Category: Beer Writing

The First Thursday Beery News Notes For Summertime

I took the week off. Things to do. That toilet flap with the itsy-bitsy trickily drip? Replaced. Raised bed cover? Mended. Hedge? Trimmed. Whipper?Snipped. So I am a bit tight for time. Good thing, then, that the beer world went dead this week as far as news goes. Me, I might go over to the USA on Friday but might just go to the west end of Ottawa instead… border still have rules you know. Maybe nip over to a dep and an SAQ in Quebec, too. I’ll let you know if I did next week. Please stay calm in the interim. Please. If I was going south over the big river this week, I could hit the Thursday night “Beers, Bikes and Barges” talk in Albany, NY where Craig is talking.

Join the Historic Albany Foundation, Discover Albany, the Albany Ale Project, and the Erie Canal Museum for this hourlong cycling tour through Albany looking at the city’s Erie Canal and brewing history. See sites like the location of the enormous John Taylor and Sons Brewery and Lock #1 on the Old Erie. The ride begins and ends at C.H. Evans Brewing Company, where you will be treated to a beer as part of your ride as well as a brief history of the brewery itself.

That sounds like a lot of fun. Though they misspelled enooooooormous. Because it really is that big. H_GE and a zillion U’s in between. Big. And that’s only the remaining part of the facility. There is even a stream running right under the building still. That’s the sort of thing you get to see when Mr. Gravina hauls you all over town saying “LOOK AT THAT!!!” 37 times a minute.

Stan released his latest Hop Queries bulletin by Telex… err… email subscription and, as always, has the substantive news that the kids all are filling the streets demanding.

Hop acreage strung for harvest in the three northwestern states of Idaho, Oregon and Washington declined this year for the first time since 2012. Given what happened to world beer consumption beginning in March of 2020, that shouldn’t be a surprise. There’s an overall surplus of hops, in various forms, to be worked off. Fact is, farmers only reduced acreage 2%, planting 59,896 acres, which is 1,255 more acres than they harvested in 2020 . . . and 30,213 more than 10 years ago.

So… is it Crisis, What Crisis? or These Be Yon End Times! Dunno. I tend to pay more attention to my reassuring blood test numbers than freaky hop acreage stats. Other news? Apparently BrewDog didn’t share it’s private business planning with the world a few years back – just like every other private business didn’t:

Brewdog’s CEO James Watt was involved in preliminary discussions about a potential sale of part of the firm to rivals Heineken, the BBC has learned. Leaked emails from 2018 reveal he told Heineken he was “open to being more pragmatic in our views on independence”. He previously criticised craft brewers for “selling out” to bigger companies. Brewdog said the BBC’s reporting had demonstrated “vindictive scrutiny and malicious criticism” of the beer firm.

Why would this be something anyone would think would be made public? I was thinking how BrewDog has basically replaced all of macro industrial beer as the “bad guy of beer” – some of which – maybe much of which – is probably deserved… but the weird thing is how they have seemed for a whole to soak up all the attention for the past few months – and perhaps letting other bad actors off the hook.* So, it was some relief to see that GBH has shifted focus to another toxic situation well worthy of attention:

A current Tired Hands employee says Broillet has effectively resumed his role as CEO and is at the brewery’s facilities six days a week. A former brewer who left the company this spring as a result of Broillet’s presence at the brewery confirmed that the founder has been working at Tired Hands’ property for months. “The public wasn’t made aware of that at all. He just kind of snuck in and [employees] really don’t want him around,” the former employee says.

Conversely – at least in the heroic outcome department – Martin himself shared another bit of research no doubt uncovered in the preparation of his upcoming book on stout with the tale of how Guinness administered under medical care got one particular gent out of a rather challenging personal situation:

On Sunday June 18 1815 at around 6pm in the evening, at the height of the Battle of Waterloo, ten miles south of Brussels, a 33-year-old captain in the 7th (Queen’s Own) Regiment of Hussars named William Verner, born in County Armagh, Northern Ireland, was hit in the head by a French bullet — one of 47,000 casualties that day.

Fabulous. Far less corpse ridden, Ray wrote an excellent piece for their B+B Patreon subscribers on his father’s approach to pubs:

He also taught me everything I needed to know about pubs and drinking, when I started (a bit late) in my early twenties. I remember sitting with him in the Railwayman’s Club in Bridgwater while he explained that I was drinking too slowly to be sociable: “Bloody hell, son – like this! Chug, chug, chug…” Third of a pint goes. “Chat, chat, chat. Chug, chug, chug.” Next third disappears. “Chat, chat, chat, then finish it…” Final third down the hatch. “Then get the next round in.” I think of him, I guess, as the ultimate Pub Man.

My old man was a church minister… but he was late to the ways of the cloth and shared hints of a similar youth in industrial Scotland. A short poured pint would “have gone back in the bartenders face when I was a lad.” Tales of great uncle with head butting skills. Hence my familiarity, no doubt, with this sort of grim news from the Old Country:

…alcohol-related hospital stays were nearly eight times higher among the most deprived Scots. Minimum unit pricing was introduced to curb excessive alcohol consumption and related harms, including death, crime and unemployment. But a separate PHS report published earlier this month found “no clear evidence” the policy had reduced consumption amongst the most harmful drinkers.

Bad news continues. Good beer is at risk of collapse, according to one correspondent from the antipodes:

Joseph Wood started making beer in a shed in New Plymouth more than a decade ago. Now he’s a master brewer, and the beers he makes at Liberty Brewing north of Auckland are some of the most awarded in the country. But he’s never seen anything like the past 12 months. “It’s a miracle we’ve managed to keep stock on the shelves. People moan about the price of beer – they’ve been lucky to get it at all.”

Is it that bad? Let’s watch and see if the brewery closings speed up. I give them a summer grace period. We’ll know by October. And, speaking of the neg, there was a interesting anti-craft comment of  note over at NHS Martin’s post about his visit to the Ring O’Bells:

I can barely recall* a time when I’ve resorted to the can fridge for a beer in a pub, I’m so utterly mistrustful of the fancy can lottery, which in pubs is often the repository for the wackiest sweet and sour high abv fruity-sweet hell-beers that I’ve never heard of. Also, is it just me that regards drinking what is in effect the takeaway/off license option in an on-licensed premises, somehow like eating a takeaway in a restaurant, kinda not the point. And finally, why is it that what’s probably the only acceptable use of a specialist drinks fridge, for bottles/cans of good dry ciders, is as rare as speckled hen teeth…

Lordy. An unhappy man in beer? Never hoyd of it! Well, neither did the person making the comment as he was actually quite happy in a good pub with a pint of plain beer.  But… it does speak to division in a way that I get – and worth tucking away should a new sort of craft collapse actually be underway. As to the fancy can lottery, just this week I got tricked** into trying a Cold IPA*** in a fun can which, if true to Nu-Styl Rools, means an unbalanced blast of hot Minwax furniture polish to the mouth with thin traces of malt. Similar themes were afoot in this YouTube bit Eoghan Walsh noted shared of Irish people trying craft beer. Hint: they aren’t signing up anytime soon. Not a growth sector. Thinking of investing your time or money further in craft? Please tell us why in the comments.

There. Thought it would be shorter. Sure didn’t take that long to write. Last week? I poured over that one over and over for days. No one gave a crap. As they shouldn’t. For more, check out the updates from Boak and Bailey mostly every Saturday but not from Stan every Monday as he is on his summer holiday. Check out the weekly Beer Ladies Podcast, and at the weekly OCBG Podcast on Tuesday (Ed.: back again this week) and sometimes on a Friday posts at The Fizz as well. There is a monthly sort of round up at The Glass. (Ed.: that seems to be dead now.) There is more from DaftAboutCraft‘s podcast, too. And the Beervana podcast. And sign up for Katie’s irregular newsletter, The Gulp, too. And check out the Atlantic Canada Beer Blog‘s weekly roundup. Plus follow the venerable Full Pint podcast. And Fermentation Radio with Emma Inch. The AfroBeerChick podcast as well! And also look at Brewsround and Cabin Fever. And Ben has his own podcast, Beer and Badword (Ed.: …notice of revival of which has been given… still not on the radio dial…)  And remember BeerEdge, too, and The Moon Under Water. There has also been the Beer O’clock Show but that’s now winding up after ten years.

*Time for another reminder of the “Sex For Sam!” project that still gets that pass.
**Tricked, I tell ya!!
***I name no names.

The Mid-June 2022 Edition of Thursday Beery News Notes

Finally. I am now convinced we may not get snow again… probably… the crops are a’risin’ and they are getting noticed and even harvested by strangers new to the neighbourhood. I even sharpened the manual mower and dug up the now dead fig tree’s root. In fact, I was reminded just last Saturday how much better beer was than having a fat guy at 59 heart attack when, laying on the lawn sweaty and staring at that damn fig root once cut from the planet which gave it life, I chose to have a beer rather than a heart attack. Good call. Meantime, I got on the Dall-E app thingie to see what all the cool kids are up to. Apparently the AI for the app likes its beer writers fat, white and male. I don’t dare show you the other three panels. Still… quite extraordinarily perceptive.

First up, I love this image from the Mi’gmaw academic Robbie Richardson of Princeton – and his caption: “There was a two man band doing a mix of Pink Floyd and Louis Armstrong covers.” Fabulous. He was in a London working man’s pub and captured the spirit of the scene in this shot as well as a second photo. Note: not yet included in the listed, upgraded or relisted by the Department for Digital, Culture, Media and Sport on the advice of Historic England.

Speaking of pubs, there is pub ticking and there is speculative pub ticking that requires you to tick a pub just in case only to find out that the pub was not worth the tick! But in the tick that was not ticky there are also gems, like this beer right here, a Dulse Stout. I like the sound of that. But I grew up near the Bay of Fundy.

Evan demonstrated a deft use of social media on Wednesday with his multi-tweet, multi-media argument on the relationship between Czech culture and a state owned Czech brewery. Read it. It’s better than 87% of the paid beer writing this week. Here, let me start you off:

I keep seeing Czechs ask “Why shouldn’t we privatize Budvar?” aka “Why should the Czech Budweiser brewery remain under state ownership?” A few quick thoughts on the pros and cons.

A bit further out there, we have either apparently run out of gimmicks or have achieved master level gimmick:

A Scots brewery has joined forces with a company of professional musicians in a bid to discover whether playing piano to fermenting beer affects the taste… Sean Logan, a member of the company, is playing a wide selection of his music to two batches of new beer now in the fermentation tanks at Bellfield’s brew house. The two new beers – Resonancy IPA and Resonancy Pilsner- have been brewed specially for Pianodrome’s summer-long ‘Resonancy’ at their new, upcycled piano amphitheatre at the Old Royal High School.

And, never the gimmick, I missed this a month ago about the last Fred Fest coming and going:

This weekend marks the final Fred Fest, a rare beer charity event created to honor the birthday of legendary Portland beer journalist Fred Eckhardt. Later this summer venue host Hair of the Dog Brewing is closing, and this will be one of the last occasions to celebrate both owner Alan Sprints and Fred Eckhardt’s invaluable contributions to the industry in-person.

Boak and Bailey had somewhat positive experiences at three ‘Spoons and were pleasantly confused:

It was busy but peaceful with mostly older drinkers chatting in groups as diffuse sunlight warmed them through big windows. Ruddles was, again, surprisingly, delightful, this time at £1.49. Adnams’s Ghost Ship (£2.10) was good, too – a reminder of what a great beer this can be, full of citrus zest. The tables were spotless and polished and the in-house mag sat there looking harmless, with a cover feature about Curry Club rather than, say, DOES TRUTH MATTER? 

But what about goes into what is in the glass? A study is being undertaken by my old alma mater, Dalhousie, in combination with two local breweries, 2 Crows and Propeller. They are looking to see if they can solve an old issue with how malt is made:

Historically, malting involved soaking barley in water, laying it out on the floor to germinate, and then drying it. This is a process called floor malting. Today, pneumatic malting is automated with large maltsters spreading the barley out on a perforated floor and blowing air through that floor to precisely control temperature and humidity before drying the malt. Two concerns about floor malted barley have been hindering the growth of craft malting: the potential for higher levels of a flavour-altering compound called Dimethyl Sulphide (DMS), and a condition called premature yeast flocculation…

Big picture, brewing industry economic challenges continue. Belgian brewers face bottle shortages:

Companies like the historic Huyghe brewery in Flanders, for example, are starting to run out of bottles. The lifeline, for now, is the accumulated stocks of bottles that were purchased from a supplier company in Russia. These days, supply has been interrupted and finding alternative suppliers with the capacity to respond in Europe is anything but easy due to the strong concentration that has occurred in the industry in recent years.

Similar stories out of the UK and Germany. Plus not enough C02. Plus drought. Plus the hot sauce is disappearing. (Glad I have backup.) In Hawaii and in Asia, the brewing basics are not as easy to get your hands on:

All food prices are going through the roof in Singapore. “It’s getting harder and harder for us to get any supplies at all,” Jesemann said. Hops and malt, delivered by ship from Germany, are also becoming hard to come by. The pandemic and the Russian war have made everything more complicated.

Now… there was an interesting set of three separate posts this week which added up to a bit of an interesting conundrum or at least signs of change. Worth unpacking.  First, to set the scene, Jeff used all his fingers and toes and came to the correct conclusion that there are a lot of beer  brands out there:

I was doing that same back-of-the-envelope math recently, and things have changed just a smidge. American breweries are within spitting distance of making a million individual beers. Maybe they already do. Three changes account for this. (1) The US has seen a more than fivefold increase in breweries since 2010, to around 9,500. (2) The number of beers each brewery makes has skyrocketed. Partly that’s a function of a changing market that rewards churn. But partly it’s a result of the fact that (3) almost all those breweries have taprooms, and a a lot have multiple taprooms. People are in turn drawn to those retail sites to sample new beers and buy four-packs they can’t get at the store. 

I totally agree. We could also do a similar calculation of local bakery cookies, squares and other doodads. As things localize and multiply – as the dream of big national craft continues to fade – we have a splendidly mindboggling range of options… as long as you can be everywhere all the time. Which you can’t. Which leads me to Robin and Jordan writing in conversation as they do monthly for Good Food Revolution. This month they discuss the fragmentation of style over the same timeline that Jeff discusses his numerical ker’splosion:

J: It’s not just flavour, either. As part of the instruction at George Brown, I’m explaining to people about the Lovibond Company. They were stained glass manufacturers who came up with a standard colour spectrum for beer. Sort of pale straw down to deep brown, but in gentle gradation. One of the students asked, “So what happens when beer is suddenly pink?”

R: I do take your point. While styles have changed so much throughout the centuries, things do seem to be going pretty alarmingly fast in terms of flavour development, with everything but the kitchen sink being put into a beer. Sometimes the beer is even aged in a kitchen sink for that flavour.

It’s an interesting discussion – but, with respect, it does move a titch to the reactionary. In the sense that it depends on chestnuts like Garrett Oliver on wine (no, wines have a massive range of flavours) and dear old Michael Jackson (whose declaration of style as periodic table flopped way before the beer went pink.) But it serves as a great X axis to Jeff’s Y.*  Facing this shock of the new… well, newish… we (rejecting the 1880s Michelson and Morley approach) should not worry about preserving a conceptual status quo. In the million brand universe the idea that beers can “rise up above all of the nonsense” like hit songs may not recognize that (i) the hits were rarely the most interesting songs** and (ii) there are far too many beers now for it to mean anything when a tiny foil Sunday School gold star gets awarded. It is simply no longer meaningful. That centre no longer holds.

Which leads us to Ben Johnson who has rejoined the land of the beer writer and posted his first post since last he posted in over a year and a half, reminding us all to disclaim the freebie:

It’s pretty basic marketing. For the cost of beer and shipping, you can put your product into the hands of people who are happy to share news and images of that product with your target audience. Beer writers and influencers get beer, they write about it and photograph it, and then share their work with their beer-loving followers; and the brewery, at least in theory, sells more of that beer.

This, too, is now a bit of a read guard action. Not because people don’t let folk know when a freebie is being discussed. We see disclaimers all over the place now – and that is great. Problem got solved. But the new problem is… it’s also sorta useless. And sorta 2018. Think about it. What beer drinker is now so weak of will that they are influenced? Wanted to be subjected to marketing? Second, many of the more interesting breweries just do not send freebie samples just like they don’t submit beers to award competitions. They know their base and have no need of the TikyToky marketplace of ideas. Third, too many freebie opinions boiled down to generic praise. Worse, fingerwaggery may ensue. Me, I can buy the beer.*** I can take the risk with a few bucks that I might not like something once in a while. Frankly, I am much more likely to be attracted by a skillful brewery that also displays a bit of good humour and jokes with itself. I am also much more interested, like Mr. Lemon, in what is a short walk away.

All of which adds up to something. And its something very different from even just pre-pandemic. The pre-pan. There is now just too much in beer to be aware of all that much about all the beer. It has been foretold, of course. Over seven years ago it was clear that it was impossible to be a “beer expert” but we are also well past even that. With the explosion of brands and styles and influencers (not to mention the seemingly hundreds of beer award competitions – now including a prize for iconic supermarkets? FFS. Really?? Have things gotten that tight for the award fee gatherers?) the confusion isn’t fading, it’s now a bazillion times worse. Or maybe better. Is all that variety actually all that bad ?

What can the poor beer writer do? No problem. Keep it specific. Look for the details. Experience what is actually there and now what you’re told should be there. And maybe write about it. That’s what I say. By this I mean if you are someone with the knowledge of what is good right there in your local area write about it… or write about what London Cooper was or… what is interesting about trademark law as it affects brewing or… or even what Ron has been eating… well, then you have half a chance to still be interesting and informative or even just funny. Write – even if its probably not all actually journalism. Writing is good. I’ve said it before but it’s worth repeating. Write. It’s hopeful thing. The hope that we acknowledge the rich niches which have replaced outdated umbrellas and overarches and authority figures. THIS JUST IN: no one need read Michael Jackson ever again except for archival purposes.

Perhaps connectedly, Stephanie Grant thought about something like it and wrote an interesting piece at her space “The Share” comparing craft beer now to the downsides of dating, including the fork in the road at phase 3 :

This is the part of the relationship where you start questioning things. Should I stay or should I go? It’s a hard question when beer has become part of my identity. What happens when it’s not? I left my job at the brewery. I started freelancing full-time. Initially, I dreamt of writing for breweries, but I started questioning that. Did I even want to work in the industry anymore? During this stage, my beer fridge went mostly untouched. It had been months since I posted about beer and even longer since I purchased a six pack. Meanwhile, my cocktail bar GREW.

Did she ditch the dud at phase 4? You will have to go read.

The rut is real – and, let’s be honest, maybe its because just as we have this unwieldy explosion of beer brands and alleged styles, we also have a limited range of beer writing themes.**** So much writing has not caught up with the scene from the consumer’s seat. Why listen to drinkers when you can talk at brewery owners? Yet… I think the last few years’ worth of new writing on social justice through the lens of beer is invigorating and, like the niche and the local, points to the way. Focused as it is on their personal experience, it is a step forward exactly because it’s written by people who actually do “think about press freedoms or the politics of their readers” and then think about their experience in beer overall. These writers have had to work to be heard. And beer doesn’t traditionally have much time for the bad news. Commissioning editors get the yips about bad news but these writers now sometimes write uncomfortable personal things. Discomforting interesting things – unlike what that DALL·E mini app would have us believe as illustrated above. It is also interesting that it is occurring just as established news services also shine a brighter light on the little ways of brewing.  Again, I speak of hope. This is excellent. And it bodes well for a better future.

What’s it all add up to? In the million brand world, just don’t be a follower. Be the subject of the story of your own experience. We simply don’t have any use for the good old days when craft beer was the defined as the domain of the heroic great white male, whether brewer or writer. A past when perhaps, to channel Mr. Ahmir Thompson, we have been burdened by the achievers who kept down creatives. Someone should let the DALL·E mini app up there know we may be done with that. If we are lucky. It’s a needed change – because it was not all good and fun, whatever you were told.*****

There. Another long variation on a theme. But that’s what the beery news notes is for! Reading the writing. And for more, check out the updates from Boak and Bailey mostly every Saturday but not from Stan every Monday as he is on his summer holiday. Check out the weekly Beer Ladies Podcast, and at the weekly OCBG Podcast on Tuesday (Ed.: back again this week) and sometimes on a Friday posts at The Fizz as well. There is a monthly sort of round up at The Glass. (Ed.: that seems to be dead now.) There is more from DaftAboutCraft‘s podcast, too. And the Beervana podcast. And sign up for Katie’s irregular newsletter, The Gulp, too. And check out the Atlantic Canada Beer Blog‘s weekly roundup. Plus follow the venerable Full Pint podcast. And Fermentation Radio with Emma Inch. The AfroBeerChick podcast as well! And also look at Brewsround and Cabin Fever. And Ben has his own podcast, Beer and Badword (Ed.: …notice of revival of which has been given… still not on the radio dial…)  And remember BeerEdge, too, and The Moon Under Water. There has also been the Beer O’clock Show but that’s now winding up after ten years.

*Another interesting X and Y graph would be where one axis represented the collapse of  stylistic and branding certainty and the other axis represented the increase in card carrying Cicerones.
**Have you ever seen “Pina Colada Song” aka “Escape” lip sinc-ed vids? Big hit. In its fifth decade of existence. Shitty.
***This is my favorite line when a brewer offers me samples, that I am not one of that sort of writer. Brewery owner then laughs. Then I laugh. It’s a nice bonding time. Then I pay and go.
****They include: (i) social justice through the lens of beer, (ii) comforting praise for the rural brewery preferably founded by career changers… perhaps before they change back, (iii) beer writers interviewing beer writers and other circles of praise, (iv) possy spin over what arrived for free this week (yet… who could deny him this time?) and (v) affirmations of the abiding beer fibs through time like there is nothing to worry about the marketplace, temperance bad, puritans really bad, j-curve good ’cause beer is health food! (I often think of whether Gary Bredbenner so well remembered by Lew at the time now 13 years ago was affected by this… and Norm Miller as well.) Not to mention the crap that isn’t even beer. Fibs and lies, I say. Money in this case is the root of all evil, isn’t it… yet so is its absence.
*****Which is to say we are well past the day a decade ago when Melissa Cole could say that “brewing industry is not only booming and forward-thinking, it is also fabulously friendly” while James Watt was calling someone out by saying “…if we wanted advice from you, it would be about how to simultaneously patronise women and bastardize beer…” Quite the reversal! But it is a meaningful reversal of sorts as brewing is not and has not been a friendly place even if there are friendly faces to be found. And it’s good for us all to have grown up even if it means you leave behind those things of interest in youth.

Yet Another Week’s Worth Of Beery News Notes On A Thursday

Here we are. Again. Growing in wisdom. Me, I’ve been reading more books this year and keeping track. Keeping track of a lot of things. Self-improvement? Do more of this cut down on a bit of that. Twenty-seven books so far this year, not one of them about beer. Currently (after reading the highly recommended book The Shipping News,* ultimately a comedy set in a fictional version of small town Newfoundland in which beer – and screech – make appearances) I am on a third by Questlove, this one Creative Quest, an encouraging book about the creative process. I usually avoid self-help books… but then again I avoided books, too… too many law books can do that. You can help decide if it has any positive effect.**

Martin was particularly creative in his photo work, the image right there from his post about a guitar themed pub, Northern Guitars in Leeds. Love the angle.

Just to prove I do occasionally (mostly by accident) take advice, I did take a pub tip from Chris Dyson for my second pre-gig pint in Leeds. Perhaps the pace of change has slowed a little in the east of Leeds, but the Calls District was busy enough, though Northern Guitars was only ticking over. I guess their trade comes from music nights.

For the Jubilee, the ever excellent A London  Inheritance posted photos of processions, streets crowded with people and/or bunting from past royal celebrations – including a few pubs covered in banners including The George in the Strand.  Some not pleased with last weekend’s events – which is fine. Here is a live action photo of the madcap goings on. We are advised by The Daily Star that the event was pretty boozy as to be expected:

The streets of Soho, in the heart of London, were lined with drinkers and Ripe in East Sussex was just one of hundreds of villages that celebrated with an open-air party. Everywhere you looked, it seemed, someone was enjoying the day. James Heale tweeted: “Horse Guards Parade. Man singing lustily in an England ‘96 shirt, six pack in one hand, fag in another. Union Jack billowing behind him, Tesco crown on his head. The lion roars”. In fact, some people appeared to be enjoying themselves a little too much.

Rooting for an Oaken Joob myself, now. That would be fun. And a bit of a surprise for those most involved. Oh, one last but not least thing – Maureen won the prize so a parcel of goodness shall be sent her way…

Now that the bunting is folded up and put away, reality strikes. First up, why is lager more expensive in London and Northern Ireland compared to other parts of Britain? Less of a puzzle, sanctions against Russia appear to be effectively stopping beer imports:

That has pressured the economy and affected the habits of Russians used to a lavish selection of foreign-made alcohol. “The beer situation is very cheerless,” said Anton, a 36-year-old IT expert who works for a state financial organisation in Moscow. “Not to mention Paulaner, Pilsner Urquell and other tasty stuff, I’m not at all confident if Russian beer is here to stay. There are problems not only with beer imports but even with imports of hops,” he added. Russian breweries depend heavily on imports of raw materials, such as hops.

Another sort of shortage is also at play as the North America is undertaking the rare step of importing malting barley to make up for a poor 2021 crop. Keep an eye on that.

In another sort of dreary news, the iconic Buffalo Bill‘s brewpub of the San Francisco Bay area is shutting – after inflicting the dubious upon us all!

Buffalo Bill’s is best known for putting pumpkin ale on the map in 1986 when Owens was inspired by the beer first enjoyed during colonial America. Owens became obsessed with crafting a modern take on pumpkin ale after learning that even President George Washington once brewed the orange-hued beer during a time when pumpkins often substituted malt. Not long after Buffalo Bill’s resurrected the polarizing beer, other brewpubs around the country began to follow suit and devised their own renditions of pumpkin ale.  

Jay wrote about the original owner, Bill Owens, and the place calling it “one of California (and America’s) earliest brewpubs.” Pretty sure I had their Orange Blossom Pale Ale once, found in a NY state beer store over a decade ago. But do you think I can find the review? Who runs this place? What a mess!

Enough! Something fun. The screenshot to the right [Ed.: my left] was grabbed from this short vid of an old pre-decimalization penny auto bot thingie – which still works.  Called The Drunkards Dream. More info here, here and here.

And something uplifting. Beth Demmon has published another interesting bio of someone in beer, this time April Dove who balances her interest as a roaming brewer with her professional life as a nurse:

For now, that life means remaining a nurse. It “pays the bills,” April says, although moving into beer full-time remains the dream. The first years of working through COVID-19 left April with nightmares and PTSD. “I did things I hope I never have to do again,” she says. “I saw things I never want to see again.” But she’ll continue to invest in a future in beer, setting goals for herself like pouring one of her beers at a beer festival in the next year. Despite the challenges she’s faced, April hopes that by sharing her experiences with others who have been systemically excluded from craft beer, she’ll be able to introduce her passion to many more.

Ron‘s been on a bit of a roll in terms of writing about his experience of beer, he kissed a squirrel… errr… had a Newkie Broon this week and also featured a trip to Folkestone with Mikey:

It was at least three years since I’d last been. The longest gap, probably, ever. Well, since we started going there. Mikey went twice every year. I’d accompany him on at least one of those trips. I became weirdly fond of the place. Perhaps because of its ordinariness. And the really good chippy. Andrew asked on my return: “What did you do other than hang around in pubs and cafes?” “Nothing, really. Other than a little light shopping.” It genuinely was all breakfasts and beer. And the odd whisky.

The story goes on to end up being a neat and tidy description of two classes of pub, the pricy mini and the cheap maxi. Which makes one wonder if the lounge and the public bar have really just relocated. Boak and Bailey and their wise comment makers wrote about the gradations of such spaces exactly one yoink ago.

And there was an excellent example of Twitter as helpful tool in the form of a description – from the hand behind the Glasgow brewery Epochal – of drinking a 126 year old bottle of McEwan’s Pale Ale which was recovered from The Wallachia which sank in 1895 in the Firth of Clyde:

This one still had a good amount of carbonation. It smelled old but in a peculiarly musky, libraryish way rather than an excess of oxidation. It had a pronounced Brettanomyces character with subtle aromatic acids and miraculously retained a clear hop character, clear enough that I could have a guess that they used Fuggles and Goldings. On the palate it was very dry and still had a powerful, clear bitterness.

Connectedly, Gareth Young of Epocal was also featured in Jeff’s well researched article “Lost, Stock & Barrel: The Forgotten Funk of Old Ales” published by CB&B with this wise observation:

The flavors that marked stock ales of past centuries lacked many of the problems that can trouble mixed-culture brewing: excessive acetic acid, intense funkiness, chemical off-flavors. Instead, using what we would now call “heritage” barleys, techniques like long boils, cleansing tanks, and dry-hopping, brewers are edging back toward the refinement for which old stock ales were renowned.

You know… there is a school of beer history writing, now largely retreating in the rear view mirror fortunately, one based too heavily on supposition and assumption. We heard too often that old brewers made smoky even though there is plenty of evidence against it. Competent brewing starts in the 1800s we are told even though there is plenty of evidence against it. What really needs doing is reading some good history books.

Speaking of being in the good books, The Beer Nut is on the job this week examining if one brand extension has succeeded… and was not impressed:

The aroma is sweet and fruity: lots of very obvious hard caramel, sitting next to softer plum and raisin. The flavour is rather less complex. I was hoping that Landlord + caramel would unlock some new dimension of taste, but I could not perceive anything other than a quite hop forward English bitter — meadow blossoms and earthy minerality — spiked with thick and gloopy treacle. It’s sticky, not wholesome, and the two aspects don’t meld well together. The label promised chocolate and roasted malt, like a proper dark ale, but the flavour doesn’t deliver that.

Question: why a lottery?  Why not just promote a program you create, find sponsorship for and provide for free with next level resources identified? We have so much green-washing, #MeToo and #BLM cap waving but never quite cheque sending, Ukrainian net profits only giving corporate PR under the guise of charity. The price of the Sam Adams Pride packaging alone would likely pay for the program’s costs.

Apparently, in a case of un-red-tape, the Province of Saskatchewan’s Auditor has noticed that craft brewing is not getting noticed:

…according to the provincial auditor, the province is struggling to keep pace when it comes to meeting its regulatory oversight targets. The auditor’s latest report notes that of 83 approved craft alcohol product lines, over half (43) did not have valid lab test report certificates. These certificates prove products are untainted and that their alcohol content matches the label. Saskatchewan Provincial Auditor Tara Clemett says the SLGA [Ed.: the Saskatchewan Liquor and Gaming Authority] is failing to follow up when producers fail to submit a new certificate, which is required every two years. One producer, she noted, had not provided an updated certificate more than nine months after its two-year deadline.

Craft brewers are not concerned. The best way to not be spoken about.

Finally: are we tired of discussing mild yet? No! Are we tied of The Tand winning awards? No!! Are we tired of NA bevvie trade associations? Probably.

There… a middly sort of week I’d say overall. For more, check out the updates from Boak and Bailey mostly every Saturday but not from Stan every Monday as he is on his summer holiday. Check out the weekly Beer Ladies Podcast, and at the weekly OCBG Podcast on Tuesday (Ed.: back again this week) and sometimes on a Friday posts at The Fizz as well. There is a monthly sort of round up at The Glass. (Ed.: that seems to be dead now.) There is more from DaftAboutCraft‘s podcast, too. And the Beervana podcast. And sign up for Katie’s irregular newsletter, The Gulp, too. And check out the Atlantic Canada Beer Blog‘s weekly roundup. Plus follow the venerable Full Pint podcast. And Fermentation Radio with Emma Inch. The AfroBeerChick podcast as well! And also look at Brewsround and Cabin Fever. And Ben has his own podcast, Beer and Badword (Ed.: …notice of revival of which has been given… still not on the radio dial…)  And remember BeerEdge, too, and The Moon Under Water. There has also been the Beer O’clock Show but that’s now winding up after ten years.

*No, never saw the movie with Mr. Creepy in the main role. The book is excellent even if it can’t really be taken as a documentation of Newfoundland life. [It caused me to buy The Ashley Book of Knots, too, and doubt every half-hitch I make out in the garden.] Yet as in the book Newfoundlanders do, however, shoot off shotguns in their front yards in enthusiastic celebration still in some out ports. My pal, married on Fogo Island, was under attack as they were driven, post vows, about the place, from village to village. BLAM BLAM BLAM!!! Over and over. Were they in a convertible or standing in the back of a pickup? Can’t remember that bit of the story. BLAM BLAM BLAM!!!
**as Martyn helpfully did in last week’s comments.

These Are The Beery News Notes For The Week Of Jubilee Madness

It is here! Jubilee!!* There shall be bunting. Confession time: I like the Queen herself. I like the structure that the Crown in Canada give the law that I practice. And… that’s pretty much it. Others are less enamored thanbeven that. So… we recognize that Her Maj does like a drink and a pub yet we do recognize that the whole rah-rah Union flag bunting and the children of Oswald Mosley’s nasty jingoism has tainted the whole flaggy wavey aspect… along with the colonial record… and… rampant and growing inequality… and well… Boris… but HRH like a drink and a pub!  In commemoration of the Platinum Joobe, I participated in one of the few ways the government in Canada provided and got a few pins. Pins! What Canadian child doesn’t long for their very own lapel pin celebrating HRH? And in mad cap celebration, one will be gifted to the maker of the cleverest comment left below this post or on social media responding to this post on an appropriately related theme. Remember – cleverest.

First, I missed this a few weeks back, a post from Ashley Newall with a number of forms of branding from Bradings brewery of Ottawa, the first step on our blessed patron E.P. Taylor’s rise to fame.  Of particular note is the photo of the Bradings Man by Yousuf Karsh and how similar it is to one of EPT’s assets, the branding for Cincinnati Cream Beer discussed in the bigger scheme of cream beer six years back.

Two writers took the helpful step this week of tweeting guidance on stories located in obscure journals. First, a Lily Waite bio in Waitrose Magazine (as illustrated) and, second, ATJ in Brewing & Beverage Industries Business saved here on the perils facing brewing industry in these uncertain times. Brewery closures, investment failures and hegemony from big craft. Times are hard at all corners of the trade, especially given the UK’s situation. It was all foretold of course, if only by the obvious patterns set out in brewing industry history. Consider this letter from Carling to Molson in the 1930s. Beer competes. Beer colludes. The small and weak fail. Spend your pennies wisely.

Not sure the monks were all that wise with the pennies as Jeff explores, here quoting from reporter John W Miller** of the publication America: the Jesuit Review:

“…it is very modern, with automated machines that require only a handful of workers. Everything is top-of-the-line. Bottling lines come from Italy, brewing gear from Germany…” In order to service the debt and fund the monastery, the business plan called for the monks to build to annual production of 10,000 barrels a year… Miller helpfully reports that they had annual revenues of $1.5 million, which is pretty good if you’re not servicing a lot of debt.

In Boak and Bailey’s newsletter for May there was a comment made which, unlike everything they have ever ever written, had me shaking my head. It’s this passage in a good discussion about when to stop blogging:

Another natural full stop on a blogging project might be when you ‘make it’ as a writer and sell your first commercial piece. That’s not why everyone gets into blogging but we’ve certainly seen quite a few people make that transaction, with the blog as a stepping stone.

Perhaps what is meant is that this is the reason folk themselves think to stop blogging about beer – which I agree with – but it is not an actual reason to stop writing for the public without pay on a website you control. Why write to make someone else money? Seems weird. Let’s be honest. You have not made it or (too often) you have not made much of anything. So much of what I have to sift through to put together this weekly review is boring derivative and/or feeble writing for pay.  Very generously I would say half of what is most interesting is writing shared freely.*** Very generous half. Hunt out that other good stuff along with me. And write.

Lew on blind tasting:

We taste 5 spirits (blind picked by my daughter from 20 whiskies, rums, barrel-aged gins, calvados) in colored @GlencairnGlass & fearlessly guess all but one wrong.

Lew: “I’m dead sure we’re stupid…” Gold!

Not really related at all, BBC Four apparently ran a replay of Abigail’s Party last evening. You can see the entire miserable drunken thing here. A great trip back into “not nostalgia” for anyone convinced the past was a better place.

Perhaps it’s just an unfortunate camera angle but only in Montreal could someone out-Scandinavia the Scandinavians when it comes to stark and grey:

The space, designed by Ethan’s wife, interior designer Annika Krausz, has soaring ceilings, a firehall door with daytime light streaming through, and heated floors for the winter. Two immense earth-toned paintings by Annika’s father, renowned artist Peter Krausz, and a huge red light fixture above the semi-circular bar further enhance the space.

Another sighting of a brewery sending 100% of proceeds and not just profits as part of supporting the Ukraine cause. Good.

Debates of the week: (i) In the US, can you cool warm beer that was previously cold and (ii) are UK rough pubs a real thing?**** Expertise abounds with, as per, many contradictory positions taken.

Conversely, for years I wondered why beer writing did not focus more on particularly fabulous pubs… then I realized that there would be a chill from the many of those not mentioned,***** one of the great drivers in beer writing topic selection. Robot says “must raise all ships must raise all ships.” Happy then are we to see in Pellicle an honest to goodness warming tribute to a great singular pub, The State Bar of Glasgow:

The State Bar isn’t particularly trendy or arrogant, it’s a humble affair with an unassuming frontage. Possessing an Edwardian horseshoe bar upstairs—an ideal spot for watching football, doubly so as the bar is strictly non-partisan, (a rare blessing in Glasgow). Head downstairs and you’ll find yourself in what feels like the cosy library of a well-to-do Victorian household, complete with dusty books to read, well-worn leather chairs and a crackling fireplace. You can find all the essentials here; house wines and spirits, Tennent’s, Guinness, Cider & McEwans 80-/, or “wee heavy” as it’s known by the locals, and a stage for the bar’s weekly comedy or acoustic nights.

Nice. Now on to cheery international beery news time. Price hikes of 6% to 10 % expected in Japan. In India, beer drinkers may also be facing beer price hikes in addition to the local rationing mentioned last week. South American brewers are seeing “early signs of demand destruction” while a beer contamination scandal in Brazil (in which coolant and wort mixed during the brewing process leading to deaths) has reached the courts. Brewing for a rare medical disorder charity in New Zealand.

Finally, GBH seemingly did the right thing – though in the wrong order – and got some actual advice about writing risky bits about BrewDog and British court processes now republished, though there is the odd suggestion that others can rely on the legal opinion received. Beware! Now… it will be interesting to see if a legal paperwork of some sort now follows. As I have often said, just getting a legal opinion doesn’t stop a plaintiff from taking steps. I trust all involved got independent legal advice, too, just in case assurances had been given.

For more, check out the updates from Boak and Bailey mostly every Saturday but not from Stan every Monday as he is on his summer holiday. Check out the weekly Beer Ladies Podcast, and at the weekly OCBG Podcast on Tuesday (Ed.: but not again this week) and sometimes on a Friday posts at The Fizz as well. There is a monthly sort of round up at The Glass. (Ed.: that seems to be dead now.) There is more from DaftAboutCraft‘s podcast, too. And the Beervana podcast. And sign up for Katie’s irregular newsletter, The Gulp, too. And check out the Atlantic Canada Beer Blog‘s weekly roundup. Plus follow the venerable Full Pint podcast. And Fermentation Radio with Emma Inch. The AfroBeerChick podcast as well! And also look at Brewsround and Cabin Fever. And Ben has his own podcast, Beer and Badword (Ed.: …notice of revival of which has been given…)  And remember BeerEdge, too, and The Moon Under Water. Things come. Things go.

*I expect scenes not unlike those in The Return of the Archons to play out. In tribute, an old pal used to shout “Festival!” in bars as he smoked three cigarettes at a time. That sort of thing.
**Quoting heavily yet still slightly slagging the author he relies upon as it relates to a side issue: “… but he’s not an industry writer and doesn’t realize…” No need of that… I clearly like to project a less saucy approach!  
***If you have any doubts, read Boak and Bailey‘s archives… then go on to Jeff at Beervana… or Jordan‘s site or… or… or…
****Of course they are. The playgrounds of racist, sexist and every other sort of beery bigotry… oh, and violent, too. But most labeled as such are not.
*****And perhaps also the tourist association funders who ensure junkets are (i) paid for and (ii) non-selective. I mean, sure, a rising tide raises all boats but who doesn’t want to control the tides???

The Beery News Notes For The Last Of May 2022

This is the time of year when it all becomes a blur. Weekend plans for the next three months need to be scheduled because, before you know it, time times out and things gotta get done before the snow flies. Snow will fly. We know that. So I spent the past long weekend recreating my turf-bound ancestors life circa 1450. Fires and dirt and nothing much around to make a meal out of. Completely unlike the very modern lads of Halifax, Nova Scotia’s Oland brewery shown above circa 1950…or ’60… They are modernists. No safety glasses, no screens or other barriers as the clinky clacky glass flew by. “Lean in to check, Jerry!” the boss shouted. That being said I did, no doubt like the lads above, have a beer or two after my efforts were done.

Now, let’s see what’s gone on the world of brewing. I hope not as much as last week, given the news ran to almost 3000 words. First up, even though he is taking a break from his weekly round up, Stan is still producing his Hop Queries newsletter, now up to Vol. 6, No. 1., which included this passage on a product I have no personal interest in trying whatsoever – no alcohol, no calorie hop tea… or perhaps something even less:

I confess the word gimmick came to mind last month when the company announced the launch of Hoplark 0.0, Really Really Hoppy and invited me to see the plant. They are making the point that their drinks contain no alcohol and no calories. Because I’ve been buying their HopTea at my local grocery store, because hop water seems to have become a thing (there are other non-beer companies producing hop-flavored drinks, Lagunitas and Sierra Nevada have both launched national brands, and many smaller breweries have started to produce their own), and because Hoplark is being made only about a 30-minute drive from home I decided to visit.

Moving to matters of actual beery things, I liked this post at The Regency Town House website, an examination of urban planning circa 1825. It’s a discussion of the planning of Brunswick Street West  in Brighton and Hove, England and the street is still there as is at least one of the pubs:

Busby’s scheme for Brunswick Town shows the east side of Brunswick Street West was planned to be individual stables and coach houses for the houses on the west side of Brunswick Square and the south spur of the road for stables at the rear of Brunswick Terrace West. The plan also shows the Star of Brunswick public house with a cottage opposite at the northern end of more stabling at the rear of the garden where Lansdowne Mansions would be built by the 1850s. There were two modest buildings just to the west of the pub which would be used as Green Grocers and Bootmakers.

The core of our fair city was build on Georgian plans and at work I regularly bump into stables and lanes for horses as part of the untangling of property interests.  The air would be full of the scent of poo.

Knowing my family’s industrial Scottish reality, this discussion from the BBC is a very light touch on the devastating reality that organized intoxication was for most. Events from the 1890s still echoed into at least the 1960s as family members sought to escape their past and present.

Sticking with the 1800s, Edd Mather posted about brewings from August to December 1849 according to the Alexander Berwick & Co  Brewhouse Book 1849 – 1852 which I understand was an Edinburgh outfit. Hefty brews from 6.3% to 8.7%. He then converted the first of the beers listed for home brewing set, in case you are interested in a pint of P3 come sometime in June.

Jubilee update. Coronation beers found in Stroud. Relatedly, someone felt “mildly patriotic” elsewhere.

Evan has a project on the go which all beer writers should be excited about, a survey of success and failures in book publishing. I added two sad tales but really need to balance off with the happier tales with Craig of Albany Ale… as well as Al and Max Theatre! Go make your confessions so that others may not suffer!

Eoghan wrote a strikingly sensible statement: “I will avoid subjecting you to my trite observations on my first experience of America…”

States in India have started rationing beer:

West Bengal recently began rationing beer to retail outlets with demand doubling over summer last year. Most states have witnessed volume recovery and are looking to surpass pre-pandemic levels, said Rishi Pardal, managing director of United Breweries, India’s largest beer maker. “Owing to peak summer demand, few states have also introduced local regulations have also introduced local regulations on movement of goods inter-state which may impact fulfilment of demand in certain markets,” Pardal said. “We are well-prepared to serve the market.”

On to the local election where all is quiet beer wise – odd given Canadian politicians tend to kiss more beer taps than babies during elections. One thing did happen. I was sent a copy of a lobbying document issued by the Ontario Craft Brewers but sent apparently by someone unhappy with the message. Here is the memo and here is a bit of the anonymous message in the covering email:

The attached may or may not come as news to you – but it would appear to be against your interests as contract brewing facilities, as well as anti-competitive and short sighted. The OCB appears to be focused on targeting and scapegoating smaller businesses, many of whom are diverse, incubators of new products, and if successful will eventually graduate to brick and mortar operations, while seemingly ignoring the much larger collective threat to Ontario Craft Beer from larger international brewers or the rapid growth of cocktails and ready to drink alcoholic beverages. 

Heavens!  Now, to be fair, the OCB memo does state that contract brewers do not contribute to local economies and take up valuable shelf space from those brewers who do. My immediate reaction was thinking of how these production breweries are often not “either or” businesses, how I knew of someone who worked a brewery’s canning machine who was packaging cases for plenty of other small breweries in Ontario, some bricks and mortar as well as some contractors. These smaller breweries and contracting firms would not otherwise would not have access to retail outlets or other expanded sales routes. And they, along with the production brewery itself, might not survive without this sort of work as part of the provincial supply chain. Many OCB members operate like this. Odd. The focus is needed elsewhere.

The gall is what gets you, as Afro.Beer.Chick flagged. So if someone wants to reference Juneteenth on a the label of some hazy IPA gak with fruit flavours added, does Mr. Driven Snow now get a chunk of change?

Bad behaviour claims against BrewDog continue – and I wonder if perhaps developing in a way that avoids the risk of examining similar acts closer to home. Are they the worst actor? Certainly not the sole bad actor. But the loss of reputation spreads. The situation is now tense. Evidence is undeniable. Individuals rightly utterly violated and repulsed. Me, I don’t drink the stuff myself. Good to see that the actual authorities with adjudicative powers are now becoming involved. Things need sorting.

And finally… Ron posted an excellent set of observations on another thing I avoid – beer fests – and how many are serving such small measures that they deserfve to be called “Thimble Fests“:

I used to go to many more. The main Belgian one, whatever that’s called now. The Borefts Festival. Others in Stockholm and Copenhagen. But that’s all a few years back. Now, I just can’t be bothered with most festivals. Why is that? Well, I’ve already told you, really. Lack of seating, long queues for beer. But the biggest reason of all is small measures. If you’re lucky, you might get a 15 cl serving. But it might well be just 10 cl or even a piddling 5 cl. I’ve got two glasses sometimes to take the edge off my frustration. Or taken along my own Imperial pint glass. A combination of small measures and long queues wring all the pleasure out of a festival for me. Getting in line for your next beer as soon as you’ve been served your last makes for a queueing festival rather than a beer festival.

Me, I don’t go as I don’t like being shedded with hundreds of drunk strangers. But I like that – “a queuing festival” pretty much sums that up.

There. Half the length and no doubt twice the value. For more, check out the updates from Boak and Bailey mostly every Saturday but not from Stan every Monday as he is on his summer holiday. Check out the weekly Beer Ladies Podcast, and at the weekly OCBG Podcast on Tuesday (Ed.: but not this week) and sometimes on a Friday posts at The Fizz as well. There is a monthly sort of round up at The Glass. (Ed.: that seems to be dead now.) There is more from DaftAboutCraft‘s podcast, too. And the Beervana podcast. And sign up for Katie’s irregular newsletter, The Gulp, too. And check out the Atlantic Canada Beer Blog‘s weekly roundup. Plus follow the venerable Full Pint podcast. And Fermentation Radio with Emma Inch. The AfroBeerChick podcast as well! And also look at Brewsround and Cabin Fever. And Ben has his own podcast, Beer and Badword (Ed.: …notice of revival of which has been given…)  And remember BeerEdge, too, and The Moon Under Water. Things come. Things go.

The Thursday Beery News Notes For May Two-Four 2022!

May two-four. Back again. I explained it back in 2014 when I included the photo to your right (my left) of Bob and Doug McKenzie who were Canada’s #1 export forty years ago and whose 1983 movie, Strange Brew, is the last cultural statement about beer before microbrewing struck in earnest. Even though the movie isn’t set on the Victoria Day holiday in the second half of May, you can see many aspects of our drunken mildly retro-pro-monarchist celebrations replayed in Canadian homes as well as at campsites and cottages throughout the land this weekend as people feign gardening and practice inebriation. And it’s a big year for our top dog, our numero uno, our favourite anti-Nazi. Speaking of which… you know what broke? That cap thing on my whippersnipper that keeps the weedwhacker’s string coil in place. How the hell does that break? Spool went flying and the lawn’s all half haggy still. Didn’t so much break as ‘sploded. Now I have to hunt down a replacement lawn trimmer line cap or I have to buy a whole new thing-a-ma-jig. Pray for me.

Now… to the beer news. First up, a set of photos posted by the Glasladies Beer Society of a recent Glasgow beer fest set up in what looks like a somewhat permanent outdoor space. Being who I am, a child of children of the Clyde, the event looks like a mass gathering of aunties and uncles and masses of cousins. The use of steel container boxes is interesting as a relatively cheap but cheery but secure set up. Looks like it was held at the Glasgow Beer Works in the Queenslie Industrial Estate. This may be a common site for some of you but sometimes that’s still remarkable.

Next, Ron wrote a piece he titled “The Future of Mild” which serves as an interesting counterpoint to the fan friendly writings on the style mentioned two weeks ago. Ron provides an interesting set of thoughts about Mild itself and how styles may or may not make a comeback:

I’d love to go to Cross Green and drink 10 pints of Tetley’s Mild again. But it isn’t going to happen. The world has moved on. Beer styles come and go. And almost never return. I’ll just cherish the memories of a time that’s gone forever. Like a Porter drinker in the 1940s. The same fate, incidentally, awaits Pilsner and IPA. All styles have their day.

The fate of Mild has been formed he suggest as “it’s harder to throw all sorts of random shit into a Dark Mild.” That would seem to be where we are at. The post also lead to an interesting considered discussion on the nature of revivals. Jeff wrote:

…I wonder if a style that was once quite popular ever came back as a major style, perhaps not as popular as it was during its heyday, but with significant production. It’s probably happened, but I suspect it’s very, very rare. Once fashions change, styles sunset.

TBN reminded us of the classic example of style revival – Hoegaarden. I expect this is as much framed by the word “style” and its imposition limiting structure but the entire micro (1980-2003)) and craft eras (2003-2016) were based on revival of lost beers. Hoppy malt rich ales were descendants of earlier strong ales like Ballantine IPA and Dominion White Label as much as they were clones of imports.  So… revivals common enough in the days when brewing was not so wound up with novelty and amnesia. We always have to remember how quickly we forget. As recent at 2011, SNPA’s place in the pantheon was still somewhat speculative. Now, of course, it was always the source of all things including those that came before it – thanks to the nation’s PR professionals!

Speaking of perhaps one revival or perhaps homage that has not lasted, one bit of news that I was a bit surprised to learn about this week was how St. Joseph’s Abbey of Spencer, Massachusetts is no longer brewing its beer. This was all the news in 2015 and I reviewed their first beer as you can read here. The monks announced:

After more than a year of consultation and reflection, the monks of St. Joseph’s Abbey have come to the sad conclusion that brewing is not a viable industry for us and that it is time to close the Spencer Brewery. We want to thank all our customers for their support and encouragement over the years. Our beer will be available in our regular retail outlets, while supplies last. Please keep us in your prayers.

Jordan thought it a particularly worrying development based on their low labour expenses. Greg reported that the equipment was already listed for sale before the announcement. I gratuitously added the 2015ish image up there from the celler’s stash for Stan. Pretty sure the bottle has move about six inches in seven years.

Des generated a wonderful cascade of comments related to cellered casks with this big barrelled beery buttery – including these cautionary ones:

Not being funny, but going on that photo, “immaculate” is a strong word. Serviceable, cleaner than many, maybe. And as I’m sure has been pointed out, a 36 (massing the best part of 200kg) is a H&S nightmare. You romantic.

Note: please don’t send out bleggy emails saying “ I don’t have limitless cash on hand to subsidize this project, but it’s reality nonetheless. I need at least [XXX number of] paid subscribers…” Listen to the wind… the marketplace of ideas is speaking… write for joy or get a job to support your hobby interest in booze.

Boak and Bailey elaborated something at their Patreon widget-a-thing  that was evident in their (lovely and highly recommended) account of Ray’s out for hike and stopping at rural pubs with pals:

…at least part of the joy we took in drinking it on this occasion must be down to having “earned it”. The same goes for that first beer of the weekend, after a tough week at work. Or, as many people have observed, almost any mediocre lager you drink on holiday. How do you compensate for this effect? Well, you don’t, unless you’re a Top International Beer Judge. Instead, you report the context when you give notes on a specific instance of drinking a specific beer. And you make judgements about the overall quality of a beer based on mutliple encounters in multiple contexts. A beer that tastes good every time you bump into it is probably a good beer, full stop.

I wonder if we have become so enthralled with these beer judging events for hobbyists that we miss the obvious – that those beers actually do taste good in those contexts. And that judging contexts make beer taste bad. Because they are geared to ensure failure. Because that is what institutionalizing human experience does, makes you distrust and then outsource your own experience of life. Stop feeling bad because someone who has a certificate for passing the equivalent of a grade 11 history class says so.* Not to suggest TBN is not correct when he explains “Beer is weird. You’re lucky to have me here, putting things straight.” It is. We are.

Handy example: print off and cut into separate burger and beer images. Throw all in air and match the beer with the nearest burger. Equally valid. Every. Time.

Rolling Stone put out a story about beer prices this week under their “Culture Council” tab, not something I have notice from them in all my years at the coal face. The author, Kevin Weeks of Anderson Valley Brewing (who actually follows me on Twitter so I feel extra bad for not noticing before), argues interestingly that any increased costs faced by brewers are likely not going to justify the level of price increases that consumers are going to see on the shelf from the big brewers so…

For the smaller craft breweries facing this dynamic, this is an excellent opportunity to differentiate their brands by both managing pricing and clearly conveying priorities to the consumer. The most obvious tactic is to hold price (or implement only slight increases) to create an opportunity to increase market share through a comparable pricing advantage over the larger brewers that are grasping for margin.

And this passed by my eye this week, “It always rains on Monday” by Ian Garstka. More of his work can be found on IG. Prints available from the artist.

Perhaps relatedly at least atmospherically, Gary posted about “Birmingham Beer Detectives, 1937” who in plain clothes were sent out to protect the interests of the beer-drinking public and augment lab testing quality controls:

It seems therefore, at least for a time, a two-track beer-tasting inspection system existed, city and industry, to control beer quality in pubs. Perhaps the whole thing, at city level, collapsed with the Second World War – bigger fish to fry, if you will, but this remains to be known. Certainly at industry level, tasting onsite continued into the postwar era. A number of press reports, one pertaining to Ansells in 1949, attest only too graphically, a conviction of an inspector for drunk driving.

There’s a BBC historical drama script right there for the taking. I can smell the damp tweed and ashtrays now.

Note: “Finnish brewery release new beer celebrating Finland joining NATO“!

Note also: “TikTok star says Wetherspoons ‘scammed’ him out of £2,000 of food and drink.” Star!

Finally and falling under Stan’s reminder “no one cares what you think, Alan” I upset Maureen a bit a tiny bit (which I never like to do) when I commented about this article on Hogarth’s Gin Lane and Beer Street as I mentioned it amounted to was a bit of a sneeky apology for mass drunken frenzy. My observation was quite specific so I should explain so that all you all can correct me. The first half of the article is fairly straight forward GBH-style with loads of quotes from other sources framing the well understood topic. But then it goes in an odd direction mid-essay with the statement that those “in positions of power in England sought to create an all-around negative image of gin.” According to the article’s own previous paragraphs rightly describing the generally understood hellscape unleashed by gin at the time, I was left wondering if it could also be said that people in power now are perhaps creating an all-around negative image of the Covid-19 virus. My wonderment didn’t last. I found this key angle within the article odd. Odder still the suggestion that the works of Hogarth were for an elite:

Because of the timing, “Gin Lane” and “Beer Street” are often viewed as a work of moral propaganda, and some have speculated they were commissioned by the government to help reach gin’s working-class imbibers. Tonkovich points out this is not the case, however, because that working-class target couldn’t have easily accessed these prints. “These prints would not have been affordable for the working class,” she says. “They might have seen them in a tavern or through a window, but they couldn’t buy prints, so who is the audience for these? People of the press and the merchant class.”

The thing is… I just don’t think that is correct. Because I don’t think that is how mass communications and specifically those on virtue and vice worked at the time. If you look about at English political pamphleteering in the 1600s and 1700s, you see a wide-spread, robust and even salacious debate within a highly literate population. Vibrant grassrootism. You also see in the first bits of the 1700s, the development of the First Great Awakening and proto-Methodists sermonizing to many millions.** Consider, too, 1751’s Essay  on the Characteristicks and the “frenzy” of gin. Ideas related to a proper and healthy society were flying about. These and other Hogarth pieces fit into that scene. And, as the Royal Academy explains, fit into it in a very specific and intentional way given Hogarth’s process:

Hogarth aimed the prints at the popular, rather than fine art market, stating in his prospectus for the prints that: ‘As the Subjects of those Prints are calculated to reform some reigning Vices peculiar to the lower Class of People in hopes to render them of more extensive Use, the Author has published them in the cheapest Manner possible’. As a result the line in these prints is thicker and less sophisticated than in other prints engraved by Hogarth, both to enable the printing of more impressions without significant loss of quality, and to approach the characteristic style of popular prints.***

We are assured, via the hive, that the two prints were in wide circulation and that Hogarth’s works were even used for moral instruction by schoolmasters. So if they are not luxury items but rather something of a targeted public service announcement to those at risk, the paragraphs that follow seem strained, racing through the Victorians and US Prohibition then on to us today with a suggestion of the elites guiding government overstep. And, on the rebound, inappropriately sewing  doubts as to Hogarth’s good faith intentions under the guise of some sort of shadowy social engineering as opposed to improving public health. Had gin been slandered? Seems all a bit goal oriented.****

There. More fodder for a good general public debate. Away you go! And for more, check out the updates from Boak and Bailey mostly every Saturday but no longer from Stan every Monday as he’s on another extended leave of absence. Plus more with the weekly Beer Ladies Podcast, and at the weekly OCBG Podcast on Tuesday and sometimes on a Friday posts at The Fizz as well. There is a monthly sort of round up at The Glass. (Ed.: that seems to be dead now.) There is more from DaftAboutCraft‘s podcast, too. And the Beervana podcast. And sign up for Katie’s irregular newsletter, The Gulp, too. And check out the Atlantic Canada Beer Blog‘s weekly roundup. Plus follow the venerable Full Pint podcast. And Fermentation Radio with Emma Inch. The AfroBeerChick podcast as well! And also look at Brewsround and Cabin Fever. And Ben has his own podcast, Beer and Badword (Ed.: …notice of revival of which has been given…)  And remember BeerEdge, too, and The Moon Under Water.

*If you are unaware of this phenomenon, I recommend the works of Ivan Illych to you, starting with 1973’s Tools for Conviviality.
**and they themselves mocked in return.
***See also “The marketing techniques of William Hogarth (1697-1764), artist and engraver” by Mark McNally at page 170 “The conscious decision to set the price of prints according to the theme and the intended audience was further demonstrated with the distinctively didactic Gin Lane, Beer Street and the Four Stages of Cruelty which were advertised twice in the widely read London Evening Post on 19 and 26 February 1751 priced at one shilling each being ‘done in the cheapest manner possible in hopes to render them of more extensive use’ with an alternative set priced at 1/6d being done ‘in a better manner for the curious’. Despite the relative lack of sustained advertising for these key prints, which formed the basis of Hogarth’s campaign with his friend and magistrate Henry Fielding to draw attention to the moral decline of the lower classes, they became as popular as many of his more heavily publicised prints. This was perhaps due to the fact that they were primarily meant as social commentary and evidence of the need for reform rather than for commercial interest…” and also especially at footnote 123: “Hogarth noted with satisfaction in how ‘some masters gave their apprentices sets of the prints as Christmas gifts’ and that ‘he had even heard of a sermon preached on the prints’.”
****PS: a word about disagreement. If we are going to take beer writing seriously at all, we need to get used to the idea that a reader may either (i) disagree with aspects of what they read (as I have above with backing supporting research) or (ii) call out poor writing (which I have not done above.) One of the saddest things in good beer culture is the “hooray for everything!” mantra and, its cousin, the abusive response for those who who don’t buy in to the hooray. Let’s be honest – rooting for booze is weird. I blame too much booze and good folk struggling for not enough money as the commissioning organs do just fine. In this case, my comment to Maureen attracted the less than attractive, the dropped turd. Let’s be honest. I get negative comments and labels all the time and have for a couple of decades from publications high and low,***** sometimes from people I can’t imaging deserving one’s full respect. One scribbler who has my respect once even told me “hear that – that’s all the beer writers in Toronto mocking you” to which I responded “who gives a fuck about beer writers in Toronto?” We don’t worry about such things, especially now that the beer writers in Toronto either either have moved on now and are mowing the lawn somewhere in the suburbs, arguing with themselves. None of which relates to the article above that, in small part, I disagreed with. It is a well enough written if skimmy summary with a mild expression of the standard beer writer political slant on public health (“…nanny state! …neo-prohibitionists!! …folk putting my income at risk but mentioning health!!!“) but, no Maureen, it is not an example of something that did not exist before. The wheel that was invented long ago still turns round and round. Which is good. Because it gets thoughts going and leaves conversations enriched. Which is why I do this every week – to think about what is being written. If you aren’t doing that, why do you bother?
*****Funny ha-ha joke…no really… just kidding… footnote to a footnote, too! Very light and amusing, right?

Your Mid-May 2022 Thursday Beery News Notes

Chores. Garden chores. The pruned willow is just about casting enough shade for its six month tour of duty, leaning over me as I sit and sweat and drink a beer. And, about thirty feet away, I built a nice small patch of salad-y things this week radishes, red and green lettuce. Stuff getting done. That’s something, quite a something. For a place that had three frosts under two weeks ago. Then I remembered I have rabbits. Not mine. The wild bunnies of the neighbourhood. So… now I need to box in the patches with walls and a cage top. Perhaps a hinge top will be introduced. Not having chicken wire dig into your neck once the top slips as you gather in the harvest? That’s innovative. Innovation born of not thinking something through fully in the first place. That’s my style.

Beer news? Beer news! It’s a big week this week. First up, the Craft Brewers Conference 2022 ended up having a couple of note worthy twists this week: a fine beer got runner up to the runner up where the runners up don’t actually exist aaaaannnnnnnnd… it was a Covid-19 super spreader event. There’s not much you can say as not one saw it coming… except Robin:

So uh…everyone at cbc just not wearing masks huh…

Not hard at all, doing the right thing. And if that wasn’t enough, plenty of folk wrote have thoughts about the #1 third place for an American classic. Andres wrote the thread o’the week on process. We also got juries of beer fans standing up to snarkily defend the indefensible verdict… the “not credible“*… because “they’re all world class experts of course“… which I take to be a dig but it might not be a dig. AJT added a useful note:

Reminds me of the story that John Keeling tells about when he was at Fullers and judging in the US – their ESB was knocked out of the ESB category for being out of style…

In longer form, we had omni-directional finger wags from Jerard Fagerberg and… my pal Lew who may want to recognize the third possibility:

But as I say to people who complain about the Electoral College, if you don’t like the way the rules are, work to change them. If you’re a brewer who thinks that every medal in every category should always be awarded, because we’ve reached the point as an industry where common levels of excellence are understood and achieved – or, hell, just because – then get organized, find other brewers who feel the same way, and get the rules changed. Or don’t. But if you don’t agree with it, and you don’t do anything about it, you’re just going to be pissed when it happens again. Savvy? Now get out there and brew, or drink, and stop worrying about this. There are a lot more important things, even in beer.

GET OFF HIS LAWN!!! Note: Electoral College references are akin to Godwin’s Law. And that third possibility? For me, be like most people and realize these events are just low level oddly structured fun that are focused on brand promotion. No one loses an eye. Competitions are just a nice side-hobby in the beer world.

On a point much further along the parabolic niceness scale, Lily had her essay on a possibly perfect pub published in Pellicle this week, the story of the Salutation Inn of Ham, Gloucestershire which comes with a few extras:

The pub is welcoming and homely, with low ceilings, pew-like wooden benches, and a fireplace lending welcome warmth to the pub’s two front rooms in winter. The bar is lined with taps and hand pulls pouring beer and cider from across the South West—including the pub’s own brewery adjoining at the rear—as well as the trusty and ubiquitous Guinness… The walled garden which houses the pigs is dotted with apple and pear trees, and the odd damson. The pigs, raucous and rambunctious as we step through the door in the elderly wall, are fed on a mix of apples, cheese curds, and occasionally pellets. Once the private garden of the Berkeley estate manager (the castle’s estate covers 6,000 acres across the local area), it is shown on early 19th Century maps surrounded by orchard after orchard—a cider history now long gone. 

Traveling much farther, Jeff made a flash visit to Norway which I worried was was going to be a bit of a drive-by so it was comforting to see the both Lars and Knut gave it the thumbs up. Still… it was a bit of an American abroad with the experience being too much or too little like the USA:

… you might mistake it for a pub in Ohio. Lots of hazies and other IPAs, some barrel-aged stouts, assorted pales. They even have Guinness … Those styles drive the same kind of drinkers in the US, but the difference is that in America they are dwarfed by the number of “regular” craft drinkers… We go through different developmental stages, and the first one is imitation. Norway has yet to find what they like on their own terms. I expected farmhouse brewing and especially kveik to be quite visible, yet it’s not. In fact, when people at the beer fest asked me about my plans for Norway and I mentioned Voss, 80% of them had never heard of the farmhouse tradition there… On the other hand, I’ve been impressed with the beer in general.

Ah, that old assumption that a land matches one’s expectations. Man is indeed the measure of all things. I’ll still probably just stick with Knut’s or Lars’ take on their own homeland. Local knowledge. As Stonch wrote of Prague this very week:

Over the years I have benefitted enormously from the writing of Evan and also Max @Pivnifilosof. Evan also once helped me and my mate Dave get tram tickets when we were too drunk to put the coins in the machine

Elsewhere, the problem of payment came up in a discussion at Boak and Bailey’s over the weekend and I clued into something that had not crystalized within my brain bucket before. I was led to a thought only after I wrote this:

…inventive creative writing sure has taken a hit in the good beer world. Payment has never amounted to quality in my mind, often the opposite. Yet it’s becoming more and more the case that it’s either paid for writing that’s pleasant enough or bits and bob that never seem to get enough time to be properly fleshed out. I can’t say I’m ever comfortable, for example, with histories published and paid for by the word – but who even has the time to put in a proper effort as the amateur’s act of obsession? Retirees, that’s who. They seem to be holding up their end of the bargain.

I then thought “why did I write that?” I did so for two reasons. First, I am always reluctant to be disagreeable especially (honestly… not tugging at a dangling thread) with B+B and, second, I wondered whether it was even true.  But it is if you look at it this way. Writing for pay puts a meter on the writing. You will get X amount per word or a flat rate but the reality is that you really are putting yourself on a clock. Based on what you are worth per hour rather than whether the writing is any good. Leading to conserving resources, measuring time as well as money. And deadlines.

Screw that. When I was young and fancy free before a few years back, I had all the time in the world to swan about researching obscure stuff about brewing. Not so much given an uptick in very interesting but very demanding work related matters.  Hence Martyn and Martin and Gary and Ron and the Tand and any number of others of the golden handshake who are able to research and scribble with a bit more leisure. Interestingly, the abovementioned Lars has written honestly this week about the other side of the coin, my path not taken a decade and a half ago:

I worked hard to set up talks back in September and October and had one month of good income with from that, before covid stopped it all. So now I need to try to restart that, but without spending so much time on it that I miss my book deadline. I got a deal writing articles for Craft Beer & Brewing magazine, which has also helped. The long and the short of it, however, is that less than a year into this I’ve had to start dipping into my savings, and it’s not a great feeling. So while I will keep doing all of the above to produce some money it looks like it won’t be enough.

Lars then shared an interest in readership support. Go read and contribute if you can. I have written it before but it repeats saying: I have every sympathy for someone who has decided to write about beer. For all the money in beer there is very little money in writing about beer, however interesting the topic.

Which leads to a few things. Like the issues of scope creep and expertise extrapolation. Sure, multiple skilled interests are possible – Dave Sun Lee is but one example – but the good folk who are committed to writing for cash have to go out further upon the waters with nets and lines. They give us stories not about beer but about other alcoholic beverages – about boozy seltzers and things claiming to be non-alcoholic beer even though both are so often laced with fruity gaks that defeat any commonality with brewed malt and hops. Where does it lead other than the inevitable high priced craft NA still unflavoured seltzers?!? Tottering towards international economic collapse, that’s where!!! Consider this behind the The Chicago Trib’s paywall, summarized by author Josh Noel this way:

Goose Island is taking Bourbon County into the world of pricey NFTs ($499 each!).

We really need to know no more. Could you imaging chucking away your pay that way? Pet Rocks taught me enough about that sort of thing in elementary school coming up on 50 years ago… though it did allow me the opportunity to post “Sucker juice layered upon the sucker juice!” There. Dots connected. Thanks for walking this path with me. BTW: Josh Noel is just wrong this time:

After digging in, I can see the future where NFTs play a role connecting brands and customers. Especially in beer, where the bond can be strong.

More sensibly, Gary indexed his recent posts on colonial English pubs in India. Excellent.

Finally, what to think about GBH apparently crossing a line and pulling an article about a legal process?***  While it is entirely healthy to be dubious of craft breweries and their ways, a few grabs on social media about the article prior to its removal may help explain why a reasonable cease and desist letter was sent. Consider this:

“[BrewDog CEO/cofounder James] Watt may have tried to uncover this alleged plot by paying a former romantic partner nearly £100,000 ($125,000 USD) in Bitcoin to gather information on ex-BrewDog staff and others who have been critical of him.”

… and this:

“Documents and interviews suggest Watt paid her to help him uncover information about his critics” and “The woman says she did not defraud or harass Watt, and that she does not believe former BrewDog employees are plotting against him. Her lawyers say she will “robustly” defend herself against these allegations” and “Three women who had contact with Ziem say they did not believe her to be part of a plot to take down Watt, and say they suspected Watt was using Ziem to gather information on them.

Contempt of court. It happens. It basically means you are contemptuous of the judicial process. Usually it is raised when someone won’t respect a warrant demanding their attendance but it can also mean that you are not letting the court do its job of fact finding, that you are interfering with the process. You can see how speculation and allegation become restated as fact. I see it now as I did when I saw the story’s brief appearance:

Speculative review of partially obtained evidence to be framed under the unique system of Scots uncodified civil law! Amazing pluck. Plus “… Watt may have tried to uncover this alleged plot by paying…” and “…people he sees as his enemies…” Impugning skullduggery? Heavens!

I was more thinking that there would be a form of libel suit under Scottish civil law due to the assertions of fact exemplified above but The Beer Nut guided me to the other process, the contempt under English proceedings pursuant to a UK statute.  Statutory contempt seems to require consideration of whether there is a lack of good faith, if we have “fair and accurate report of legal proceedings held in public” and whether “the risk of impediment or prejudice to particular legal proceedings is merely incidental”… all of which only a judge would determine. Only an actual judge. Lessons hopefully learned.

There. So serious this week. For more, check out the updates from Boak and Bailey mostly every Saturday and from Stan every Monday except last Monday and next Monday, plus more with the weekly Beer Ladies Podcast, and at the weekly OCBG Podcast on Tuesday and sometimes on a Friday posts at The Fizz as well. There is a monthly sort of round up at The Glass. (Ed.: that seems to be dead now.) There is more from DaftAboutCraft‘s podcast, too. And the Beervana podcast. And sign up for Katie’s irregular newsletter, The Gulp, too. And check out the Atlantic Canada Beer Blog‘s weekly roundup. Plus follow the venerable Full Pint podcast. And Fermentation Radio with Emma Inch. The AfroBeerChick podcast as well! And also look at Brewsround and Cabin Fever. And Ben has his own podcast, Beer and Badword (Ed.: …notice of revival of which has been given…)  And remember BeerEdge, too, and The Moon Under Water.

*To quote my favourite source, me: “And how can you have a mythical standard second place beer? It not only represents something not present but superior while also being inferior to another not present beer. Both of which (not being present) are not contemporaneously experienced, just somehow recalled.”
**Question: While we are at it… why do we rightly (example) qualify one beer publication as “Ferment, the promo magazine of a beer subscription service” when GBH is rarely mentioned as the promo magazine of a beer consultancy service? Both publish very interesting pieces and both aren’t really “reader supported” but actually subsidized by the non-publication side of the business for, logic dictates, non-publication side of the business reasons?
***And not even related to this continuing weirdness.

Your Thursday Beery News Notes For The First Of May

OK, the lawn has been mowed. Even though we had frosts three times in the last week. That is a milestone. As is the Craft Brewers Conference for 2022. I like the logo. No reference to #CBC2022. Actually looks like it was used by the Minnesota Beer Distributors’ Convention back in 1974. Right down to the bottle rather than, you know, a can. So… some people are getting back together. To get a bag or two of fruit sauce. Even we were out last night at a favourite place and hardly anyone had a mask on. Yikes. Our local numbers have moved from worst ever to less than worst ever so people must have forgotten or given up. Fingers crossed!  That’s where we are. Fingers being crossed.

The big news is in beer periodicals… as it is periodically. Is there a comeback being made with the news that All About Beer has been revived to some extent by Beer Edge collaborators Andy Crouch and John Hall:

When we founded Beer Edge in 2019, we drew on our experiences with All About Beer and the role it had in developing our own education and careers to help define the vision for our new company. Meanwhile, All About Beer’s bankruptcy concluded and the company and magazine closed for good. Bradford and Johnson later regained control of the brand itself and the content archive. And in early 2022, they agreed to sell these individual assets to us.

I will be interested in hearing about the business model. Andy, a public service lawyer in the real world, is acting as publisher with John reviving his role as editor, a position last held in 2017. After learning that GBH is essentially subsidized by non-publication public and private revenues (and subject to the inexplicable* withdrawal of cash, too) I thought a bit about the other ways of making an entirely niche topic at least break even. Pellicle, for example, on its third anniversary has announced a sustainability goal based on subscribing patrons with a noble goal: “your subscription lets you ensure that people who can’t afford it can still access our features, free of charge“. I am among the subscribers as Pellicle often offers writing you don’t see anywhere else. The main remaining old school periodical is Craft Beer & Brewing run these days by Joe Stange appears to be run as a for profit business with generous old school subscription rates with various tiers no doubt providing quite a range of valuable benefits.  I don’t subscribe as I find the articles, however excellent, to be often aimed towards the supply side, rather than me and my consumer demands. What is the proposition now from All About Beer?

The other big news in the brewing world in 2022 is really the resurgence of big beer. Or rather BIG BEER. As illustrated this week by the fabulous news from Molson Coors:

Molson Coors Beverage Co. says its profits soared in the first quarter for its largest quarterly sales growth in more than a decade. The Colorado and Montreal-based company, which reports in U.S. dollars, says it earned US$151.5 million or 70 cents per diluted share, up from US$84.1 million or 39 cents per share a year earlier. Underlying net income excluding one-time items was US$63.8 million or 29 cents per share, compared with US$1.6 million or one cent per share in the first quarter of fiscal 2021. Revenues for the three months ended March 31 were US$2.2 billion, up nearly 17 per cent from US$1.9 billion, primarily as a result of strong growth outside of North America amid fewer on-premise restrictions in Europe.

So much for the end times that all the experts spoke of. Like seltzers taking over. We do, however, still seem to have a slight bitterness in the mouth. Speaking of macro-lag, The Tand shared an image of what I think is a very attractive beer label, Cerveza Victoria lager from Malaga Spain. Utterly unhip with its middle aged guy in a suit wiping the sweat off his bald head, the use of white in his shirt, the hankie, the table and the background sends the image of pounding heat. I like the straw hat, too. Lovely design.

Less wonderful are the stories David Jesudason shared of his disheartening discriminatory experiences in the bigoted wine world for Glug:

One of the worst racist nicknames I endured was repeatedly said when I worked at a bar during my university days from 1999 to 2003. It was my job to carry the bottles of wine from the cellar and the manager of this West London establishment – Keith – would reward my efforts by calling me Gunga Din. For those not familiar with the Rudyard Kipling poem (and I’ve got a feeling that my racial abuser only knew the title) it’s about an Indian water carrier so expendable that after being killed helping the British Army his life is summed up by the jokey line: ‘You’re a better man than I am, Gunga Din.’ Although it’s a highly offensive term, it’s actually fitting as I was as dispensable as Kipling’s Hindu hero and if I’d complained I would’ve been ushered out of the door.

Just to be clear, the need for the efforts of Crafted for All and Beer Diversity at #CBC2022 give me no greater hope for the experience in the beer world.

Also at #CBC2022, rolling out craft’s long stale mantras of “we” and “winning” and “wars” is so utterly bizarre. And to my mind, the group think enforced at these gatherings has led to things like hazy IPAs being effectively gateway drinks for seltzers. Dumbing down leading to loyalty leachate. And shit like this:

… beers brewed with marshmallows. This once niche ingredient has actually become a trendy adjunct, but will it stick? …the marshmallow beer trend is like a Peep in the microwave: it is on the rise! Just last year, the number of beers containing marshmallows available through Tavour increased 31% over the year prior… these brewers started using mallows in small doses in select Stouts… fans of the brewery loved it and continue to love it. Tavour recently featured one such Drekker, a dessert-inspired smoothie Sour –– Chonk Mango & Marshmallow. It sold out in less than 48 hours.

I feel dirty just mentioning that. Sharing another sort of thing I don’t want to experience, Ed told a tale of mixing beer and rock climbing this week as he retro-ticked:

On the last night of our trip as the pints went down we were planning what to do in the morning before we went home. We were tempted by the fizzy keg climb Double Diamond (HVS 5b) on the impressive Flying Buttress. I was also tempted to pour more beer down my neck, it was the last night after all. When it started raining heavily I agreed to lead the climb before heading back to the bar, confident it would be far too wet to climb in the the next day. So when I was greeting with blazing sunshine when in my hungover state I peered out of me tent in the morning I was not filled with joy. 

By contrast, Jordan has done the far more sensible thing and taken up writing about beer more often. I say this with the greatest of pleasure as for a certain set it can seem that one of the qualifications for being a beer writer, when not hiding in podcast oblivion,** is not actually writing all that much about beer. Not Jordan! His immediate focus? Actually reviewing beers that show up in the mail and being a bit honest about the process:

I didn’t read the label. Although I try to do right by everyone, sometimes, there’s so many samples that I’m profligate. Sometimes I’ll try things and they aren’t worth mentioning; I’d just hurt the sales. Sometimes, I’ll really enjoy something but I won’t find a place for it. With Hoppy Pollinator, I just didn’t want you to know about it on the off chance you’d prevent me getting more of it next year.

I liked this article by Will Hawkes about the current trend of Dark Mild in England’s Black Country, a theme I’ve seen nosed around periodically over the years. Twenty years ago and more, Sarah Hughes Dark Ruby Mild was a but of a lantern in the dark to the home brewing set. I say I liked it but more so after I did a bit of text analysis on the 3,800 piece to establish what I was reading given, you know, it was filed under the word “critical“… something of an unlikelihood.  I thought to do this primarily as the article makes no mention of the sorts of background to Mild that one would find in, say, a piece by Ron Pattinson… like his 2011 bit in the BeerAdvocate “A Short History of Mild.” So… 42% of the article is made up of quotes from folk in the trade. Three historical records are cited and the rest is mainly pleasant physical observations or input from or about four breweries making these Dark Milds: Yates, Bathams, Fixed Wheel and Box Car. What do we call this sort of writing? If it was in the newspaper, a lifestyle piece on a regional scene?

Matt mentions another aspect of reality:

News of another brewery closure. They are dropping like flies at the moment. My thoughts with all the affected staff.

That was raised in relation to Exe Valley Brewery shutting down. In operation since 1984, the current owners only held the reins since 2020. They join another brewery well into its fourth decade, Wood’s Brewery in Shropshire, along with many others. Normal churn or end times? Hard to know but hard times for the owners and staff.

On the up beat, Beth Demmon continues her series of profiles at Prohibitchin’, her blog receivable by email, with this week’s article on Lauren Hughes, head brewer at Pittsburgh’s Necromancer Brewing and how they are seeking to make change:

Strategic hires at Necromancer Brewing, ensuring long-term support of said hires through consistent mentorship, and plenty of community-facing events that signal safety and support for marginalized people. “Having people enjoy beer in a place where they feel welcome and being able to give back to the community so much, that means a lot to me,” says Lauren.

Finally, I am not sure I would call a beer experience “Schubert-like in its symphonic harmony” given he completed only six of his thirteen symphonies and one of those is named Tragic.

There. For more, check out the updates from Boak and Bailey mostly every Saturday and from Stan every Monday except last Monday and next Monday, plus more with the weekly Beer Ladies Podcast, and at the weekly OCBG Podcast on Tuesday and sometimes on a Friday posts at The Fizz as well. There is a monthly sort of round up at The Glass. (Ed.: that seems to be dead now.) There is more from DaftAboutCraft‘s podcast, too. And the Beervana podcast. And sign up for Katie’s irregular newsletter, The Gulp, too. And check out the Atlantic Canada Beer Blog‘s weekly roundup. Plus follow the venerable Full Pint podcast. And Fermentation Radio with Emma Inch. The AfroBeerChick podcast as well! And also look at Brewsround and Cabin Fever. And Ben has his own podcast, Beer and Badword (Ed.: …notice of revival of which has been given…)  And remember BeerEdge, too, and The Moon Under Water.

*Actually, quite explicable.
**Let’s be honest. They take up too much footprint in your audience’s available time, you can’t cite an idea within them for a quote, the attract no comments of consequence and they contain no means to link to something they reference. You may as well as be sending postcards to the handful of folk who listen. And writing “umm” for every seventh word.

The Thursday Beery News Notes For Tax Deadline 2022

It’s not that I have been doing my taxes. But I have been fretting about doing my taxes. I write this paragraph on Tuesday night watching the Mets play the Cardinals… and not doing my taxes. I can send them in as late as next Monday given the deadline is on the weekend. I will wait. I will wait and fret. I use paper. First a pencil. Then a pen. I do two versions. A draft and a good copy. Until I get fed up and just write in pen over the pencil draft. I complain. It sucks. Fanks for listening to my TED talk.*

So, now you know I live in Canada. But you did already. Lots of worse places to live I suppose. Not a lot happens here. That’s why I read and write every week about what the others out there are writing and doing elsewhere. Like this. Jeff has asked the question on many of our minds – how is Elon Musk going to screw up Twitter for beer fans:

Beer Twitter might not immediately descend into a hellscape of threats, and in fact I would instead expect it to look the same for a while—at least superficially…  The effect probably would probably be measurable only in months or years, as the diversity of voices slowly waned, as people moved elsewhere. We might not see overt bullying, but instead a steadily declining richness of conversation… It may not be a popular view, but I love Twitter. I find it far more usable than Instagram, far less creepy than Facebook. It’s the site for people with opinions, and you may have noticed I have a few. But it also feels a lot more “social” than many social mediums. I discovered a whole host of new voices there, and some of them have even turned into friends. I worry about a Twitter that seems more toxic to the people I want to hear. That would make beer a lot less interesting.

I agree. Instagram and TikTok just suck. As do podcasts to a lesser degree. I like the way Twitter encourages a variety of voices, the helpful heads-ups as well as the razzing and the inebriated confessions. I now understand, for example, that there is a thing called “my X-town pizza” that is emotionally important to individuals’ identity. I also do think that Twitter users will find a way to organically work with change to keep the opinions flowing. Unless the block, report and word filter features are removed. Then it’s going to be that tire fire over at the edge of the next town that can never be put out. I am signing up for alt services just in case but don’t have any trust they will do the job.

The craft beer market is getting a bit cramped in Canada accord to The Old and Stale:

“Things couldn’t continue the way they were,” he said. Mr. Sakthivel’s experience is a microcosm of an industry that to insiders and outsiders alike can seem like an inexplicable black box, in which heavy debt loads and financial red ink are the norm yet few breweries show outward signs of trouble and there is no shortage of new entrants keen to join the fray.

I met someone working on a similar story for a similar organization recently – a well situated business writer – and he was shocked when facing craft-normal stifled responses from industry members to his simple commercial reality questions. The “sunny days” approach to beer writing and trade PR over the last decade or more has not helped the immaturity of the conversation for sure.  Consolidation, the proposed reality-based response, is as old a tradition in brewing as adding hops. Likely older.

More fluidy fluid related considerations were raised late last week when Boak and Bailey asked about if it is important to know where your beer comes from, where it was brewed. I don’t think I do really but it’s not strong with me one way or the other. I wrote a comment that I might like to consider here with you for a moment… as if this was the Andy William’s show and there’s just a spotlight on him, his stool and a cardigan:

Isn’t one challenge is that beer really isn’t from somewhere in the vast majority of cases. The grain, hops, yeast and sometimes even brewing water are from sites other than and far from the brewery. The ownership and control is often not well understood or in any sense local either. There is a desire for local just as there is for “small” and “traditional” too but so often these are false claims as well. This chameleon capacity is probably one of beer’s greatest assets as long as consumers are not asked to frame their choices based on identity as opposed to loyalty or simply preference. Much of US made maple syrup is sourced in Quebec. The American made dishwasher I’m months into waiting for delivery of is made of components from Asia… which is why it’s not here. Why should beer be different now when at least 400 years ago Derbyshire malt was trundled by cart across England to make the best ales elsewhere?

What do we even mean when as ask where something is from? Is my dishwasher from where it was put in the cardboard box or where the components are from? In terms of beer, the same thing applies. Is a beer from where the packaging occurs? Where the wort is brewed? Where the malt is grown? Pretty sure ten or more years ago Quebec’s Unibroue (or a similar brewery) was trucking bulk beer (or wort) to be finished in the States where it ended up in Whole Foods (or some other chain) under a generic brand. Where was that beer from? Or should I just care that it was still tasty beer at a good price? Not unlike the questions I asked 15 years ago now (yikes!) in the post “Do We Love The Beer Or The Brewer?”

Good to see a Ukrainian charity beer being clearly actual charitable giving. 100% of sales and not profits please.

Speaking about tasty beer at a good price, The Tand himself has written about Wetherspoons but before I go there, isn’t there a prior question that needs asking? Ten to fifteen years ago beer chains were embarrassing plastic experiences that no one would consider supporting. McBeer. McGak. Which is quite an achievement, making selling gak and doing so in a way that actually further diminishes the experience down to the level of a McPigs.** That was related to the point the Tand-y-one was making:

..back to the hatred by some of Wetherspoons. What’s really behind it? Yes, they are a big company that force prices from suppliers to be lower than some would like, but unlike, say, certain other pub companies who also buy cheaply, they pass the savings on to customers. Bad people?  There is undoubtedly, too, a certain snobbery aspect. This will be vehemently denied, but really, many rather look down on ordinary people being comfortable with their peers in an environment that they can afford. Better by far they should learn to improve themselves and save up to buy expensive murk in a tin shed or railway arch. That would improve the beer market and give more money to deserving brewers, rather than to the ingrates flogging to Wetherspoons.

Do we all not love a well priced pint? Like chains, over-priced beer was an outrage once upon a time. Isn’t where you brewery makes the beer very similar to which pub you go to to buy your beer? And does this relate to the integrity of the beer business or the identity of the beer buyer? I worry about people who identify too closely with the booze they drink. “I’m a rum drinker!” = “I am my own lab test’s petri dish!” I worry about that more than I worry about where the beer is from – wholesale or retail – to be honest. Also honest, however, are the let’s be looping back to sorta where we started observations from Boak and Bailey about the ‘Spoons:

We don’t tend to go to them these days, mostly because we had a run of bad experiences – poor choice, rough beer, disappointing food (even within the given parameters), poorly maintained facilities, and so on.

I have a limited experience of exactly three ‘Spoony moments but I have to admit they did seem like a shopping mall food court plus some enhanced grot and needy dipsos getting a fix. Yet… if you like the fitba terraces is it really that different?

Stan issued Hop Queries 5.12 right about 3 minutes after I posted last week and offered interesting thoughts about the next big hop with details from from an ag-productivity perspective that remind us to keep that ag-productivity perspective in mind:

Helios is approaching 20/20 territory, that is 20% alpha acids and yields of 20 bales per acre. The actual numbers are 18-21% alpha acids, 3.5-4.5% beta acids, 1.5-2% ml/100g total oil, and 3,300 to 3,600 pounds (16.5 to 18 bales) per acre. Hopsteiner does not oversell the aroma, calling it muted with soft accents. It is primarily resinous, secondarily spicy and a bit herbal.  Also, and quite important, she is resistant to both downy and powdery mildew, meaning she needs to sprayed less. Her alpha to resources used ratio (granted, that’s a number I’ve never seen calculated before, although I expect we will soon) it surely top of the class.

Witness: a rather long and somewhat well put together article on a very specific complaint – some beers served too cold. Nice to see the argument being made that the full range of temps is useful depending on the style.

Further to the well above the above. Twitter. Meta. I do like the point:

IPAs are just like the deep fried Oreo of beer: it is technically/chemically overwhelming and flavorful, whereas lagers, kolsch, or pilsners are more complex and delicate and, as you say, harder to get right.

Relatedly perhaps, a classic (and perhaps generic 2019-22) brewery bio safely landed at Pellicle this week:

“We were looking to tap into a new, seemingly insatiable demand for New England-style beers as well as fill a gap in both our range and the local and regional market,” he says of Nokota. “As recently as 2018 NEIPA was not the dominant style in craft that it is today, but those soft and hazy beers were really drawing a lot of people into craft beer, and turning the heads of those who were already drinking modern beer.”

Conversely perhaps, Brian Alberts wrote a startlingly honest personal story about his Uncle Ron and how Miller High Life will always be associated with a hard part of his family’s life:

Ron passed away nine years ago, but the High Life took me a decade beyond that—before the house was eviscerated and sold, before the 2008 housing crash dragged it and Ron’s life underwater, and before I could legally drink. I was 11 again, taking a covert sip on the long sidewalk linking Ron’s construction company truck and detached woodshop with the riverfront house he’d built. I blanched, naturally, but was thrilled that he’d offered it to me while my dad wasn’t looking. At the time, this explosion of neurotransmitters was its own illicit pleasure, but in hindsight, I wouldn’t describe it as a fond memory. None of my memories of Ron are fully happy anymore. That’s partly his fault, and partly mine. 

Finally, I like my local future… for it is here now. Le marché est ouvert!

There. That all offers some chewy thoughts for the coming weeks slurping. Yet for more if you need it, checking out the updates from Boak and Bailey mostly every Saturday and from Stan every Monday, plus more with the weekly Beer Ladies Podcast, and at the weekly OCBG Podcast on Tuesday and sometimes on a Friday posts at The Fizz as well. There is a monthly sort of round up at The Glass. (Ed.: that seems to be dead now.) There is more from DaftAboutCraft‘s podcast, too. And the Beervana podcast. And sign up for Katie’s irregular newsletter, The Gulp, too. And check out the Atlantic Canada Beer Blog‘s weekly roundup. Plus follow the venerable Full Pint podcast. And Fermentation Radio with Emma Inch. The AfroBeerChick podcast as well! And also look at Brewsround and Cabin Fever. And Ben has his own podcast, Beer and Badword (Ed.: …notice of revival of which has been given…)  And remember BeerEdge, too, and The Moon Under Water.

*Just to be clear, this was not a TED talk. Don’t go looking for a YouTube video of me on a stage… either with the lights up standing in front of an insanely large PowerPoint behind me… or like on the Andy William’s show and there’s just a spotlight on my, my stool and my cardigan. But I do sport me a mean cardy, however. Just sayin’.
**Where I had lunch Tuesday, by the way, which makes me the biggest Fibber McFibFace on the planet.

These Be Your End O’March Thursday Beery News Notes

*

It’s been a quiet week on the beer front. These things happen. So quiet that Stan as well as Boak and Bailey took the week off. Lollygaggers!!! On the home front… I sneezed. Twelve days into the post-op… schnozzle post-op. And nothing snapped when I went all great white whale . No Penge Bungalow murders splatter. No new Jackson Pollack there by the sofa. I should stop now. Sorry for being gross. But suffice it to say that it was wonderful. Limited use for strong drink these days but the timing of all of this coming before lounging in the garden begins is heartening.

What was out there in the bierlandts this week to read and write about? Keystone trial post-op? Molson Coors says “a surprise to many in the industry, although perhaps not a surprise to the layperson.” More importantly, the jury said that there was no willfulness in the trademark infringement. No great anti-old-craft master plan. How deflating of the narrative. And a great way to top out at around 25% of the damages you claim at court.

In another beer-related legal story, we read this week about how the Orthodox Christian community of St. Paul’s Foundation and the Shrine of St. Nicholas the Wonderworker, Patron of Sailors, Brewers and Repentant Thieves located in Marblehead, Mass., were granted the permit to redevelop the property on which their shrine is located but were refused one key element, at least on an interim basis:

…the third area was supposed to be a fellowship hall, which was intended to be where the monks would serve the beer they brewed. Each element of the project was given a different use code, which carried different occupancy and safety requirements. The monks couldn’t start serving their beer until the project was completed and they obtained an occupancy certificate. Before the project was complete, Marblehead building commissioner Richard Baldacci told the monks they had to stop serving beer on the premises without an occupancy certificate.

The community sued over the loss of revenues but they lost their case, the court finding that the lack of an architect working on that part of the project meant there was no ability to issue the permit. No architect, no signoff that all is in order. Seems reasonable.

I liked Ed’s tale of a trip to Haworth, home to the Brontës and a few miles from the Timothy Taylor brewery at Keighley:

The journey up north was more arduous than expected so on arrival I was in need of something to lift my spirits and refresh me. Particularly something that comes in pint sized measures. So when some of my mates headed out to a hotel bar for some food I tagged along confident that no self respecting bar in Haworth wouldn’t have Landlord on.  When I saw the pump clip proudly displayed I thought I could start to hear angels singing, but it was probably just tinnitus as the beer was bleedin’ well on the turn. This would not do. So when we headed back to the hostel I knew I wouldn’t be stopping long, I had unfinished business.

Matt made a very interesting observation in a tweet written in response to Jeff who wrote at Beervana about the use of “crispy” to describe certain lagers. I am happy to separate the two given Jeff’s preamble to his bit but I would not want to lose this:

Beer writers policing language that becomes part of a drinkers vernacular—especially in this case a younger drinker—is why beer writing consistently fails to cross over into the public domain. Keep calling your beers crispy if you want to.

While I agree that policing is fundamentally silly there is possibly an underlying question: is there any meaningful standard upon which the self-appointed might do such a thing? For the best part of twenty years doing this, I am left with the impression that too much of what has been written about good beer has been larded with a sameness made up of business promotion, recycling of the works of others, forms of oversimplification** mixed with claims to expertise and a certain code compliance. Is “crispy” an example of that code? Maybe. I don’t have an exact idea what is meant when used. But it’s not unique in that regard. And I’m not sure that is the point. It seems that circles of praise gather whenever someone achieves the great gold ring of getting paid for their written code compliant words, as if that is the main end of beer writing.***  Maybe for some that’s enough. There is, sadly, even a bit of a surprise when you come across something refreshingly well done, like the experience last week of reading the short vignette by Holly Regan.  Policing the vernacular? Sure… yes, something to avoid –  but perhaps part of a bigger reconsideration of how good beer culture imposes limits on itself.

Elsewhere and otherwise, various news outlets in Chicago have reported on the change of pouring rights deal for the White Sox that sees macro brewer ABInBev’s Goose Island brands removed and replaced by the brands of Molson Coors. As far as the fan experience goes…

Many Sox fans were wondering about the status of the Craft Kave, the bar and restaurant under the right field bleachers that offers field-level views through the opposing team’s bullpen. While that area will be renamed the Leinenkugel’s Craft Lodge, a White Sox spokesperson assures that the beer selection — which has included brews from independent makers from all over the city and Northwest Indiana — will not be affected. Fans can expect the coolers to remain stocked with a wide variety of suds.

I had hoped to find a value for the five year deal to contextualize the law suit damages. Stadium naming rights went for over $20 million in 2003. Having participated in such matters at a minor league level, it is very interesting to see how the bigs manage these things.

On a smaller scale, this story about one British establishment‘s goal of maintaining an up market approach is interesting but particularly in relation to the little used and poorly designed parking for persons with disability nearby:

“The car park on the side of Dovecot is rarely used and when it is used if somebody actually parks in bay four everybody has to reverse out the car park to get past them because it’s too small to actually turn around which has been creating some problems. So we have spoken to the council about it because our long-term plans are to put a summer house on there, like a big conservatory with a cocktail bar in the back… There are plenty of parking spaces that aren’t getting used, there are eight at the side of Eliano’s which is within 10 yards and there are another six in Baker and Bedford Street and they are barely used.”

It seems to pit people with mobility requirements against the cocktail drinking classes but you wonder if there has been a technological change or at least a local transit shift that makes these spaces something of a stranded asset. Speaking of change, as part of wandering the globe for these notes every week, it’s interesting to see how other parts of the world frame their drinking cultures. Consider this bit of demographics from The Times of India which may indicate that there is a generational beer blip there, too:

…even though India is known as a whisky nation, it’s the wine and beer that are gaining popularity in recent days. Only 16 per cent of urban Indians prefers to call it their favourite drink, whereas 24 per cent of the respondents called beer their favourite drink, while wine was favourited by 22 per cent of the people… India is the largest consumer of whisky in the world, about three times higher than the US, which is the second-largest consumer. The findings showed that whisky continues to remain a popular choice among Indian males. However, it’s the young adults (Gen Z) or the millennials who prefer to have wine over anything else. While Gen X love their beer.

In addition to sharing the wonderful but unrelated photo to the right (mainly included here for the trews), Gary has posted some thoughts on the meaning of the English ale category “AK” which, while I am never one for a firm conclusion, does cover the subject broadly and points us all in this interesting direction:

Reviewing dozens further of brewers’ ads in BNA in the latter 1800s, when AK was at an ascendancy, it appears “keeping” had a specific sense in the market. The term did not – in trade ads to the public – denote conditioning of beer at the brewery. Rather, it referred to how long the beer would last in consumer hands and specifically, whether in summer. Often, the ads tout March or April brewings as having the necessary quality. Further, while typically this quality was associated with pale ales, even mild ales sometimes were described as keepable.

Finally, Pete Brown wrote about the TV show Ted Lasso for Pellicle including  a consideration of the pub that is one of the show’s settings starting in 2020. I liked the show myself – but I take it as a light examination of America by removing the nice American from America and placing him essentially in the handy self-sufficient pre-existing alternative reality of Britain. Season three better be less self-indulgent or I’ll be rooting for Nathan. Still, as with drinking in New York, just the whole “take your pint and stand on the sidewalk outside” stuff is still tantalizing exotic for any bland English Canadian like me.

If I have my watch set correctly, you may now return to checking out the updates from Boak and Bailey mostly every Saturday and from Stan every Monday, plus more with the weekly Beer Ladies Podcast, and at the weekly OCBG Podcast on Tuesday and sometimes on a Friday posts at The Fizz as well. There is a monthly sort of round up at The Glass. (Ed.: that seems to be dead now.) There is more from DaftAboutCraft‘s podcast, too. And the Beervana podcast. And sign up for Katie’s irregular newsletter, The Gulp, too. And check out the Atlantic Canada Beer Blog‘s weekly roundup. Plus follow the venerable Full Pint podcast. And Fermentation Radio with Emma Inch. The AfroBeerChick podcast as well! And also look at Brewsround and Cabin Fever. And Ben has his own podcast, Beer and Badword (Ed.: …notice of revival of which has been given…)  And remember BeerEdge, too, and The Moon Under Water.

*…as illustrated…
**…such as…
***Perhaps the opposite of crab bucketing… or at least what the ones who stay put down in the budget say to each other. Song!