Category: Music

Your Thursday Beery News Notes For The First Of May

OK, the lawn has been mowed. Even though we had frosts three times in the last week. That is a milestone. As is the Craft Brewers Conference for 2022. I like the logo. No reference to #CBC2022. Actually looks like it was used by the Minnesota Beer Distributors’ Convention back in 1974. Right down to the bottle rather than, you know, a can. So… some people are getting back together. To get a bag or two of fruit sauce. Even we were out last night at a favourite place and hardly anyone had a mask on. Yikes. Our local numbers have moved from worst ever to less than worst ever so people must have forgotten or given up. Fingers crossed!  That’s where we are. Fingers being crossed.

The big news is in beer periodicals… as it is periodically. Is there a comeback being made with the news that All About Beer has been revived to some extent by Beer Edge collaborators Andy Crouch and John Hall:

When we founded Beer Edge in 2019, we drew on our experiences with All About Beer and the role it had in developing our own education and careers to help define the vision for our new company. Meanwhile, All About Beer’s bankruptcy concluded and the company and magazine closed for good. Bradford and Johnson later regained control of the brand itself and the content archive. And in early 2022, they agreed to sell these individual assets to us.

I will be interested in hearing about the business model. Andy, a public service lawyer in the real world, is acting as publisher with John reviving his role as editor, a position last held in 2017. After learning that GBH is essentially subsidized by non-publication public and private revenues (and subject to the inexplicable* withdrawal of cash, too) I thought a bit about the other ways of making an entirely niche topic at least break even. Pellicle, for example, on its third anniversary has announced a sustainability goal based on subscribing patrons with a noble goal: “your subscription lets you ensure that people who can’t afford it can still access our features, free of charge“. I am among the subscribers as Pellicle often offers writing you don’t see anywhere else. The main remaining old school periodical is Craft Beer & Brewing run these days by Joe Stange appears to be run as a for profit business with generous old school subscription rates with various tiers no doubt providing quite a range of valuable benefits.  I don’t subscribe as I find the articles, however excellent, to be often aimed towards the supply side, rather than me and my consumer demands. What is the proposition now from All About Beer?

The other big news in the brewing world in 2022 is really the resurgence of big beer. Or rather BIG BEER. As illustrated this week by the fabulous news from Molson Coors:

Molson Coors Beverage Co. says its profits soared in the first quarter for its largest quarterly sales growth in more than a decade. The Colorado and Montreal-based company, which reports in U.S. dollars, says it earned US$151.5 million or 70 cents per diluted share, up from US$84.1 million or 39 cents per share a year earlier. Underlying net income excluding one-time items was US$63.8 million or 29 cents per share, compared with US$1.6 million or one cent per share in the first quarter of fiscal 2021. Revenues for the three months ended March 31 were US$2.2 billion, up nearly 17 per cent from US$1.9 billion, primarily as a result of strong growth outside of North America amid fewer on-premise restrictions in Europe.

So much for the end times that all the experts spoke of. Like seltzers taking over. We do, however, still seem to have a slight bitterness in the mouth. Speaking of macro-lag, The Tand shared an image of what I think is a very attractive beer label, Cerveza Victoria lager from Malaga Spain. Utterly unhip with its middle aged guy in a suit wiping the sweat off his bald head, the use of white in his shirt, the hankie, the table and the background sends the image of pounding heat. I like the straw hat, too. Lovely design.

Less wonderful are the stories David Jesudason shared of his disheartening discriminatory experiences in the bigoted wine world for Glug:

One of the worst racist nicknames I endured was repeatedly said when I worked at a bar during my university days from 1999 to 2003. It was my job to carry the bottles of wine from the cellar and the manager of this West London establishment – Keith – would reward my efforts by calling me Gunga Din. For those not familiar with the Rudyard Kipling poem (and I’ve got a feeling that my racial abuser only knew the title) it’s about an Indian water carrier so expendable that after being killed helping the British Army his life is summed up by the jokey line: ‘You’re a better man than I am, Gunga Din.’ Although it’s a highly offensive term, it’s actually fitting as I was as dispensable as Kipling’s Hindu hero and if I’d complained I would’ve been ushered out of the door.

Just to be clear, the need for the efforts of Crafted for All and Beer Diversity at #CBC2022 give me no greater hope for the experience in the beer world.

Also at #CBC2022, rolling out craft’s long stale mantras of “we” and “winning” and “wars” is so utterly bizarre. And to my mind, the group think enforced at these gatherings has led to things like hazy IPAs being effectively gateway drinks for seltzers. Dumbing down leading to loyalty leachate. And shit like this:

… beers brewed with marshmallows. This once niche ingredient has actually become a trendy adjunct, but will it stick? …the marshmallow beer trend is like a Peep in the microwave: it is on the rise! Just last year, the number of beers containing marshmallows available through Tavour increased 31% over the year prior… these brewers started using mallows in small doses in select Stouts… fans of the brewery loved it and continue to love it. Tavour recently featured one such Drekker, a dessert-inspired smoothie Sour –– Chonk Mango & Marshmallow. It sold out in less than 48 hours.

I feel dirty just mentioning that. Sharing another sort of thing I don’t want to experience, Ed told a tale of mixing beer and rock climbing this week as he retro-ticked:

On the last night of our trip as the pints went down we were planning what to do in the morning before we went home. We were tempted by the fizzy keg climb Double Diamond (HVS 5b) on the impressive Flying Buttress. I was also tempted to pour more beer down my neck, it was the last night after all. When it started raining heavily I agreed to lead the climb before heading back to the bar, confident it would be far too wet to climb in the the next day. So when I was greeting with blazing sunshine when in my hungover state I peered out of me tent in the morning I was not filled with joy. 

By contrast, Jordan has done the far more sensible thing and taken up writing about beer more often. I say this with the greatest of pleasure as for a certain set it can seem that one of the qualifications for being a beer writer, when not hiding in podcast oblivion,** is not actually writing all that much about beer. Not Jordan! His immediate focus? Actually reviewing beers that show up in the mail and being a bit honest about the process:

I didn’t read the label. Although I try to do right by everyone, sometimes, there’s so many samples that I’m profligate. Sometimes I’ll try things and they aren’t worth mentioning; I’d just hurt the sales. Sometimes, I’ll really enjoy something but I won’t find a place for it. With Hoppy Pollinator, I just didn’t want you to know about it on the off chance you’d prevent me getting more of it next year.

I liked this article by Will Hawkes about the current trend of Dark Mild in England’s Black Country, a theme I’ve seen nosed around periodically over the years. Twenty years ago and more, Sarah Hughes Dark Ruby Mild was a but of a lantern in the dark to the home brewing set. I say I liked it but more so after I did a bit of text analysis on the 3,800 piece to establish what I was reading given, you know, it was filed under the word “critical“… something of an unlikelihood.  I thought to do this primarily as the article makes no mention of the sorts of background to Mild that one would find in, say, a piece by Ron Pattinson… like his 2011 bit in the BeerAdvocate “A Short History of Mild.” So… 42% of the article is made up of quotes from folk in the trade. Three historical records are cited and the rest is mainly pleasant physical observations or input from or about four breweries making these Dark Milds: Yates, Bathams, Fixed Wheel and Box Car. What do we call this sort of writing? If it was in the newspaper, a lifestyle piece on a regional scene?

Matt mentions another aspect of reality:

News of another brewery closure. They are dropping like flies at the moment. My thoughts with all the affected staff.

That was raised in relation to Exe Valley Brewery shutting down. In operation since 1984, the current owners only held the reins since 2020. They join another brewery well into its fourth decade, Wood’s Brewery in Shropshire, along with many others. Normal churn or end times? Hard to know but hard times for the owners and staff.

On the up beat, Beth Demmon continues her series of profiles at Prohibitchin’, her blog receivable by email, with this week’s article on Lauren Hughes, head brewer at Pittsburgh’s Necromancer Brewing and how they are seeking to make change:

Strategic hires at Necromancer Brewing, ensuring long-term support of said hires through consistent mentorship, and plenty of community-facing events that signal safety and support for marginalized people. “Having people enjoy beer in a place where they feel welcome and being able to give back to the community so much, that means a lot to me,” says Lauren.

Finally, I am not sure I would call a beer experience “Schubert-like in its symphonic harmony” given he completed only six of his thirteen symphonies and one of those is named Tragic.

There. For more, check out the updates from Boak and Bailey mostly every Saturday and from Stan every Monday except last Monday and next Monday, plus more with the weekly Beer Ladies Podcast, and at the weekly OCBG Podcast on Tuesday and sometimes on a Friday posts at The Fizz as well. There is a monthly sort of round up at The Glass. (Ed.: that seems to be dead now.) There is more from DaftAboutCraft‘s podcast, too. And the Beervana podcast. And sign up for Katie’s irregular newsletter, The Gulp, too. And check out the Atlantic Canada Beer Blog‘s weekly roundup. Plus follow the venerable Full Pint podcast. And Fermentation Radio with Emma Inch. The AfroBeerChick podcast as well! And also look at Brewsround and Cabin Fever. And Ben has his own podcast, Beer and Badword (Ed.: …notice of revival of which has been given…)  And remember BeerEdge, too, and The Moon Under Water.

*Actually, quite explicable.
**Let’s be honest. They take up too much footprint in your audience’s available time, you can’t cite an idea within them for a quote, the attract no comments of consequence and they contain no means to link to something they reference. You may as well as be sending postcards to the handful of folk who listen. And writing “umm” for every seventh word.

Thursday Beery News Notes With Under Two Weeks To Spring

Well, again, it seems a bit off to even be bothering with beery news notes given Putin’s botched invasion of the Ukraine. Jancis Robinson, top international wine writer, shared a story from Kiev on how the expert marksmen in the Russian rocket brigades took out a wine warehouse in Kyiv a few days ago. That’s up there with their destroying out of all the 4G communications towers only to find out their own encrypted radio system relies on 4G capacity. It’s hardly an upgrade to speak of evil murderers as also being morons but they appear to be evil murderous morons. Heineken is hitting the road. Evan is helping with refugees in Prague. Jeff is participating in a rare beer auction towards Ukraine’s fight against evil murderous morons. Others are making anti-Imperial Stouts.

Starting out this week in legal land, there are two stories of note. First up, some idiot thought it would be a great idea to rip off OutKast’s Speakerboxxx/The Love Below album and put out a beer called “The Love Bow” using a two tone label like the album and other references in the imagery. Objection lodged. When a fat pasty aging caucasoid like dear old me know and owns the album, you have to bet that the marketplace confusion and reliance on someone else’s reputation is real. Rooting for a 100% victory for OutKast. We shall follow Brendan for the details as this proceeds.

Elsewhere, it is apparently trial time for that case about Keystone that launched about four years ago. Seeing as Keystone referred to itself as “stone” before the complaining party existed, I am rooting for Big Macro over Big Craft on this one but am hedging at a 60% rooting factor. Pity the poor judge who has to waste her court time and resources on such a loser case whatever the outcome.  I’m buying some Keystone if I ever get back to the States.*

Liar-est headline of the week: “Mushroom Beer Market Giants Spending Is Going To Boom“!

Over at Pellicle, there is an interview of Steve Dunkley, of Manchester’s Beer Nouveau brewers of heritage British ales. I like how this bit sets the tone:

After a nonchalant shrug, he gives me the “official tour”. Wooden barrels, fermenting vessels and shiny stainless steel kegs jostle for position. Every available surface is taken up with precarious towers of crates and boxes, all apparently occupying a designated spot in the carefully shepherded chaos. “Everything here is salvaged,” Steve says with his best faux-innocent grin. “I don’t like paying for things when I can get them for free. The table football is on a slant though.”

This approach by Erin Broadfoot and Ren Navarro to improving safety and reducing sexism in craft beer culture is interesting – because the project accepts that the culture is not going to be actually made safe just because brewery owners and their PR consultos say so. It effectively presumes craft breweries are simply not safe:

Proceeds will now be donated to the Craft Beer Safety Network, a not-for-profit charity “launched with the branched intent of creating safe spaces for all marginalized populations,” as well as tool kits, educational materials and resources for businesses and employers, and the ability to raise funds to help those who have been “harassed, assaulted or otherwise abused while working in the beer & beverage industry.”

Classic Ron on the road, this time in Florida:

Once I’ve showered and shaved, I head over to the beach. It’s hot. Fucking hot. Too hot for me. I don’t linger all that long. I’m really not built for the heat. In several ways. I’m English, old and a fat bastard. Triple whammy.

In health news, the journal Nature published an article this week that confirmed even a little bit of booze makes your brain shrink but, as no doubt the beer journalist PR consultant magic medical experts** will tell us again (yawn), who wants a big brain anyway? Here’s the punchline:

Most of these negative associations are apparent in individuals consuming an average of only one to two daily alcohol units. Thus, this multimodal imaging study highlights the potential for even moderate drinking to be associated with changes in brain volume in middle-aged and older adults.

I am late to Martyn’s review of a Burmese brewing book which he gives in a fine level of detail – including this grim reality about dealing with a topic like this:

I cannot recommend this book highly enough for anyone interested in beer, or in alcohol, outside the comparatively narrow traditions of modern Europe and urbanised North America. Corbin and his colleagues must be congratulated for giving us an essential insight into a set of traditions and drinking cultures… The original Myanmar government sponsors of the book are all now in jail, as a result of the coup of February 2021, which put the Myanmar military back in control of the country, and forced Luke to pull the book from its original publisher in Myanmar, find a new publisher in Thailand, and completely alter several sections.

Final note: if you are going to hit people up for funding after receiving two years of pandemic funding and after withdrawing more than the requested funding from the corporation, maybe don’t use an image that looks like a small town police station guilty as fuck mug shot as part of your promo material.

A short post this week. Makes sense. But for more check out the updates from Boak and Bailey mostly every Saturday and from Stan every Monday, plus more with the weekly Beer Ladies Podcast, and at the weekly OCBG Podcast on Tuesday and sometimes on a Friday posts at The Fizz as well. There is a monthly sort of round up at The Glass. (Ed.: that seems to be dead now.) There is more from the DaftAboutCraft podcast, too. And the Beervana podcast. And sign up for Katie’s irregular newsletter, The Gulp, too. And check out the Atlantic Canada Beer Blog‘s weekly roundup. Plus follow the venerable Full Pint podcast. And Fermentation Radio with Emma Inch. The AfroBeerChick podcast as well! And also look at Brewsround and Cabin Fever. And Ben has his own podcast, Beer and Badword (which I hope is  revived soon…)  And remember BeerEdge, too, and The Moon Under Water.

*Five and a half years now since I hiked across the river… currency collapse, Trump, pandemic… I live 35 minutes from a US customs point of entry and used to cross monthly when the Canadian dollar was worth 98 and not 78 US cents.
**No doubt this article was pre-dismissed by these wizards.

The Thursday Beery News Notes For When Winter Actually Showed Up

While we didn’t break the record of most snow in a century like Ottawa to our north did, I has to shovel snow five times on Monday to clear and keep the driveway clear. Not sure I would find, as a result, the idea of a pub with an outside men’s room would be wonderful. I mean I have heard of such things… but here? That doorless door there? It’d be filled with drift. Snow drift. Right up to that bracket to the left of the door frame there. Don’t fancy that. Chilly. Something something rhymes with chilly.

Well, perhaps speaking of which, the big news broke on Wednesday that Brewdog has apparently been falsifying documents submitted to the US government. As BBC Scotland found out:

Scottish beer giant Brewdog sent multiple shipments of beer to the US, in contravention of US federal laws, a BBC investigation has found. Staff at its Ellon brewery told the BBC they were put under pressure in 2016 and 2017 to ship beer with ingredients that had not been legally approved. One US-based importer said they had been deceived by Brewdog. In a social media post on Wednesday, Brewdog CEO James Watt admitted to “taking shortcuts” with the process.

Having practiced low level criminal defense law for about a decade, it is always great to see a suspect get chatty like that. What makes it really quite amazing is how §70.331 of the Fed Reg Title 27, Chapter 1* related to the Alcohol Tobacco Tax and Trade Bureau of the US Treasury Department provides that:

Any person who willfully delivers or discloses to any officer or employee of the Bureau any list, return, account, statement, or other document, known by him to be fraudulent or to be false as to any material matter, shall be fined not more than $10,000 ($50,000 in the case of a corporation) or imprisoned not more than 1 year, or both.

But that right up there, as a pal says when I point to a by-law at work… “that’s a law!” Which it is. Which allows for a year in jail. Yikes. Dumbasses. No wonder Dan Shelton, former US importer and man whose name became a new verb, stated that he had been deceived: “They did lead somebody in my company to falsify documents.” Wow.  To think Brewdog once sponsored this blog… I am so embarrassed. I would have thought Prince Andrew’s situation might have been a warning to Brits who are a bit deluded about their proper place. No, apparently not. Perhaps it was a plan to distract folk from their incredibly retrograde insensitive and perhaps even Neanderthal-esque approach to promoting better mental health… you know, when they weren’t, what did the BBC write in that article… running a model workplace… what was it?

One former worker told the investigation: “The pressure was enormous. ‘Just make it happen’, that was the culture. It was clear to us this was coming from the top – from James [Watt].”

Elsewhere and hardly at all as suspect, Stan has been on a bit of a roll, posting five times at his space. He may be making a point of some sort. He wrote this under the heading “#nottwitter 04“:

Can somebody point me to a blog post, an academic paper, something from the New York Times, wherever, that provides insight into what might be called unhealthy nostaglia and the ramifications? And how might it relate tradition as a trap?

I am not sure what is up. Is there a pattern?  Whatever it is, it may be that this post’s point is found in the next post, the Monday beer links: “when we buy into that nostalgia, it might be best to stop and consider what we are longing for.” Isn’t what nostalgia what beer is for? Remembering? Daydreaming? Hmm. Then – get this – then Stan hid a clue in the title of his next post: ethyl octanoate. Ethyl. Octanoate. Think about it. Anyway, it terms of the speed of nostalgia, it moves fast with craft beer. Four Pure and Magic Rock are in a “process“:

We want to update you on some news. As we go through this process, our priority remains our superb team and brewing great beers.

Better a process than a legal process, eh? The Grocer has deets:

“While no decisions have been made, we need to determine how to best set Magic Rock and Fourpure up for success in the coming years. Our team have been informed of the review and we are committed to supporting them through this time.” Fourpure has struggled to make headway in the supermarkets, despite the huge surge in alcohol sales over the course of the pandemic…. In contrast, Magic Rock’s off-trade volumes rose 125.4%…

Well! As with the news last week about the Aussie wine guys buying up US craft, the news about the Aussie beer guys going wobbly on UK craft is par for the course. Dust in the wind. Chose your pop prog song title from the mid to late 1970s. That is what it is.

Thinking about thinking, Ron reflected on the year ahead this week in terms of his own mobility:

Plague permitting, I’ve a few trips planned and a couple of others pencilled in. Corona is a real blessing to travellers. The internet had made travels far too simple. The virus adds a delightful randomness to the proceedings. Like planning a European tour in the summer of 1918. Every time I book a flight I wonder: “What are the chance of me actually taking it?” Nothing is more thrilling than checking the internet until the second before you leave for the airport that the flight hasn’t been cancelled. Or wondering if you’ll be let out of the country once you reach your destination. I love the Phineas Fogg feeling the uncertainty brings.

All this uncertainty. Is that the word of the month? I bought a ticket to a CNY beerfest this week at Craig’s urging. Not sure I see how I could ever go to it but it is at least four months off and I suppose I could rent a camper van and look at people out the window. Now he tells me it’s Mothers Day weekend.  Great.

Conversely to that fest, there is as much to learn from a poorly made or poorly thought out beer. Matt is right. Don’t be a jerk. But also don’t be fooled twice. That’s what got us in this mess.

The Beer Nut found perhaps the dullest beer ever.

Retired Martin found a micropub based the theme of the group The Jam. I was their only fan in high school. Until my pals listened to my records. Not sure even I would stay long.

A few reviews of the ABInBev TV promotional show, Beer Masters, have come in. Boak and Bailey added to Ed‘s observations this week:

Perhaps, however, they could have spent less time on the somewhat laboured descriptions of what makes an Abbey beer, or a pilsner, and told us a bit more about the contestants’ kits. We could see some interesting gadgets and arrangements that were never really discussed. If the aim is to spark a home-brewing revolution, as was suggested at a couple of points, then this probably won’t do it.

Good point. This is the sort of TV that does not interest me but at least it appears that a bit of big brewery money has made for a show that is actually not dreadful. Remember that horrible show produced as an advertising vehicle for Dogfish Head twelve and a half years ago? Of course you don’t as most of you were still in elementary school back then. That show was absolutely dreadful. Note: it was also called Beer Masters.

Somewhat related in the sense of horrible US craft beer messaging. Jeff considered the limits of independence this week with yet another tale of yet another takeover:

This isn’t a problem of the Brewers Associations’ making. It’s a structural feature of the beer industry in the US. It is also a worrying development, an echo of an earlier era when consolidation blighted the industry. What does it say about how we regulate the sale of beer in the US that the most successful start-up breweries eventually have to sell out to giants to survive? Is this the world we want to live in and, critically, what changes would allow those larger regional breweries to compete?

I can’t really agree that this is worrying. I mean if you are worrying about this you must have a pretty worry-free life.  The idea of the “independence” of craft beer was dumb in 2009, in 2012, in 2015, in 2016 and still is today. See what I wrote in six years ago under that 2016 link?

Recently, the Boston Globe profiled private equity firm Fireman Capital Partners, the investment folk behind the expansion of Oskar Blues and the cash injection into Florida’s Cigar City Brewing. You think those guys are shaking in their boots over the prospect of a rival fund based on Stone’s ethos? Hardly. The experienced private equity players will out bid and out run their deals. It’s their business, not a hobby or a faith-based act of grace.

Money knows what money is about. Craft beer is about making money. Ask the Aussie wine guys. Unless it is about Berlin. Then craft beer is not about making money. Elsewhere and far more pure of heart, Lars came to a realization this week:

That feeling when you sit down to summarize the development of Norwegian brewing processes and the process of explaining forces you to realize that for 3/4 of the time people have brewed beer in Norway there is zero knowledge of how they did it. No evidence, no theories, nothing.

I might add that we should always be alive to the other 1/4 being 3/4s correct, too. That is the issue with all histories which is why it comes in a plural. But I expect this to spur on even more of his excellent and single-handed research.

There was a good question put to the chattering classes about the most influential European breweries on the US beer industry but I couldn’t muster the energy to decode influential so only watched the ticker tape pass through my hands. Gary went with Chimay and then wrote a follow up:

My history with Chimay started long before this blog inaugurated in 2015. My first Chimay was in a stone-flagged bar in Montreal, Quebec around 1980, served in the stemmed “chalice” long associated with the brand. I was in Vieux Montréal, the oldest part of the city whose mix of old French and Victorian British architecture contrived to offer a “European” atmosphere (still does)…

The Tand picked up a very similar ball – round and bouncy – and gave it a swift kick himself and wrote this about TT’s Landlord:

Me and Taylor’s Landlord have a bit of history. When I first came to this neck of the woods, a local free house used to sell it. It was on the way to Tesco when we did our weekly shop, and we always stopped on the way back for a couple.  It was a rich, balance of malt and hops, with a distinctive floral touch. The term multi layered really did apply to it.  Alas, the free house was sold to Robinsons and the then landlord presented me with the Landlord pumpclip as a farewell gift. I still have it. And that was that. No more readily available Taylor’s. I have supped it in Keighley too over the years and when I saw it on a bar, I always tried it. E loved it too. Of course, there is a but. Over the years, it just hasn’t retained its appeal somehow. It isn’t the same.

Question: “What makes the Golden Ball special?”

As I am wont to do, when I compare this review of good wines by Eric Asimov in the NYT with what would happen if anyone tried such a thing in a publication about beer I once again am between saddened and confused. Imagine if wine writers wrote “for the trade by the trade” as is often the brand with this sort of beer. No one would take the opinions offered seriously. It’s the neighbour of scandal.

Finally, Jordan took one for the team and drank a bunch of no-alc beer samples he got in the mail. While I would approach that opportunity with the sort of anticipation I might feel just before… what… anyway, Jordan found some good in doing it by suggesting not doing it:

I struggle with Non-Alcoholic products. By my lights, I’d prefer to have beer with alcohol or something that’s not beer. I probably get through three litres of fizzy water a day. While I understand that there’s a question of inclusivity in gatherings and that people want to hold something that looks like a beer so that they feel included, I feel that things are slightly different if you’re… you’re a… [Ed.: hmm he spelled “grown up” wrong…].

And I have been playing with the Patreon thing a bit more. Notes on beers I have tried, thoughts on books and beer culture as well as my war on squirrels at the feeder. I do like how it provide a low barrier to easy access. I can be ruder there. Like cable TV as opposed to broadcast.

That’s it for now. That’s a lot. For more check out the updates from Boak and Bailey mostly every Saturday and from Stan every Monday, plus more with the weekly Beer Ladies Podcast, and at the weekly OCBG Podcast on Tuesday and sometimes on a Friday posts at The Fizz as well. There is a monthly sort of round up at The Glass. (Or is that dead now?) There is more from the DaftAboutCraft podcast, too. And the Beervana podcast. And sign up for Katie’s irregular newsletter, The Gulp, too (… back this week!) And check out the Atlantic Canada Beer Blog‘s weekly roundup. Plus follow the venerable Full Pint podcast. And Fermentation Radio with Emma Inch. The AfroBeerChick podcast as well! And also look at Brewsround and Cabin Fever. And Ben has his own podcast, Beer and Badword (which I hope is  revived soon…)  And remember BeerEdge, too, and The Moon Under Water.

*Feel free to correct my US citation style. I took and oath to the Crown so you can just consider it payback for the whole “War of Independence” thing.

Your Final Thursday Beery News Notes For November 2020

Time flies when you are having fun. I’ve likely started more than one of these posts with that quip since this all began, haven’t I. Probably should have my head examined. Except. I have. Twice this week. Drove a pleasant drive to an hour and a half to a sleepy rural district hospital for one sort of probing on Monday and another sort nearer by this week. Nothing serious.* Poking and prodding. The joys of middle age with the next stage coming into view. If I get a third test this week, perhaps I might be given a top hat like the gent above. The image from the West Sussex Archives triggered a lot of interesting chat about the nature of their outfits and that clay pipe but it’s the beer mugs that are the show stopper. Are they pints or quarts? I have one smaller version, a 1940’s green Wedgewood which sits proudly on a shelf.

Speaking of which, the distinctions and differences between a Czech dimpled mug and an English dimpled mug were excellently explored this week by Casket Beer:

Yes. The distinction between these two glasses matters based on history and tradition. Aside from the subtle differences in design, they come from different places and have been vessels for different styles of beer. Further, getting it right adds to our experience when we drink, which is important for breweries in today’s market.

Me, I prefer to get some things wrong and take pleasure in how well they work out – like having IPA in a weissebier glass. Or in a frozen one. Speaking of being one’s own master in small matters, Matthew L wrote about the state of his personal nation as another lockdown struck from a consumer’s point of view:

The final straw for me was the aforementioned Tier 3 announcement.  All pubs not serving a “substantial meal” were to close.  That kiboshed most of my typical weekend.  I contemplated walking to Spoons, or any of the nearby places that do food, sitting on my own with a pizza and 2 pints, then going home (how many “substantial meals” can anyone consume in one day).  Any fun I’d have just wasn’t worth the effort on top of everything else I’d have to do.

Also from one consumer’s point of view comes this post from Kirsty of Lady Sinks the Booze on the moments she has missed, including missing the train:

Since getting a promotion and a pay rise I have done what many working class people do and tried desperately to avoid working class people. Instead of the bus (albeit the wifi enabled fancy express bus with nightclub style lighting) I now get the train, and pay over a ton for a monthly season ticket. Of course since privatisation there are three different trains home and because I’m tight I will never pay extra to get a different company’s train if I miss mine. Hence I will spend £9 on beer, to save the £5.60 train fare. 

Vaccines soon. That’s what I’m thinking. Others too – rather than pretending that owning a brewery means you know more than public health officials, Kenya‘s Tusker is sharing the safety message:

Speaking on the campaign, EABL Head of Beer Marketing, Ann Joy Muhoro, said, “Tusker believes that Kenyans can enjoy their favourite drink with friends in a safe and responsible manner, in line with the set protocols. That is why through the “dundaing” campaign, we are encouraging our consumers to adhere to the set health protocols, as they enjoy their Tuskerat home or at a bar.”

Historically-wise, Bailey and Boak studied the introduction of the jukebox into the UK pub and shared their findings:

This turns out to be surprisingly easy to pin down thanks to the novelty value of these electronic music boxes which guaranteed them press coverage. We can say, with some certainty, that the first pub jukeboxes arrived in Britain in the late 1940s. Even before that date, though, the term ‘jukebox’ or ‘juke-box’ was familiar to British people through reportage from the US.

Best “political tweet with a side of beer” of the week. Second best “political tweet with a side of beer” of the week. Best tweek of the week:

Currently slightly obsessed with TGL-7764, the East German standard for beer. It‘s basically a beer style guideline with some brewing instructions. Only thing I struggle with is colour, though, it‘s provided in NFE and „Einheiten nach Brand“ and I have no idea what these are.

And then he followed up with a link to the TGL-7764. Neato. Similarly mucho neato, Stan wrote about the 107 words to describe hops but neither “twiggy” nor “lawnmower driven into a weedy ditch” appear so I am not sure I can give it all much credit. But that’s just me.

In China, new fangled hydrogen fueled trucks are being used to deliver beer:

The Asian subsidiary of beverage giant Anheuser-Busch InBev SA/NV, meanwhile, added four hydrogen fuel-cell trucks to its fleet, the company announced Sept. 28. It plans to deliver beer using the trucks, making China the first nation where the company has deployed such vehicles for beer shipments.

Martyn found an excellent  cartoon from 32 years ago, framing the thoughts from the time about low and no alcohol beer. I have to say I am of the same mind. It can lead to things, that sort of thing. Just this week I watched as two fully grown adults who have always appeared to have a complete set of marbles going on about the wonders of sparking water. Which they seem to be paying money for. Money they earn. With effort.

My thoughts, as always were, “historic beer style” is an oxymoron. “Style” is a modern international construct, a form to which brewers brew. As Ron has effectively proven, forms of beer in the past were brewed to brew house standards to meet local market expectations. Different names for similar things and similar names for different things were far too common.** Andreas Krennmair*** explored both the oxy and the moron in his post this week about Dampfbier which has that added excitement of relating to a variant of “steam” – a word so many want to own but never seem to understand:

The problem here is… if a beer style’s origin story sounds too good to be true, it probably is not actually rooted in history. Naive me would simply ask why other beers like Weißbier brewed with wheat malt wouldn’t be called the same name because supposedly, the yeast would ferment as vigorous. When we actually look at historic sources though, an entirely different picture is unveiled…

And lastly, Matty C. had an article published this week on a topic near and dear to my heart – the disutility of all the artsy fartsy craft beer cans:

Important stuff like beer style and ABV is too often – in my opinion – printed in a tiny font to make space for more artwork, or isn’t even featured on the front of a can at all. And while this isn’t an issue for most hardened beer fans, for those who exist outside of beer fandom’s bubble (and let’s be honest with ourselves here, that’s most people) it’s actually making it more difficult for people to differentiate between brands. The result of this? Consumers turning back to old, faithful brands – probably owned by big multinational corporations – and turning away from craft beer. 

The phrase I shared was “barfing gumball machine” for these things. Much other similarly thoughtful comment was shared.

Done! Soon – December!!! Meantime, don’t forget to read your weekly updates from Boak and Bailey mostly every Saturday, plus more at the OCBG Podcast on Tuesdays and sometimes on a Friday posts at The Fizz as well.  And sign up for Katie’s weekly newsletter, The Gulp, too. Plus the venerable Full Pint podcast. And Fermentation Radio with Emma Inch. There’s the AfroBeerChick  podcast as well! And have a look at Brewsround and Cabin Fever. And Ben has his own podcast, Beer and Badword. And remember BeerEdge, too. Go!

*Weirder and weirder I am. Seems I have a fully formed molar deep set up into my cheek bone. It is not doing anything. Just sitting there. Thanks for paying your taxes so that could be confirmed.
**I linked it up there! Why are you looking here, too?
***Pour le double!!!!

The Days May Grow Short When You Reach September, Frank, But There’s Still Time For Beery New Notes

The summer has raced by. We only have a bit of lingering warmish things left. Then false summer comes, followed by the now doubly  questionable Indian summer, then lastly a few surprisingly cool rather than cold days. Harvest is coming in. Season of mellow fruitfullness and all that entails. For the ladies to the right it included rather nice dresses. I saw this image on the Twitter feed of The Georgian Lords but have no idea where it is from. I suppose it indicates all hands on a day where there were deck as it’s hardly The Gleaners of months later on in the cycle. But, perhaps surprisingly, not unlike The Harvesters of 1565.

First up and as an excellent introduction for an effort which seeks to separate from chaff from the grain, Stan wrote about an article about wine writers and junkets and other seductions. Like the author, the excellent Jamie Goode, he uses the word “satire” but, as is usually the case with satire, it is framed as such to make a point about a truth:

Good reading from an author who writes, “Personally, I’d rather drink beer than suffer these dull, dishonest, trick-about wines.” Not sure what alternative he’d suggest for dull, dishonest, tricked-about beer.

Is it the beer that is dishonest? In some cases, yes but not always.  Anyway, excellent thoughts as we seek out the good as well as… the Goode in what’s out there to read this week. A reasonable contrasty comparison is this article that Matt noticed by Alicia Kennedy which in part covered similar ground with less of a satirical veneer and more of a personal reflection:

When I was 31 and used my passport again, it was to go to Spain on a trip paid for by a winemaker. The next month, it was a two-week trip to Italy with family that completely drained my meager savings (until I moved to Puerto Rico, this was the longest I’d ever been out of New York), and the next, it was to Scotland for whisky tasting. From 2017 through my move in 2019, I traveled somewhere pretty much every month. These professional opportunities (some personal), about which the ethics were and are always dubious, suddenly began appearing in my inbox at just the right time: after my brother passed away at the end of 2016 and I needed not to wallow, not to continue having panic attacks. 

Staying at home, Martyn triggered a lot of arge and the barge when he himself wrote triggered about changes to the small brewery taxation laws of England and Wales.* It’s all the same to me in that I think reasonably healthy taxation of beer and other strong drinks is a perfectly normal thing to do but decide for yourself:

Much of the outrage seems to come from exaggerated claims of how many and how much brewers will be adversely affected by the proposed reforms, and allegations that the changes will mean large brewers gaining at the expense of small brewers, though the group that led the call for a change in SBR, the Small Brewers Duty Reform Coalition, includes a fair number of brewers making less than 5,000 hectolitres a year among its 60-plus members.

Plus, and I presume some brewers read this so I appreciate it’s not what everyone wants to hear, the idea that the outrage is “manufactured” is not necessarily an accusation. It’s a reality that the discourse is bent and pushed and pulled for any number of reasons and interests. This is one of them.

According to the NME, 99 metal bands have signed up for a ’99 Bottles Of Beer’ charity cover:

The idea for the cover was put together by The Boozehoundz, the moniker of Scour members Derek Engemann and John Jarvis alongside Robin Mazen of Gruesome. It sees 99 musicians all singing a single line of the song, amounting to a mammoth 23-minute song.

All of which is entirely excellent.

Speaking of music, the earlier Matt in my life on these information superhighways linked to an excellent remembrance of being a teen at raves in Preston 30 years ago:

There was an abundance of places to go out to in Preston in the early 90s. The country was in recession but everyone was partying hard. Friday was rave night at Lord Byrons and Saturday was indie/dance. After a grim experience at a club in town when I was 16, Saturday nights at Byrons became part of my life. Most Saturday nights from the beginning to the end of 1991 we were there, drinking cider and black, dancing to our favourite music and forging friendships that would continue for three decades and more.

Reads as true as a witness statement in a criminal proceeding.

Andreas K. wrote about Carinthian Steinbier this week, an Austrian beer that disappeared over 100 years ago, and in doing so gave us a great intro into the world of hot rocks in cauldrons:

Carinthian Steinbier is interesting because it survived for a fairly long time, until 1917 to be exact, despite repeated attempts to completely supplant it with what was called “kettle brewing”, i.e. brewing involving metal kettles. During other research, I recently stumbled upon a 1962 article that is probably the most detailed description of Carinthian Steinbier tradition that I’ve found so far.

“Things You Gotta Try” on NPR’s Splendid Table included dipping Oreos in red wine. Oatmeal Walnut cookies in Imperial Stout anyone?

I have to admit, I have no interest in hard seltzer or hard soda or hard kombuchca and even little interest in most beer writing about cider but I do appreciate Beth’s argument that at least for the business of brewing, non-beer may be one of the ways forward:

They’re not the only San Diego brewery to fully embrace the seltzer craze. Mikkeller’s own line of hard seltzers—dubbed “Sally’s Seltzer” as a nod to one half of their iconic character duo Henry and Sally—launched in January 2020 in response to craft consumers’ changing demographic. “It’s a perfect change of pace for any type of drinker—and a cool opportunity for us to connect with a wide demographic,” explains founder/CEO Mikkel Borg Bjergsø. “It also fits with our desire to be inclusive and reach as many people as possible.”

Let’s be honest. They are end-times beverages, just the same coolers which have been with us for almost thirty years and just gak by another name. As relevant to an interest in good beer as the brand of bubble gum stuck under a pub’s table top. Mr. B. noted the latest abomination: “India pale hard seltzer.” FFS.

Finally, it was with great sadness that I heard the news about the death of Jack Curtin, dean of Philadelphia’s beer writing scene. He was a great supporter of this beer blog from day one and someone with whom I shared an interesting email relationship even if we never met. One of his greatest skills was ripping into his pal Lew Bryson, who I know will mark the loss deeply.

Enjoy the rest of your summer days. As you do, check in with Boak and Bailey most Saturdays, plus more at the OCBG Podcast on Tuesdays (where Jordan shits on church ladies and is dead wrong about coconut macaroons) and sometimes on a Friday posts at The Fizz as well.  And sign up for Katie’s weekly newsletter, too. Plus the venerable Full Pint podcast. And Fermentation Radio with Emma Inch. There’s the AfroBeerChick  podcast as well! And have a look at Brewsround‘s take on the beer writing of the week. Not to mention Cabin Fever. And Ben has finally gone all 2009 and joined in with his own podcast, Beer and Badword. And BeerEdge, too.

 

 

 

*Never sure when these things apply to the whole or the part.

Not So Much The “Tra-La It’s May!” Edition Of Thursday Beer Notes

A short edition this week me thinks. It has been another odd week, weeks which are each in their own way odd unto themselves. This week “murder hornets” were the new form of crap the planet has offered up – except they make a tasty snack. And Cinco de Mayo came and went but some Mexicans were not even able to get to their beer. Not essential. A few more things are opening up here in Ontario. Jordan noted that cideries are now suddenly relieved of an arbitrary five km limit on direct sales. Jeff is still posting photos from his walks about Rye which is another form of relief.

Tomorrow being Friday, 8 May, sees is the return of #BeeryLongReads2020 care of Boak and Bailey. Me, I am not looking like a likely participant myself given I have nothing to write about and no energy to write the noting that I have to write about. So I look forward to a good read. Me. Selfish. Keep an eye out for the roundup of last Friday’s revival of The Session over at Fuggled, too.

Jeff’s take on the homebrewing machine that is no more is pretty much my take: “I never understood the appeal of these things.”

PicoBrew, the homebrewing appliance startup based in Seattle, is effectively shutting down the Spoon has learned today. Back in February, the Spoon broke the story about PicoBrew entering the Washington State bankruptcy process in the form of court-managed receivership. Earlier this month, we uncovered news that the company had put up for sale via auction what looked to be most of the company’s warehouse and PicoPak assembly equipment.

Note #1: not a victim of Covid-19. Note #2: these things have been failing for at least 209 years. CBC TV’s archives have a bit from 1985 on the hobby. Spot all the clichés. Sweet Dave Line sighting!

Speaking of doing it all yourself, Seeing the Lizards has published a guide to creating your own private pub experience with theme options from the tedious to the fearful:

Unfortunately, even if you were allowed past the top of your street, there are no open pubs to go to (unless, nudge nudge wink wink, you “know” somebody).  But never fear – in one of the gestures of community spirit and generosity that this blog is famous for, we at Seeing The Lizards are providing you with an instructional guide to make your own preferred pub experience without having to leave your property boundaries and risk being fined by the fuzz.  And remember, getting those subtle touches right only adds to the sense of authenticity, as is imagining the requisite atmosphere.

This is interesting: “NEIPAs are killing the Ontario hop industry.” And this is the story about it:

Many growers in Ontario are now sitting on at least two years worth of inventory, and have to sell older hops at discount rates. Things have gotten so bad for some farmers in two of Canada’s biggest hop growing provinces—Ontario and British Columbia—that they’ve decided to get out of growing the product all together. “At the beginning there was a big allure,” says Brandon Bickle, an Ontario grower who has decided to shut down his hop farm, Valley Hops, after seven seasons. 

Retired Martyn notes a Covid-19 passing of someone I was fond of, David Greenfield, the keyboardist of The Stranglers:

At the age of 14 I furtively met an older lad in the corner of the playground at Cottenham Village College and handed over my 30p for an ex-demo copy of The Stranglers classic with that new wave late ’70s theme of Armageddon (See also : Atomic by Blondie and Luton Airport by Cats U.K.).

Jeff* has been at the front line of the Covid-19 battle, publishing first-hand reports from brewery owners, like this on the struggle one faced to get part of the Federal small business support funding:

After contacting every business person and bank I could think of, there seemed to be little I could do. Our company was stuck with our existing big banks who didn’t seem to care. Meanwhile I was reading about Ruth’s Chris, The Lakers, and Shake Shack. I was so angry and did my fair share of yelling at my computer. I can relate to Van Havig’s post and have not been the best person to be around the last few weeks.  I feel bad my family had to put up with me.

Brian Alberts took the opportunity to compare today with the Spanish Flu of a century ago for GBH through the lens of the the competing forms of crisis that faced Wisconsin:

Milwaukee’s leaders stepped up in a crisis, and largely handled it well. But, for the city’s brewers and saloonkeepers, this wasn’t the only battle to fight. From a business standpoint, it probably wasn’t the most important battle in the fall of 1918, nor the second, and maybe not even the third. After all, when the President criminalizes your beer supply, a university threatens to shut you down completely, the Senate tries to brand you a traitor, and a pandemic ravages your community—all at the same time—how do you decide what takes priority?

A few interesting notes in this trade article on not getting stuck at the “off-flavour stage of sensory training but I am not sure about this:

“It is important to revisit brand flavor profiles as they change and evolve according to consumer preference, and I do think that brands really should evolve,” says Barr. “I’m not a believer that brands should just maintain as they are out of some kind of philosophical reason. I do think they need to be updated, and incremental changes should be made based on the palate of your consumers, because it is changing and developing.”

Don’t like that idea. While it is true that the hallmark of a good brewer is how to make the same beer out of ingredients of differing qualities, it is odd that the idea of “brand” should not be fairly closely tied to a certain flavour profile. If your creating brand loyalty, don’t dilute it with changes that can be perceived… and often perceived by the customer as cutting corners even if the intention isn’t quite that.

Well, there you go. Not a tome but not haiku either. Keep writing and reading and keeping up with the chin. Check in with Boak and Bailey most Saturdays, plus more at the OCBG Podcast on Tuesdays and sometimes on a Friday posts at The Fizz as well. And sign up for Katie’s weekly newsletter, too. Plus the venerable Full Pint podcast. And Fermentation Radio with Emma Inch. There’s the AfroBeerChick  podcast as well! And have a look at Brewsround‘s take on the beer writing of the week. Thanks for stopping by.

*for the double!

These Are Ye Beere News For Yon Thursdayish This Month From Yuletide

And I suppose the lead up to US Thanksgiving. I am not in the US and, honestly, does it feel a bit late for a harvest fest. The parsley is under snow now around these parts. But the Grey Cup is on this Sunday so that’s good. Hamilton versus Winnipeg.  Oskeeweewee Oskkeewahwah! Say that out loud a lot this weekend – wherever you are. And whether it’s Canada’s autumnal glory* or turkeytime down south, do take care. I didn’t… by which I mean I forgot to note whose tweet I grabbed this lovely common sense public health poster from last Friday. D’uh. [I lie. It was Martyn.]

I was complaining (again)** about the lack of interesting beer writing last week and immediately I was hammered by some fine examples. Consider this realistic vision of Brussels from Eoghan Walsh at Brussels Beer City:

Brussels stinks. It really stinks. Some days it smells glorious, of skewered rotisserie chickens dripping their paprika-stained grease onto the footpath or of the sweet scent of mashed-in grain that marks a new lambic season. On other days it is repellent – the amoniac fug of warming piss rising from pavements heralding summer’s arrival, or the damp choking fumes of the city’s unending winter congestion. 

Lovely stuff. In another hemisphere, Jordan St. John painted another sort of truthful picture of the start of affairs off the Mimico station platform a few stops to the west of downtown Toronto:

…I get the sense that 18 beers would be a lot to maintain. Some of these beers are re-using constituent elements and are not unlike each other. Take the Steampunk Saison, my notes verbatim: “Quite Sweet, Graham Cracker malt character, a little golden raisin or apricot jam character here. Low carbonation for a Saison. Mild notes of spicy orange peel amidst that.” It struck me as closer to Fuller’s ESB with the yeast switched out than a classic Saison. The Belgian style Tripel struck me as a larger version of the same beer. Still stone fruit and graham cracker, but with the intensity dialled up, reaching towards peach nectar. Checking in with the brewmaster, Adam Cherry, he confirmed that the ingredient builds were similar.

It’s a lovely portrait of the sort of locally successful, regionally recognized but also somewhat ordinary brewery that unfortunately rarely gets noted in the rush for the next amaze-balls moment. My immediate response was that Jordan had deftly displayed how to be both fairly critical and warmly encouraged – and encouraging – simultaneously. Exactly the best sort of analysis that, like Eoghan’s olfactory piece, places you by the writer’s side senses engaged.

An excellent and not unrelated discussion took place this week between Beth D and Crystal L as well as others on the role of judging and judges. I took my usual coward’s stance but went back to consider both the challenges of seeking and independent voice while wanting to be recognized as a peer. I’m grateful that they shared their thoughts.

Elsewhere, humility not being their strong suit, I am not surprised by the puffery. But would you really pay for the ever-loving cattle branded “two sides to every story” approach? Real money? Me neither. No doubt in response to the other subscriber offering mentioned a few weeks ago. God love ’em.

2020 is coming. Are your ready? I’m not. But I might feel better if I was heading to the Alcohol and Drugs History Society’s meeting on Friday, January 3rd and 4th, 2020 at the New York Hilton, Concourse Level.  I’d want to be there if only for the presentation by Stephen N. Sanfilippo, of the Maine Maritime Academy, of his paper “It’s My Own Damn Fault; or Is It?” Alcohol and the Assignment of Blame in Mid-19th-Century Maritime Songs and Poems. Being a lad raised by the sea in Nova Scotia, the only place cooler than Maine, I eat this stuff up:

Many nineteenth century seamen’s songs praise consumption of alcohol. Naval victory ballads often end with a toast by the victors, and sometimes include the sharing of liquor with the vanquished. Jack-Back-in-Port ditties also sing the praise of alcohol. This paper will give only passing attention to such songs. Instead, attention will be given to those seamen’s songs, and temperance reformers’ poems, in which alcohol consumption leads to disaster. Such songs and poems always involve the placing of blame. This placement is often not what might be expected, and is frequently complex and illusive.

In their monthly newsletter, Boak and Bailey sought to calm the waters of beer’s social media effect on those caught in its grasp:

Twitter in general can be frustrating, of course, but the conversation around beer is so much better now for us than it was a few years ago when the volume of trolls and bullies felt overwhelming at times. But this is a genuine request: if you think Beer Twitter is particularly terrible, if it really gets you down, can you drop us a line to explain why? Maybe there’s something we’re missing, and maybe there’s something we could do to help.

I think I agree. My behaviour has particularly improved. Far less bastardliness going around these days. At least amongst the scribblers as not all sorts of bad behaviour in beer is gone as Matt let me know of the crime and punishment of a figure in the UK’s craft beer scene.

The founder of a Norwich brewery who duped a businessman into paying £30,000 for equipment he never owned showed a “cavalier” approach to business, a court has heard.  Patrick Fisher, 39, has been jailed after he pleaded guilty to two fraud charges, including one which saw him submit false invoices. Fisher, of School Avenue, Thorpe St Andrew, who was previously a director of Norwich’s Redwell Brewery, admitted one count of fraud by making a false representation to Russell Evans between January 1, 2015, and January 31, 2017, when he claimed to own brewing equipment, when he did not.

That seems to be a bit unfair to Cavaliers, doesn’t it. No, he showed a criminal approach to business. Nice sort of old school larcenous heart to the court case, however.  Very Greene v. Cole, circa 1680-ish.

You might think the same thing is going on with the news about New Belgium being sold into the Kirin universe.  Yawn, I thought. So four years ago. And  the workers got a big payout, right? But then I read this one Facebook from a (former?) employee:

…please don’t lose your “dangerously unbridled in my passion for craft beer” I still have mine. That is the saddest part of this, I feel like everything I was taught, believed and shared at NBB was a fucking lie. I still love this industry and am proud to be working with new, small independent and innovative breweries everyday! It’s not OK to tap out! We need to remain CRAFT to the core. Watch your growth, listen to your employees and don’t chase trends continue to be a trendsetter. The industry needs you stay strong!!

Hmm… has that ship sailed? Maybe. Anyway, that is the week that was. For further beery links, your weekend starts with the Boak and Bailey news update on Saturday and then turn the dial on the wireless to the OCBG Podcast on Tuesdays. And look to see if there was a mid-week post of notes from The Fizz as well. And sign up for Katie’s weekly newsletter. It’s usually got even more linky goodness.

*Not unrelated to my own glory days… because they pass you by… glory days…
**Even Jeff noticed with concern.

Sing Along With “Dorchester Beer” Circa 1784

The note in the fourth issue of The Vocal Magazine to the Compleat British Songster at Song 455 says it was written by the editor “and occasioned by his drinking some extraordinary fine Ale with his Friend J. Morris, Esq. brewed by  Mr. Bower of Dorchester” which is fabulous as we now have the name and time of brewing of an eighteenth brewer of Dorchester beer. Attentive readers will recall how Dorchester’s ale was regarded by Joseph Coppinger in 1815:

This quality of ale is by many esteemed the best in England, when the materials are good, and the management judicious.

And, in another thirty years, we read in a document called The Ladies Companion And Literary Exposi 1844 in an article entitled “Summer Excursions from London” we read the the following exchange.

A lady, who had been my fellow passenger, turned to me as we drove up the avenue, and said, “ I suppose, of course, you mean to try the Dorchester ale, which is so celebrated.” “ Is it very fine ?” I asked.

“Dear me, have you never tasted Dorchester ale?” “No, madam, nor have I ever been in this town before.” She looked at me in some surprize, as my speech was not Irish nor Scotch. When I told her I came from the United States, she gazed upon me with the greatest curiosity…

So, now we know that good things were said of Dorchester’s brewing for around seven decades before and after the turn of the eighteenth century. It’s mentioned in the sometimes very suspect The Curiosities of Ale & Beer: An Entertaining History as being pale and as good or better than our old pals of the seventeenth and eighteenth centuries, the ales of Hull, Derby and Burton. Coppinger claims it had ginger and cinnamon in it. Is he to be trusted?  Don’t know but it is clearly worth singing about. And here is what they sang:

In these troublesome times, when each mortal complains,
Some praise to the man is most certainly due.
Who, while he finds out a relief for their pains.
Supplies all his patients with good liquor too:
Then attend to my song, and I’ll make it appear,

A specifick for all is in Dorchester-beer.
Would our ministry drink it, instead of French wine.
The blessed effects we should quickly perceive
It would sharpen their senses, their spirits refine.
And make those— who now laugh at ‘their  folly— to grieve.
No Frenchman would dare at our councils to sneer,
If the statesmen drank nothing but Dorchester-beer.

But should they (for statesmen are obstinate things)
Neglect to comply with the wish of my muse,
Nor regard a true Briton who honestly sings,
Our soldiers and sailors will never refuse:
And, believe me, from France we have little to fear.
Let these but have plenty of Dorchcester-beer.

E’en our brethren across the Atlantick, could  they
But drink of this liquor, would soon be content:
And quicker by half, I will venture to say,
Our parliament might have fulfilled their  intent.
If, instead of commissioners, tedious and dear.
They had sent out a cargo of Dorchester-beer.

Then let each worthy Briton, who wishes for peace
With America’s sons, fill his glass to the  brim,
And drink — May our civil commotions soon cease.
And war with French perfidy instant begin!
May our friends never want, nor our foes e’er come near,
The pride of Old England, good Dorchester-beer.

There you go. Apparently, the entire American Revolution could have been solved had the right people had had the right beer at the right time. Britons licking their wounds? Or maybe the implications had not set in yet. The song might even pre-date publication by a few years. Things were still fairly fluid geopolitically so… beer and ales might as well be as fluid as well.

Sadly, unlike the song Nottingham Ale as published six years later, no tune is given. You will have to make up your own.

As July Turns To Face August These Are Your Thursday Beer News Stories

Last weekend saw the family head off to the Big Smoke for a Pixies and Weezer combo concert at an outside venue at the west end of  Lake Ontario. It was great. Stinking hot. 15,000 people. Me and a lot of other old guys having a scream-along to “This Monkey’s Gone To Heaven” and “Hash Pipe” which was great. The scene, the Budweiser Stage at Ontario Place,  was an absolute fleece-fest: a tall boy of Bud Light Radler selling for about 15$. I had a Bud with my bland black bean burger before the show. Ice cold it went down like an icy cold Bud. Which was great until it warmed to about 5C after a couple of minutes and then it got, you know, not so great.

I wasn’t really following up on Andy’s idea of taking time to try a classic this summer when I had that Bud. I wasn’t in a place where Bud existed when three decades ago so it does not fill a personal space like that. Not my classic. It’s gas station cooler 1990s New England road trip scenery to me. The beer I passed up. But I did have an old favorite on Friday… and it was an odder experience. Hennepin, which I have enjoyed since at least 2005, showed up in my local LCBO for about $11 for a 750 ml (behind a far worse label… updated branding fail.) I was up for this. We were having a slab of salmon for supper. But it was not the beer I wanted. Hot and heavy even though it was perfect eight years ago on another hot summer night. It’s not like the beer was off. It was lovely. It was just way more than fit my interests, my needs. Am I turning into a target for the low-no movement? What do I actually want?

Jonathan Surratt wins (or perhaps poaches) the “Shaming the Worst of Craft” award with week with the news he shared embedded in that photo to the right. Some gawdawful craft bar somewhere is serving beer in bowls. Could you imagine being served that? Do they serve the food in flute glasses? Do they expect people to pay with actual money? Boo!

Ben notes how a single beer craft brewery putting out a fairly acceptable product that sells well has created another single beer craft brewery to make a fairly acceptable product that sells well. I think of these things like I thought of the music of The Carpenters when I was in my teenage punk phase in the latter 1970s.  They made music that was safe enough for parents who did not like discussing bad things. Like “why Alan is listening to all that swearing?” Mind you, my folks didn’t listen to The Carpenters so I am not sure I will bother buying this beer. Especially as “bugle” is actually a well-known euphemism for beer induced gastric issues.

Is this #ThinkingAboutDrinking? I suppose the idea of thinking is that it’s not about being all positive, just supportive. Fight!

Now this is great: a service to us all. The current big craft and macro craft family tree. Then updated for more detail. Nice to see honesty in the placement of breweries like Sam Adams, BrewDog, Brooklyn and Founders in their natural state. Speaking of Sammy A, sweet dissection by Jeff of another slightly… smarmy GBH post* on the supposed risk of Jim Koch somehow losing status. The lack of institutional knowledge is amazing. Jeff’s point: “when Boston got too big, BA changed the definition.” My point was how Koch was actually an outsider to the main micro/craft movement, which Josh Noel noted and “Sex with Sam” confirmed. Why do we have to fudge things rather than knowing and writing about the actual history of the craft beer movement?

How to sit on a fence.

This is either a story about art v. the regulation of alcohol or it is a story about arts management not grasping the need to find a venue with a stage with a normal licence. I love the “Toronto the Good” half-news in the footnote:

Editor’s note: The Tarragon Theatre has now relaxed their rules for this particular show. Patrons are now able to buy beer up until show time.

AKA: accept what you have been granted.  In other Ontario drinks sales regulation news, Robin has written about how for a few weekends she worked as a beer selection advice giver in one of the few grocery stores with a limited alcohol sales licence.  The role and the context may appear odd. It may well appear odder still as the new provincial government has promised beer and wine** in every corner store! Mind you, the promise has no details. But it may well be that the brave new world promised in 2015 will have a best before date of maybe 2018. So, Robin’s notes may well end up being a valuable set of observations on the state of affairs at the front line in which turns out to be a transitional period. Fabulous information for the future beer regulation historian.

Brendan has shared news that:

files opposition versus beer (and other beverages) trademark application for STONEMILL

With so many breweries using the five letters “s-t-o-n-e” is no one going to point out to the courts how this “just waking up to the news that there are intellectual property claims to be made” approach might be a tad selective on the plaintiff’s part? BeerAdvocate lists 3267 beers or breweries with the letters in that order in their name. Because it is as common as a very common thing. If I don’t associate “Firestone” or “Stone City” with Stone why would “Stonemill” confuse me?

Let’s conclude our collective cogitations this week with a few thoughts about wine writing from Jon Bonné, Senior Contributing Editor with Punch wegazine:***

We assumed experts are meant to provide some kind of road map through an unknowable, confusing realm. We’re expected to help you find a bottle for dinner, and not complicate the conversation. But that has led us, at a time when wine is more interesting than ever, to trivialize its cultural value. We’ve sacrificed context—I mean real critical context, not the fanboy literature that passes for too much wine writing today—for comfort and a sense of belonging. I think Bourdain might look at the situation and point a blaming finger at many of us for failing to explain why one wine is worth more than another, or why certain wines are culturally suspect because they’ve been made with cynical motives. (Big wine companies love when we abandon context for the blind pursuit of deliciousness. Context is the enemy of fake-artisan wine, after all.)

The piece is interesting as it builds on the loss of Bourdain and that irritatingly bland idea of “woke” to get to the notion that context and value are important. It’s a bit too toggle switch for me. Things are complex even if fakers are all around. And I am already a bit sad to see Bourdain being used as a prop for the arguments of others. But I like the call to deeper learning. Hence #ThinkingAboutDrinking.

Upcoming week? The second half of baseball begins. Six or seven weeks until school starts. Use the time you have left wisely. As part of your path to wisdom consider stopping for a pause with Boak and Bailey on Saturday and again after the weekend with Stan next Monday. Laters!!

*Time for an incidental graphics update, too. Keep it fresh.
**Hard liquor, as we call it here, will remain at the surprisingly good LCBO, our government store.
***It actually calls itself “PUNCH” in shouty all-caps… but is font really identity? I mean if it was PUNCH would i have to italicize it? 

 

 

The Final Beery News For This Winter Olympiad

Did I mention I planted peas and radish seeds outside the other day after shoveling a patch in the snow? I have hope and I have trust. Spring is keeking around the corner surprisingly early this year. There isn’t a day in the 14 day forecast with a high temp mark below freezing. March is upon us. And I made the news today… well, me amongst many others. Spring training games start tomorrow. And a good brewery is opening a fifteen minute walk from my house and I am off to the opening this evening. So, it’s a happy time.

Hmm. What is else is going on? Well, now that we are in the merrily saturated market, now that the local supply is diverse and inclusive, fabulous and fresh… what do we do when we consume the ales and lagers of others? Foreign beer is not necessary very now. But still it show up and often finds a place for no other reason than that its comfortingly foreign. I even bought eight Guinness the other weekend. Something something rose coloured glasses something… something something “stupid European boyfriend“…

One for team? Taken.

Speaking of teams, as shown to the right, Ben Johnson* won the Canadian beer Olympic social media moment with his screen shot and tweet of the spouse of Rachel Homan, one of our Olympic curling team members.** It is a fabulous image, the subject displaying his Canadian-ness in a number of key ways: the clothes, the way the hat is jacked down, the wide balanced relaxed stance and his “third and fourth” two-fisted macro lagers. Ben posted his tweet on Sunday evening and by Tuesday morning it had over 6,000 retweets and even made it into the realm of actual media. 8,000 retweets by Wednesday 7:00 am. Nutty.

Not beer: Slovenian wagon cart bits from 3,000 BC.

Web 2.0 update: not a good look.

News that England’s Fuller’s bought a smaller brewery broke on Tuesday morning and, in an amazing display of speed guru-ism, within minutes tribes were forming, one asking “why is this OK?” as the other says “it is OK!” – which is pretty much normal and not much turns on it. The acquired Dark Star charmingly tweeted…

Yes, I predict we’ll do more one-off, small batch beers this year than in our history with their investment in our operation. Same brewers, same passion.

…which could be true but could also mean they’ll be shut by summer. Or not. A seemingly wise man considers the Otley alternative, you know the formerly award winning brewery, the former darling that disappeared late last week. Then the longer pieces came out within 24 hours. Another churned out rushed bit at GBH. A longer, substantive*** piece by Pete pops up… yet with the familiar assurance that Fuller’s is “a minnow in the world of corporate beer.” Hmm.  Yes, “weasel words” and then already “some redundancies in sales and accountants.“**** Yet, there is a sameness to it all.  And there’ll be more. Not just (or even primarily) in the ideas – not the content but in the pattern of comment. I can’t put my finger on it. Is that all there is?  If only someone was keeping track of the promises of the bought out and the later reality. And remember around 2013 when people were going to write fiction about craft beer? Have we dropped playing at being Hemingway to playing at being U.S. News & World Report circa 1993? Content. And plenty of it. Ever notice content sounds a lot like stuffing? You just know somewhere someone is writing another identical style guide for the Christmas market – and another twenty are writing articles to congratulate the long dead man for guiding it all still today, the hand reaching out from the grave. Creepy needy. Me, I am reminded of the stack of thumbed, even greasy magazines at the barbershop when I was a kid, only the top few being touched by those waiting.

There is another view. Ron gave a glimpse with this gathering of 1950s brown ale adverts. The prosaic hiding the poetic. Yet… still rose-tinted, no? Next? More art – this time a brief drama:

Craft Beer: Haha! Young kids today hate macro crap beer!
Macro Beer: Haha! Young kids today just hate beer. How’s your cash reserves, craft?

Interesting. The things you learn when you aren’t listening to a staff PR guy posing as an economist. Speaking of bad news, these are hard times in the lives of the one of the saints:

…Samuel Adams beers and Angry Orchard ciders hurt business… We remain challenged by the general softening of the craft beer and cider categories… A late-2017 survey of beverage retailers by Wells Fargo named Boston Beer as the year’s least innovative alcohol company.

Which isn’t exactly praise right there coming from Barron’s. Hmm.  How would you write a comforting column adopting the language of minnow based on that?***** Should we expect some redundancies in sales and accountants? Maybe. Because that is sorta where we are at as Q1 2018 looks out and sees Q2 coming on fast.

One final reminder: as you likely know, two other weekly news summaries are available with Boak and Bailey posting their round-up every Saturday morning UK time whilst Stan Hieronymus offers his thoughts on Mondays with little old me now plodding along mid-week. I have elbowed my way back into this clique over the last year so am quite grateful for their quite different weekly perspectives on this finite set of stories and should be back with more cheery thoughts of my own next Thursday… in March!

Update: bonus non-beer Quebec content because the phrase “…and it tastes like feet.”

*Yes, the socialite Ben Johnson but not that Ben Johnson.
**Traitor curler!!!
***Beefy even. Based on actual experience. And much to be said about simply being interested in something more than others.
****Must have lacked passion.
*****But… but… passion!