Craft? Why Not Micro Brewing? Heck, Why Not Mini Brewing?

One of the interesting things about the language of beer is how little we think about it. Sure, there have been useful churnings over the origins of “craft“* and discoveries that before it became the popular term a little over a decade ago.  But the reality is in the thirty plus years of this revival of good smaller scale brewing, “craft” is a word that has had its day. Refer to the new Brewers Association logo if you don’t believe me.

So, before we had craft when all the current commentators were still in high school we had micro brews made by micro brewing at micro breweries. But why? Why was “micro” the prefix of choice? The image above is a passage from that bedtime favourite Seminar on Micro-local Analysis by  V. GuilleminM. Kashiwara and T. Kawai published by Princeton University Press in 1979. “Micro” at that time was a science word.  Which make sense given since at least the later 1800s interest in the microscope was a popular interest.  In the book The Micro-macro Link by Jeffrey C. Alexander, published by University of California Press in 1987** the progression of the concept of “micro” is described in this passage in the introduction:

Although the micr0-macro theme has entered sociological theorizing as a distinct and firmly established issue only in recent decades, its prehistory can be traded from late medieval thinking through postwar meta-methodological debates over science, epistemology and political philosophy.

In brief, in the 1970s and early ’80’s the use of “micro” as a handy catch-all concept was relatively new. It appears to me that the route “micro” took from egghead to everyday was computing. We have the 1980 text Distributed Micro/Minicomputer systems: Structure, Implementation, and Application, for example, in which the future was described in this way:***

The continuing decline in processor and memory cost couples with the lower cost communications based on fiber optics, micro-wave transmission, and satellite communications, to use a few examples will hasten the development and widespread use of distributed systems based on micro- and minicomputer [technologies]…”

One is reminded of the SCTV character Gerry Todd from 1981-83 played by Rick Moranis to be brought back to the era when issues around what we might now call “personal” technology were sufficiently new and niche to be mocked.**** It is, in fact, always necessary to seek to place yourself back in a context when searching for a particular meaning. Otherwise, we are left with recollection and a lot of IMHOs which are often worse than useless. Fortunately, digital records give us a chance to reach back and pretend to relive the past – or at least can be used to cross reference the to often positive recollection.

Applying that principle, we see another interesting thing that is interesting for immediate purposes because it is included in the heading for this blog post.***** We see the words “micro” and “mini” bandied about. What did they mean in relation to the trendiest thing at this point in time? No, not beer… computers. Consider this articles in The Times Union of Albany, NY from March 11, 1986 under he title “Overbooked Libraries Seach for Space May Be Overdue”

At the central library of the Schenectady County Public Library across the street from City Hall, a space shortage has forced books to be stored on the second floor where administrative offices are located – off-limits to library patrons. Staff gofers bridge the gap between floors. “The lack of space is getting pretty serious,” said Ronald Lagasse, director of the Schenectady County Public Library. “The problem is we’ve had to increase the variety of formats of information we provide.” A micro-computer requires 200 feet, space the books used to get. Videocassette recorders, microfilm readers and printers and the storage for them have further eroded what was once the sole domain of books. 

First, shoot the person who put that pun in the headline. Then – notice that “micro” was not very… micro. Now, look at this schedule of events and the mid-afternoon listing under the title “Wildlife Expo is Four Shows in One” published by the same paper five days later:

*2 p.m – Bruck Brodsky of Upstate Computer will feature “Home Use and Education With Micro and Mini Computers.” Attending this one will surely help you in the operation of many computers used throughout the Expo.

Hilary Dustin of U.S. Forest Service will lecture on the Finger Lakes National Forest.

“Micro” and “mini” are two things, two points on a scale. Why do we care about this? Because “micro” and “mini” brewing may also be a bit older than you realize. Look at these images:

 

 

 

 

The image to the left is a Schlitz ad from Schlitz ad found in Black Enterprise magazine’s October 1977 edition. A similar ad ran in U.S. News & World Report and Saturday Review in 1977 as well as Business Week in 1976. This use of “mini-brewery” was the same as Bert Grant’s Ontario-based pilot brewery operated first at Carling in the 1950s and then at his home in the early 1960s. See also Food Engineering, Volume 43 from 1971 which described producing beer in a “laboratory mini-brewery.” Scientific beer.

The other two images above are for another thing. They are ads for Bierhaus International’s “mini-brewery” as seen in Mother Jones Magazine Feb-Mar 1981 and Feb-Mar 1982 editions. Variations of the “Try My All Natural” advertising were also placed for years in magazines like in Kiplinger’s Personal FinanceField and Stream, Popular Science and The Old Farmer’s Almanac. Tremendously manly and busy ads they are, too. I hope someone will be able to tell me about Bud Weckesser, the president of Bierhaus International Inc., if only because he clearly seems to be a man of international intrigue.† More to the point, he was selling a “mini-brewery” to subscribers of those fine journals. Science at home.

Like the Schlitz and even Bert Grant’s pilot breweries, the Beerhaus International set ups were small. Small enough to fit in a home. Schlitz’s was only a five gallon set up providing “a world of care in miniature.” So you would think that “mini” is less than “micro” right? Not always. At least when it comes to brewing. Let’s have a look at that bit of the end of an article placed in the May 1982 edition of InfoWorld 17 magazine entitled “Micro Firms Vie for European Market at Hannover” in which the following is stated:

You can take comfort from one thought in all this scale. Although Information Technology is growing incredibly, it is still not the biggest section in the seven-pound-plus Fair catalog (supplied with extra-strength handles). That is reserved for Electrical Engineering. When you reach the part of Fair reserved just for new railway locomotives, you begin to grasp that there are still worlds for the micro to conquer. There aren’t any micros used yet in the mini power station, not the mini brewery that run each year for only eight days in the Spring as part of the Fair on the flat German plains of Hannover.

It’s a delicious description of a transition point. [The heavy catalog has handles alone was worth the price of admission.] “Micros” are under too new to be pervasive but the “mini” brewery seems to have been around for yoinks. “Mini” is just small. “Micro” is both small and new.

So what happened to mini? As we see today with “independent” being proposed as the new “craft” just as “craft” was once the new “micro” we know these things are propped up and then later taken down once stale. But did “mini’ ever get its day in the sun? In the 1989 Canadian book Ale & Beer A Curious History by Alan D. Butcher published by then powerhouse bookseller McClelland & Stewart we read this lovely transitional passage:

…scores of other mini-breweries are also simply satisfying local tastes? Upper Canada Brewing, an Ontario-based “micro” brewery, sells across Ontario and has recently entered the European market.

A few years earlier, the Australian publication Beverage Review appeared to use the term generously. In 1984, The Economist magazine’s Intelligence Unit published an issue on retail business which contained the description to the right. It describes a Whitbread pub, the still operating Alford Arms, as then having a brewing set up in house. A mini-brewery appears in this context to refer to the equipment more than perhaps than the business model. Similarly, in a 1986 publication from the apartheid era South African Information Service South African Panorama a similar description is used:

Barney’s Tavern and Heritage Brewery, which are administered by South African Breweries. The beer is brewed on site and Is called Digger’s Draught. The brewery is the only fully-fledged mini brewery of Its kind in South Africa.

The term shows up in the USA as well. A 1986 article on plans for Kentucky’s first micro, the Oldenburg Brewery, stated that it:

…will be a mini-brewery licensed under the new Kentucky microbrewery law enacted by the legislature in 1984. The brewery will have a limited capacity of 12,500 barrels of traditional German beer made only with malted barley and hops …

And in the 1982 travel guide Making the most of Sonoma: a California guide by Don Edwards we read one of the founding American micros being described in this way:

A wine country mini-brewery, New Albion, produces traditional British-style ale, porter, and stout— all good companions to Sonoma’s cheese, bread, and sausage.

And then? Not so much more. “Micro” soon starts to go macro as the inevitable dreams start to kick in. It then reigns for the best part of twenty years before it became clear that micros were not going to be in view of mini in the future. Change and growth occur. The idea that New Albion might lead to international scale big craft would have seemed very much a dream (if not a farce) to those sipping a stout with their Sonoma bread and sausage. Language needs to compete, keep up or fall away. “Mini” just never really got very deep into that game.

 

*Which includes some of the best sources ever including this clever one: “New Belgium is one of several breweries Alan McLeod, co-author of The Unbearable Nonsense of Craft Beer—A Rant in Nine Acts, describes as big craft. “What bugs me about ‘craft beer’ as a term is that it arose to cover up that micro beer was less and less crafted and more and more industrialized. It is double speak,” he wrote via email. “… New language was required to mask the industrialization and then nationalization of what is now big craft.”
**Note obvious use of egghead texts found on Google Books to laydown a questionable baseline of cleverness.
***Interestingly, a now charming foreshadowing of only the nonthreatening parts of the argument of “Why the Future Does Not Need Us” from 2000. I actually cited this in my 2000-2001-ish LLM thesis so I don’t feel entirely dirty writing this footnote.
****But were more likely then thought of as “home” technology. Note: I also still have my rude 45 of “Turning Japanese”… so there.
*****You don’t post a blog. You post a blog post to a blog. Blog is short for “web log” which makes it a log and a log has entries. A log is not each entry. It is the total of all entries. A blog is not each post.
More here.

The Charlecote Park 1700s Brew House

Charlecote Park. Hmm. This is interesting:

Charlecote’s brewhouse has mostly 18th century brewing equipment, water pumps, coppers and stalls. It is a typical brew-house of a well-ordered English country estate during late 18th century. They equipment was used to brew beer for the household until early 20th century. Although we can no longer use the equipment that is here we are currently working on a project to make the outbuildings feel full of life again.

Now, you might ask why a four year old blog post by the UK’s National Trust would be all that interesting to me but in those four years I have written a lot about brewing prior to about 1820 and never looked at the archive of images they have placed online.

1803breweryWhat I particularly like about this particular image above* is how well it captures the functional technicalities as well as how similar the equipment is to the detail of a log cabin brewery at Geneva, New York described in the 1803-04 travel diary of Lord Selkirk. In the lower part of the diagram you see the boiler run off into the coolers. In the photo above, that lovely big brass tap and the wooden trough with that rich patina replace Selkirk’s simple line of ink.

Here is another image** of the brew house, one in black and white taken from the top of the stairs. Notice how at the far end of the cooler there is a cube shaped ladle that is used to fill the barrel which sits in its dedicated spot, its own carrel, waiting. Again, as illustrative as it is beautiful. When we consider many of the great mass drinking events that the Georgians loved so much, we recognize that it was these sorts of estates breweries that were brewing the beer.

There are other images at the National Trust archive answering to the searches “brew house” and “brewery” which, as a keen admirer of the Beer Blogger’s Code of Standards, I share for the benefit of sharper eyes than mine.

*See the attribution at the NT site.
**See the attribution at wikipedia.

The Value And Adulteration Of Porter Circa 1757

I found this passage below in The General Evening Post of London, England of December 1, 1757. It’s a very useful passage because it reminds us of many things which are quite alive in the brewing trade of today.

Notice how the concern is framed from the position of the public. The natural tension is with the interests of brewers and the solution is the need for regulation. Brewers are “men of large capital” who use “other ingredients” – the fact of which is “notorious from the conviction of some brewers.” Brewers are also avaricious:

… a combination is forming amongst them to raise the price of beer…

This is an “additional tax which the brewers want to saddle on” the public. Sounds like something out of early CAMRA pamphets from the 1970s, doesn’t it?

Boak and Bailey have somewhat restated the question in terms of the craft era in their post today about “Experiences vs. Commodities” – a form of question which has been bounced around for at least as long as the terms “beer blogging” and “craft” gained popular attention in around 2006. Around 2008, we were introduced to the idea of single cask short run beers which promised in themselves to be an experience conveyed via 750 ml corked bottles for the mere price of merely $24.99. One Colorado comment maker* of the time indicated that the trend really started with La Folie by New Belgium.

Unlike Probus in the 1750s, the point of view of writers has not been clear cut. The responses in the comments to this post in from October 2007** are instructive and in some cases a bit startling. But that was when it was still quite fair – or at least somewhat credible – to say that craft was still a lot like little Bambi struggling on its wobbly legs, trying to make sense of the great big bad world. Too soon to speak of value. Now things are different. Craft has shattered into at least three general forms of market presence – local, big craft and international macro – none of which are in any real risk of going away even if players come and go.

Because of this, I would suggest that we need to heed Probus’s words published a quarter millennium ago and leave the views of ten years ago behind. Craft has become commodity and it’s going to be OK. It’s a commodity in the standardization of international styles such as IPA and murk as well as in single brands like Goose Island. You can find pretty much the same beer everywhere. And if you can’t you are still seeing the internationalization of the fib of “craft” pretty much everywhere. We cling on to outdated ideas about craft and the value of any beer at our peril. We miss the actual in favour of the hype. We chase the marketed (whether from the PR consultants or the semi-pro enthusiasts) in favour of the quieter, local and lovely. The experience? Yes, it is still about the experience but that includes learning from our experience.

[By the way, not sure who Probus was. Apparently, Thomas Chatterson used the pen name but he was born in 1752.]

*Scroll down.
**Again, scroll down.

Caleb Haviland: A Brief Prequel Of A Tailor And Beer Merchant

 

 

 

It will soon be two years since I posted about the porter store house of Caleb Haviland at 77 John Street in the New York City of 1798. For some reason, I am very fond of the guy and his fabulous range of drinks from both the old and new homelands. Six English ales alone were on offer – Burton, Taunton, Liverpool, Gainsborough, Dorchester and Bath. Yum. Happy, then, was I to find a tidbit more.

If you look up there to the right you will see a notice placed in the Weekly Museum of 17 May 1794 you will see Caleb Haviland offering his services as a tailor at 77 Golden Hill Street in New York City. Interesting to note that number 77 used to be numbered as 13. Then, in the middle, you will see Joseph Ireland in the New York Daily Advertiser of 12 May 1795 offering an interestingly similar range of beers. In addition to London, New York and Philadelphia Porter, there was Billington’s beer as well as Burton, Taunton and Bristol ale.  The address, again, is 77 Golden Hill. Another notice placed in the New York Gazette of 20 July 1795 is up there to the left. Again, at 77 Golden Hill.

I equally all a’shiver over the reference to Golden Hill. If you look to the left, you will see the notice I published in the post from September 1798 in the New York Gazette. It describes the address as “77 John Street (late Golden Hill).” John Street is still there. It is two streets to the north of and parallel to Maiden Lane where the Rutgers brewed for many decades in the 1700s. Crossing these two streets is still Gold Street where the elusive Medcef Eden also brewed in the 1770s to the 1790s. Golden Hill was once the highest spot on Manhattan as well as the site of a 1770 clash between the British and locals. It was not golden because of the grain, however, but because of the yellow flowers that grew there when the Dutch arrived in the early 1620s.

 

 

 

 

If we can get back to Caleb, you will see to the left that Christmas 1791 was a bit grim, as he need to squeeze his customers and even threatens legal action in a notice dated 24 December 1791 placed in the New York Gazette. In the middle, things look happier as according to The Diary of 31 May 1792 he is looking for journeymen to work in his shop. But by 30 April 1793, according to the New York Gazette, things are booming as he is bringing in fine… no superfine cloth of all sorts and looking for an apprentice as long as they are from the country. You know what city folk are like.*

Then, in the wonderfully named periodical The Minerva, also of New York, dated 9 January 1797 we have this. A notice for the fluid goods for sale by Michael Moore & Co. located at No 77 John Street, late Golden Hill. He has taken over the business of Joseph Ireland, hopefully now staffed by steady sober folk. The trade is identified being undertaken at the house of Caleb Haviland, merchant tailor, who is also identified as one of the company. Things are progressing so well, Haviland is joining into new ventures in the town with others – and promising the delivery soon of imported bottles of London Porter, Bath Ale and Brown Stout. Fabulous.

By the publication of the New York Gazette on 14 June 1797, Haviland is dissolving what had become a partnership with Mr. Moore and was away to the races, taking on the porter vault by himself and becoming the drinks merchant we met in 2015.

*Sadly, an unnamed occupant of 13 Golden Hill was running a notice for the sale of an unnamed enslaved young woman and her child, as seen in The Diary of 16 March 1793, though with the statement “sold for no fault, only want of employ.” As we have seen, slavery was common in New York in that era.

Bert Grant, One Of Canada’s Gifts To Craft Brewing

As I mentioned the other day, I have been thinking about Bert Grant’s hop oil vial.* In his online obituary as written by Michael Jackson, under the head “How Bert Grant Saved The World”, the vial is described in this way:

“When you were brewing Canada, ales were still very popular. How many units of bitterness did they typically have?” I once asked. “I don’t know. I hadn’t invented the scale,” he replied. He was reputed to carry a vial of hop oil, and to add it to glasses of Bud, Miller or Coors when they were the only brews available. He was said to have done this at meetings of Master Brewers in Milwaukee and St Louis, dismaying his peers. “Michael Jackson adds it to his coffee,” he is alleged to have said, in his defence. Did he really say that? I think that joke was coined by beer-writer and consultant Vince Cottone.

See, that vial is one of the most important artifacts in craft beer history as it contained one key element of the DNA which went into craft beer’s hoppy obsession of today. A bit of a viral vial. I wanted to know where it came from, how early he was using it and in doing a little digging I came to realize, like E.P. Taylor… as well as half the malt in US craft beers today, Bert Grant was one of Canada’s great contributions to good beer as we know it today.

In 1998, three years before his death he published a autobiography, humbly entitled The Ale Master: Bert Grant, The Dean of America’s Craft Brewers. Not a long book, I recommend it highly. The copy found on eBay is a sturdy wee hardcover. And, on page 33, there is a discussion of that hop oil vial… but one that sits a little out of sequence sequence in a side panel. [It’s that sort of wee book, full of snippets and asides… not unlike this aside.] This side panel talks about how he carried a dropper bottle of hop oil and that he had sent another one to his pal George Stein in Toronto. But it doesn’t say when this was – before 1963 when he was living in Windsor, Ontario… or was it before 1959 when he left the Carling branch of E.P. Taylor’s Canadian Breweries in Toronto where he had worked for 15 years, ending up as assistant director of microbiological control. Or was it only a practice he adopted later, after he leaves Canada for Yakima in Washington State in 1967 after working as a consultant and testing out his ideas on a pilot brewery at his house in Windsor across the river from Detroit, Michigan?

He certainly could have developed the hop oil habit before moving to the USA. In the book and according to a summary of a Associated Press article dated 5 September 1997, Grant made that 1967 move moved to Yakima heart of the nation’s largest hop producers to work on hop extracts and here he later pioneered a process of pelletizing hops to preserve freshness. In his San Diego Times AP obituary it states he was technical director of the hops company S.S. Steiner Inc., the company he moved to Yakima to work with. Again, the book suffers a little from same sort of loose chronology. But it certainly seems he could have been fully proficient with a hop oil eye dropper before he left Canada.

It left me wondering if I was going to make a national jingoistic thing out of this damn hop oil vial at all. How am I going to prove that one of the founders of US craft brewing was really just a drop in saying hello from Ontario full of pre-existing ideas? Hmm… then, I saw something else in a story published in The Times News of Idaho on 24 August 1997, also under an AP dateline, there is this passage from Jim Parker, former director of the Association of Brewers based in Boulder, Colo.:

Part of what drove him out of the brewing business and into the hops business was his dissatisfaction with the monotonous beer that most breweries were making. When he ran the pilot brewery for Carling (a subsidiary of Canadian Breweries Ltd.), every year they’d say, ‘Do you have any new products to bring out?’ Each year, he’d bring out the same beer and say, ‘It’s the best damn beer in the world.’ All the executives would agree. But the marketing people would say, ‘But Bert, it’s darker than our regular beer. Will people know it’s beer?’ And sales people pointed out there were three different malts and four types of hops going into the beer. ‘But that’s expensive, Bert. Can’t you make it with one malt and one type of hops?’ And he’d roll his eyes and go back to the pilot brewery. Many years later, Grant served his favorite beer — the same recipe he’d promoted for so many years — at a 1981 Yakima Enological (wine) Society meeting. They all went, “Bert, why can’t I buy something like this in the store? It’s so good!’ He explained, and they all said, ‘Let’s open a brewery and make it.’ And that’s Grant’s Scottish Ale.

Hmm… nothing about the vial but look at that: “three different malts and four types of hops going into the beer. “ That rings a bell. At page 28 of his book, Grant discusses apparently the one beer he had particular fondness for in his early days with Carling in Toronto starting in 1944:

… when I started in this business, there was no mucking about with the brands. Carling brewed a copper-coloured ale called Dominion White Label, which was, by our analysis, the most heavily hopped beer in Toronto (with English Fuggles, Kent Goldings and other hip varieties.) 

He described the decision to drop Dominion White Label “the triumph of the mass-production mind-set.” Then on page 75, he goes further:

Scottish Ale was the obvious first choice because it was my favorite home-brewed beer style – and had been my favorite since 1945, when I first tasted Dominion White Label ale at Canadian Breweries. The emigrant Scottish brew masters who made Dominion White Label assured me that I was tasting the same kind of ales that were brewed in Scotland… I knew exactly what I wanted to make: all malt, intensely hopped, naturally conditioned Scottish Ale that would be as close as possible to Dominion White Label.

One email correspondent° who knew Grant described the hoppiness of his beers in this way: “That Scotch was pretty hoppy. And the IPA was in your face. None of this juicy shit.” Hoppiness was a still a key selling point in Canadian ale brewing in the 1950s. As you can see from the ad to the left for Carling’s Red Cap ale, more hops equaled more flavour. And consider this TV ad for Red Cap from the time, for any number of reasons including the massive sandwich on the massive swing. But this beer, Carling Red Cap ale, was the beer that Grant insisted was under-hopped, that was the result of the triumph of the bean counters.

 

 

 

 

What was Dominion White Label? Inspired by Lost Breweries of Toronto by Jordan where Jordan tells the tale of the Dominion Brewery of Toronto in the later 1800s, one blogger has tried his hand at a recreation. The Dominion Brewery was where White Label was first invented. By the 1930s it ends up in the hands of E.P. Taylor as part of his aggregations and consolidations which eventually fall the umbrella Canadian Breweries around when Grant shows up as a 16 year old. As shown above to the left, in the 1893 journal The Dominion Illustrated Monthly, Dominion had a prominent display at the 1983 Chicago Worlds Fair. Its “white label” in the middle was the certificate from its victory at an 1885-86 exhibition in New Orleans. It advertised its many such victories, including in an 1893 magazine aimed at the medical profession up there to the right. So, it was a thing and a great thing and… a Canadian thing. And if Grant is to be believed about not messing with the recipes, in 1944 when he first had it it may well have been much the same thing.

Life goes on and in 1995, a full 51 years after starting out his brewing career at E.P. Taylor’s chemistry labs when he was sixteen, Grant sold out – in a way. He sold his brewery to a conglomerate but stayed on as top brewer with plans of expansion with his own hand still firmly on the tiller:**

Burt Grant has sold out, in a business sense. Yakima Brewing is now controlled by Stimson Lane Vineyards and Estates, part of a huge corporate chain topped by UST Inc., the parent company of U.S. Tobacco. But Grant, who continues as brewmaster, says he’s still making quality beers “to please the most demanding palate I have ever encountered: my own.” The Scottish-born, Canadian-bred Grant, 68, began honing that palate at age 16, when he went to work for Canadian Breweries Ltd. (now Carling). His brewing career led to jobs in the hops supply business, which brought him to the heart of Washington’s hop country in Yakima, where he opened a tiny brewery in 1982. “The brewery was doing well, but not spectacularly,” Grant says. “All the stuff I liked doing – product development, quality control – was being diluted horribly by all the worries about financing and marketing.” Stimson Lane “came to us out of the clear blue sky, with an offer we couldn’t refuse.” Grant has been able to double his production capacity, to an annual 40,000 barrels. And he’s talking about building breweries in other parts of the country to expand his market, as Seattle’s Redhook and Pyramid have done.

Grant passed away on 30 July 2001, according to his New York Times obituary, “at a hospital in Vancouver, British Columbia, where he had recently made his home” and where three of his five children then lived. All five were reported to have been residing in Canada at the time of his passing. His life, his beer, his career and maybe even that vial of hop oil framed in large part by the 23 years from 1944 to 1967 when he learned his trade in the bowels of Canadian Breweries owned by another great contributor to the history of brewing, Edward Plunket (E.P.) Taylor.

*Not hop “juice” by the way.
**Sound familiar? The quotation is from a summary of a story by Rick Bonino in the The Spokesman-Review of Spokane, WA, on 12 March 1995.

“…Uncompromised Beer That Is Marketed Locally…”

I post this by way of adjunct to a comment that I made in my post the last edition of The Session. In that post I stated that all beer is, as a result, properly understood as local and personal and that the ecology is small and getting smaller with the return to more naturally scaled micro and happy tap rooms. The comment even received Stan approval status… so there.

Happy, then, was I when came upon this passage quoted below in the Oxford Symposium on Food & Cookery, 1989: Staplefoods : Proceedings, edited by Harlan Walker. It is actually footnote 30 to Appendix A to the chapter “Staple Foods of the American West Coast (A Semi-Historical Perspective; or, Cultural Change in Action)” by John Doerper.

Perhaps the best definition of “microbrewery” comes from Vince Cottone, Good Beer Guide, Breweries and Pubs of the Pacific Northwest. Seattle: Homestead Book Company, 1986, p.9. Cottone who prefers the term “Craft Brewery” describes this as

a small brewery using traditional methods and ingredients to produce a handcrafted, uncompromised beer that is marketed locally.

Curiously, despite the supposed local distribution of these brews, supermarkets in the Northwest commonly stock many Californian “microbrews” while California carry virtually no Northwestern beers.

My first observation was that we are back to that spot here 28 years later, back to beer “that is marketed locally‘ if we think of the current resurrection of the taproom. But then I looked at the other elements: small, handcrafted, etc. Other than the word “traditional” in the era of every twig and leaf being shoved in a brew pot, it seems to fit. Sweet to note, however, that how in 1989 interstate distribution was already creating inequality and bending the meaning of local.

So, is “that is marketed locally” an idea that could be returned to now that big craft and macro are merging, mating or in a battle to the death? It would be a bit hard for many to track given that the forces that peddle national craft and throw about the junkets are hardly going to speak in favour of it. But as consumers, is this a standard we should return to – one to insist upon?

Once we’ve done that, perhaps we can clarify what local means, too. The 100 mile diet sort of local? As far as a truck can drive in 48 hours local? Here in Ontario, getting to a definition with some semblance of reality is a problem. By common parlance and perhaps trade association politics, the entire 1.076 million km² is local unto itself. I suspect in a place like Portland, Oregon local might not even include the whole city.

Brewing As A Far Earlier Step Than Community

In the past I have noted how it is pretty silly to suggest brewing was the cause of middle eastern communities to come together to form civilization given what might have been formed could well have been a very nasty enslavement of otherwise happy hunter gatherers.  But the link is AWOL.* Still, an interesting narrative has come out related to the Gobekli Tepe site in southeastern Turkey that is interesting and perhaps turns our assumptions about the origins of brewing on their head.

Gobekli Tepe is in the news at the moment because a carving there has been determined to be recording the flood narrative. The story of beer, however, may also be set out in the site’s archaeological record. Consider this:

Recently, further chemical analyses were conducted by M. Zarnkow (Technical University of Munich, Weihenstephan) on six large limestone vessels from Göbekli Tepe. These (barrel/trough-shaped) vessels, with capacities of up to 160 litres, were found in-situ in PPNB contexts at the site. Already during excavations it was noted that some vessels carried grey-black adhesions. A first set of analyses made on these substances returned partly positive for calcium oxalate, which develops in the course of the soaking, mashing and fermenting of grain. Although these intriguing results are only preliminary, they provide initial indications for the brewing of beer at Göbekli Tepe, thus provoking renewed discussions relating to the production and consumption of alcoholic beverages at this early time. 

And this:

“The first year, we went through 15,000 pieces of animal bone, all of them wild. It was pretty clear we were dealing with a hunter-gatherer site,” Peters says. “It’s been the same every year since.” The abundant remnants of wild game indicate that the people who lived here had not yet domesticated animals or farmed.

And this:

Since neither domesticated plants nor animals are known from the site, it is clear that the people who erected this monumental sanctuary were still hunter-gatherers, but far more organised than researchers dared to think 20 years ago. 

And this:

Seen from the point of view of nutritional science, there are some advantages in favour of beer. Its lack of oxygen and its low pH value make it less perishable than other cereal products (Back 1994: 16). There is an ongoing discussion about the question of whether most cereals would have been toxic before mankind adapted to them, adverse reactions to gluten proteins (coeliac disease) being the result of a missing evolutionary adaption (Greco 1997). Malting and fermentation could have been a method to weaken these toxic effects as gluten is debranched, agglomerated and filtered to a high extent through malting and brewing. Interestingly, there seems to be a natural lack of toxicity in einkorn (Pizzuti et al. 2006). Whether one of these aspects was known to PPN people remains unknown, but prolonged observations could have led to that knowledge.

If I have it correctly, this means beer existed well before agriculture. Wild grain made a tummy ache. Someone figures out malting makes less of a tummy ache. Malting become centralized over 10,000 years ago – and maybe ceremonialized in whole or in part – but people are still roaming, hunting and gathering happily. For maybe a thousand years or more.

I love it.

*Found it.

As I Consider Bert Grant, Torontonian

I have been thinking about the Torontonianness of Bert Grant,* the owner of the the first brewpub to open in America since Prohibition. We are told that after “a long career working in big breweries on the other side of the country, Burt* Grant moved to Yakima in 1981 to build his own brewery: Grant’s Brewery Pub.” This 1997 news item on that year’s sale of his brewery (which includes some timely puff about expansion tied with quality control all care of his new partners whose skill set including running a big tobacco firm) describes his origins in this brief passage:

The Scottish-born, Canadian-bred Grant, 68, began honing that palate at age 16, when he went to work for Canadian Breweries Ltd. (now Carling). His brewing career led to jobs in the hops supply business, which brought him to the heart of Washington’s hop country in Yakima, where he opened a tiny brewery in 1982.

On 3 August 2001, Michael Jackson published a rich obituary for Grant that is still there online which describes, along with a few of his odd character traits, his early hop obsession:

“When you were brewing Canada, ales were still very popular. How many units of bitterness did they typically have?” I once asked. “I don’t know. I hadn’t invented the scale,” he replied. He was reputed to carry a vial of hop oil, and to add it to glasses of Bud, Miller or Coors when they were the only brews available. He was said to have done this at meetings of Master Brewers in Milwaukee and St Louis, dismaying his peers. “Michael Jackson adds it to his coffee,” he is alleged to have said, in his defence. Did he really say that? I think that joke was coined by beer-writer and consultant Vince Cottone.

I am nosing around working on the hypothesis that I was discussing with Jeff on the weekend via tweet. And down one alley I found this fabulous passage below from the Fred Eckhardt Oral History Interview of July 23, 2014 stored as part of the Oregon Hops and Brewing Archives Oral History Collection at the Special Collections and Archives Research Center, Oregon State University Libraries. The interview of Fred Eckhardt (FE) was conducted by Tiah Edmunson-Morton, Tim Hills (TH), and John Foyston (JF):

FE: Yeah. Yeah. And then, the fella from England. What was his name? He was a nice guy too. Um…
JF: Not Michael Jackson?
FE: No, another…
JF: Oh. Was he a brewer here?
FE: Yeah, he had a brewery finally, over in Washington, and then here. I can’t think of his name either.
TH: Oh, Burt* Grant?
FE: Burt Grant! Yes.
TH: He was English?
JF: That was the “nice guy”. That threw me off. [All laughing]
FE: You knew him?
JF: Yeah, I knew him.
FE: And you didn’t think he was…
JF: Well, he was uh, a character, but see, you were an equal, and I was not. I was a mere sprout. So… [Laughter]
FE: [Laughter] You just got older recently. [All laughing] I’m not gonna tell everybody you were 67.
TH: Happens all of a sudden. But yeah, Burt was really early.

Beautiful. Makes sense. I have not read as widely about Bert Grant as I hope to soon but it is so nice to read that he was a bit weird, maybe uppiddy and a touch disagreeable. We are all so quick to praise and beatify to the point of blandification that coming across the mere human in craft is becoming sadly rare.

*Oddly, seeing his name spelled as both “Burt” by some sources like the interview transcription but “Bert” by Michael Jackson and The New York Times.

“Style” In Its Early Pre-Jacksonian Form

This label got me thinking. Its one of those old labels you see floating around the internets in places like this. But look at that pesky little word “style” sitting there in the loop of the beer. I am informed that the label is from 1914. About six years ago, I asked what it was exactly that Jackson meant when he first wrote about style back in 1977. I think today I am wondering why we think Jackson first used the word style as it relates to beer. Interestingly, I think the use on the label and the use by Jackson in 1977 are very closely related.

Hmm.  A few more examples for your cogitations:

The Many Early Vassar Breweries Of Poughkeepsie

The more attentive readers will recall how back in July 2012 I wrote about the Vasser brewing book of the mid-1830s and then in November 2014 wrote about the Vassar general ledger of 1808-11. Then I wrote a whole lot about New York brewing over the last couple of years starting about here…  but I never got back to the Vassars even though, due in large part to the founding of a university, it is one of the more famous 1800s pre-lager American breweries. Wonder why? Too easy? The story is pretty much out there already for all to see. Matthew Vassar is a mid-century magnate along the lines of John Taylor of Albany and perhaps even a more wealthy brewer at the time. Everybody knows that.

But then a notice in a paper like that one up there grabs your attention and off you go again. It’s from the Poughkeepie Barometer of 14 April 1807 and it was placed by James Vassar, the father of Matthew. See what he’s doing? He has imported a European barley strain “more productive and valuable than the common Barley” and is selling it or leasing it to his neighbouring farmers. Leasing. That is fabulous as is the fact that the leased seed is “returnable next fall”! We learned the years around the 1700s becoming the 1800s was a time of crisis and innovation in the grain zones of the youthful USA. And, as Craig has shown, six row reigned far longer as base brewing grain than was understood – just as wheat lasted far longer and was used more widely as the main brewing base before six row was accepted. So, by bringing in European barley and propagating it for a few years until he had enough to spread out to neighbouring farms, James Vassar is in his way participating in the great experiment of making America.

 

 

 

 

Notice that the ad way up top was placed in Feb 1807. A few weeks later, as we see to the nearer left, James posts a notice seeking hops in the same newspaper. And he wants them to be not frost bitten and “gathered last season” too. But which one could gather he was advertising for local hops. Would it be obvious that they would have to be local Hudson Valley hops? Sixteen years later, above middle, we see a notice from the New York Spectator dated 8 April 1823 that gives an update on the London hop market as of the 4th of Mark – and it is all about English hops: Kent, Sussex, Essex and even Farnham* hops all being sold from 42 to 120 shillings. I do not see, however, hop market notices from much before that point.** Hop notices appear to be more of the “I’ve got a few bales” variety like with the one to the upper right from the New York Gazette of 28 September 1821. So… my bet is that in Feb 1807, James Vassar was looking for local hops when he placed his notice in the local paper. That being the case, he is brewing local ingredients but of the best quality he can find both in terms of barley and malt.

 

 

 

 

Which brings us to the 1808-1811 ledger. Vassar is making good ale branded under the name of his town. The ledger, as I mentioned in my 2014 post, places Vassar in the heart of a farming community centered on a supply town. Some of the same farmers who are growing his grain are also his customers. He also is buying hops by the pound from his neighbours, confirming my suspicions from that notice above. He is selling his beers in a town where there is a range of spirits, wine and other luxury goods from around the world according to the grocers notice next to Vassar’s November 1807 notice in the Poughkeepsie Barometer. And note something else important. The ledger runs, as you might have guessed, exactly to a point in the year 1811. This is because it is only the brewery ledger of the father, James Vassar. If you click on that thumbnail to the right you will see that the firm of James Vassar & Co. was dissolved on 15 November 1810 and accounts were settled with the partnership of John G. and M. Vassar, being the sons of James – John Guy Vassar and (“the”) Matthew Vassar.

 

 

 

 

The first brewery hands off to the second. And the next generation has its own dreams. They are brewing both ale and beer and also buying barley as well as hundreds of bushels of oats according to the notice placed by the partnership in January 1811. And they are continuing in their father’s practice of selling seed barley to the local farmers according to the notice in the now fancier Poughkeepsie Political Barometer of 17 April 1811. A happy and successful succession plan has carried forward. It doesn’t last. Weeks later in mid-May, as the article from the 15th of the month to the right explains, the brewery burns as they all seemed to burn in that era at one point or another. After the fire is controlled, however is when the real tragedy occurs. Two days later John G., the elder son of James, goes into the destroyed brewery to see how much can be saved but is overwhelmed by a gas that has settled in one of the vats and dies apparently in agony a short time later. Horrible. Sadder than even the story of Eugene O’Keefe a hundred years later.

 

 

 

 

What happens then? From the notice to the left placed on 25 May, 1811 James Vassar is scrambling to call in debts from both his time running the brewery as well as the term when his sons were. then, according to the notice posted again in the Poughkeepsie Barometer on 24 July 1811, Matthew is out on his own buying up cider which might place him away from the family business at this point… or maybe diversifying. He is only nineteen years old. That Wikipedia entry says M. Vassar & Co. started up in 1814 but this add from three years earlier clearly uses that name. The next year, James is in the market seeking 10,000 bushels of Barley in September 1812. That looks like the continuation of the brewery. Which would make for the third phase. Dad. Sons. Dad.

 

 

 

 

Then what? In the 13 January 1813 paper, Matthew himself is both buying barley and selling ale and beer. Dad. Sons. Dad. Dad/Son? Then on 14 July 1813 he is entering into a brewing partnership with a Mr. Purser, rebuilding the brewery and accepting the casks of James Vassar that are still out there more than two years after the fire. And he gets into other gigs. Matthew is also running a store with a particular focus on cigars… or rather segars – but that ends up in the hands of another partner, a Mr. Raymond as you can see from the notice above to the right dated 14 July 1813, the same day the notice goes up about the new brewery. Dad. Sons. Dad. Dad/Son. Son in Partnership? Maybe. All muddling along. Moving forward.

It’s actually quite the thing that later in life he becomes a magnate given all the ins and outs of the family’s early years in the brewing trade. It starts a bit like the hapless Horsfields of Brooklyn half a century earlier but then, somehow, they spawn a genius. After the early years of the century, Matthew gets into banking and brick works, railroads and politics. But that story, the story of the rise of the great Vassar brewery, is really a separate later one.

*Interesting, given the price being so much higher, that Farnham hops were discussed in New York newspapers as early as this story in the New York Journal of 20 January 1785 shows. This talk of Farnham is all for Ed, by the way.
**See also this set of New York Gazette notices from 20 February 1818 including two for hops and how geographically sourced goods are referenced expressly – Jamaica rum, Sicily Madeira, English Leather, Baltimore flour. Not the hops.