The Devil Does Not Recommend Canada

Because you all need more Robert Burns (1759-1796) in your lives and this is his birthday. I hope you all had your haggis, neeps and tatties.

Address Of Beelzebub

To the Right Honourable the Earl of Breadalbane, President of the Right Honourable and Honourable the Highland Society, which met on the 23rd of May last at the Shakespeare, Covent Garden, to concert ways and means to frustrate the designs of five hundred Highlanders, who, as the Society were informed by Mr. M’Kenzie of Applecross, were so audacious as to attempt an escape from their lawful lords and masters whose property they were, by emigrating from the lands of Mr. Macdonald of Glengary to the wilds of Canada, in search of that fantastic thing-Liberty.

Long life, my Lord, an’ health be yours,
Unskaithed by hunger’d Highland boors;
Lord grant me nae duddie, desperate beggar,
Wi’ dirk, claymore, and rusty trigger,
May twin auld Scotland o’ a life
She likes-as butchers like a knife.

Faith you and Applecross were right
To keep the Highland hounds in sight:
I doubt na! they wad bid nae better,
Than let them ance out owre the water,
Then up among thae lakes and seas,
They’ll mak what rules and laws they please:
Some daring Hancocke, or a Franklin,
May set their Highland bluid a-ranklin;
Some Washington again may head them,
Or some Montgomery, fearless, lead them,
Till God knows what may be effected
When by such heads and hearts directed,
Poor dunghill sons of dirt and mire
May to Patrician rights aspire!
Nae sage North now, nor sager Sackville,
To watch and premier o’er the pack vile, –
An’ whare will ye get Howes and Clintons
To bring them to a right repentance-
To cowe the rebel generation,
An’ save the honour o’ the nation?
They, an’ be d-d! what right hae they
To meat, or sleep, or light o’ day?
Far less-to riches, pow’r, or freedom,
But what your lordship likes to gie them?

But hear, my lord! Glengarry, hear!
Your hand’s owre light to them, I fear;
Your factors, grieves, trustees, and bailies,
I canna say but they do gaylies;
They lay aside a’ tender mercies,
An’ tirl the hallions to the birses;
Yet while they’re only poind’t and herriet,
They’ll keep their stubborn Highland spirit:
But smash them! crash them a’ to spails,
An’ rot the dyvors i’ the jails!
The young dogs, swinge them to the labour;
Let wark an’ hunger mak them sober!
The hizzies, if they’re aughtlins fawsont,
Let them in Drury-lane be lesson’d!
An’ if the wives an’ dirty brats
Come thiggin at your doors an’ yetts,
Flaffin wi’ duds, an’ grey wi’ beas’,
Frightin away your ducks an’ geese;
Get out a horsewhip or a jowler,
The langest thong, the fiercest growler,
An’ gar the tatter’d gypsies pack
Wi’ a’ their bastards on their back!
Go on, my Lord! I lang to meet you,
An’ in my house at hame to greet you;
Wi’ common lords ye shanna mingle,
The benmost neuk beside the ingle,
At my right han’ assigned your seat,
‘Tween Herod’s hip an’ Polycrate:
Or if you on your station tarrow,
Between Almagro and Pizarro,
A seat, I’m sure ye’re well deservin’t;
An’ till ye come-your humble servant,

Beelzebub.(The Devil).
Hell,
1st June, Anno Mundi 5790.

Surely you are each embarrassed by the suggestion that you might need a translation.

Detail

I have written about the great portrait collection at work before. I have a hard time keeping my eyes off this particular painting when I am in a meeting in a certain room and especially the detail over the shoulder of the Mayor for 1898, Charles Livingston:

What a merry little steam ship. I suppose the fact that the Murney’s Point Martello has all its cannon doors open is auspicious in some way I don’t get 106 years later.

Digger Dance

The last thing we stuck around the New York State Fair yesterday afternoon for was the JCB digger dance. Basically, six heavy construction vehicles are run around a parking lot to music doing a sort of Ed Sullivan era pop ballet. Here are some short short movies:

Here are a whack of photos:

Incomplete Mobius Party

I know I should be paying attention to policies, considering how the Leaders would affect the lived of me and my family if elected, but I just can’t stop thinking about the new Tory logo, which is a möbius strip…but one which is not quite formed.

What can it mean?

  • We are almost to the point of leaving no matter hidden?
  • We will cut the shackles of intrusive government?
  • Our logo guy eats Tim Horton’s orange twists as he doodles?

Arran and the Beach

chittery bite best be in hand

My folks are from the Clyde in the west of Scotland and we figure this painting at Owen Sound is a view from a beach across the Clyde to Arran.

I don’t know the artist’s name but suspect it is a scene from the 30s when my parents would have the ages of these kids. I recall being dragged when I was seven in 1970 to the beach along this stretch in August and freezing in the cold Atlantic.

same, big

real life...my life
The view at Largs, Scotland – November 1987.

real life...my life

Heist!

art has a message and the message here is I am a rich bastardI noticed at The Star this morning that there was an art theft thisweekend in Toronto – a heist. Is there any other crime which so warms the heart what with unending bad 70’s police TV episodes guest starring the likes of George Peppard centering on the thievery of art.

But why these things? Likely because they are literally pocketable and worth millions. Like Stalin’s retention of the great czarist buildings, our relationship to the image is not so simple. This is the face of another polticial era, that of the tyrant. This man never lifted a shovel or pen, a product of solely the power of inheritance. Google the name. The figure, Charles Mordant, left the world nothing of note other than this nasty, purse lipped, bloated face under a ridiculous wig, a symbol of virility affordable and wearable only by the wealthy and unvirile.

Later: Recalling that Google sucks, I did some more digging on the lost art and found this at the AGO’s web site:

Portrait of Charles Mordant, 3rd Earl of Peterborough and 1st Early Monmouth of the second creation (1658-1735)
Made by David Le Marchand (1674-1726) between 1704 and 1713
French, active in England
Ivory
Inscribed with artist’s monogram on front center of panel beneath truncation: ‘D.L.M.’
21.6 cm ht.; 17.8 cm w.; 5.1 cm d. ( 8 ½ x 6 ½”)

Hmm, doesn’t help that the AGO spells his name differently from other records which refer to Charles “Mordaunt” as the 3rd Earl of Peterborough. Here are records for five portraits of him at the National Portrait Gallery in London. He was an ambassador with an unhappy diverse career and private life as pointed out by notes to these portraits:

Admiral, general and diplomatist. A vehement whig and a supporter of William III until his ejection from political office in 1697 and imprisonment in the Tower. As General of the expeditionary force to Spain in 1705, he fought a controversial but largely successful campaign…

Here seen shortly after his return from serving as British ambassador to the Duke of Savoy, and his final fall from royal favour. The last of Kneller’s four portraits of the sitter….

Title: ‘Hon Mrs F- and Incautious Lothario’ (Charles Mordaunt, 3rd Earl of Peterborough; Mrs Edward Foley)…

I am now starting to warm to the jerk. Voltaire was his guest for 3 weeks in 1727. He was perhaps the first to cultivate fennel in England. A Colonel of the Royal Horse Guards in 1712 He has a slim but curious relationship to Nova Scotia’s Oak Island gold. He died on board his yacht off Lisbon 25 Oct 1735, is buried Turvey, Beds, 21 Nov 1735 and is the great-great-great-great-great-great-great-great grandfather of Camilla Parker-Bowles, Prince Chuck’s fancy lady. Cooling off again…

Rocket Lord of the Rings

Happy kids asleep. A few good feeds in jammies, then new clothes. Choral music on CBC radio all day. Missed the Queen… but, really, she missed me as well, didn’t she.    It has been unusually warm here and Saturday may hit a sunny ten above. I don’t miss the snow – only wish I had a patch of garlic growing in this weather. 

With a bit of an achy cold starting I felt little compulsion to move off the couch despite Ralph Bakshi’s 1978 two hour cartoon of Lord of the Rings being on the TV. I saw it when it first came out at the Centennial Twin Cinemas in downtown Truro when I was in grade 10, the scene of many of my Friday nights in those years.     I had read the Tolkien books when I was about 12 and, although I never took to playing/worshiping Dungeons and Dragons and all the other pre-Internet outlets for nerdy fantasty geeks, I was not then utterly offended by the movie. I do recall, though, that hopes were high in the era of Close Encounters and Star Wars – and that we expected something new and important. For the first moments, we thought that the cartooning was imaginative. Soon it was repetitive. Then tedious. The Orcs are creepy if you think the bad guys – Cylons? – in Battlestar Galactica were as well. This review captures the disappointment. Watching it tonight it strikes me that it certainly owes a lot to the genre of Spiderman and Rocket Robin Hood, without, though, the benefit of the voices of Paul Soles and other Wayne and Shuster regulars but, sadly, with the tell tale repetition of short scenes over differing backgrounds a few minutes apart. The ending is the best crap bit:

The orchestra now begins playing Christmas music as Gandalf rides Shadowfax through the Orcs, slaying at will. He begins killing them in hideous detail, and in gruesome slow motion at that. Two Orcs fall dead over the camera, the backs of their heads spraying blood. What the hell! Since they’ve already gone this far, they may as well make Lord of the Rings into a slasher flick too! Why not just give Gandalf a chainsaw and be done with it?

Watching tonight, I remembered this last bit from when I was 16, how creepy the choice of image compared to the accompanying stirring-to-a-private-schoolboy music, how at that age I believed (as English teachers told you) that story endings with slo-mo mass slaughter was really bad art… as opposed to now – since Columbine – when it is also cause for preventative arrest.

Why would Bravo show this on Christmas night? It is so embarrassingly bad  it defies camp. It is not even a welcome antidote even to a fifth hour of the Kings College Boys choir singing “Once in Royal David’s City”. And, yet, I watched it again. Christ was born to give me a day off to watch Bakshi.