The Thursday Beery News Notes For The Week I Did Rock

Well, to be fair, it was more like rock-grass. Prog and Western. Yup, we headed north to Ottawa on the weekend and saw Alison Krauss and Robert Plant play an outdoor concert. I even had a beer as they played. A Hop Valley Bubble Stash by Creemore. At twelve bucks it wasn’t as shocking as the 17$ for a small glass of Ontario made Pinot Grigio. The beer tasted exactly like an IPA, you know… if you are wondering. Honestly, I was just happy that the drinks weren’t distracting. I was trying to pay attention to the music. I only heard one “baby” but really wanted to hear him rip just one “babybabybabybabybaby.” We did hear a couple of “oooh yeahs” and maybe an “oooh yeah oooh yeah” but, to be honest, we weren’t sure. Great show. Got me a tour tee. Cost me less than three of those dodgy Pinots.

As a result, I am bouyed this week by pure positivity. We also saw a bit of that this week from Boak and Bailey who wrote about one beer shop in Plymouth England – Vessel:

What was clear from that conversation was that Vessel had not only survived the pandemic but to some extent found its feet, and its people. How to describe Katie and Sam? They’re the kind of people who default to smiling. They are optimistic by nature, and full of ideas and energy. They’d made it through the pandemic with a mix of deliveries, takeaway, events over zoom, and sheer enthusiasm. That challenge out of the way, they told us about plans for expansion, for a brewery, for more trips and tastings.

Boom! Good stuff. See also their post on The Cockleshell in Saltash, Cornwall packed with pure perceptive positivity like this: “There’s plenty of greebling, for example, with every surface covered with nick-nacks, oddments and vintage decor.” Nice. And not just nice nice. Greebling sweetness nice.

And Liam wrote a tribute to Beer Twitter itself, sort of an interesting subject in these days of further collapse and sudden new competiton from Threads. And his approach was comparing the social media landscape to his choice of pubs:

…for me personally the place operates in the same general way. I can enter through the same front door and choose who to sit with, who to talk to, and who to ignore – although admittedly I’m not on the premises as often as others so perhaps that makes a difference. For me it’s the people within the walls who make the pub – it’s only a building after all – and if you enjoy conversing and interacting with them then why leave or change locations? I’ve investigated some other pubs to see what the fuss is about; I’ve even drank in one or two – but they are not quite the same. They feel wrong, they are not a good fit for me and not all of the people I enjoy mingling with are there either.

I agree. That is a good way of putting it. Jeff, anticipating the same patient’s final stages might be approaching,  wrote something of a sweet goodbye to Twitter this week:

Unlike any other social media platform, Twitter allowed me to build my own community and have immediate and sometimes extensive discussions with the people in it. That’s you. I’ve always appreciated how generous you’ve been with your engagement.

I can only say that speaks for me, too. There has always been a lot of comment that #BeerTwitter is a dumpster fire but it has been a great resource, too. And fun. At this moment, however, things as feeling all a bit endtimesy as Jeff also shared this:

I write a blog. About *beer.* It is unnecessary. It is largely for amusement. (Though I’d like to think edification plays a small role.) I would NEVER debase the site by throwing up a garbage AI post.

The endtimsey big news in US craft this week I suppose is the press release issued by Sapporo on Wednesday, as described by Dave Infante in his newsletter Fingers:

This morning at about 1:45am local time, Anchor Brewing Company issued a brief press release announcing its imminent liquidation, citing “a combination of challenging economic factors and declining sales since 2016.” The brewery has been operating in one form or another since 1896; its current owner, Japan’s Sapporo conglomerate, acquired the firm and its iconic Potrero Hill facility in 2017 for a reported $85 million.

Quite a blow given the narrative of craft’s whole genesis story. I am not convinced (at all) that the hagiography necessarily matches reality (at all) but I sure did like Liberty Ale back when Ontario was part of the sales footprint a few decades back. There has been much by way of erroneous speculation, questioning, cherry tree chopping, wailing and rending of garments along with some common sense and respect… but… the bottom line is this from The Olympian:

I ran a cheap “pizza and pint” feature. It helped for a while, but then hazy IPA became a thing. Beer geeks turned their laser focus on to that style and unfortunately, a lot of other brands/styles just slowed down or stopped selling altogether. Anchor was one. I think there’s only so much life a publican or retailer can do to breathe life into a cherished heritage brand before they finally give up and switch to something new and shiny. But when I see 3 cleaning dates marked on the top of a keg, it’s a slow mover and time to move.

AKA: no one bought the Cro-Magnon of beers anymore. Be honest. You may have loved it, but you didn’t actually like it all that much. Elsewhere, beer sales in Romania down 9% in the first months of 2023. Moving on, no- and low-alc beer sales well up in England but there is one hitch in the stats:

Perhaps more surprisingly, away from our living rooms, the British Beer and Pub Association says pubs are also chalking up a 23% rise in driver-friendly beer over the last year, with sales more than doubling since 2019, just before the pandemic… the overall UK sales of low- and no-alcohol beer – which covers anything up to 1.2% ABV – still represents just 0.7% of sales of UK consumption.

The immediacy of the cultural paradigm shift that has been caused by David Jesudason’s book Desi Pubs A guide to British-Indian pubs, food and culture can’t be understated… and The Morning Advertiser knows it:

Like accidentally biting on a cardamom pod,  ‘Desi Pubs’ has exploded on our complacent palates and spiced up the way that we think about the great British pub…

Even though the literary cheese is a bit notched up in the way that Phil Mellows puts it, he’s spot on that the charm is also real and widely embraced, triggering fond and thoughtful discussion and eager recommendations. Phil’s article goes on to say this book as shaken the beer world like the popular and widely read works of Pete Brown as well as Boak and Bailey did a decade ago. So far it is the thing of 2023. Just like Anchor is the not thing. It’s the thang. The thing and thang of 2023. Right there.

I also would like to say that being positive is not about just being a booster. There are things needing improving, needing to be addressed. Otherwise, any idea of community is a convenient falsehood. To that end, Beer is For Everyone published a personal essay by Lindsay Malu Kido, the group’s founder. It was on the poor experience many faced at the Craft Brewers Conference in Nashville, discussed here back in May. The findings against the Brewers Association were telling:

The Brewers Association had the power and responsibility to set the stage for a more supportive and inclusive conference experience. While they can’t control every individual interaction, they can certainly influence the overall atmosphere. By staying silent on the political climate in Tennessee and not visibly showing support for marginalized attendees, they indirectly contributed to the isolation I, and many others, felt. Their failure to act emphasized the dismissiveness and lack of care that seemed to permeate the conference.

Why is this such a persistent part of craft, not just the bigotries but the institutionalized comfort with the bigotries? What is it about beer… hmm… Perhaps not unrelatedly, Gary wrote this week about a 1949 study of pub culture in England which even included a pointed criticism of the high and holy mid-1900s UK “Beer is Best” brewing trade advertising campaign and how its encouragement of mindless drinking was worth noticing. To be fair, Gary is not fully convinced by the authors – but summarizes the results very fairly:

The period they describe exemplified the heyday of the English pub and draught beer, with men (usually) supping from one to three or four pints every evening afer work. The was apart from the dissolute group who spend most of their day in the public house. A shopheeper had that sad fate, leaving the shop to his wife’s administration… The authors tend to be hard, once again, on the drinking ethos, stating at one pint the typical drinking pattern progresses from “exhileration to “anaesthesia”. For them, the idea of the public house as valued community cetre is pretty much, to use an appropriate vernacular, tosh, excepting in some rural areas.

Speaking of the disfunctional in plain view, it is sad that one of the legacies of what people call craft beer is this sort of design disfunction:

If you put fruit pulp in beer and do not fully ferment it this happens. It has happened to other breweries over the years. It isn’t just unfortunate, it’s dangerous. There is NO reason to have unregulated, unplanned fermentation in sealed containers.

Note: if that is what is happening on the beer store shelf, what the hell is happening in your guts? Don’t the people who buy this stuff know the burbling brook is not suppose to be a feature?

Aaaaannnnnd… once again, no politician of any stripe in Canada suffers from displays of beer culture prowess:

Vancouver Mayor Ken Sim (left) generated lots of social media buzz when he shotgunned a beer on stage at the Khatsahlano Street Party on July 9.

As a result of our political culture, I wonder if this sort of thing operates very differently north and south of the 49th parallel:

The Beer Institute, a national trade association representing the $409 billion beer industry, hired Cornerstone Government Affairs to lobby on economic, budget, tax and appropriations policies impacting large beer producers. The Beer Institute recently launched StandWithBeer.org, which alleges large liquor companies exploit tax loopholes to lower their effective tax rate. John Sandell, former tax counsel to the House Ways and Means Committee, will work on the account.

And this week’s feature at Pellicle by Rachel Hendry is about the placement of fine wine in the TV show Succession. [Confession: never watched one episode. Never watched on of The Wire, Madmen or Dexter or a whole whack of other must see TV for that matter.] I do really like this sharp observation shared from a wine writer’s Twitter feed about one drinking scene:

In a Twitter thread by sommelier Rapha Ventresca, they break down why this choice of wine is so intriguing. As half-brother, not only is Connor the oldest of the four siblings, but his oddities have him consistently excluded from the machiavellian manoeuvres that make up most of Succession’s plot. Château Haut-Brion, then, is not only the oldest of the first four Bordeaux Chateaux, but it is the only one grown outside of Medoc, to have majority Merlot in its blend and to be bottled in a sloping shape that breaks away from the traditional Bordeaux style. In essence, it sticks out like a sore thumb. Not unlike the man using it to drown his sorrows the night before his wedding.

Sweet. I had a pal who knew so much about trucks and cars that he was a pain to go to the movies with. In any given car crash scene, he would count off how many vehicles were actually filmed and presented as the one car driven through the mess by the hero. Me, I price the flower arrangements given I was raised by a florist and trained in The Netherlands myself in the wholesale trade. No one in 99% of all movies can afford the flower arrangements in their home. But I’ve told you that before. Must have.

There. Once again, that’s it! Ooooh, yeah… baaaaaaybeeeee… As per, you can check out the many ways to connect including at my new cool Threads presence @agoodbeerblog. Have you checked out Threads? Seems a bit thin to me so far. But I don’t like IG and it is like mini-IG. Don’t forget theose voices on Mastodon, the newer ones noted in bold:

Alan McLeod | A Good Beer Blog (… me…)
Stan Hieronymus | The Man!
Boak & Bailey | The B² experience
Curmudgeon Ale Works | Jonathon is Brewing
Katie Mather | Shiny Biscuit and Corto
David Jesudason | “Desi Pubs” (2023) author
BeoirFest | They say “Let’s Talk Beer”
Ron Pattinson | The RonAlongAThon Himself
Al Reece AKA Velky Al | Fuggled
Jennifer Jordan | US hops historian
Andreas Krennmair | Vienna beer and lager historian
Beer Ladies Podcast | Lisa Grimm and colleagues
The Bar Towel | Toronto’s chat zone for beer lovers
Chicago Beer Society | Folk in Chicago getting social over beer
Jay Brooks | Brookston Beer Bulletin
Joe Stange | Belgian beer expert, beer magazine editor
Cider Bar | Barry makes Kertelreiter cider
Laura Hadland | CAMRA historian and beer writer
Brian Alberts | US beer historian
Jon Abernathy | The Beer Site
Maureen Ogle | US Beer Historian
Lars Garshol | Norwegian Beer Historian and Kveik Hunter
James Beeson | Beeson on Beer
Carla Jean | MAINER!!!
Thandi Guilherme | Beer Ladies Podcast Co-host
Lisa Grimm | Beer Ladies Podcast Co-host
Roy of Quare Swally | Beery ramblings from Northern Ireland
Rob Talksbeer | Podcaster and Youtuber
Anthony Gladman | UK Drinks Writer
Jeff Alworth | Manna Of Beervana
Northwest Beer Guide | Fairly self explanatory… but not NW Latvia…
Evan Rail | Prague based GBH editor, freelance writer, NYT etc.
Todd Alström | 50% of the Alströms
Jacob Berg | Beer talking librarian

Anyone else? And, yes, we also check the blogs, podcasts and newsletters to stay on top of things – including more weekly recommendations from Boak and Bailey every Saturday and Stan at his spot on those  Mondays! Get your emailed issue of Episodes of my Pub Life by David Jesudason on many Fridays. And Phil Mellows is at the BritishBeerBreaks. Once a month, Will Hawkes issues his London Beer City newsletter and do sign up for Katie’s now more occassional but always wonderful newsletter, The Gulp, too. Ben’s Beer and Badword is back! And check out the Atlantic Canada Beer Blog‘s weekly roundup. There is new reading at The Glass. Any more? Yes! Check to see the highly recommended Beer Ladies Podcast. And the long standing Beervana podcast . There is the Boys Are From Märzen podcast too and check out the travel vids at Ontario’s own A Quick Beer. There is more from DaftAboutCraft‘s podcast, too.  All About Beer has introduced a podcast.  There’s also The Perfect Pour. Plus follow the venerable Full Pint podcast. And the Craft Beer Channel on Youtube soon celebrating a decade of vids.   And remember BeerEdge, too, and The Moon Under Water… if you have $10 a month for this sort of thing… I don’t. Pete Brown’s costs a fifth of that. There was also the Beer O’clock Show but that was gone after a ten year run but returned renewed and here is the link!*

*And finally the list of the departed newsletters and podcasts or those in purgatory. Looks like  both Brewsround and Cabin Fever died in 2020, . We appreciate that the OCBG Podcast is on a very quiet schedule these days – but it’s been there now and again.  The Fizz died in 2019.  Plus Fermentation Radio with Emma Inch seems done and the AfroBeerChick podcast is gone as well! The Fingers Podcast packed it in citing, umm, lack of success… as might have been anticipated, honestly. Did they suffer a common fate? Who knows?