrast, Magic Rock’s off-trade volumes rose 125.4%…

Well! As with the news last week about the Aussie wine guys buying up US craft, the news about the Aussie beer guys going wobbly on UK craft is par for the course. Dust in the wind. Chose your pop prog song title from the mid to late 1970s. That is what it is.

Thinking about thinking, Ron reflected on the year ahead this week in terms of his own mobility:

Plague permitting, I’ve a few trips planned and a couple of others pencilled in. Corona is a real blessing to travellers. The internet had made travels far too simple. The virus adds a delightful randomness to the proceedings. Like planning a European tour in the summer of 1918. Every time I book a flight I wonder: “What are the chance of me actually taking it?” Nothing is more thrilling than checking the internet until the second before you leave for the airport that the flight hasn’t been cancelled. Or wondering if you’ll be let out of the country once you reach your destination. I love the Phineas Fogg feeling the uncertainty brings.

All this uncertainty. Is that the word of the month? I bought a ticket to a CNY beerfest this week at Craig’s urging. Not sure I see how I could ever go to it but it is at least four months off and I suppose I could rent a camper van and look at people out the window. Now he tells me it’s Mothers Day weekend.  Great.

Conversely to that fest, there is as much to learn from a poorly made or poorly thought out beer. Matt is right. Don’t be a jerk. But also don’t be fooled twice. That’s what got us in this mess.

The Beer Nut found perhaps the dullest beer ever.

Retired Martin found a micropub based the theme of the group The Jam. I was their only fan in high school. Until my pals listened to my records. Not sure even I would stay long.

A few reviews of the ABInBev TV promotional show, Beer Masters, have come in. Boak and Bailey added to Ed‘s observations this week:

Perhaps, however, they could have spent less time on the somewhat laboured descriptions of what makes an Abbey beer, or a pilsner, and told us a bit more about the contestants’ kits. We could see some interesting gadgets and arrangements that were never really discussed. If the aim is to spark a home-brewing revolution, as was suggested at a couple of points, then this probably won’t do it.

Good point. This is the sort of TV that does not interest me but at least it appears that a bit of big brewery money has made for a show that is actually not dreadful. Remember that horrible show produced as an advertising vehicle for Dogfish Head twelve and a half years ago? Of course you don’t as most of you were still in elementary school back then. That show was absolutely dreadful. Note: it was also called Beer Masters.

Somewhat related in the sense of horrible US craft beer messaging. Jeff considered the limits of independence this week with yet another tale of yet another takeover:

This isn’t a problem of the Brewers Associations’ making. It’s a structural feature of the beer industry in the US. It is also a worrying development, an echo of an earlier era when consolidation blighted the industry. What does it say about how we regulate the sale of beer in the US that the most successful start-up breweries eventually have to sell out to giants to survive? Is this the world we want to live in and, critically, what changes would allow those larger regional breweries to compete?

I can’t really agree that this is worrying. I mean if you are worrying about this you must have a pretty worry-free life.  The idea of the “independence” of craft beer was dumb in 2009, in 2012, in 2015, in 2016 and still is today. See what I wrote in six years ago under that 2016 link?

Recently, the Boston Globe profiled private equity firm Fireman Capital Partners, the investment folk behind the expansion of Oskar Blues and the cash injection into Florida’s Cigar City Brewing. You think those guys are shaking in their boots over the prospect of a rival fund based on Stone’s ethos? Hardly. The experienced private equity players will out bid and out run their deals. It’s their business, not a hobby or a faith-based act of grace.

Money knows what money is about. Craft beer is about making money. Ask the Aussie wine guys. Unless it is about Berlin. Then craft beer is not about making money. Elsewhere and far more pure of heart, Lars came to a realization this week:

That feeling when you sit down to summarize the development of Norwegian brewing processes and the process of explaining forces you to realize that for 3/4 of the time people have brewed beer in Norway there is zero knowledge of how they did it. No evidence, no theories, nothing.

I might add that we should always be alive to the other 1/4 being 3/4s correct, too. That is the issue with all histories which is why it comes in a plural. But I expect this to spur on even more of his excellent and single-handed research.

There was a good question put to the chattering classes about the most influential European breweries on the US beer industry but I couldn’t muster the energy to decode influential so only watched the ticker tape pass through my hands. Gary went with Chimay and then wrote a follow up:

My history with Chimay started long before this blog inaugurated in 2015. My first Chimay was in a stone-flagged bar in Montreal, Quebec around 1980, served in the stemmed “chalice” long associated with the brand. I was in Vieux Montréal, the oldest part of the city whose mix of old French and Victorian British architecture contrived to offer a “European” atmosphere (still does)…

The Tand picked up a very similar ball – round and bouncy – and gave it a swift kick himself and wrote this about TT’s Landlord:

Me and Taylor’s Landlord have a bit of history. When I first came to this neck of the woods, a local free house used to sell it. It was on the way to Tesco when we did our weekly shop, and we always stopped on the way back for a couple.  It was a rich, balance of malt and hops, with a distinctive floral touch. The term multi layered really did apply to it.  Alas, the free house was sold to Robinsons and the then landlord presented me with the Landlord pumpclip as a farewell gift. I still have it. And that was that. No more readily available Taylor’s. I have supped it in Keighley too over the years and when I saw it on a bar, I always tried it. E loved it too. Of course, there is a but. Over the years, it just hasn’t retained its appeal somehow. It isn’t the same.

Question: “What makes the Golden Ball special?”

As I am wont to do, when I compare this review of good wines by Eric Asimov in the NYT with what would happen if anyone tried such a thing in a publication about beer I once again am between saddened and confused. Imagine if wine writers wrote “for the trade by the trade” as is often the brand with this sort of beer. No one would take the opinions offered seriously. It’s the neighbour of scandal.

Finally, Jordan took one for the team and drank a bunch of no-alc beer samples he got in the mail. While I would approach that opportunity with the sort of anticipation I might feel just before… what… anyway, Jordan found some good in doing it by suggesting not doing it:

I struggle with Non-Alcoholic products. By my lights, I’d prefer to have beer with alcohol or something that’s not beer. I probably get through three litres of fizzy water a day. While I understand that there’s a question of inclusivity in gatherings and that people want to hold something that looks like a beer so that they feel included, I feel that things are slightly different if you’re… you’re a… [Ed.: hmm he spelled “grown up” wrong…].

And I have been playing with the Patreon thing a bit more. Notes on beers I have tried, thoughts on books and beer culture as well as my war on squirrels at the feeder. I do like how it provide a low barrier to easy access. I can be ruder there. Like cable TV as opposed to broadcast.

That’s it for now. That’s a lot. For more check out the updates from Boak and Bailey mostly every Saturday and from Stan every Monday, plus more with the weekly Beer Ladies Podcast, and at the weekly OCBG Podcast on Tuesday and sometimes on a Friday posts at The Fizz as well. There is a monthly sort of round up at The Glass. (Or is that dead now?) There is more from the DaftAboutCraft podcast, too. And the Beervana podcast. And sign up for Katie’s irregular newsletter, The Gulp, too (… back this week!) And check out the Atlantic Canada Beer Blog‘s weekly roundup. Plus follow the venerable Full Pint podcast. And Fermentation Radio with Emma Inch. The AfroBeerChick podcast as well! And also look at Brewsround and Cabin Fever. And Ben has his own podcast, Beer and Badword (which I hope is  revived soon…)  And remember BeerEdge, too, and The Moon Under Water.

*Feel free to correct my US citation style. I took and oath to the Crown so you can just consider it payback for the whole “War of Independence” thing.

These Be The Beery News Notes For Mid-January 2022

We are already at a mid-point. But there are plenty of them to do around. Pick one point and then another? You’ve created a mid-point. I saw this image from a late 1960s airport or train station waiting area. I remember these at the Halifax airport, coin operated TV chairs. Some sort of mid-point going on. With ashtrays. We are at another now. Mid-January.

This bit of beer business news has every member of the semi-pro beer chattering class without experience in business* scratching their heads:

Molson Coors Beverage Company said today it will stop production of its Saint Archer brand and sell its San Diego-based brewery and taproom to Kings & Convicts Brewing Co., which owns the Ballast Point brand.  

As I reported… relayed… poached from Josh Noel in the Chicago Tribune, back in December 2019 Kings & Convicts, an apparently tiny craft brewery in Illinois bought one time mega-brand Ballast Point. The purchase was made with a bucket of moolah earned from a hospitality asset sale by K&C principal Brendan Watters in 2015  along with input from other friendly and wealthy investors including wine magnate Richard Mahoney. These brewery buys at pennies on the dollar are no doubt a doddle for folk at that level.

In another sector aimed at making the moolah, the sad news has been reported by Jaime Jurado that something called the Adult Non-Alcoholic Beverage Association has been created. A concept which seems to put the moron in oxymoron. As it is not about beer, it shall never be referenced again – except when someone mentions “neo-prohibitionists” again. Then I can say:

What? You mean the ANBA?

Best NA-NF quote of the week? This:

Price is an issue. Not sure how I’ll feel about that once work isn’t paying for the beers.

What? Govern the opening of your wallet accordingly, I suppose. Spare a measure of salt when reading review by those who get the freebies. Next fad to return? Temperance bars. As noted by Martin, the mastheadless blog Evo Boozy Scribbler discussed a variation on that theme:

I have nothing but disdain for booze free curry houses. Having a pint of Cobra is part of the experience. I don’t take my own roast potatoes to a carvery.

Well, it’s part of your experience. Why can’t people on the beer imagine that there is a world where being people on the beer is not considered the height of civilization’s progress? I rarely have been with my curry but, then again, I equate it with family meals, not piss ups.

Speaking of food and beer, this is an interesting argument from Zambia related to food security:

Well, if we are talking about food security, perhaps we could start by checking the quantity of maize going into beer before we think of suspending meagre exports of less than a million tonnes because if this info could be true, it could mean us who drink chibuku, ‘eat’ more mealie meal in three months than what the whole country uses in a year! Mwaimvela kanongobilitina skopodicious, ka? But not everything is bad about opaque beer, “…it gives you 13.1% of body energy when you drink,” my friend told me.

Changing course, a high honour and one I agree with entirely was bestowed by Garrett Oliver this week after listening to Matt Curtis interviewed by the two folk at BeerEdge recently:

I don’t really follow the beer press; as a producer it sometimes feels grubby and unseemly to do so. But I will say that this interview put a lump in my throat more than once and made me switch my mental hat to “writer/journo”. We do need actual journalists. Glad of these folks.

Through this troubled world of everything from PR puff to academic research, it is good to note how much quality there actually is – as I get to do each week. While a sort of drinks writing is a narrative with no greater arc, writing attracted to novelty (or even whatever it is that has briefly twitched… right over there, do you see it?) we see another relatively recent aspect of this is how good beer writing is developing and unfolding is the phenomenon of people writing about serious issues faced in life – from humanity’s injustices to the  deeply personal – seen through the lens of something somehow related to beer. On excellent example this week was provided by Jonathon Hamilton in Pellicle:

This time last year I wrote my first essay for Pellicle. It was, like this, a self-reflective piece about the beginnings of the magazine, alongside my own struggles with mental health, imposter syndrome and a sense of belonging. Putting myself out there in such a way was one of the most difficult things I’d ever had to do, and I would love to tell you all how it immediately changed me for the better. Unfortunately, it did not.

Similarly, note bene the bene noted:

It’s true that the total number of blogs has declined over the past decade, but the number of good blogs has never been higher. Moreover, they fill a role that would otherwise be left vacant. Beer is little-covered by newspapers and magazines, and often merely superficially. No one is going to print one of Ron Pattinson’s lists of 19th century grists in the Wall Street Journal. Social media is great for opinion and linking, but not much else. Imagine Lars trying to present one of his enthnographies on Twitter. Larger, more ambitious projects like Craft Beer & Brewing and Good Beer Hunting are doing fantastic work and I don’t want to diminish their effort. But blogs are still critical in the media ecosystem—and, given the anemic state of print journalism and the increasingly toxic nature of social media, more important than ever.

Hooray and happy sixteenth beer bloggaversary, Jeff!

There was a sad sighting of another of a bit of a failed PR initiatives this week: Tryannuary. How 2015. How could they have known that a global pandemic would raise general concerns about personal health?

In Scotland a wonderful protest was seen this week in Dundee, where the King of Islington, a Dundee pub was suddenly closed without warning and then suddenly reopened without warning:

Staff at a Dundee bar at the centre of Covid-19 cover-up claims have been told to return to work this week following a sudden closure. The King of Islington pub shut on Saturday with upper management blaming “massively reduced trade levels” due to the “promotion of unsubstantiated claims” in a union-backed grievance letter from staff. Kieron Kelleher, assistant manager at the Union Street venue, accused pub chain operators Macmerry300 of victimising staff who spoke out.

Protests had also been held at pubs owned by the same chain in Glasgow as events unfolded. As a child of a child of the Red Clyde, I got all verklempt.

This week’s Tufte Award for Best Visual Display of Quantitative Information goes to… a chart that explains what we know as “hard liquor” in Canada but described as spirits in the Old Country. It is from Colin Angus using data from Public Health Scotland who first ran a poll, most people guessing gin would be #1 rather than the bronze medal winner. Well down the list but still – who is drinking all that brandy?

The Canadian Beer Cup is off. Now… calm down. Breathe. I am sure it was a big deal in your household, too, but the reason  for the cancellation is… singular and real:

…guidelines announced last week by the Ontario Government in response to the rapid surge in cases of the Omicron variant limit indoor gatherings to a maximum of five people, making it impossible for in-person judging to take place at this time. “One of the goals of The Canada Beer Cup is to showcase the greatness of Canadian breweries to the world,” said Rick Dalmazzi, Executive Director of the Canadian Craft Brewing Association, in a statement. “With all due respect to the many fine Toronto and Southern Ontario judges who will be involved, we want to do everything in our power to also include the many international and cross-Canada judges who have committed to our event.”

In plain language, there was clearly a large aspect of this that was a Toronto tourism event bringing in judges who were also newspaper columnists and consultants to retailer, etc.** (One need not take that statement above in the cancellation notice to suggest that while Canadian beer may be underrated, well, our own Ontarian beer judges are somehow overrated.) Now… how to transition and stay within the overall goals. As happened in the World Beer Cup (whatever that is when it is not the World Beer Awards), beer submissions will be poured. What does a next step look like? Apparently the Greek Cup of Beer or the Greek Beer Cup or the Greek Beer Awards was not so needy of auslander praise as they also just mailed out the samples to the usuals. As did the World Beer Awards. Something will occur. I just hope that there are government grants that buffer all this, that cover the unexpected stranded costs that demobilization and remobilization incurs. Stranded costs are a killer.

Non-beer recommendation of the week:  follow AndyBTravels. He’s train fan who runs a Travel Architect Service. He also wanders around remote parts of places like rural Romania where this week he captured some desolate spots and also some gorgeous moments.

That’s it for now. For more check out the updates from Boak and Bailey mostly every Saturday and from Stan every Monday, plus more with the weekly Beer Ladies Podcast, and at the weekly OCBG Podcast on Tuesday and sometimes on a Friday posts at The Fizz as well. There is a monthly sort of round up at The Glass. (Or is that dead now?) There is more from the DaftAboutCraft podcast, too. And the Beervana podcast. And sign up for Katie’s irregular newsletter, The Gulp, too (… back this week!) And check out the Atlantic Canada Beer Blog‘s weekly roundup. Plus follow the venerable Full Pint podcast. And Fermentation Radio with Emma Inch. The AfroBeerChick podcast as well! And also look at Brewsround and Cabin Fever. And Ben has his own podcast, Beer and Badword (which I hope is  revived soon…)  And remember BeerEdge, too, and The Moon Under Water.

*pretty much all of them.
**we should be honest about how these things really work.

Your First Beery News Notes For A Thursday In 2022

Well, that was a good holiday season, wasn’t it. It wound up with Ontario heading into another semi-demi-lockdown as of Monday so I can’t say that it is all fine and dandy. I still have my stash. And I can settle down into my culturally appropriate assumptions that the stash somehow helps defend against viruses. This is the second in my collection of my “Dewar’s Defeats The Flu!” imagery in addition to this beauty.*  Now you have a collection, too.

What is going on in the beer world? Well, there was a ripple of unhappiness about the term “pub ale” which I have no issue with as it fits a certain spot that I recognize as something once called “Canadian export ale” except it isn’t really exported – a sweeter sort of pale ale.  Like Left Field brews and calls Outstanding which it is. “Bitter” isn’t an old term.  Gary mentioned the question this week dismissing the idea it was novel:

Certainly in export markets, British brewers were alert early on to attune names to market expectations. Boddington’s Pub Ale, a good seller in many markets is a stronger version of Boddington’s Bitter marketed for export since 1993. Back in the 1980s the now defunct regional brewer Greenall Whitley sold a Cheshire English Pub Beer in the U.S. I recall it especially in the Northeastern market.

I am with Mike. Bringing out a craft beer brand called “Leff” without a last letter “E” is just inviting a trade name or copyright law suit. Big faceless industrial gak maker hegemonist ABInBevOfBevAllBev has my sympathies:

“Leffe has an earlier right. Moreover, in both cases it concerns beer. Then there is a risk of confusion. There would be less risk of confusion, for example, if the Leff brand is applied for by a bed manufacturer. Although the protection of well-known brands can sometimes extend to other products.” Moreover, the label of a bottle of the Brasserie Artisanal du Leff also resembles that of the famous Leffe. “The same Gothic letters, for example, and the word ‘Leff’ is very emphatically highlighted. Those logos and fonts are also registered by AB InBev with the trademark register,” says Chalmers. In a French press release, AB InBev says that even in French pronunciation, there is no difference between “Leff” and “Leffe.” Reason enough to send Le Saux a letter.

I love this image to the right of all the various sorts of pints illustrated on a pint glass. Published by Foods of England this week. Pity the Belgian pint.

Joan Birraire in Barcelona, Spain has fired up his coal fed servers and revived the beer blog, no doubt due to everyone saying how beer blogging is dead. He returns with his Golden Pints 2021:

To avoid settling into perpetual criticism and start leading by example, I hope to resume blog activity a bit this year, also as part of a return to good habits that I have definitely lost due to the pandemic and excess work, the combination of which has led me to a terribly monotonous kind-of-monastic life. To begin with, I would like to recover a decade-long initiative that started in the international blogosphere: the Golden Pints awards, which every blogger assigns to beers, establishments or projects that they feel deserve to be praised.

Note: there is no such thing as “too many beer bloggers.” Speaking of which, Lucy Corne of South Africa, not dead, celebrated ten years of beer blogging this week as did Matt Curtis, also not dead. Speaking of whom latterly but not late-rly, Pellicle has published an excellent business plan for 2022 explaining the financials of its operations. Were all the others so transparent:

We run Pellicle on a cash basis. We have no debt, and our plan is, and always will be, to keep commissioning content until the money’s all gone. Thanks to our Patreon supporters, plus our sponsors Hop Burns & Black and Hand and Heart, we’re presently able to publish roughly one or two features per week, plus a podcast every three to four weeks, and both are pretty much self-sustaining as is. 

Full marks. This is why I trust Pellicle and I support them at a very modest level. Speaking of excellent, this piece by Kate Bernot captures exactly what we have not seen much of in craft beer business journalism: digging into the business end. And it was accomplished by reading Danish corporate filings for Mikkeller:

According to a company audit, Mikkeller had a total income loss of about $4 million between 2019 and 2020. The report says that last year’s losses were “primarily a result of COVID-19 related restrictions, lockdown and general uncertainty across the globe heavily impacting our retail sales as well as wholesale to on-premise bars, restaurants.” Borsen reported that Mikkeller founder Mikkel Borg Bjergsø has relinquished some ownership in the company to Orkila as a result of the most recent transaction.

Fabulous levels of detail to dig up and dig through. Now, let’s have the same approach to other breweries. In 2016 there was some unhappiness that I just mentioned Jim Koch selling off shares, pro-am beer writers telling me I “…didn’t understand, so mean…” despite practicing business law for about two decades at that point. More of the digging please.

Maureen retweeted this image of Jack’s Saloon at Camp Claiborne, L.A., 1940s and it is worth poring over for the details. If you click there is far bigger version. What the heck is a “dude drink” and why were these two fine ladies and their wonderful establishment so against them? I mean you could have one but it cost fifteen times the cost of a home brew. Are they brewing out back?  The font of all knowledge explains that “Camp Claiborne was a U.S. Army military camp in the 1930s continuing through World War II located in Rapides Parish in central Louisiana.”

Retired Martyn crossed the northern border thanks in large part to someone else:

A flat tyre from nowhere, but thankfully I have a skilled team to deal with life’s little crises. And no, that’s not the main reason I married her (though her 1991 “Motoring Madams” certification was high on the list).

I was guided to the blog “Paul’s Beer & Travel Blog” which is a fairly plain name if we think about it but no doubt entirely accurate. Paul Bailey is the name (no relation) and what it is really about is Paul’s travels to beer. So there is pleasant train discussion, pleasant pub discussion and pleasant beer discussion as this one paragraph illustrates:

Unfortunately, the trains didn’t connect very well, and as the service from Dorking pulled into Redhill station, I witnessed the one to Tonbridge, pulling away from the opposite platform. The next train to Tonbridge wasn’t due for another hour, which provided the perfect opportunity for a quick, “in-between trains” pint. The question was, with a number of pubs to go for, which one should I choose?’

Remember this next time you read someone saying how negative discussion is on Twitter during the pandemic – it’s much the same in the pub. Current complaints? Dry January…** New York State Governor Hochul? Not so fast:

New York Gov. Kathy Hochul announced Wednesday that she will permanently legalize the sale of “to-go” alcoholic drinks in the state, adding that the practice was a “critical revenue stream” during the pandemic.

Oh – and Stan mentioned the Patreon thing. Let me play with it a while before I figure out if there is any point to it.

There – a modest offering for this more modest first week of the new year. For more check out the updates from Boak and Bailey mostly every Saturday and from Stan every Monday, plus more with the weekly Beer Ladies Podcast, and at the weekly OCBG Podcast on Tuesday and sometimes on a Friday posts at The Fizz as well. There is a monthly sort of round up at The Glass. (Or is that dead now?) There is more from the DaftAboutCraft podcast, too. And the Beervana podcast. And sign up for Katie’s irregular newsletter, The Gulp, too. (That’s a bit now and then now.) And check out the Atlantic Canada Beer Blog‘s weekly roundup. Plus follow the venerable Full Pint podcast. And Fermentation Radio with Emma Inch. The AfroBeerChick podcast as well! And also look at Brewsround and Cabin Fever. And Ben has his own podcast, Beer and Badword (which he may revive some day…)  And remember BeerEdge, too, and The Moon Under Water.

*This blog is not sponsored by Dewar’s. This blog is entirely open to being sponsored by Dewar’s.
**For the double!

Here We Are At 2021’s End… And What Have We Become?

Charts. I used to draw loads of charts. The one above from December 2016 [Ed.: fig 1.] was really useful as it succinctly describes the world of good beer from a wee titch in time before 1980 to the then present day without all the revisionist history imposed on us all by the BA.  I was very interested five to six years ago in how beer culture described itself – which in part led to me shifting away my focus from researching brewing history to reading the weekly news. And as we can see in the diagram, craft as it then existed died in around 2015* but the term has stuck around, generating suckers and shoots that are worth exploring and, seeking external structures, may be explored using a few agricultural terms as analogies: sports, scions and volunteers.

What’s that? Let’s define some terms. A sport in the plant world is a genetic mutation that results from a faulty chromosomal replication. A scion is the one bit of a grafting that is intended to bear fruit characteristics that is stuck on the bit that goes into the ground which provides other characteristics, often related to hardiness.  A volunteer is something left behind and forgotten in the ground that pops up the next spring, bringing both hazards and opportunities.

Like Wittgenstein pointed out, axioms or self-evident statements are a useful way of understanding something. This is as true in beer as metaphysics. We have established or at least argued (in no particular order) that beer creates aggregation, is a means to an end, is cyclical, is responsive, is pervasive, and beer resists. Does the exploration of where craft has gone through the lens of sports, scions and volunteers add to that list of axioms? Let’s see, shall we? Whatever the outcome its can’t have more holes as nationalism or style as a construct. Let’s hope it is at least as helpful as Ron’s new Dark/Pale and Sweet/Bitter continuum.

One last thing before we start. Another chart. Or, rather, an updated chart. To the right, is an update [Ed.: fig 2] of a chart that I created in 2016 or so trying to get a handle on beer culture at the time upon which I have layered notations. Back when craft was a unified battle against all external forces as opposed to today’s schism riddled word cloud that would make a 1600s Scottish Presbyterian proud. Remember. Craft died in 2015. In 2016-17 were were describing its entrails. Now we are describing something else. Its offspring? Its ghost?

So, to repeat, a sport in the plant world is a genetic mutation that results from a faulty chromosomal replication. I think it is safe to say that we have seen some sporting in the world of good beer.  A sport is something unintended by the original breeder of the plant.  While some will fundamentally misunderstand and call something like the hop Fuggles a landrace, it is actually a sport as its ancestors were hop plants already farmed and developed under the careful eye of husbandry.  As Martyn wrote in 2016, Fuggles were first found in a garden. And hops were big business well before Fuggles came along. No, what is really the sport in IPA isn’t the hop but the muck… the haze… the lactose. The over-allocations of the term IPA over the last few years to encompass these new forms is as faulty a replication if ever there was one. No one intended IPA when first used to later become as diluted in terms of meaning as it has become.  Note: this is a neutral observation at this point – no comment on any sort of fluid in a can marked with these three letters. But it is an example of a sport.

Next, we recall that a scion is the one half of a grafting that is intended to bear certain fruiting characteristics that is stuck on the bit that goes into the ground which provides other characteristics, often related to hardiness. This sort of intentional mixing of characteristics results in something a lot like a sport but it is guided by human intervention. It won’t necessarily make the fruit taste different but, though grafting on tougher root stock, can extend a growing range or defeat a certain pest.

As we can from the chart above, fig. 2, two things we could call craft in 2016 have occurred: (i) it has encroached into micro in terms of a reduced availability of traditional styles of beer even while (ii) it has itself undergone what may be a schism. In addition to craft and poor widdle cwaft we have something else which I may tentatively call new craft. Old craft is serious stuff. Newer craft isn’t the same – it’s a pear branch growing above a root that had every intention of creating apples.

Interesting, this newer craft is made with an intentional rejection of style and tradition while retaining at least a political claim to being somehow craft.  It is not just the hazy IPAs but also the fruit gose and hazelnut imperial bourbon barrel aged stout with kviek.** It may not be your thing or my thing but folk seem to be enjoying themselves. Whatever it is, by rights if it had any self respect it would ditch the label of craft and pick another name to express itself. New craft is mainly characterized by the sense of fun it conveys. Invention, unrestrained exploration and fun. That is itself an intentional scion branching off of craft. And it needs a new word. Again, this is a neutral observation at this point.

Finally, we have the volunteer. The thing left behind and forgotten. Early volunteer potatoes in the spring can be far sweeter and tastier than anything else but the plants also are a playground for blights and viruses that can wipe out the entire following summer’s crop in a whole regions. So, what has been hidden or forgotten in craft? Plenty. One reason for this is natural given in the constant in flow and out flow of writers,*** who move on to other interests like trade PR or comms – or simply more complex journalistic topics.**** Plenty falls through the cracks as a result.

Some things that were hidden or forgotten that have become obvious over the last couple of years. Leading to a well-founded righteous indignation and meaningful accusations. Look, if we take the GBH list of Signifiers 2021 published this week at all seriously, we have to recognize that most are deeply and quite rightly unhappy about bigoted aspects of beer culture. Which draws me back to the chart above, fig. 2. We now know very well that craft can also shelter anti-social and even abusive tendencies. Who were these bigots in beer culture before the newer voices called them out? Were they actually volunteers, all hidden? Or were they sitting there safely in plain view in a zone overlapping poor widdle craft and micro?

Well, they have actually been around as Josh Noel reported for as many decades as the good beer movement has been around. And as he wrote in relation to the time when craft was reinvented out of micro around 2002 to deal with the proudly pervy aspect that had reared its head, it was a time not unlike now:

By the early 2000s, craft beer was splintering into identities. It was cool, it was hip, it was counter culture, it was “you’re not worthy”…

Are we there again? Facing a splintering? I actually think we are. Just one built on new values and new issues. Something that is both fun and ethical. As we see in fig 1, there is always overlap and transition. Will we see new confident approaches, even organizations arise? Why not? Why should the new just defeat the baggage of craft at a moral level when you can beat it on the beer store shelves? After all isn’t that what macro was supposed to do in the first place, address all the wrongs big brewers inflicted upon society?

It may now be that craft is to this new fun, inclusive, ethical sort of beer as micro was to craft. Craft and its dominant culture is now your older sibling’s or uncle’s beer, now tied to themes and traditions that don’t interest people outside of the bubble or fest and events that now turn people off. The new beer and the scene that is building around it doesn’t seem to need craft and, in that respect, is much more like the 1980s inventive weld-your-own-brewery-equipment micro scene that the business oriented ambitions of craft rejected. Today? It’s more about the positive personal experience, not just about being a follower. The new fun beer is easy and tasty. The scene is positive. That’s axiomatic. It just needs its own name. Then I can put it on a graph.

*Change? Remember #IndieBeer or craft v. crafty? No? No one does.
**is at least two adjectives before the substantive style noun is a hallmark of the new?
***…and newbie drinker.
****It reminds me of something I read about a turning point in the early church: what had been society of saints became a school for sinners. Who now relies on the authoritative teaching of craft in light of what we now know? To be honest, while Boak and Bailey may find value in the few remaining digital beer mags that “pay talented people to tackle big subjects at length and for that we thank them” that’s no guarantee pay creates consistently high quality content.  It also causes another form of forgetting: the topic that goes unexplored. So we have constrained formulaic approaches defined by editors who have creditors. We have the standard B.O.B. We have the newbie style guides. And… what? More ra-ra revisionism? What else?

Your Mid-December 2021 Edition Of The Thursday Beery News Notes

Just two weeks and a bit to go. Remember how 2020 dragged on and on? 2021 seems like it was less than a month long. Got my third jab. Thanks for asking, the only side effect has been just a bit of a lingering cold. Are you Christmassy? Me, not like in 2015 when Boak and Bailey won the last Christmas Yuletide Hogmanay Kwanza Beery Photo Contest with the entry above. Why? Just nine days to go but we are having a big big wave* of da-‘Vid around here so joining last minute shopping crowds might not be wise. Good to substitute:

Look, kid – mustard is a perfectly good stocking stuffer. Stop crying… please… have a Brazil nut… no, that’s all there was left at the gas station… check at the bottom of that stocking… yup… handkerchiefs… what, again with the crying?

Ho ho… ho. First up, if you yourself in need a bit of a Christmas gift, The Lars himself is speaking on line next Tuesday at 3 pm Eastern (my time zone is the best!) as he is set to speak at the Chicago Brewseum’s latest event:

Yule, the multi day festival celebrated by pre-Christian Germanic peoples, begins every December 21st. The modern Christmas celebration is very different from the old celebration of Yule as Norwegian farmers knew it, yet at the heart of both sits the feast with the Christmas beer. On this Winter Solstice, Lars Marius Garshol joins us from Norway to take a long look back to the origins of the Christmas feast, and why beer was so central to it. At the center of the mystery we find not Santa Claus, but his forgotten cousin.

Also, just in time for the holiday joy, Dr. Wade at braciatrix reached back 400 years or so to the early 1600s offered some top advice on how to get through this challenging holiday season – butter beer!

Butter beer, or buttered beer, has a long and storied history. There are many recipes all containing at least the butter, sugar, beer and eggs, though the variety of spices seems to vary greatly with some including nutmeg, cloves and ginger, whilst others opt for aniseed and licorice.

That might be worth a try. My go to mulled ale is usually just Chimay Red in a pot warmed with a cinnamon stick. Speaking of fun, there was lots of follow up from last week’s post on the problem of style. I understand it is referred to in Finland as se in certain circles. And this week, we learned that there is another convoluted BJCP style update coming and I also read the words “spicy-guava Lithuanian-influenced Meadow Land IPA” written by Ruvani de Silva.  I am inclined to consider that hard to the one end of the newly christened “style<->fun” continuum. Ron also contributed to the question when he questioned the relevance of the construct when considering Edwardian ales:

Whitbread’s Edwardian beers are bound to get a style Nazi in tizzy. Because they certainly don’t fit with the modern hierarchy of Pale Ales.  With their IPA being significantly weaker than their Pale Ale. Whitbread IPA was a latecomer to the party, first brewed in October 1899. They’d been in the Pale Ale game since the 1860s and already brewed three different ones – PA, 2PA and FA, in descending order of strength. With IPA slotting in just above FA. So, what made this beer an IPA? The fact that the brewery called it that. I can’t work on any other basis. Were British breweries consistent in their use of the term IPA? Like hell they were. And particularly liable to use PA and IPA pretty much randomly. There’s no point searching for a pattern, because there isn’t one.

Noticing things as they were and are can get a bit sticky. The Tand himself captured this idea in a post yesterday about stout:

It isn’t that I’m against such stuff, and I agree and recognize that there are plenty out there that like these additions, but what I do dislike is that a bit too often, there isn’t just a straightforward stout that tastes of, well, stout.  There are exceptions of course, and maybe too many brewers feel that a “normal” stout doesn’t get them sales in a crowded market. Well that’s fine, but let’s at least have an unmucked about version as the default, with the additions as specials.

Where does that sit on the “style<->fun” continuum? Interesting and perhaps somewhat related observations from Boak and Bailey on the role craft beer can play as harbinger of change in gentrification of neighbourhoods, whether those living there like it or not:

Bedminster is made up of multiple neighbourhoods, from the theatre and coffee shop gentrification of Southville to the betting shops and greasy spoon caffs of East Street. The pubs there tend to be either (a) busy and down-to-earth, with stern warnings to shoplifters in the windows; or (b) shut. The borders, though, have fuzzy edges and are porous and, as you might expect, the gentrification is leaking. There are now vegan delicatessens and houseplant emporiums alongside branches of Gregg’s and Poundland. Alpha occupies a retail unit in a 1980s red-brick shopping arcade, across from a kebab house and next door to a charity shop. It feels out of place, for now – but probably won’t in five years’ time.

Change is odd. You can spot it in liminal spaces. Or does it sometimes create the liminal space, the bit that gets abandoned to become a space between before it gets repurposed? Craft beer is probably a follower as often as not in  these things even if it sounds like may receive undo attention compared to the fifth column of big houseplant in these matters. Fern pushers. No good comes of ferns.

Elsewhere… good news in another remote pub story from Britain!

A community on the Isle of Bute has raised more than £92,000 to put towards the purchase and refurbishment of their 200-year-old pub. The Anchor Tavern in Port Bannatyne was put up for sale after it was shut due to a downturn in business caused by the Covid-19 pandemic. It was the last pub in the village following the closures of other licenced premises.

Among the things I wrote these last few days that caused upset for some poorly enunciated reason or another** was the idea that best of lists sorta suck. While Robyn and Jordan make good case for properly run awards in this week’s podcast (while rejecting guava – are they really that fun?)… like the minor league golf tour of weekly sponsored events that beer awards have become (no doubt to give all those vitally important awarding people enough opportunity to prove their really important judging powers by awarding awards) I’ve long wondered whether there any other part of pop culture where the “best of” lists are filled with generally inaccessible items like we see with beer? Eric Asimov in the NYTs shared his best of 2021 wines and I was immediately struck by this first item in his list:

This bottle is a thirst quencher, an uncomplicated $19 liter of red from the Bío Bío region of Chile. So what’s memorable about it? For me, it epitomized how wine is evolving.

Modest price, an over-sized bottle and contextualized to make a greater point. Beer reviews rarely even mention price let alone distribution. We deserve better. Now consider NPR’s Sound Opinion‘s best albums of 2021. In their newsletter they asked “What We Mean By Best Albums”:

…let’s call our Sound Opinions best-of lists what they really are: idiosyncratic, no-two-exactly-alike rankings of personal favorites. We’re not looking for consensus, we’re aiming for let-it-all-hang out personality as reflected by the music each of us love the most. That’s why we devote an entire show to this imperfect exercise every year. It’s fun to reflect on the recordings that sustained or inspired us when we were running errands, washing dishes, hosting a party, recovering from a long work day or just getting lost between the headphones on the couch.

Self-deprecating, accurate and personal. An imperfect exercise. Look for these sorts of qualities in any recommendations before you fall in behind the fog offered otherwise.*** Look for price, actual personal comment and not just the PR notes – plus whether there was actually any sort of possibility anyone (aka you) beyond the sample receiving set was ever going to have a taste.

Very related, sometimes you read things that make you think “hmmm, interesting” and sometimes you read things that make you think “is anything in this actually true?” Oh dear. “Style”? Not in 1977. “Juicy”? More like 2007. Still, expect a NAGBW award for that one. For sure. Meets the club house requirements.

Conversely, speaking of context and reality, I heard a great show on one of CBC Radio’s schedule challenged broadcasts, Now or Never, Saturday aft. It was all about the relationship people have with alcohol. The episode has not popped up on the podcast page yet but keep an eye out for it. There’s a great interview with one Winnipeg craft brewer on the conflict of producing something that harms some while is fun for most. [Update: here it is!]

Want a bit more reality, I hope you are taking a moment to see the green dot in the sky these days. Not a lot of green dots in the sky. Green dot? Yup:

Your once-in-a-lifetime chance to see a green comet named C/2021 A1 — a.k.a. Leonard — is here. Astronomy experts, including the comet’s discoverer, offer tips on when and how to see the comet. Like other comets, Leonard is a ball of frozen gas, rocks and dust. When its orbit brings it close to the sun, the heat causes some of that material to vapourize, which makes it glow and sprout a tail of gas and dust.

Leonard? Hallelujah! Because when the world is a bit too grim and people are just too much face, why no climb way up to the top of the stairs where your cares might just drift right into space. Because you are gawking at a green dot. And you can take a drink up there with you. Something festive.

There. I tried to keep it short. Can you believe it? No? Well, the holidays are here. Be happy – and while you are being happy please also check out the updates from Boak and Bailey mostly every Saturday and from Stan every Monday, plus more with the weekly Beer Ladies Podcast, and at the weekly OCBG Podcast on Tuesday and sometimes on a Friday posts at The Fizz as well. There is a monthly sort of round up at The Glass. (Or is that dead now?) There is more from the DaftAboutCraft podcast, too. And the Beervana podcast. And sign up for Katie’s weekly newsletter, The Gulp, too. (That’s a bit now and then now.) And check out the Atlantic Canada Beer Blog‘s weekly roundup. Plus follow the venerable Full Pint podcast. And Fermentation Radio with Emma Inch. The AfroBeerChick podcast as well! And also look at Brewsround and Cabin Fever. And Ben has his own podcast, Beer and Badword (which he may revive some day…)  And remember BeerEdge, too, and The Moon Under Water.

*Sadly, the recent events in Kingston around anti-vaxx also caught up a neighbouring craft brewery, Signal. The owner died of Covid-19 Wednesday. It might have triggered further outbreaks.
**Huh?
***Co-opting a crisis is one of the more distasteful things you can do so it was sad to see one of the worst examples of appropriating aggrandizement in a headline I read this week: “Kentucky Breweries Lead Relief Efforts Following Deadly Storms.” What they meant to say, as the story does, is some brewery owners are pitching in as they would and should but pretty sure the normal authorities and charities are leading relief efforts.

 

Your Beery News Notes For The Start Of This The Coming Darkest Month

It gets better. We tell our teens that but it is a bit hard to believe sometimes. Like in a pandemic exiting its second year when the sun is well below the horizon. But there’s only a few weeks of this darkness and there is beauty all around even in these troubled times. Up there? That’s Angela Merkel, in November 1990, at 36 campaigning on the Baltic coast in Germany’s first election after reunification. Fabulous. She reportedly drank five schnapps with them. As discussed in early 2019, Merkel has always been handy with a beer glass. I probably disagree with most of her politics but that presence and style will be missed. She strikes me as an excellent example. Do what needs doing. My mother would say that: “it just takes doing.”

There. A bit of positivity. Let’s keep it going until we can’t. First up, I loved this duo of tweets, each of which is oblivious to the other. One, a map of the inns of Southwarke England circa 1550. The other?

What a thrill to discover a 17th C traders token in the Thames mud from the Bell, a tavern mentioned by Chaucer at the beginning of the Canterbury Tales as being close to the Tabard where him & the pilgrims met en route to Thomas Becket’s Shrine in Canterbury.

The Bell and the Tabard are both on the map. Neato. Also neato was an excellent piece that I missed last week by Evan Rail on the problem of appropriation of Indigenous matters in beer branding as well as some very fundamental misunderstandings:

“I can only speak from my point of view, and my point of view is that we—meaning society—mistakenly think of Native Americans as a race,” Keyes says. “And what we’ve got to remember is that each of these tribes individually are sovereign nations. They have their government entities. And every tribe has its different culture. Not all tribes are just a Native American culture that’s the same.”

Getting thing wrong is always central to bigotry. The bigot always wants to control the narrative. This all particularly caught my eye as I am also in a family with Indigenous members and work with Indigenous governments as part of my work. And what mystifies me about the bigots is how they miss how fascinatingly rich Indigenous culture actually is. This article also caught my eye as this very week I had to give the heads up to another major brewing publication that it had very recently published that same very derogatory racist obscenity that Evan discussed in that recent piece. Happily, it was immediately removed – and was removed with thanks.

Also, see this post from the Oregon Hops and Brewing Archives about a very specific question on the similarity among brewing competitors advertising a century ago:

I’m left with some lingering questions, the biggest being these: did these two breweries hire an advertising firm, did the newspaper have this book and create the advertisements, or did the brewery have a book of phrases they chose from? My sense is that the book is for a newspaper, given the instructions for setting up a printing machine and information about inks in the latter part of the book.

Conversely perhaps, did you know that Instagram may hate beer? How about these these outfits? Do you like them? No? Me neither, but I do like honest tasting notes:

I think perhaps if I have a lifetime of connections like this I can handle a lifetime of being told my tasting notes are too personal, that who I am is wrong, of failing future wine exams. I think perhaps, if anything, I will make it more so. 

That makes much more sense that a concept limiter, the expertise in narrowing – like a little wheel. Look at that: water’s contribution is actually a binary. A toggle switch. Little good comes of toggle switch understandings. No, no need of that. Stretch your own arms wide, as wide as you can. There was an exceptionally fine example of this in terms of personal tasting in Kate Bernot’s best beers of 2021 as published in (Craft) Beer & Brewing mag. Consider this:

The aroma promises an herbal, not-too-sweet blend of licorice, Tootsie Roll, star anise, gingerbread, and dark cocoa, while the flavor delivers bigger fruit that lends a cherry-cordial and Black Forest–cake impression. It’s like dessert and digestif in one. Gorgeous.

Impression! Less of the style guide references or list of ingredient and more of the personal and taste memories. Good. It’s my personal approach, too. Along with this.* Don’t be sucked in by the actual negs, the forces of poor widdle cwaft. You be you.

In other news, the beer writers of Britain gave each other** awards this week. It lead to some unhappiness and subdued response to that was offered: “The bigger story here tho is how many new writers were recognised for first time in these awards.” In another sort of awarding, Ron finished up his fun in Brazil with a few more interesting and honest notes about the integrity of the process:

“What will we be judging today? We already awarded medals yesterday.” I ask Gordon over breakfast. “Not all the categories have been judged yet.”

You quickly see from Ron’s posts that they center on styles and that styles are more like a skills competition as opposed to playing the actual game. In addition to judging submissions after awards have been given, we also learn that the best may be rejected if they are not fitting into that square peg of style. What’s that about? So much for best of show. Surely, not great.

The process of awarding awards is often a funny thing. Consider Drake’s actions this week to remove himself from the Grammys. People think I am just a bit of a crank about these things but it isn’t so. I do this for a living. Let me tell you something about myself.  As part of my work, I oversee and advise upon many aspects of the process and substance of awarding contracts at a very high level, for up to nine figure procurements. I buy things bigger and more complex than very large craft breweries. Right down to the details. I have worked with engineers to draft specifications for evaluating grades of steel that consider the stages from the fabricator back to the steel mill back to even the mines where the ores were dug. I love it. And those experiences inform these other experiences. Which leads me to the observation that I would not select the award of a pencil supply based on the process Rob described. It’s like folk are just making stuff up!***

We need to pay attention. These sorts of awards that Ron participated in are based on the construct of style. Which is really little different from the characteristics of the various concretes or the range of coverages one needs to consider to ensure the proper sort of workers compensation policy is acquired for a particular job. All of which is timely as the question of style keeps on giving and, weirdly, not one opinion seems to be the same… even when – and perhaps especially when – people think they agree with each other. Only for example, let’s start with Boak and Bailey who approved this comment from Stan’s summary of the situation:

What a frustrating discourse! It is pretty obvious that it is helpful and sometimes demystifying to categorize beers by style. It is also obvious that some people police the style taxonomy in a way that is off-putting and hostile to outsiders.

Oh, simple comment maker. It isn’t that at all. Nothing is binary. And nothing is obviously obvious. No, we can ignore that. “Get a therapist!” says one Aristotelian. Another thoughtful person, who loves the whole thing so much they seem to really want an end to all beer – even for the best of reasons – didn’t like the idea that style is even being discussed.**** But discussed it has been. Lesson: ignore folk who tell you to shut up.

Next, the call that everything is great. Think William Blake, “All Religions Are One” for a mo. Maybe that’s it. So “Drink what you like!” we are told, conversely. We are told style and those who define it are gatekeeping and that this “reinforces the negative stereotypes of the industry.” That may be a very good argument with a very good goal – exploration and inclusion. Other cultures can be actually wonderfully enriching. But, as we see to the up and the right, that can lead to appropriations, circumstances where anything in a can can mean anything now. Nothing demystifying about that. Just a blurrier blur.

So, we have these structures and they help us to avoid the blur. We see, accordingly, Mr. B declared his entire agreement with Garrett Oliver when he rightly and righteously proclaimed:

…[he] says quite simply something I’ve been ranting about — hello, IPA category! — literally for years. Words matter. Styles matter. Expectations based upon words and styles on a label matter…”

…err… right before Mr. Oliver wrote a significantly but not entirely different thing:

Brewers can – and should – call beers whatever they want to. What I want is for brewers to WANT to hold the line on some things. I don’t think calling a deep amber beer “Pilsner” is good for customers or for brewers. That said, in the end…self-respect is always voluntary…

Voluntary. Which raises a point: really? When is a rule voluntary? If style is so central to understanding beer why can it be applied or not applied here and there however folk want. Should it be voluntary? Jings. What ever did the poor folk do before the early 1990s when the concept was invented? Were they happy? Were they maybe happier?

No wonder folk throw up their hands. It wasn’t always so. I came across a voice from the past this week, echoes of the past in something called Brewing & Beverage Industries Business magazine in which you can learn (on page 8) that folk today lack a proper understanding of brown bitter: “…balance in beer, how very uncraft…” You can also learn (on page 10) that folk today lack a proper understanding of Belgian beer:

I remain convinced that, were you to package them differently, or present them already poured rather than in the bottle most younger drinker (sic) would be every bit as enthusiastic about them as they are about Brewery X’s new bourbon barrel-aged Imperial porter or Y Brewing’s guava milkshake IPA…

See, it’s all their fault. Folk who don’t get it. The “younger drinker”! Can we tie that argument all together: awards now suck because the disfunction of style sucks because new craft sucks because young people who want new craft today… suck? Really? Isn’t something else the problem?  Hasn’t uncontrolled style division and propagation as a top down exercise itself caused craft’s cacophony as opposed to clarifying anything? Who pushed that propagation of sub-style after sub-style? Those who benefit from manufactured complexity. And who is that? Surely not the reader of a well thumbed copy of Modern British Beer.

What to make of these ye oldie fartie views? Are they the last bastion of the fight against all these young people***** and all these  strange tastes? There are a lot of strange tastes going around, it’s true. There ought to be a limit. Or at least proper labelling.  Which leads to one last thing, that I think I would be more concerned about supply chain issues if the supply on the chain were not lychee:

His shipment never left Southeast Asia, posing big problems for Urban Artifact’s Petroglyph beer, a top seller. But then, Kollman found a different supplier who already had a container of lychee sitting at the Port of Los Angeles. A lychee lifeline? Not so fast. “Two and a half months later, that [order] never left the port” either, Kollman tells me in a recent phone interview. “So we just dropped that product line.”

If the lychee supply fails, drop the product line. Make something else. Because the next thing is just as good as the last. Transitory. So lacking of structure that the next fruit flavour that comes along is tomorrow’s darling. Somewhere eight or ten years ago, did we see this coming?  Isn’t it like a culture that we have just encountered for the first time – even though it’s been there all along? What do we call this anti-style thing? Is it just… fun?

As you think about that over the week, please also check out the updates from Boak and Bailey mostly every Saturday and from Stan every Monday, plus more with the weekly Beer Ladies Podcast, and at the weekly OCBG Podcast on Tuesday and sometimes on a Friday posts at The Fizz as well. There is a monthly sort of round up at The Glass. (Or is that dead now?) There is more from the DaftAboutCraft podcast, too. And the Beervana podcast. And sign up for Katie’s weekly newsletter, The Gulp, too. (That’s a bit now and then now.) And check out the Atlantic Canada Beer Blog‘s weekly roundup. Plus follow the venerable Full Pint podcast. And Fermentation Radio with Emma Inch. The AfroBeerChick podcast as well! And also look at Brewsround and Cabin Fever. And Ben has his own podcast, Beer and Badword (which he may revive some day…)  And remember BeerEdge, too, and The Moon Under Water.

*I really need to print off some of these and sell them. I hear that 15 quid is the going rate.
**Surely a top journalism award.
***The “style beer” thing kills me. Just made up. Except it really isn’t. But is that what is happening? Stay tuned!
****Eine selbst beschrieben Auslander.
*****Diese lästig Jugendlichen!

The Very First Thursday Beery News Notes For The Second Half Of November 2021

I like this image above. It is a bit of an edit off a photo from Great Lakes Brewery off the north shore of Lake Ontario (as opposed to the one to the south of Lake Erie). Depth of field hit very nicely. Gran’s hand towels being put to good use. And clean lines every day. Best practice. Speaking of which, let’s see what else is worth noting in another week in the life of good beer and related stuff, shall we?

First off, Katie Mather wrote a very interesting piece of these times about a trip to sip natural wines in Paris which was as much about herself:

I ended up at Notre Dame every day I was in Paris. The resilient aura of a burnt-out cathedral was something I hadn’t been prepared for. I stared, making excuses to pass by, marvelling at the Medieval-like wooden supports bolstering the flying buttresses just like when they were new, wrong-footed by the stained glass rose window I had first seen in a Disney film, now blackened with soot. A dark emblem of survival—or perhaps a reminder of how close it has been to ruin, of being rescued, and still being rescued, and maintaining that iconic but now fragile facade. I was unwell, and I found a hand to grasp in the sight of this building. It seemed as tired as I was, of holding itself up, of being under so much of its own weight.

I am a bit interested in natural wine as I’ve known for a long time that I’m fairly sensitive to sulphite-based preservatives. This has been brought a bit into focus in the last few months as I am working on an intermittent diet that sees me weeding certain things out of my diet. Turns out I also have a problem with wheat and barley. Like a glass of red wine, good crusty bread triggers a histamine reaction. As does… beer. Weeping eyes. Inflammation. Drag. But manageable.

UPDATE: ghost tips over beer!

In his blog by email, Dave Infante took a very grim lesson from the Bell’s Brewery sale:

Remember early last decade? Selling out was anathema, and the U.S. craft brewing “movement” looked unstoppable. Now it’s starting to look insolvent. Sales are slowing; reports of workplace discrimination are up; a generation of new drinkers are reaching for hard seltzer and canned cocktails to power the party. In a 10 mere years, craft brewing’s rock-ribbed corporate antagonism has given way to self-imposed purity tests and fading relevance. In the same time, its product has morphed from zeitgeist-y leader to cheugy afterthought. Craft beer remains a product with a value proposition. But make no mistake: a dark night of the soul has fallen on its anti-commodity, independence-over-everything cultural dogma.

He’s probably right. Craft sucks. Right? Or is it “craft – doesn’t suck!” Can’t remember. Never mind – just remember who was calling craft “cheugy” back in May. The cool kids, that’s who.

Gary Gillman has been doing a fabulous job exploring eastern European brewing history with a focus on the role of Jewish culture. This week he wrote about  hops:

Hop-growing in the former Austro-Hungarian province of Galicia was an established but relatively small-scale business up to World War I. Prior to 1850 one source, Penny Cyclopedia (1838), states “a few hops” were grown, a cottage industry at best. By 1879 hop-growing is on a more solid footing. The Journal of the Society of Arts was particularly approving of quality, stating at their best Galician hops could hardly be distinguished from classic Bohemian Saaz.

Speaking of things easterly, here’s your Belarus update: still finding myself filling the hours at home rather than sprinting out into the local upsurge in the delta, I came across a video blogger who rides the rails of eastern Europe looking for former Soviet things to talk about. In this episode, it’s about five beers from five cities in Belarus.  Half seem to be gak. It is an interesting way to turn to Jeff’s thoughts (which we may have discussed before) about nationalism being the way to understand beer:

In the 44 years since Michael Jackson wrote The World Guide to Beer, people have become much more sophisticated in the way they understand and describe our favorite malty substance. The subject is incredibly complex, and over that span we have collected, classified, taxonomized, and shared information, refining what we know along the way. This effort has produced a shared (if disputed and endlessly debated) vocabulary and conceptual framework for discussing beer. For the most part, people have identified and developed the big concepts and we now focus on refining them. I was therefore surprised to discover a huge dynamic in beer that hasn’t gotten the classification/codification treatment: national tradition…

There is a lot in there to disagree with – that the subject is incredibly complex or that big concepts have been identified. Or that people have become more much more sophisticated. Consider this on that last point. But it is a reasonable additional way to look at a subject mired for a few decades in one fixed conceit – style. It is reasonable to have a number of ways to look at one thing to cross reference and improve understanding. But it is hampered by words like nation and culture that are greasy and malleable. Nations shift and cultures morph. Consider the political and cultural constructs just in Gary’s post above. And the concepts are prone to being coopted. Me, I am more of a globalist technology and trade story arc person myself.  But that is another way of looking at things in addition to style and national tradition, isn’t it. No good comes of the unified theory approach except perhaps in physics. Maybe.

I raise all this by way of background as this week, Stan wasn’t entirely on board with the nationalist construct or at least the rendering of it that made the era of craft special. He wrote thusly by way of counter example:

Last week, during the virtual portion of the Master Brewers Conference, Greg Casey discussed “The Inspiring Histories & Legacies of American Lager Beer.” Casey, who worked for several of America’s largest brewing corporations before retiring in 2013, is writing a trilogy of books that focus on the period between the 1840s and 1940s. He points out that America gave the world “ice cold beer here!” Americans learned about brewing adjunct lagers from the Germans, but made them their own. They perfected chill proofing, allowing beers to be served crystal clear even when cold, changing the look of beer and the culture of drinking beer.

See, this is why we have all those facets of a topic. Like history. See, America did not give the world adjunct beer after receiving them from the Germans. The Germans handed it around themselves as part of their global mercantile and military empire from before the First World War. For example, Germany took over the “port city of Qingdao in north-eastern China in 1898, and ruled over it until 1914” and established Tsingtao beer. See also Argentina. As Boak and Bailey explained in Gambrinus Waltz, they also brought it to Britain. In Japan, a German trained Norwegian (who did admittedly touch down in the USA) founded what is now Kirin. In a bit of a twist, in the 1920s rice-based adjunct beer took off in Canada, to sent it the other way sending it south into the US black market during American prohibition.* Americans then took it with them where they went and often stayed. All of which leads me to think that while nationalism may not be the right unified theory, the paths of nations and the interacting influences upon them may as important as the history of technological advances if we are to understand why beer is what it is.

Speaking of beery culture, the local version got weird this week. I have to admit, I used to drop in at the place a few years back as it was handy to my ride home from work in the family car. Small pitcher of basic adjunct lager and a basket of onion rings was my order.

In a more sensible context, retiredmartin prodded me to read this post from the blog Prop Up The Bar which I liked for a number of reasons but especially the man on the street view:

As I arrived the gaffer was on the phone making a very angry call, his mood not improved by muggings here standing underneath the ‘table service only’ sign at the bar. During his phone call he threatened to “just shut the pub” which would have made this an epic pub ticking fail. Not sure what had upset him so much, but looking at my picture maybe he was on the phone to the company that looks after the shutters.

See also Lord Largis illustrating the “non-tick”:

I hadn’t eaten properly and as the bus approached the Hussey Arms I remembered how good the food is in there, but I’ve been spending too much on takeaways and meals of late and I’m trying to cut this cost down. I had an R Kelly lyric pop into my head. “My mind’s telling me no, but my body, my body’s telling me yes”. But as it was now dark and I wasn’t overly convinced that I knew where my first pub to visit was, my mind won and I remained on the bus.

I like that clarity of the vignette. Much uncertainty, conversely, surrounds a news release that informs us that two of Ontario and Canada’s best established craft brewers have done a form of a deal focusing on efficiencies in distribution. Trouble is… it seems to be more than that. As Jordan stated:

Getting increasingly angry about this entire set of messaging and the general level of competence. Insulting to everyone’s intelligence to dangle the shiny thing at exactly the same time as letting the majority of staff go.

Ottawa’s news source The Review had more on the background:

“I can confirm that layoffs took place today, but they are largely not related to the Steam Whistle announcement,” said Beau’s spokesperson Jen Beauchesne, in a Tuesday afternoon email to The Review in response to an inquiry about the layoffs and the Steamwhistle announcement. Most of temporary layoffs which occurred this week are because Beau’s is slowing down production, while the company does maintenance work on its lines and brewing tanks, said Beau’s co-founder and Chief Executive Officer (CEO), Steve Beauchesne. “We have been having some fermentation issues,” Beauchesne said. “We need to empty the tanks and do a deep clean.”

Questions have arisen but, look, the Beauchesnes are family brewers from a small town in far eastern Ontario and (a rarity) I happily call them friends. They are great fun folk who I’ve had over to the backyard and who’ve had me to their fests. The times, however, may not be kind and if the business changes coming are greater than they are in position to discuss today, I can only wish them and their community the best.

B.O.B.** of the Week:  Mr B on a rather good brewery in his neighbourhood. The denial of standard B.O.B. context at the outset is an interesting variation on the brewery owner bio.

Finally: “Man driving 870 miles in world’s smallest car” – not about beer but, still, please send your 500 word essays as usual on how it is still like beer to the regular address to be entered in the context for our weekly prize of a photograph of a ten dollar bill.

That’s a lot. Busy week. For more, check out the updates from that same Boak and Bailey mostly every Saturday and from Stan now on a regular basis again every Monday, plus more with the weekly Beer Ladies Podcast, and at the weekly OCBG Podcast on Tuesday (where a parsing of press releases was featured this week accompanied by giggle, chortles and the mewing of cats) and sometimes on a Friday posts at The Fizz as well. There is a monthly sort of round up at The Glass. There is more from the DaftAboutCraft podcast, too. And the Beervana podcast. And sign up for Katie’s weekly newsletter, The Gulp, too. And check out the Atlantic Canada Beer Blog‘s weekly roundup. Plus follow the venerable Full Pint podcast. And Fermentation Radio with Emma Inch. The AfroBeerChick podcast as well! And also look at Brewsround and Cabin Fever. And Ben has his own podcast, Beer and Badword which may revive some day.  And remember BeerEdge, too, and The Moon Under Water.

*See The King v. Carling Export Brewing & Malting Co. Ltd., [1930] S.C.R. 361 at page 373.
**“Was ist eine B.O.B.? Das is eine B.O.B.!!” Translation: Brauereibesitzerlangweiliglichbiografie.

The Thursday Beery News Notes For Remembrance Day 2021

Today is Remembrance Day, a fairly significant thing here in Canada which is largely apolitical even now well past a century after the end of WW1. The image to the right is a photo I took in 2005 at the naval memorial downtown. We’ve had a naval presence here in town since 1673.  And here’s a bit of what I wrote in 2014 about the day on Facebook:

…There are no politics with our vets. More than hockey and donuts, we all actually love our square do-gooder Dudley Do-right military and RCMP. I am lucky to be in a congregation at 51 years of age with a man* who commanded CFB Greenwood near Kingston in NS where I lived when I was 9 years old – and who attended the church where Dad was a minister. We remembered today that when I was a kid and he was in his 40s that all the vets were WW1 and there was even likely a Boer War soldier in the pews…

We government workers in Ontario have the day off but it isn’t a general holiday like it was when I grew up in Nova Scotia. Schools and shops are open. Feels weird.  Vets will be at Legions again this year after being shut in 2020. Drinking beer. I’ll donate a few coins into the little cardboard box and, once again, buy maybe the 7th poppy of 2021 – they seem to disappear within four hours after putting one on.

Elsewhere, Mudgie took a trip into the city centre of Manchester and posted a bit of a travel piece on a certain sort of pub. I was taken by this photo to the right, the absolute dream seat, right there in a wee nook in the tiny Circus Tavern. Fabulous:

It has two small cosy rooms with bench seating. The one at the front always seems to have a vault character and is frequented by the regulars, while the one to the rear is more of a snug. I managed to take a snap of the seating opposite in the brief interlude between it being occupied by groups of customers. Understandably, the Circus didn’t reopen until social distancing restrictions were lifted in July, and anyone concerned about getting too close to others would do well to avoid it. 

Note: another photo of the Circus Tavern with people added won the top prize in our 2012 Yuletide Beery Photo contest.

The other week I was correctly corrected about the lack of a certain beer fest holding a meeting in person – so giddy was I to realize that an update on another and rather gentle in person event was posted by The Beer Nut this week. The live action photo at the end is helpful for scale:

From Zwolle, we set off further westwards on Saturday morning for Gramsbergen, a small town about 3km from the border with Germany. G-berg, as nobody calls it, is home to the Mommeriete brewery, set in a rustic canalside inn, all oak beams and porcelain fireplaces. We missed getting to see it as its normal cosy self since they were gearing up for a beer festival: one organised to celebrate 20 years of the Dutch beer consumers’ organisation PINT, onto which was tacked the official 30th birthday bash for EBCU. It was a modest affair, beginning in the the afternoon and finishing at 7pm, and only three guest breweries were in attendance.

Note: cheese cutting diagrams.

Beer experts don’t really exist like wine experts do. Well, a very few of the former might while a few more of the latter do. If you don’t believe me and still think your website generated certification means anything like expert, consider the career path of Kevin Zraly including this:

That any American restaurant would have a cellarmaster or a sommelier was a rare thing in those days. In 1978, Frank J. Prial, the wine columnist for The Times, wrote an article about the virtual disappearance of the sommelier in restaurants, citing Mr. Zraly as one of a very few good young ones in New York, “the knowledgeable type, not the wine hustler…”

I followed this link to his courses at Wine.com. Look! No phony academic rhetoric, no layers of prerequisite that would shame a Scientologist. Just accessible authoritative information at a plain price and presented directly and on the level. Why can’t beer do that?** We need to consider the relationship between access to information along with inclusion and levelling and the commonality of those who opposed them.

Resulting question: why do wine educators start with the premise that wine is not as complex as we consumers have been told while beer educators seem to start with the premise that beer is more complex than we have been told?**

Much to the contrary, I spent bits of last Sunday watching presentations from the Beer Culture Summit 2021 produced by the Chicago Brewseum. I found the structure refreshing as there was none of the Masonic mystery gatekeeping guild approach to information that is a hallmark of what passes for too many claims expertise in good beer culture. The difference? The focus on professional and personal experience as a pathway to leveling and inclusion. Call it cred. The presenters had cred. I particularly liked “Under-Attenuated: Women, Beer History Studies and Representation” session: Dr. Christina Wade, Tiah Edmunson-Morton, and Atinuke “Tinu” Akintola Diver on their careers researching brewing history. And not only because of Dr. Wade’s defense of the value of blogging brewing history – depth, accessibility, primary citations and immediacy both in terms of time and audience** even if Stan is still standing there at the graveside.  In a time when we see bland generalities devoid of citation but plenty of errors*** win awards for best beer history, it was a call for quality within a call for, you got it, levelling.

Best tweet with beer and meat.

Crop-wise, we saw the 150th anniversary of the first sale of Fuggles this week, as Martyn reminded us:

Today, November 8, marks 150 years  since the Fuggle hop first went on sale, in a field in Paddock Wood, Kent, after Richard Fuggle and his brothers Jack and Harry had spent ten years propagating the variety until they had enough, 100,000 sets, to sell commercially.

Wonderful. And we are also seeing a second crop of the heritage barley variety bere in Scotland this year. Isn’t nature wonderful! More on bere here and here.

Taking a break on his book tour, Jeff wrote excellently about what he has seen in America’s downtowns in late 2021:

Most of my adult lifetime downtowns have been shiny, clean, and fun. They’ve always been a bit artificial, but we social beings flowed into these hubs to see shows, get a meal, buy something nice, and mostly, to feel the exciting hum of other people doing the same thing. Now downtowns are listless and depressing, and many of the businesses are boarded up or on long-term hiatus. There’s less and less reason to visit them.. When cities become nothing more than storefronts for the rich, they teeter on a narrow balance point. Did Covid just disrupt that balance?

Possibly the winner for Generic Praise-Laced Brewery Owner Bio Template of 2021.  B.O.B.s are the best. But this one has the header “A World-Class Pairing” which really takes it over the top.

More B.O.B. as a Euro male led publication hires Euro male writer to speak to a Euro male bar owner about diversity in the beer scene in BC’s Okanagan. I’d have more trust in the editorial call if the statement “…only a couple of people in the BIPOC community that even lived here when I was growing up…” was fact checked. While there is a reference to a Indigenous family business, here’s the map of Indigenous communities (aka the “i” in BIPOC) for BC. The communities of the Syilx Okanagan Nation are right there in the south centre. The Central Okanagan Local Immigration Partnership Council formed in 1983 seems pretty active, too. Question: why do writers of B.O.B.s never check in with customers or staff to find out if the claims are correct? The subject in this case could be fabulous… but we don’t know.

Beer prices are going up. Beer prices are going down.

Finally, I was sad to see a dismissive response to my comments about Pellicle’s decision to run and highlight a childish cartoon image about an actual ambush of soldiers where many died. Part of a story that is still recalled hurtfully in my region which touches on both my actual job and my brewing history research. It’s also an entirely unnecessary image and adds nothing to the story. At best, it is just a failed analogy. In an era when we are trying to drive out misrepresentation, appropriation and negativity from the good beer discussion, this sort of hyperbolic grasping for aggrandizing analogies is more than unfortunate. Do better.

Oh… and somebody sold their brewery.  Good beer. Nothing much will change.

There’s plenty to chew on. To complain about. For more, check out the updates from that same Boak and Bailey mostly every Saturday and from Stan now on a regular basis again every Monday, plus more with the weekly Beer Ladies Podcast, and at the weekly OCBG Podcast on Tuesday and sometimes on a Friday posts at The Fizz as well. There is a monthly sort of round up at The Glass. There is more from the DaftAboutCraft podcast, too. And the Beervana podcast. And sign up for Katie’s weekly newsletter, The Gulp, too. And check out the Atlantic Canada Beer Blog‘s weekly roundup. Plus follow the venerable Full Pint podcast. And Fermentation Radio with Emma Inch. The AfroBeerChick podcast as well! And also look at Brewsround and Cabin Fever. And Ben has his own podcast, Beer and Badword which may revive some day.  And remember BeerEdge, too, and The Moon Under Water.

*This is he
**We appreciate that folk have ambitions but actual earned and experienced knowledge is always more helpful than insta-recognition by those editors with creditors. BTW, EWCs are not levellers. BTWx2: what even is a “certified pro“?
***1500s Flemish farmers? 

The Beery News Notes For The End Of 2021’s 10/12ths

Here we are. November looms. I’ve never thought Halloween was all that scary given November is right there behind it.  The dreariest month. If it snows, winter will be too long. If it rains, the rain is bone achingly cold. Dreich. But a big month for beer. Big beers, in fact. I’ve been laying off but maybe it’s time to lay on again. Treat yourselves nice in November. It’s like it needs its own month to celebrate itself. Like gag-tastic #RauchBeerMonth but with, you know, the prospect of someone actually being made happier. And that’s what we want. To be happy. Despite the dreich.

This November marks the seventh anniversary of perhaps the high point in the craft phase of good beer, circa 2003 to about 2016. The cover of The New Yorker from November 3, 2014. Mere months after the publication of the cult classic The Unbearable Nonsense of Craft Beer. Josh Noel‘s comment was spot on – a moment in time before hard seltzer. And perhaps a moment that had some aspects we are well rid of – if this article on Colorado’s New Image brewery is anything to go by:

The idea that brewery employees should expect less money because they are “doing what they love” is a cliché that needs to go away, he adds. “We are trying to take that out of craft-beer culture. It’s about damn time we have good benefits and good pay for people making beer.” Having a second taproom with higher margins on sales will help that effort as well, Capps says. And New Image is now “aggressively” seeking out locations that it can buy to add a third or even a fourth taproom.

The past is a foreign land. Conversely, there are a lot of words that come to mind in this story of today. Gall. Cheek. Privilege. Arseholes probably the correct term as the Manchester Evening News reports:

The Pack Horse, which is in the Peak District village of Hayfield, was visited by a group who didn’t flag any problems with their food when staff checked in with them, but chose to complain when they’d already eaten most of the meal, staff said. They allegedly tried to demand a new dish – which was refused – and eventually left without paying their bill. Owner and chef Luke Payne said that one member of the group then had the nerve to wink at him as they left.

The article goes on to suggest that manners have dropped in these later pandemic months. Arseholes, I say. Matt C. explored other forms of late pandemic angst in an article in Pellicle this week:

Before the pandemic, one place in particular I would find both solace and kinship was at a beer festival. In my search for remembering what it was like to feel more normal, I fondly recalled the deep-seated warmth I felt from head to toe as I travelled home from Cloudwater Brew Co.’s Friends & Family & Beer in February 2020. While there I had a wonderful time enjoying many delicious beverages, and spending quality time with friends old and new—some who had travelled half-way across the world to attend. The festival took place in Manchester, too: a city my partner and I had decided we would soon make our home. I felt ready for the next chapter. Then the wheels came off, the world grinding to a halt at the mercy of the bastard virus. 

I’ve never liked beer fests myself. Don’t miss them.  Too many drunks. Perhaps I differ in this regard from The Beer Nut who celebrated 30 years of the European Beer Consumers Union, the sort of institution North American beer culture lacks. No fest to back up the celebration, however. Just Zoom.

Another venue for drinking that’s much more to my liking is also disappearing as The New York Times reports:

Several decades ago, the beer bar, with its dozens of draft options and deep bottle lists, delivered a liquid education in bitter I.P.A.s and monk-brewed Belgian ales alike. They were places “where customers discovered craft,” and helped the genre grow, said Bart Watson, chief economist for the Brewers Association trade group. But with growth of the taprooms, craft-bar release parties for special beers dried up. What was once “a prime way of bringing people into bars was gradually taken away by the breweries themselves,” Mr. Black said.

No, beer bars were not where folk discovered craft. They predate craft. (You’d think people would get it. Obey the chronology.)  In their finest form they are a dive with very good stock. Like Max’s in Baltimore. Conversely, craft is the taproom. But it is true. Craft killed the beer bar. Including by aggressively opening new taprooms, as we read above. (I know… I’ve been quoted as an expert in the subject. Sorta.) But I was quoted by Stan who posted a follow-up post (a post that poses possibilities predicated on the prior post) on the question “wuzza beer bar?“:

Two names I heard more than others were Rino Beer Garden and Finn’s Manor. Finn’s has a shorter tap list — curated, as the kids say — and a cocktail menu. Rino has more than 60-plus taps. Would both be classified as beer bars? Pat Baker provided a definition in his “Beer & Bar Atlas” in 1988. His classifications included classic bar, neighborhood bar, beer bar, Irish bar, German bar, English Pub and fern bar. (Yes, neither wine bar nor sports bar.)

At this point, I pause to consider this week’s candidate for the wonderful graph award. Gaze upon this for a moment:

Look at that graph. I have stripped a few identifiers from it to get to the nub of the matter but it is from Colin Angus as posted under his handle @VictimOfMaths and came with this message:

The UK’s approach to taxing alcohol is stupid. In the budget next week there is a strong possibility the chancellor will overhaul it. Before we find out what he has planned, here’s a thread on what is the current system and what exactly is wrong with it? 

Thread. And it does all look stupid when put that way. Why is beer taxed at a higher rate as it strengthens while wine moves in the opposite direction? The actual changes to taxation were announced Wednesday. CAMRA wrote of games being changed. Matt had a summary as well as  particular view as to the taxed event within the supply chain which is useful:

…the consumer doesn’t pay that duty, nor does the pub. The producer does. So on a 9 gallon cask of 72 pints, that’s £2.16 off costs. Maybe a bigger saving if its below 3.5%…

Speaking of the graphical representations of data, Lars has updated his yeast family tree based on a number of recent studies and included lots of wonderful graphs as well as new info:

They also found a separate subgroup of African beer yeasts, which is very interesting. Africa has an enormous variety of traditional farmhouse brewing going on in many different countries over much of the continent, and many of those brewers still maintain their own yeasts. (Martin Thibault spoke about Ethiopian brewers and their yeast at Norsk Kornølfestival in 2020.) Now it looks like they, too, have their own genetic subgroup of yeasts.

Note: be flexible.

Finally, Boak and Bailey’s post this week on the Stokes Croft Brewery, Bristol, 1890-1911 contains this fabulous image which goes a long way to explain the gradation of late Victorian stouts and ales. I got all excited when I saw it. Lovely. Place a laminated copy in your wallet for handy reference.

There you go. A bumper crop this week. For more, check out the updates from that same Boak and Bailey mostly every Saturday and from Stan now on a regular basis again every Monday, plus more with the weekly Beer Ladies Podcast, and at the weekly OCBG Podcast on Tuesday and sometimes on a Friday posts at The Fizz as well. There is a monthly sort of round up at The Glass. There is more from the DaftAboutCraft podcast, too. And the Beervana podcast. And sign up for Katie’s weekly newsletter, The Gulp, too. And check out the Atlantic Canada Beer Blog‘s weekly roundup. Plus follow the venerable Full Pint podcast. And Fermentation Radio with Emma Inch. The AfroBeerChick podcast as well! And also look at Brewsround and Cabin Fever. And Ben has his own podcast, Beer and Badword which may revive some day.  And remember BeerEdge, too, and The Moon Under Water.