Category: The Netherlands

What A Perfect Day For A Meta-Meta-Discussion!

An interesting comparison today between two communities of beer bloggy types. With a hearty hat tip to Stan, I see, Mark Dredge in England considers the hobby of amateur writing about professional beers and brewing to be incredibly important. Sure, he is yet to come down after a successful conference he just helped organize but he seems honestly sincere so that is good. Yet… “Things are changing,” he says. Changing? What have I been doing for eight years, I wonder in reply.

By contrast, across the North Sea, Knut reports, the eve of the Copenhagen Beer Festival is upon us… as is a massive slagging fest amongst beer hobbyists about ripping people off in the name of a supposedly greater cause. My Danish is limited to teak side tables so I had to use Google translator to learn this:

But now comes the full story. For Tuesday there was a communication from the Danish Beer Enthusiasts land board, where you actually like 100% with Beerticker.dk. I had already made it clear that the consequence would be that publication. Because treatment of Beerticker.dk now is completely ludicrous compared to what is Danish Beer Enthusiasts primary purpose – to promote the beer case.

I am not sure of what all that means but Knut advises Peter Myrup Olesen accuses the organisation the Danish Beer Enthusiasts of not following up on promises of sponsorship and of stealing content from his site to use both online and in their printed magazine. Having had a taste of infringement myself (not to mention the difference in views between myself and a sponsor as to what $100 earns them) I have every sympathy.

The good and the bad laid bare before us. Like most things, especially things involving money, good beer and good beer writing attracts its fair share of each.

Important Conference Sources Fact Update: apparently at the UK conference “…Pete Brown said posts should be no more than 300…” words. I like Pete plenty but, seriously, that’s a load of crap. Pete writes far longer posts quite often. My rule of thumb? Don’t forget the letter “e” in any post.

… and a note from the Dutch contingent: a certain level of incredulity from the Netherlands if Google translates for tone. I like this bit:

And your mouth is exactly what not to do as a blogger. You find something, you have an opinion, you let us hear. Tell everyone what you think about everything around you. Is anything good? Shout it from the rooftops! Is something not good? Yell as loud. If you are afraid to lose all your free beer then you do something else. Only if you’re critical, your opinion is relevant.

Interesting point. Am I afraid of losing all my free beer? Fortunately for my ethics, few brewers get samples to Easlakia. I wonder what it would be like and I would be like if I lived the easy life of an urban center beer blogger wallowing in cheques and love letters?

Trying To Recall Cafe Wim

I don’t know why I woke up and asked myself what it was I liked to order at the long shut Cafe Wim on Sussex near the market in Ottawa in the mid-90s. I was awake the best part of an hour involuntarily trying to remember. There are enough references on the internet but I can’t find a picture of the large Dutch flag flapping out front facing the HQ of Revenue Canada. I think it might have just been the pot…no, basin of cafe au lait, open faced sandwishes on rye with thin onion, the college lassies in black and bulky sweaters reading and smoking, pre-wi-fi, the mismatched furniture and the staff who exuded accusations of poserism as they themselves posed. In the back there was the semi-abandoned odd dark split levels of Expo-67-meets-Holland furnishings, beyond that a patio. I was there the weekend before the last Quebec Referendum. It was like this but this is not it. It was a stage on a Saturday afternoon before ending at Irene’s.

Holland: Struis, Brouwerij ‘t IJ, Amsterdam

I have a sticker on my hand that says “$6.20” and on my desk I have a 330 ml bottle of Struis. In the US, that price gets the best part of a decent six pack of craft beer. In Ontario, it gets you half a six of Unibroue’s Trois Pistoles or a large Chimay Premiere. So, for my dollar, this beer from Brouwerij ‘t IJ has got some pretty good competition and really has some explaining to do.

Richly clinging pale pine lumber head over orange amber ale, much muddier after the final pour and yeasty shake. On the nose a hop basket – your Grannie’s knitting basket that is as these have a haunting waft of musty attic. On these mouth, it starts to make sense. This is like Orval taken up a notch or two with 9% alcohol and a bigger maltier profile. Rather than cover up the booze with malt, this one blends it in with the orange peel, twiggy and lavender hops giving a aged spicy effect. This sits over fig and raisin malt. Steely finish. My creaky Dutch tells me the label’s claim of biobeer as well as ongefiltered and ongepasteuriseerd refers to some organic status, unfiltered and unpasturised. Imported to the US by Shelton Brothers, there is strong but not universal BAer support.

Is a small bottle like this worth it? For a try, sure – go ahead. After a try, if you love it, why not buy more? But if it is not the beer you absolutely love, I see the price point as a real issue for this one when you consider it sells for the same price as a 330ml Chimay Premiere at the fine bottle shop Cracked Kettle in Amsterdam. Where’d that price difference come from in mid-Atlantic transit?

Colonial Dutch Beer

Last week, a reader named Bob posed a very good question in the comments about: “Did the Dutch traders ship beer as a commodity in trade for Asian goods? If yes, what years, what style? Were hops used in any manner then?“. I thought it was such a good question that I posed it to Richard Unger, Professor at UBC and author of a number of books on beer history as well as the shipping trade. It may well be that there is no better person to answer Bob. And he did:

After some lengthy travelling I am now back home and can try to answer your or rather Bob’s question.

Amsterdam brewers in the first half of the 19th century produced some called East India beer which was not much different, so it was said, from beer brewed in the Bavarian style. Up to the 1860s Bavarian beer was extremely rare in the Kingdom of the Netherlands and only with the setting up of new breweries in the 1860s was the novel technology adopted, and then with enthusiasm. So such East India beer was special and different from the normal output.

It probably had a higher alcohol content though – that was the usual way to try to protect beers going to the tropics from spoilage. Dutch brewers, principally in Amsterdam, did brew beer for export to the East Indies even in the first half of the seventeenth century but it appears to have been the typical premium hopped beer, a bit better and somewhat stronger, than the beer made for consumption at home. There were many different names used for different beers in the sixteenth and seventeenth centuries but I have never come across one that identified the beer made for export to the Indies, either East or West.

It is possible that none of that export beer was ever sold on the domestic market, the opposite with what happened with IPA which not long after it was established in the East became a popular drink at home. Incidentally the date of the first production of IPA is uncertain, or at least I am not certain. My best guess is a rather late one, that is around 1830 but I would be happy to be corrected. I am sorry to offer so little but I hope it is of some help.

Regards, Richard Unger

Very interesting and has triggered the posing of another question that I have already put to Lew Bryson about one meaning of the word “gueuze” which may be a red herring – which might in itself be a pun.

Bob Asks A Good Question About Dutch Beer

We all know the story of India Pale Ale but Bob asks in the comments whether the Dutch ever did a similar thing:

Bob Schneider [11:37 PM June 25, 2007]
bob.blustar@gmail.com
http://brewersonthelake.com
I realise that this is a review of a book but I was wondering if you could satisfy my curiosity. When I was brewing professionally in Holland, MI, I was trying to come up with a beer name and tagline that connected with the Dutch East India Trading Company (correct name?) similar to India Pale Ale shipped to British troops stationed in India. I did some research but ended up making an IPA with our house German ale yeast. When I put the beer on tap at the brew pub, the owners renamed it anyway. It was still one of the best IPAs I have made.

So my question is; Did the Dutch traders ship beer as a commodity in trade for Asian goods? If yes, what years, what style? Were hops used in any manner then?

Thanks
Bob

Good enough to be brought up to the surface for a little bit more of a think….or a thunk if I can’t come up with anything. I will check through Unger’s texts but if anyone else has any ideas, please share.

Book Review: A History of Brewing in Holland 900 – 1900

hbhI started reading my copy of A History of Brewing in Holland 900-1900: Economy, Technology and the State by UBC professor Richard W. Unger, published in 2001. Careful readers will recall that I had ached after this book ever since I reviewed his 2004 publication Beer in the Middle Ages and the Renaissance but was a bit depressed about the sticker price of this one. Divine (or at least professorial) intervention, however, landed me the prize of a review copy.

I am only about 70 pages in – up to the 1400s – and am fascinated all over again by the precision and detail of the research yet also by how readable Unger makes understanding his work. So far, in a nutshell, he has taken medieval tax and shipping records and then traces how the semi-autonomous cities and towns within and neighbouring the Low Countries produced traded and consumed beer. He shows how Holland’s success in leveraging the new fangled hop that arrived from the south-eastern North Sea shipping trade in the 1300s led to the replacement of gruit as a flavouring in beer, triggered a shift in taxation and public regulation while expanding commerce through the ability of hops to stabilize the beer to allow it travel farther while maintaining its good condition. This portion of the book mirrors some of what was included more detail in his other book – for example, how taxes were based first on granting a monopoly to supplying an ingredient (ie counts farming to local towns the right to control the gruit trade) then on the production of beer (excise tax based on production provided more than 50% of Lieden’s revenue in the early 1400s) then on control of shipping of beer (through tolls, holding periods for trans-shipped casks and special import duties). The general information on the medieval economy is also interesting – like the fact that the Black Plague led to the marketplace for labour after it passed through as the survivors could decide what to do with their skills and thereby their lives.

I will add to this post as I move through the book but, again, I am struck how I would love to find a current text of this detailed quality in relation to the economics of English, American or any other region’s brewing but, other than Hornsey’s more scientific and encyclopedic A History of Beer and Brewing, know of none.

Reason #17 As To Why We Need Sponsorships

underholl

This is what I am talking about. I would love to get a copy of this book but – wow! – one hundred and fifty-four clams. Don’t get me wrong. A History of Brewing in Holland 900-1900: Economy, Technology and the State by Richard W. Unger (2001) would fit very nicely beside his next following text Beer in the Middle Ages and Renaissance reviewed back here with great gusto. In have a review request in to the publisher in Holland but am not holding my breath given that it is five years old. Yet access to this sort of research is vital to the workings of A Good Beer Blog.

So should you see an ad pop up sometime, this is why. Just saying.

Book Review: Beer in the Middle Ages and the Renaissance

ungerFinding this, for the beer nerd who also likes book with footnotes, is something of a moment, a wee glimpse of nirvana. The author, Richard W. Unger, is a professor of the history of the medieval period from the University of British Columbia who has also written texts about shipping and brewing from the perspective of pre-1800 Holland. Serious writing about a topic that deserves a serious approach.

What can I say about this? First, it cost me 75 bucks at the World’s Biggest Bookstore in Toronto. Like any academic text with a short run and a limited market, it is not a cheap book. And, if you do not think you are going to find something interesting in the discussion of the effects of 15th century taxation policy on North Sea coastal trade, well, maybe this is not going to be the book for you. But if the idea of a seventeen and a half page bibliography of source material on medieval brewing – not to mention thirty-nine pages of endnotes – is your type of reading, well this is the book for your next holiday weekend.

Really, Beer in the Middle Ages and the Renaissance is not so much about beer as the effect of the hop on trade in beer which caused the first industrial revolution in beer through the southern North Sea trade routes from roughly 1350 to 1550 – the second being triggered by the porter boom of roughly 1760 to 1840. The main concept is quite simple actually. Hops preserved beer. Once beer is preservable and can last more than a few days, long enough to be moved, then it will be moved and sold for a premium price as a luxury item. After it comes to be understood, it will then be copied as a local product which over time drives out the previous locally made unhopped ale. Later, it loses out to the next following luxury items as well as a general economic downturn both of which conspire to lowers its central role in the economy.

Unger traces the development of trade in beer largely with a focus on the Low Countries through analysis of tax records, municipal by-laws, guild creation, shipping records and other evidences of the huge role beer played in medieval society. He does so aware of the vastly different context in which beer is places in contemporary culture. This the first paragraph of the book’s preface illustrates that distinction neatly:

The mention of the history of beer always brings a laugh or at the very least a snicker. The histoty of beer for most people is not a serious topic of study. It seems to them frivolous and hardly worth more than a few diverting minutes of anyone’s time. Beer, after all, is a drink for leisure, for young people, generally men, and associated with sports and student life. That perception of beer is a case of historical myopia, of an inability of many people at the beginning of the twenty-first century to convince of a world different from their own. The prevailing presentism makes it difficult for many to comprehend a world where beer was a necessity, a part of everyday life, a drink for everyone of any age or status, a beverage for all times of the day from breakfast to dinner and into the evening.

Not to worry that you will not appreciate how this detailed focus on a relatively short period as Unger leads you into the medieval with a description of fermented drinks of preceeding periods and also carries on after the main discussion showing how innovations in the gin and wine trades as well as the tropical beverages of tea, coffee and cocoa replaced beer in may social settings and therefore in the economy.

I may add a bit to this later but suffice it to say if you enjoy a good read about the history of beer and have read more popular histories like Beer: The Story of the Pint or Man Walks into a Pub, I would say it is time to take on this more purely academic text.

Keith Haring

I was looking at a blog I had not read before this morning and came across reference to Keith Haring, a NYC subway artist from 1980 to 1985, who died of AIDS 13 years ago. His images are very familiar. I was especially interested as I spent an afternoon in 1986 walking through an exhibit of his at a museum in Amsterdam, at the time when I was working in the Netherlands at the big cut flower auctions of Aalsmeer. I now see it is referred to as his 1986 solo exhibition at the Stedelijk Museum, Amsterdam. One web bio for Haring states:

Haring’s earliest critical acclaim and museum exhibitions took place in Europe, in 1985 at the Musee d’ Art Contemporain in Bordeaux and in 1985-86 at one of Europe’s most prestigious contemporary art venues, the Stedelijk Museum in Amsterdam.

The display was immense. Room after room of floor-to-ceiling canvasses with bright-coloured cartoony stick people, some with extraordinary privates. I remember not having enough change for both a T-shirt and a bus ride home. I figured the 15 km or so hike was not worth it. [Dumb kid. Same dumb kid who didn’t spend the 25 bucks a few weeks earlier in Paris to drink a botle of wine from the year he was born 23 years before.] I left the museum without catching the artists name, most of all from being overwhelmed with the art. I think I came upon the exhibition after looking and asking directions to the Van Gogh museum. People only kindly but inexplicably told me how to find the “Vin (hork)-aw-(hork)” musuem…so I never found the place.