Rocket Lord of the Rings

Happy kids asleep. A few good feeds in jammies, then new clothes. Choral music on CBC radio all day. Missed the Queen… but, really, she missed me as well, didn’t she.    It has been unusually warm here and Saturday may hit a sunny ten above. I don’t miss the snow – only wish I had a patch of garlic growing in this weather. 

With a bit of an achy cold starting I felt little compulsion to move off the couch despite Ralph Bakshi’s 1978 two hour cartoon of Lord of the Rings being on the TV. I saw it when it first came out at the Centennial Twin Cinemas in downtown Truro when I was in grade 10, the scene of many of my Friday nights in those years.     I had read the Tolkien books when I was about 12 and, although I never took to playing/worshiping Dungeons and Dragons and all the other pre-Internet outlets for nerdy fantasty geeks, I was not then utterly offended by the movie. I do recall, though, that hopes were high in the era of Close Encounters and Star Wars – and that we expected something new and important. For the first moments, we thought that the cartooning was imaginative. Soon it was repetitive. Then tedious. The Orcs are creepy if you think the bad guys – Cylons? – in Battlestar Galactica were as well. This review captures the disappointment. Watching it tonight it strikes me that it certainly owes a lot to the genre of Spiderman and Rocket Robin Hood, without, though, the benefit of the voices of Paul Soles and other Wayne and Shuster regulars but, sadly, with the tell tale repetition of short scenes over differing backgrounds a few minutes apart. The ending is the best crap bit:

The orchestra now begins playing Christmas music as Gandalf rides Shadowfax through the Orcs, slaying at will. He begins killing them in hideous detail, and in gruesome slow motion at that. Two Orcs fall dead over the camera, the backs of their heads spraying blood. What the hell! Since they’ve already gone this far, they may as well make Lord of the Rings into a slasher flick too! Why not just give Gandalf a chainsaw and be done with it?

Watching tonight, I remembered this last bit from when I was 16, how creepy the choice of image compared to the accompanying stirring-to-a-private-schoolboy music, how at that age I believed (as English teachers told you) that story endings with slo-mo mass slaughter was really bad art… as opposed to now – since Columbine – when it is also cause for preventative arrest.

Why would Bravo show this on Christmas night? It is so embarrassingly bad  it defies camp. It is not even a welcome antidote even to a fifth hour of the Kings College Boys choir singing “Once in Royal David’s City”. And, yet, I watched it again. Christ was born to give me a day off to watch Bakshi.

Signs of Christmas

Well it is time for some kind of obligatory post for Yule from GX40 HQ. Signs of the season seen today:

  • LCBO line ups and emptying shelves. Panicy staff asking who had driven to the Bath and Gan stores looking for fluidy back-up.  Fortunately the Walnut Brown oloroso was there for grannie;
  • The three year old boy of the house getting seriously freaked out out over the Santa and naugthy thing. He is convinced he is off the list. I am close to letting him know that the whole thing is a fraud put on by the eastern corporate establishment;
  • Quiet roads first thing. Largely a half day in K’town so cruising about for last minute things listening to Guitar Picking Martyrs was quite pleasant – skip “Broken Fuckin’ Heart” (track 5) if the kiddies are in the back row;
  • Although Kingston is a military town and a university town like Halifax, the bars are dead. Must be a difference between army and navy. Co-worker happy happy joy joy pint o’ Guinness was in an echo chamber with, oddly, M. Pied Lourd for a bartender.
  • Fox Sport World Canada once again has that weird Egyptian indoor soccer championship – the Egypt International Futsal Tournament – on TV all through the dark days of mid-noon the 24th to the dawn of the 27th. Check here for soccer listings to get you through the entire bleak mid-winter.

So there you go. Happy Christmas to all you readers, to those who have done something worth writing about and to my favorite bloggers to the right – with special best wishes to the silverorange guys for providing the juice and space and the guys at Switching to Glide for running with that idea.

The Dope

[What a dumb pun.]

So the Supreme Court spoke this morning in the case R. v. Clay and marijuana smoking is not a constitutional right – but only on a 6-3 split. Apart from the reassurance that the brewers and distillers of Canada were looking for, there is some very interesting language:

Reliance is placed by the appellant on the observations of La Forest J. that “privacy is at the heart of liberty in a modern state”… and that “the right to liberty enshrined in s. 7 of the Charter protects within its ambit the right to an irreducible sphere of personal autonomy wherein individuals may make inherently private choices free from state interference”. However this “privacy” aspect of s. 7 relates to “inherently private choices” of fundamental personal importance… What stands out from these references, we think, is that the liberty right within s. 7 is thought to touch the core of what it means to be an autonomous human being blessed with dignity and independence in “matters that can properly be characterized as fundamentally or inherently personal”

With respect, there is nothing “inherently personal” or “inherently private” about smoking marihuana for recreation. The appellant says that users almost always smoke in the privacy of their homes, but that is a function of lifestyle preference and is not “inherent” in the activity of smoking itself. Indeed, as the appellant together with Malmo-Levine and Caine set out in their Joint Statement of Legislative Facts, cannabis “is used predominantly as a social activity engaged in with friends and partners during evenings, weekends, and other leisure time” (para. 18). The trial judge was impressed by the view expressed by the defence expert, Dr. J. P. Morgan, that marihuana is largely used for occasional recreation. Reference might also be made on this point to a case under the European Convention on Human Rights decided recently by the English courts under the Human Rights Act 1998 (U.K.). In R. v. Morgan… the English Court of Criminal Appeal observed, at para. 11, that:

A right to private life did not involve or include a right to self intoxication, nor the right to possession or cultivation of cannabis, whether for personal consumption within one’s home or otherwise.

So… no right to do it as a matter of personal autonomy because it is not big enough, not a matter central enough to be a matter of personal integrity. This is a bit weird. If we are autonomous from the state, can’t we choose to be slackers? Are we not allowed to dedicate the core of our lives to the life of choice, even if the choice made is not the profound? If we are not granted each our own choice, we are not then each so much uniquely individual but individual as measured against some idealized standard of generic individuality. I bet if we looked into the brain of the judges the ideal standard might look a lot like the life they chose for themselves. Oddly, in many other areas of constitutional law, the individual is allowed to define him or herself – it is a subjective right. It looks like the subjective right to be slack is not good enough.

Last Night I Rocked…Again

I can’t believe I was in the same room as
the Chump
. It’s been a big rocking year for the old man. I saw Sarah Harmer in February
(opened by the CBC propped up and badly managed Nathan Wiley – needs to meet more kids
his own age who play instruments), then Elvis Costello in
summer, Sloan two
months ago
whose opening act was Boy (whose name makes them almost
ungooglable) and now this.

We will wait for 7 years before we are in a room with Al
Weeping Tile in 1996 with Sarah’s sister Mary (left) then on bass

Sarah Harmer and her old band
Weeping Tile do a Christmas benefit for the Sally Ann every year. Luther Wright was the MC and we
were sitting next to his granny. It was an all ages thing so there were teens
and grannies all over the place. This is the eighth and had, as an opening act,
Oh Susanna, one of the strongest
voices I have ever witnessed – one of those like you wouldn’t want to be in a
bad relationship with her kind of voices. She sang “Go Tell It On the Mountain”
backed by Weeping Tile. The other two acts were interesting. Jay Harris was good if only for the things
he was doing to that poor steel guitar. The tastebuds were challenged, however,
by The Dave Hodge Experiece, which you kinds got the feeling was made up for the
show. Drums, fender guitar, fender bass and a frontman (Dave Hodge) playing a
casio one note keyboard with an electric fireplace in front of him. It was kind
of nerdy, high voiced, elementary school Gang of Four
without the catchy stuff. Good humoured though. It was a great evening – we had
to cut out about 11 pm to pick up the kiddies, so missed much of the Weeping
Tile Set – Sarah music then was as dark as it is lithe now, lyrics as gritty.
Dandy.

The Dave Hodge Experience reminded me of a band playing at an early ’80’s
show at the UKC
pit
impressarioed by Gillian McCain,
whose web bio seems to delete the Kings years.  At that show, when I
suggested, perhaps too loudly, that a certain keyboard player sucked, I received
the wrath that only a New Brunswick french fry princess steeped in new wave and punk
knowledge could unleash.  It was an envigourating moment.  In the
middle of the night during my campus police shifts, I used to read her cool,
rare and expensive new wave / punk ‘zines that came in the college mail.