Category: Art

The Thursday Beery News Notes For May Two-Four 2022!

May two-four. Back again. I explained it back in 2014 when I included the photo to your right (my left) of Bob and Doug McKenzie who were Canada’s #1 export forty years ago and whose 1983 movie, Strange Brew, is the last cultural statement about beer before microbrewing struck in earnest. Even though the movie isn’t set on the Victoria Day holiday in the second half of May, you can see many aspects of our drunken mildly retro-pro-monarchist celebrations replayed in Canadian homes as well as at campsites and cottages throughout the land this weekend as people feign gardening and practice inebriation. And it’s a big year for our top dog, our numero uno, our favourite anti-Nazi. Speaking of which… you know what broke? That cap thing on my whippersnipper that keeps the weedwhacker’s string coil in place. How the hell does that break? Spool went flying and the lawn’s all half haggy still. Didn’t so much break as ‘sploded. Now I have to hunt down a replacement lawn trimmer line cap or I have to buy a whole new thing-a-ma-jig. Pray for me.

Now… to the beer news. First up, a set of photos posted by the Glasladies Beer Society of a recent Glasgow beer fest set up in what looks like a somewhat permanent outdoor space. Being who I am, a child of children of the Clyde, the event looks like a mass gathering of aunties and uncles and masses of cousins. The use of steel container boxes is interesting as a relatively cheap but cheery but secure set up. Looks like it was held at the Glasgow Beer Works in the Queenslie Industrial Estate. This may be a common site for some of you but sometimes that’s still remarkable.

Next, Ron wrote a piece he titled “The Future of Mild” which serves as an interesting counterpoint to the fan friendly writings on the style mentioned two weeks ago. Ron provides an interesting set of thoughts about Mild itself and how styles may or may not make a comeback:

I’d love to go to Cross Green and drink 10 pints of Tetley’s Mild again. But it isn’t going to happen. The world has moved on. Beer styles come and go. And almost never return. I’ll just cherish the memories of a time that’s gone forever. Like a Porter drinker in the 1940s. The same fate, incidentally, awaits Pilsner and IPA. All styles have their day.

The fate of Mild has been formed he suggest as “it’s harder to throw all sorts of random shit into a Dark Mild.” That would seem to be where we are at. The post also lead to an interesting considered discussion on the nature of revivals. Jeff wrote:

…I wonder if a style that was once quite popular ever came back as a major style, perhaps not as popular as it was during its heyday, but with significant production. It’s probably happened, but I suspect it’s very, very rare. Once fashions change, styles sunset.

TBN reminded us of the classic example of style revival – Hoegaarden. I expect this is as much framed by the word “style” and its imposition limiting structure but the entire micro (1980-2003)) and craft eras (2003-2016) were based on revival of lost beers. Hoppy malt rich ales were descendants of earlier strong ales like Ballantine IPA and Dominion White Label as much as they were clones of imports.  So… revivals common enough in the days when brewing was not so wound up with novelty and amnesia. We always have to remember how quickly we forget. As recent at 2011, SNPA’s place in the pantheon was still somewhat speculative. Now, of course, it was always the source of all things including those that came before it – thanks to the nation’s PR professionals!

Speaking of perhaps one revival or perhaps homage that has not lasted, one bit of news that I was a bit surprised to learn about this week was how St. Joseph’s Abbey of Spencer, Massachusetts is no longer brewing its beer. This was all the news in 2015 and I reviewed their first beer as you can read here. The monks announced:

After more than a year of consultation and reflection, the monks of St. Joseph’s Abbey have come to the sad conclusion that brewing is not a viable industry for us and that it is time to close the Spencer Brewery. We want to thank all our customers for their support and encouragement over the years. Our beer will be available in our regular retail outlets, while supplies last. Please keep us in your prayers.

Jordan thought it a particularly worrying development based on their low labour expenses. Greg reported that the equipment was already listed for sale before the announcement. I gratuitously added the 2015ish image up there from the celler’s stash for Stan. Pretty sure the bottle has move about six inches in seven years.

Des generated a wonderful cascade of comments related to cellered casks with this big barrelled beery buttery – including these cautionary ones:

Not being funny, but going on that photo, “immaculate” is a strong word. Serviceable, cleaner than many, maybe. And as I’m sure has been pointed out, a 36 (massing the best part of 200kg) is a H&S nightmare. You romantic.

Note: please don’t send out bleggy emails saying “ I don’t have limitless cash on hand to subsidize this project, but it’s reality nonetheless. I need at least [XXX number of] paid subscribers…” Listen to the wind… the marketplace of ideas is speaking… write for joy or get a job to support your hobby interest in booze.

Boak and Bailey elaborated something at their Patreon widget-a-thing  that was evident in their (lovely and highly recommended) account of Ray’s out for hike and stopping at rural pubs with pals:

…at least part of the joy we took in drinking it on this occasion must be down to having “earned it”. The same goes for that first beer of the weekend, after a tough week at work. Or, as many people have observed, almost any mediocre lager you drink on holiday. How do you compensate for this effect? Well, you don’t, unless you’re a Top International Beer Judge. Instead, you report the context when you give notes on a specific instance of drinking a specific beer. And you make judgements about the overall quality of a beer based on mutliple encounters in multiple contexts. A beer that tastes good every time you bump into it is probably a good beer, full stop.

I wonder if we have become so enthralled with these beer judging events for hobbyists that we miss the obvious – that those beers actually do taste good in those contexts. And that judging contexts make beer taste bad. Because they are geared to ensure failure. Because that is what institutionalizing human experience does, makes you distrust and then outsource your own experience of life. Stop feeling bad because someone who has a certificate for passing the equivalent of a grade 11 history class says so.* Not to suggest TBN is not correct when he explains “Beer is weird. You’re lucky to have me here, putting things straight.” It is. We are.

Handy example: print off and cut into separate burger and beer images. Throw all in air and match the beer with the nearest burger. Equally valid. Every. Time.

Rolling Stone put out a story about beer prices this week under their “Culture Council” tab, not something I have notice from them in all my years at the coal face. The author, Kevin Weeks of Anderson Valley Brewing (who actually follows me on Twitter so I feel extra bad for not noticing before), argues interestingly that any increased costs faced by brewers are likely not going to justify the level of price increases that consumers are going to see on the shelf from the big brewers so…

For the smaller craft breweries facing this dynamic, this is an excellent opportunity to differentiate their brands by both managing pricing and clearly conveying priorities to the consumer. The most obvious tactic is to hold price (or implement only slight increases) to create an opportunity to increase market share through a comparable pricing advantage over the larger brewers that are grasping for margin.

And this passed by my eye this week, “It always rains on Monday” by Ian Garstka. More of his work can be found on IG. Prints available from the artist.

Perhaps relatedly at least atmospherically, Gary posted about “Birmingham Beer Detectives, 1937” who in plain clothes were sent out to protect the interests of the beer-drinking public and augment lab testing quality controls:

It seems therefore, at least for a time, a two-track beer-tasting inspection system existed, city and industry, to control beer quality in pubs. Perhaps the whole thing, at city level, collapsed with the Second World War – bigger fish to fry, if you will, but this remains to be known. Certainly at industry level, tasting onsite continued into the postwar era. A number of press reports, one pertaining to Ansells in 1949, attest only too graphically, a conviction of an inspector for drunk driving.

There’s a BBC historical drama script right there for the taking. I can smell the damp tweed and ashtrays now.

Note: “Finnish brewery release new beer celebrating Finland joining NATO“!

Note also: “TikTok star says Wetherspoons ‘scammed’ him out of £2,000 of food and drink.” Star!

Finally and falling under Stan’s reminder “no one cares what you think, Alan” I upset Maureen a bit a tiny bit (which I never like to do) when I commented about this article on Hogarth’s Gin Lane and Beer Street as I mentioned it amounted to was a bit of a sneeky apology for mass drunken frenzy. My observation was quite specific so I should explain so that all you all can correct me. The first half of the article is fairly straight forward GBH-style with loads of quotes from other sources framing the well understood topic. But then it goes in an odd direction mid-essay with the statement that those “in positions of power in England sought to create an all-around negative image of gin.” According to the article’s own previous paragraphs rightly describing the generally understood hellscape unleashed by gin at the time, I was left wondering if it could also be said that people in power now are perhaps creating an all-around negative image of the Covid-19 virus. My wonderment didn’t last. I found this key angle within the article odd. Odder still the suggestion that the works of Hogarth were for an elite:

Because of the timing, “Gin Lane” and “Beer Street” are often viewed as a work of moral propaganda, and some have speculated they were commissioned by the government to help reach gin’s working-class imbibers. Tonkovich points out this is not the case, however, because that working-class target couldn’t have easily accessed these prints. “These prints would not have been affordable for the working class,” she says. “They might have seen them in a tavern or through a window, but they couldn’t buy prints, so who is the audience for these? People of the press and the merchant class.”

The thing is… I just don’t think that is correct. Because I don’t think that is how mass communications and specifically those on virtue and vice worked at the time. If you look about at English political pamphleteering in the 1600s and 1700s, you see a wide-spread, robust and even salacious debate within a highly literate population. Vibrant grassrootism. You also see in the first bits of the 1700s, the development of the First Great Awakening and proto-Methodists sermonizing to many millions.** Consider, too, 1751’s Essay  on the Characteristicks and the “frenzy” of gin. Ideas related to a proper and healthy society were flying about. These and other Hogarth pieces fit into that scene. And, as the Royal Academy explains, fit into it in a very specific and intentional way given Hogarth’s process:

Hogarth aimed the prints at the popular, rather than fine art market, stating in his prospectus for the prints that: ‘As the Subjects of those Prints are calculated to reform some reigning Vices peculiar to the lower Class of People in hopes to render them of more extensive Use, the Author has published them in the cheapest Manner possible’. As a result the line in these prints is thicker and less sophisticated than in other prints engraved by Hogarth, both to enable the printing of more impressions without significant loss of quality, and to approach the characteristic style of popular prints.***

We are assured, via the hive, that the two prints were in wide circulation and that Hogarth’s works were even used for moral instruction by schoolmasters. So if they are not luxury items but rather something of a targeted public service announcement to those at risk, the paragraphs that follow seem strained, racing through the Victorians and US Prohibition then on to us today with a suggestion of the elites guiding government overstep. And, on the rebound, inappropriately sewing  doubts as to Hogarth’s good faith intentions under the guise of some sort of shadowy social engineering as opposed to improving public health. Had gin been slandered? Seems all a bit goal oriented.****

There. More fodder for a good general public debate. Away you go! And for more, check out the updates from Boak and Bailey mostly every Saturday but no longer from Stan every Monday as he’s on another extended leave of absence. Plus more with the weekly Beer Ladies Podcast, and at the weekly OCBG Podcast on Tuesday and sometimes on a Friday posts at The Fizz as well. There is a monthly sort of round up at The Glass. (Ed.: that seems to be dead now.) There is more from DaftAboutCraft‘s podcast, too. And the Beervana podcast. And sign up for Katie’s irregular newsletter, The Gulp, too. And check out the Atlantic Canada Beer Blog‘s weekly roundup. Plus follow the venerable Full Pint podcast. And Fermentation Radio with Emma Inch. The AfroBeerChick podcast as well! And also look at Brewsround and Cabin Fever. And Ben has his own podcast, Beer and Badword (Ed.: …notice of revival of which has been given…)  And remember BeerEdge, too, and The Moon Under Water.

*If you are unaware of this phenomenon, I recommend the works of Ivan Illych to you, starting with 1973’s Tools for Conviviality.
**and they themselves mocked in return.
***See also “The marketing techniques of William Hogarth (1697-1764), artist and engraver” by Mark McNally at page 170 “The conscious decision to set the price of prints according to the theme and the intended audience was further demonstrated with the distinctively didactic Gin Lane, Beer Street and the Four Stages of Cruelty which were advertised twice in the widely read London Evening Post on 19 and 26 February 1751 priced at one shilling each being ‘done in the cheapest manner possible in hopes to render them of more extensive use’ with an alternative set priced at 1/6d being done ‘in a better manner for the curious’. Despite the relative lack of sustained advertising for these key prints, which formed the basis of Hogarth’s campaign with his friend and magistrate Henry Fielding to draw attention to the moral decline of the lower classes, they became as popular as many of his more heavily publicised prints. This was perhaps due to the fact that they were primarily meant as social commentary and evidence of the need for reform rather than for commercial interest…” and also especially at footnote 123: “Hogarth noted with satisfaction in how ‘some masters gave their apprentices sets of the prints as Christmas gifts’ and that ‘he had even heard of a sermon preached on the prints’.”
****PS: a word about disagreement. If we are going to take beer writing seriously at all, we need to get used to the idea that a reader may either (i) disagree with aspects of what they read (as I have above with backing supporting research) or (ii) call out poor writing (which I have not done above.) One of the saddest things in good beer culture is the “hooray for everything!” mantra and, its cousin, the abusive response for those who who don’t buy in to the hooray. Let’s be honest – rooting for booze is weird. I blame too much booze and good folk struggling for not enough money as the commissioning organs do just fine. In this case, my comment to Maureen attracted the less than attractive, the dropped turd. Let’s be honest. I get negative comments and labels all the time and have for a couple of decades from publications high and low,***** sometimes from people I can’t imaging deserving one’s full respect. One scribbler who has my respect once even told me “hear that – that’s all the beer writers in Toronto mocking you” to which I responded “who gives a fuck about beer writers in Toronto?” We don’t worry about such things, especially now that the beer writers in Toronto either either have moved on now and are mowing the lawn somewhere in the suburbs, arguing with themselves. None of which relates to the article above that, in small part, I disagreed with. It is a well enough written if skimmy summary with a mild expression of the standard beer writer political slant on public health (“…nanny state! …neo-prohibitionists!! …folk putting my income at risk but mentioning health!!!“) but, no Maureen, it is not an example of something that did not exist before. The wheel that was invented long ago still turns round and round. Which is good. Because it gets thoughts going and leaves conversations enriched. Which is why I do this every week – to think about what is being written. If you aren’t doing that, why do you bother?
*****Funny ha-ha joke…no really… just kidding… footnote to a footnote, too! Very light and amusing, right?

Your Thursday Beery News Notes For Spring 2022

Let’s see how this goes this week. Still on the meds but all went well, thanks for asking. Don’t be losing track of those wisdom teeth. Just sayin’. From Ukraine, NPR’s Tim Mak reports that due to martial law access to legal alcohol is limited but recently in Vinnytsia there was no ban. The welcoming bartender above is Oleg, who Mak reports had Jäegermeister, a local lager or a kind of berry cider on offer. No doubt they were most welcome from the other photos posted from the bar. Give directly and without delay. If you have a need to filter that through beer, consider supporting Ontario brewer John Graham who has gone to Germany and Poland with others to transport people and supplies involved with Ukraine’s disaster.

First up, there was an excellent tight piece of writing this week by Holly Regan on one of the downsides of the pub, a glimpse of despair. It’s the sort of observation that you don’t see in beer writing much as it is a fairly false positively filtered genre:

…I order a half of Bitter and get sucked into conversation with the bloke behind me: a train driver who wishes he had worked in pictures, all narrative arcs and glassy-eyed ambition. He sees me reading “Ulysses,” so we talk about Joyce, films, and the human condition. It starts off like a Linklater movie until it turns all Aronofsky, as the inevitable end of prolonging the experience begins to reveal itself. He says he’s been parked in that seat for two straight days, and it chills me, triggering memories of times where I couldn’t stand to be in my body, either.

Alistair has been digging through the Austrian National Library’s archives and found a few things that have made their way into a few posts. He found records related to I discovered the Witt & Williams English Brewery of Hamburg, established in 1869 and wound up in 1871 – and he did the maths so we don’t have to:

The ad goes on to inform us that samples are available from the brewery, just write to them with postal instructions and the relevant cash for a case of either 24 full sized bottles or 24 half bottles. 4 thaler 15 silbergroschen, approximately 4 Shillings 1.5 pence in old British money, or if I have done the various sums correctly £24.20 in modern British money ($31.96/€29.05) would purloin for you a case of either “Double Brown Stout” or “The golden Ale”, while 3 thaler 15 silbergroschen (do your own maths, my head hurts) would get your the XX Porter or IPA.*

Ron has added to the question of diastatic brown malt with his post drawing on research he set aside for a decade or so:

The method of making brown malt was changing, for a variety of reasons, one of which was the high risk of a fire.

“it was formerly the custom to dry brown malt also on ordinary kilns, with wire floors, but the labour on these was of a most disagreeable and exhausting character, and brown malt is now generally dried in wire cylinders.” 

The presence of diastase in older forms of brown malt is explained by the way it was produced. Diastase is much more sensitive to heat when moist. By first removing all the moisture from the malt at a low temperature, the diastase was not damaged as much by the finishing high heat.

Careful readers will recall how in 2017 Ed sent me a brown ale with a diastatic brown malt he had created. He explained his malting process in great detail here. And in 2014 I went so far as forming The League of Diastatic Brown Kilnfolk to explore the idea – based in large part on a reference in one of Ron’s books to the quick flame kilning of the malt to achieve a darkening of the outside while retaining the diastatic properties inside. The clubhouse has been a busy spot ever since.

Jordan has provided the third in his series of posts on the 1904 brewery workers’ strike in Toronto, widely relying on extensive citation from contemporary newspapers like this report in May 25th edition of The Globe:

The lockout of union brewery workers, which has been expected ever since the trouble at the Reinhardt and O’Keefe breweries opened, has occurred. Yesterday, the unskilled union men employed by the Dominion, Cosgrave, Copland, and Toronto Brewing and Malting Companies were locked out by the brewers. This action was decided upon at a meeting of the Master Brewers’ Association, and resulted in the calling out to-day of every union brewery man in the city with the exception of those at Davies’ Don Brewery, which is paying the union scale. 

Solidarity, buvver Davies! In other legal news, the testimony in the Keystone / Stone court case is getting weirder and weirder. Plenty of thanks to Bianca Bruno of Courthouse News for sharing some of the juicier bits. Much has been made by the apparent disclosure that Keystone Light is just Coors Light that was not up to specification – as if breweries would not have strategies for dealing with waste, that great concern of E.P. Taylor. But the real story is the nonsense at the heart of Stone’s claims:

Wagner said the company may not survive the business losses it claims to have suffered because of consumer confusion caused by Keystone Light’s “stone”-heavy rebranding. “I know Keystone spent tens of millions of dollars to advertise. I think it would take at least as much to try to rebuild our brand,” Wagner said during questioning by his attorney Douglas Curran. Curran asked Wagner a follow-up question. “If Stone isn’t made whole, what do you think will happen?” Wagner responded: “I think we’re going to lose our company.”

I am not sure Wagner, Stone’s founding brewmaster, actually knows what he himself said.  It would require not just consumer confusion at the first moment of encountering the Keystone advertising in question but the continuing purchasing of Keystone by a large group of people believing it to be a craft beer made by Stone. No one has alleged such a silly suggestion. The two beers are entirely different, not just in terms of price and point of sale but in terms of flavour. Where is the this mass of misguided craft nerds? Nowhere. Because they don’t exist. Which means they pose no risk to Stone. Like some of the witness stand statements by co-founder Koch, this makes little sense and should be looked upon with a wary eye by judge and jury.

Kate Bernot triggered an interesting flood of confession and accusation about the bomber bottle of micros of yore as avaricious scam. I never minded all that much as it gave you enough if you liked whatever was in there but not too much if it sucked.

Spring 1953 looks so pleasant that I can’t believe anyone ever did the sort of thing illustrated in this US Brewers Foundation ad “First Fine Day of Spring” which came with the slogan “In this Friendly, Freedom-loving Land of Ours – Beer Belongs… Enjoy It!” Who are these people and how old were they? I like the idea of getting as snazzed up as anyone but did people really do this?

Collaborations are so common (in a couple of ways) these days – but I kinda liked this marketing plan rolled out by English craft brewery Wild Beer Co. – as reviewed by The Beer Nut:

English brewery Wild Beer Co. came up with this wheeze for the just-finished 2022 Six Nations rugby tournament: six collaborative beers produced with brewers from the competing countries. Of course I bought all six, and at a fiver a can they weren’t cheap. I had every right to expect something special from each.

The price point seems to be his main complaint but, if I might, the whole point of “collabs” is a bit of a soaking for the poor purchaser so the buyer should beware as soon as the word is floated. In this case, however, at least the soak did not just go to a sadder purpose like some starving beer writer on the bleg who came up with the brilliant idea of getting their name on the label in return for suggesting chocolate or beer juice or, you know, dirt be added to an otherwise perfectly fine beer.

Finally, in the “when licensees go a bit nuts” category, this tale of a breakup between the Fullers Brewery people and one of their tenants, a Mr. O’Neil, which took an unusual turn:

The erection of the fence, made up of wooden boarding, came as a shock to local residents who told MyLondon they did not know anything about it. A spokeswoman for Richmond Council confirmed Mr O’Neil does not own the land adjacent to the pub. She said: “Mr O’Neill has been in dispute with Fullers Brewery, which is the freehold owner of The Plough. The freehold does not own the triangle of land immediately adjacent to the public house – there is no registered owner and this area of land is considered part of the public highway.

Nutso. Like to see it. There. Not a bad week’s worth of words. For more check out the updates from Boak and Bailey mostly every Saturday and from Stan every Monday, plus more with the weekly Beer Ladies Podcast, and at the weekly OCBG Podcast on Tuesday and sometimes on a Friday posts at The Fizz as well. There is a monthly sort of round up at The Glass. (Ed.: that seems to be dead now.) There is more from the DaftAboutCraft podcast, too. And the Beervana podcast. And sign up for Katie’s irregular newsletter, The Gulp, too. And check out the Atlantic Canada Beer Blog‘s weekly roundup. Plus follow the venerable Full Pint podcast. And Fermentation Radio with Emma Inch. The AfroBeerChick podcast as well! And also look at Brewsround and Cabin Fever. And Ben has his own podcast, Beer and Badword (Ed.: …notice of revival of which has been given…)  And remember BeerEdge, too, and The Moon Under Water.

*No, God as my witness, I have no clue either. Not one clue…

The Middle Of September 2021 Edition of Your Beery News Notes

Where to begin? It’s been a good week in my hometown. CHeery even. The summer is lingering and the backyard crop of tomatoes and grapes has been coming in. Eighteen months in, it is one of the most normal weeks so far even if we see elsewhere things are returning to other more difficult norms. I was reminded of even a third norm by the wonderful image above of the lonely pub by John Bulmer from 1964 that passed by on social media this week. Lovely and evocative. It reminded me of me. Or at least mine. That empty space? Space like that was where my people lived. Or did before they move up and/or away. This norm of today shall also pass.

Update! Lisa Grimm on new bad stouts in Ireland:

…with Heineken recently releasing Island’s Edge, and Guinness rolling out their new Guinness 0.0. Island’s Edge has been expressly positioned as a stout for people who don’t typically drink stout, and to that end, it includes tea and basil in the recipe to make it, to paraphrase, less bitter and more refreshing, though none of the flavours of tea or basil are noticeable in the resulting beer. So, having had a pint of it recently, I can confirm that it does, indeed, lack those flavours…along with most other elements of flavour.

Next, I had to grab a screen shot of this image to the left from Stan‘s weekly round up. You can open it in a new tab for the full size. It’s super tiny because it’s a huge image from the Craft Brewers Conference on an indoctrination education session on lager brewing. These images always make me scratch my head year after year. It was all about hazy beer education a few years ago and massive barrel ales a few years before that. Beyond clubby. Chasing the tail in lock step with every other brewery in attendance. That once again is the business plan for these fiercely independent and sometimes off center breweries. That’s weird.

The same idea is bouncing about in Kate Bernot‘s excellent, subtle and perhaps surreptitious piece on Oregon’s Full Sail Brewing’s perhaps last chance effort to regain some reputation in the craft beer marketplace. The plan? A fantasy of chasing and copying Boston Beer’s now decade or more and well established run as far away from actual beer as possible. There are three references spread across the article to that strategy. It’s like a plan to marry rich. Plus look at this:

… Full Sail’s beers weren’t being placed on shelves in desirable places, primarily because low prices on the Session line of beers led them to be shelved next to light beers, while the drinker Full Sail wants to attract might only be shopping in the craft section… To correct this, Full Sail raised prices on June 1 on most of its beers by a couple dollars per pack to bring them more in line with other regional and national craft breweries. Though it goes against the laws of supply and demand, the switch led to an +11.5% boost in sales on Session beer in Oregon and Washington markets three months after the price change… Tiernan says part of the boost for Session is shelf placement next to other craft breweries, and part of it is a more strategic approach to the idea of “value.”

Entirely anti-beer consumer initiatives like that might be described as the “premiumization of old craft”… or perhaps lipstick on a pig. Time will tell if the bait and switch has a lasting effect with the beer buying public. It’s probably far too late. As Jeff on the ground both tweeted and was quoted: “I suppose a few folks are still kicking around who feel warmly about [Full Sail], but not many…” Dead cat bounce?*

Ian McKellen helps out on quiz nights at his pub.

There was an interesting hour of radio provided by the CBC’s new season of Tapestry and its interview of Edward Slingerland, academic and author of Drunk: How We Sipped, Danced, and Stumbled Our Way to Civilization. He also confirms or at least bolsters my suspicions or at least speculations that alcohol pre-dates community discussed here four years ago.

…in the standard account, alcohol’s this kind of byproduct of agriculture, and it happened after agriculture. But once I started doing the research for the book, if you dig into the archaeological record, what it looks like is hunter-gatherers were making alcohol in a serious way, way before agriculture. Probably this goes back 20,000 years or so, but we certainly have direct evidence 13,000 years ago that people were making beer in what’s now Israel. And then we have sites like the site in Turkey called Göbekli Tepe, where hunter-gatherers — this site’s probably 12,000 years old — were coming together, building these massive ritual complexes.

He does unfortunately use the word “myth” to describe the idea how alcohol makes people aggressive suggesting those people were already aggressive before describing how alcohol just dampens control. That, to me, is describing removing the guard against bad behaviour that would otherwise be left in place. Odd argument. Also uses “neo-prohibition” while advocating for measured control. As in temperance. Which is pretty close to what people mean by “neo-prohibition”…But a good listen nonetheless.

Question: is Matt suggesting that Boursin spreadable cheeses are his perfect hangover cure?

Ron shared a few thoughts on him being compulsive which he believes is the basis for his success as a beer historian:

I realise my head isn’t like everyone else’s. Compulsive behaviour. It’s part of me. When I looked out of my office window and saw someone touching every sign along the road, I didn’t think “What a weirdo”. No. That’s just like me, I thought. A bit more public and odder looking, but basically just like me. Being compulsive has its advantages as a researcher. It means I go through material fully. Really fully. Whenever I see beer analyses or price lists, I have to record them. It’s a pain in the arse, quite a lot of work, but I can’t help myself. Thirty years of such compulsive behaviour has left me with some amazing datasets.

Mostly unrelated, making beer can sometimes remind me of the consequences of drinking beer.

Finally, this quotation from the CBC and Dr. J Nikol Jackson-Beckham gave me pause:

“If you weed out a bad actor but do not change the culture, when the next bad actor comes along, they will thrive in the same environment.” Dr. J, “The unthinkable has happened, finding your way after harassment, discrimination, or abuse has changed everything.”

I paused for the message itself as well as the long haul Dr J. is on. I wrote about her thoughts in 2017 in a post titled “Peter Pan As Craft Beer’s Archetype” and it may well be that not much has changed. Fight!

That’s it. As you start at the bottom of the glass or at the floor before you, for more check out the updates from Boak and Bailey mostly every Saturday and from Stan now apparently a regular again every Monday, plus more with the weekly Beer Ladies Podcast, at the weekly OCBG Podcast on Tuesday (the talk was of awards this week) and sometimes on a Friday posts at The Fizz as well. There is a monthly sort of round up at The Glass. There is more from the DaftAboutCraft podcast, too. And the Beervana podcast. And sign up for Katie’s weekly newsletter, The Gulp, too. And check out the Atlantic Canada Beer Blog‘s weekly roundup. Plus follow the venerable Full Pint podcast. And Fermentation Radio with Emma Inch. The AfroBeerChick podcast as well! And also look at Brewsround and Cabin Fever. And Ben has his own podcast, Beer and Badword – when he isn’t in hiatus as at the mo, more like timeout for rudeness! And remember BeerEdge, too, and The Moon Under Water.

*Investment concept referring to a late final brief upturn of a plummeting stock. Refers to the fact that even a dead cat will bounce on the sidewalk if dropped from great enough a height. Not sure this is actually true but the image is effective.

These Be The Thursday Beery News Notes For The Summer Doldrums

A nautical theme this week. Or at least one at the outset that will soon wander away, off on its own, finding another purpose in life. It is dead out there. But you know what they say: no news is beer news. Beer is good like that. It’s the people related to beer that get in the way. Things got fully into or out of swing with the Fourth of July, remembered by Ottawa historian Andrew King in his description of bonfires made of old barrels… perhaps even boozy barrels… ka… boomski!

First off, the way of the world. One beer blog dies as another is revived with the publication of “News in Brief #62” at Seeing the Lizards including an analysis of a recent botch mentioned a few weeks back:

“You just have to look at history.” pontificated dubious scholar Sophie Aubergine-Pickle “They just got a handful of whatever grain they quite literally had to hand, threw it in some water. And left it.” “It stands to reason, doesn’t it? The human hand has all kinds of stuff on it. Bacteria. Wild yeast. Skin flakes. That stuff beneath your fingernails. If you leave it long enough, of course fermentation will spontaneously commence. And people back then would drink anything.”

Entirely conversely, I really liked this piece at GBH by Jamaal Lemon on the Charleston Schützenfest – a post US Civil War meeting space with beer and rifles, the sort of thing that developed in NYC a decade earlier in the mid-1850s. The story carries the combo of lived experience and scholarship that is too often lacking in these days. It also avoids another problem – the suspect helpful hand of the privileged. Since #BLM, #MeToo and even back to #Occupy we see too much of what we used to call the good South African Liberal* efforts to speak in support turning into taking on a heavy role in defining then steering the discourse. An allegedly helpful listing here gathered by those not on the list, a intervening pasty editor there. None of that in this piece – as it ought to be:

The beneficiaries of Charleston’s antebellum society have long manipulated virtually all local industries for generational gain, in an effort to maintain that established hierarchy. Just as it could happen in high school athletics, so it could in the local brewing industry, whose skewed diversity statistics serve as a testament to that longstanding inequity. This isn’t anything new: Systems of oppression constructed during Charlestown’s slave era were disrupted at the end of the Civil War, only to be violently reintroduced after the collapse of Reconstruction.

As you know, I have a very soft spot in my heart for brother Stonch but through these last few months he has done us all a service by sharing experience of being a pub owner during this pandemic with an independent eye, as in this tweet:

Our Ellie often spouts some absolute jarg lyrics, but I agree with her here. There’s danger of hospitality looking looking like, as my friend @jwestjourno put it, “the catering wing of the covid-denier corps”… Also, the problems of hospitality staff having to self-isolate after contact with infected – already crippling the industry (or even worse, becoming ill) – is only going to get worse without any degree of social distancing or mask wearing being adhered to in the workplace.

Excellent points. And remember this, too, next time you read some stumbling voice tell you his or her idea is too “nuanced” for Twitter. That’s just the hymn of the illiterati.

Some people have a blog on the side, about a bit of bun.

Boak and Bailey published an interesting post, sensibly and practically describing their thoughts on the success of Camden Town Brewery’s Hell lager. And, as we see often, received some feedback antagonistic to diverting off the single path of craft-thought or, in the German, KrafphtÜberlegen:

Helles means ‘light’. Beers badged as such tend to be very pale, light-bodied and with relatively low alcohol content. It’s got broad commercial appeal, as Camden Hells has proved, because that basically describes most mainstream lagers. Calling your lager a Helles is a great way to have your cake and eat it: it’s simultaneously (a) a normal, non-scary lager that people will actually want to drink and (b) a craft beer with heritage worth an extra pound a pint.

Apparently “helles” (like every word ever) has a variety of related meanings and (like every word ever) slightly different usages and different degrees of usage in slightly different contexts and cultures so be prepared for the wisdom of the self-certified in the comments. Yawn.

A PSA: if you see bad behaviour, call out bad behaviour. Whether it is bigotry or unfair employment standards or dangerous quality control only bad practices at breweries are assisted by saying “…[t]he responsibility to the consumer lies directly with them…” Nope. If you hold yourself out as a knowledge holder, withholding information is on you.

A fabulous story about a fabulous bar:

My dad said we could do something special for my 6th birthday. ‘Anything you want,’ he told me. I think he thought I was going to say ‘ice cream.’ But I said I wanted to go to New York City, and two weeks later we were on a plane. We spent the morning of my birthday shopping…

Here’s an interesting story in the Daily Mail about the late Eric Tucker, a pub man who painted what he saw:

Most of the pictures feature Lowry-type scenes from smoky pubs, tumbledown terraced streets and factories and showing flat capped locals with their wives… Now the former professional boxer – whose paintings were rejected by the art establishment while he was alive – is finally to have his talent celebrated after the unexpected discovery led critics to laud him as ‘the secret Lowry’. 

Finally, frankly a sad bit of apologia found at The Glass, describing the natural state of beer judging due to the ridiculous macho requirement that beer judges not spit unlike wine, spirits, tea and every other taster of fluids:

Of course that’s not the same as drinking that many beers in a day. A judge might take just a handful of small mouthfuls in the course of assessing a beer. But still, you have to swallow in order to get the aftertaste, unlike wine and spirits where you spit. At the end of the day you’re not drunk, but I certainly wouldn’t want to drive. And there’s an element of having drunk… that weariness and woolliness that can creep in after a spot of day-drinking.

Note: you’re drunk.

That’s all for this week. For more, don’t forget to check out those weekly updates from Boak and Bailey mostly every Saturday, plus more with the weekly Beer Ladies Podcast, at the weekly OCBG Podcast on Tuesday  (a particularly good one this week) and sometimes on a Friday posts at The Fizz as well. There is a monthly sort of round up at The Glass. There is more from the DaftAboutCraft podcast, too. And the Beervana podcast. And sign up for Katie’s weekly newsletter, The Gulp, too. And check out the Atlantic Canada Beer Blog‘s weekly roundup. Plus follow the venerable Full Pint podcast. And Fermentation Radio with Emma Inch. There’s the AfroBeerChick podcast as well! And also look at Brewsround and Cabin Fever. And Ben has his own podcast, Beer and Badword – when he isn’t in hiatus as at the mo, more like timeout for rudeness. And remember BeerEdge, too, where this week they ask the question if Sam Calgione is the dullest man in beer – and they get an answer. Plus a newcomer located by B+B: The Moon Under Water.

*Related to some so don’t bother…

The First Thursday Beery News Notes For A Brand Spanking New 2021

Well, here we go. One year gone and another year starts full of hope and promise… oh, and an insurrection in the US Capital. Nice. This is the year of the 18th anniversary of my beer blogging, too. That’s 31.56% of my life. What an utter waste. Not at all like the art of Joel Goodman, photographer of the image above as well as the partner photo of the same spot in Manchester one year before taken early on New Year’s Day 2020, a portion of which shows up here as a random header image. Lovely stuff and a great expression of where we are today.

Speaking of reality today… do you know about storm chips and the associated beer weather severity standard? Note I wrote “beer” and not “beers” as in much of Canada the plural of beer is beer. “Beers” means a selection of brands of beer. Twelve Molson Golden are twelve beer. I have my doubts about the particular application as there is no way Kings Co., PEI is in the 24 beer zone but Truro, NS is only at 12 beer. I have a pal from the little islands to the lower left who talked of 1970-80s storm stayed parties held in houses with bordered up windows lasting two or three days until the blizzard had gone past. As posted on the FB page for Storm Level Brewing.

First… err… second, I failed you all before Christmas by not mentioning Martyn’s post on the roots of Jamaica’s love of strong sweet porter:

Draught porter was sold from draught porter shops, in existence in Kingston, Jamaica from at least the Edwardian era; from casks in refreshment parlors that also sold fried fish and bread; and also by travelling salesmen, who would call out “draaf porter!” as they travelled on foot around rural villages in the Jamaican interior, carrying a large tin container with a spout, and cans in quart, pint, half-pint and gill (quarter-pint, pronounced “jill”) sizes, for serving. Jamaica also had itinerant ice-cream salesmen, who would sell a blend of “frisco”—ice-cream and “snow ball”, shaved ice flavored with fruit syrup, mixed together—and “a measure of draught porter for the older folks.”

I wonder if Sam Adams authorized either this guy’s keg delivery technique or his filming rights? The opportunities for injury are a bit boggling. Speaking of which, this non-beer entrepreneurial advice thread had one nugget I quite likes, somewhat related to the Great White Male Hero problem with the good beer narrative:

The biographies of tech unicorn founders won’t help you. Survivorship bias is terrible. For every one that succeeded thousands more failed.

After asking on Twitter if he should, Mark Solomon joined the beer blogging world with his new site Headed Up North on which he is going to share an Indigenous perspective:

There is a tradition in many Indigenous communities, and I have since learned in many other cultures, on winter solstice.  Many communities light a fire at sunset and keep the light going all night.  While winter solstice is known as the shortest day of the year, the one with the least amount of daylight, there is a refrain that it only gets brighter from here. Those fires are not to strike back at the darkness but to honour it and sit within it. In the Anishinaabe creation story there are songs and teachings about the nothingness at the beginning then came darkness.  Darkness is not nothing.  We learn a lot about ourselves and others in the darkness.

In our regular pandemic trade news corner this week, cellar sellers are most note worthy. Makes sense. We’ve seen it from place to place including now at Falling Rock Tap House in Denver:

“We weren’t going to make it if we just kept on doing what we were doing,” Black said.  Luckily, for the past 23 years, Black and his team have been slowly amassing a nest egg. “We have just probably a couple thousand bottles of beer that are vintage,” Black said.  The collection contains very rare, highly sought-after beers from big-name breweries around Denver and the US.  The most prized item is a 750ml bottle of a collaboration blended sour beer made in 2008 by The Lost Abbey Brewing Company called “Isabelle Proximus.” When the Cellar Sale list was posted, the lone bottle sold in one second for $400. 

Retired Martin has started to chronical the take away pubs from his new location in Sheffield:

…we’ve had some wonderful beer, alternating porters and bitters and crafty keg with impunity. The only problem is, cask must by law be enjoyed within 3 hours, which means drinking 4 pints between us in an evening out of Bass glasses (NBSS 3.5/4). That’s not a habit you can keep up forever.

Here’s a big of a helpful hint for the history buffs. If you look at this image from the Twitter feed of a sailing cargo firm you will see in the lower right an explanation of the various grades of tea. These grades appear in many 1700s and 1800s newspaper notices and may assist in determining if accompanying cargo such as beer are considered fancy goods – or nor.

Best historical slag of the week: “your bum is so heavy you can’t get up“! In another history fan news, Dr. Christina Wade at her site Braciatrix wrote about a Viking burial in Ireland in the first part of the release of her Phd thesis. I am hoping for more beer content so this as yet is a placeholder – but a useful one as she canvasses questions on the quality of evidence. I note this especially in the context of the Vikings in Canada and the archaeological evidence they left behind as described in this handy post from Ottawa Rewind, especially this bit:

Wow! Barrel piece…was this for wine? Again, where did they get the oak for this?

Careful readers will recall my 2011 post on the early European settlements in Newfoundland, including Vikings. I have not had any luck finding Viking brewing in my research but it is clear that beer and malt could well have been here before 1577, the earliest date I have so far. Were the Vikings masterless men happily brewing beer hundreds of years before the masterless men? Was there malt in that oak barrel?

Jonny the Ham* wrote in Pellicle about how Pellicle came to be. I like how it is illustrated by images from a particular journey:

The first and most important reason is that Pellicle, the concept, was originally meant to be a short photography zine taken on this trip which I would self publish—something of a passion project I had dreamt of for years, based on my love of travel and film photography. Secondly, I’m incredibly self-conscious about folk reading my innermost thoughts, so at the very least you can enjoy some nice photos.

His partner in crime – or at least publishing – Matt has written a bit in Beer 52 about his upcoming book “hopefully be called Modern British Beer” and the concept of a returning greater regionality in beer. I prefer this muchly to nationalism as a defining characteristic, if only given the reality that beer predates many borders and can reflect the more important factor of trade routes rather than anything like state regulation or even national culture.  I had just one truly tiny quibble about this bit:

Historically in the UK, regionality was a strong differentiator in beer styles and helped develop so much in terms of how we know and enjoy beers today. Take Burtonisation—for example—a process developed by brewers to mimic the mineral content of the Burton-upon-Trent water supply. The hard water of Burton contains higher levels of gypsum, which when used as a brewing process aid in the form of brewers salts will lower your worts pH. This is preferred by some brewers when producing pale, hoppy beer styles, as it aids hop absorption rates, and thus how they are showcased in the resulting beer. It’s no coincidence the story of IPA began here, in the Midlands. 

Quibble? The brewing with and drinking of the sulfurous waters of Burton predated the inclusion of masses of hops. Hops were first added by one clever brewer in the late 1600s at the Brimstone Alehouse to deal with those who had to deal with the, err, vomitous qualities of his local product ripe with regional… umm… vernacular. Which actually makes Matt’s point even a bit better.

Elsewhere, Dave Infante is “joining”** VinePair‬⁩ to cover the beer industry. Send him tips if you think it is a good idea to send other beer writers your tips. And speaking of speaking about beer, I liked this back and forth between Monsieur Noix du Biere and Matt. Are local voices too likely to be embedded or are the embedded ones the best perspective? Note also the second alt use of the word “indigenous” in today’s roundup. I prefer “vernacular “for this particular meaning but I don’t think anyone’s toes are aching.

Finally, two good posts this week from Boak and Bailey on, first, a surprising forerunner of an improved pub from the 1880s and, second, a helpful piece on the rare duck these days that is ESB. Looks like they spent their recent break from beer blogging over the holidays writing beer blog posts. Alistair is taking another sort of break this January but found time to post about a day dream he is having about another venerable beer, Trukker ur-Pils.

There. That’s a good start to the year. And for more good reading check out the weekly updates from Boak and Bailey, back now mostly every Saturday, plus more at the OCBG Podcast on Tuesday and sometimes on a Friday posts at The Fizz as well.  We have a new entry from the DaftAboutCraft podcast. And sign up for Katie’s weekly newsletter, The Gulp, too. Plus the venerable Full Pint podcast. And Fermentation Radio with Emma Inch. There’s the AfroBeerChick  podcast as well! And also look at Brewsround and Cabin Fever. And Ben has his own podcast, Beer and Badword.  And remember BeerEdge, too.

*The Hammer? The Hamster?
**…which could mean anything from being a freelancer to CEO.

These Thursday Beer News Notes Have Me In Stitches

Thanks for all the cards and flowers. As hinted last week, the eyelid is now 19% smaller which makes it all 100%  better. I’ve spent the week on meds and on the sofa so, no doubt, these will be less dynamic in terms of being actual new notes than those to which you have become accustomed. Maybe. Best thing noticed of the week? As if a personal gift in my half dazed troubled state, Lily Waite posted a picture of a stoneware mug/stein she made from a lighter Draycott clay. Fabulous and cheery.

Did anything else happen this week? Oh, yes! A US election. America is still divided but as the graph just below shows, along lines that indicate that there might be more to it that mere political allegiance as the accompanying tweet explained. Resentment and widely held prosperity don’t always mix well. Best Biden-based fact:

Washington D.C. liquor store owners say supporters of President-elect Joe Biden have purchased more champagne bottles Saturday than during the previous two New Year’s Eve celebrations combined.

Boak and Bailey shared interesting thoughts about what in the wine world might be considered bottle variation, a hallmark of the real:

For us, a little inconsistency introduced on the front line, in pubs, is part of the way we get to really appreciate a beer we love – not beer being served in poor condition here, just the difference say in drinking ESB that’s been on for one day as opposed to two, three or four.

I’m all in. Here in Ontario, there is a micro era style known as dark ale. If you are lucky the cask is old but not too old which means there is a slight tang that cuts the cloy. Note: your contemporary tin ‘o juice-muck won’t offer that experience. It’ll just explode in your hand. Stan re-upped the related beer rule #4 in reply.

Also here in Ontario, Ron Redmond reported on the response one brewery has made facing allegations of discriminatory services:

Before long, Cowbell also noticed and quickly issued an apology that was sadly lacking in one regard. The apology itself. That further infuriated people. However, I was somewhat heartened to read that they were planning to reach out to Ren, Ontario’s reigning Beer Diversity Monarch, (a hail and hearty “Long live the Queen!”) to come to the brewery and do that thing she does so well. And that is, “plain-splain” why the Ontario Craft Beer industry needs to be to be more inclusive towards the BIPOC and LGBTQ2 communities. As a member of both, Ren is uniquely equipped to calmly, rationally and even happily explain its importance to people, even those as dense as myself.

The path forward is not smooth as Don notes. Not everyone is ready to move on… but that is a reasonable response and one to be expected when serving a thoughtful consumer base. Relatedly, BA Bart posted a review of an academic text, Beer and Racism: How Beer Became White, Why it Matters, and the Movements to Change It by N. Chapman and D. Brunsma.

And very sad news this week with the passing of Bill White of Better With Beer and many other things, a man whose expertise touched all aspects of Ontario’s beer industry. Many tributes here, here and here.

Despite the Raging Orange being on the way out, the big news remains the global pandemic and how folk are coping. In the UK, there seems to be resistance to the idea that:

Britons flouted lockdown in their hundreds of thousands in London today as a market was packed with visitors helping themselves to takeaway beer on the first weekend of new coronavirus lockdown restrictions.

Looking forward, JJB has some interesting thoughts on what the world after looks like in 2021:

When the vaccines are deployed and life returns to normal, rent arrears will be demanded, business rates will return, VAT will go back up, furlough will end and there’ll be a huge destruction in the hospitality industry as a result (and lots of opportunities for survivors)…

Interesting. Certainly after the collapse of the late 1990s there was a surplus of brewing equipment that led to the easier entry early era of craft in the early 2000s. Will those with cash again ride the new wave of the vaccinated boom. Of course they will. As noted a number of times before, debt drowns as it depends on continuing upside.

Looking backwards in this week’s edition of Historian’s Corner, here’s an interesting video with Sir Geoff Palmer describing the role of James Watt at the outset of industrial brewing. Watt was from my father’s home city in Scotland so if you want to hear hearsay versions of any erroneous folk tales of early pump tech let me know.

By way of warning of the temptations of free samples, The Beer Nut himself shared a live update on the new Guinness 0.0:

This is very much an idea whose time has come and I can see it doing well. Edit on 11/11/2020: Diageo have just announced a total product recall due to microbiological contamination. I haven’t suffered any ill effects but you can’t be too careful.

Elsewhere, I spotted an early response to the challenge posted by Boak and Bailey (one we should all take up) to write on the theme of something about beer or pubs that’s always puzzled you? Over in The Mad Brewer’s Notebook we read:

Can you imagine going into the supermarket and then finding out how much your shopping is after it’s bagged and you’re committed to purchasing whatever you have? Can you imagine doing online shopping and finding out the cost when you look at your bank statement? Walking out a bank and complaining to your mates you only found out your mortgage interest rate was 20% after you’d signed the paperwork? Of course not, prices are clearly labelled, you can figure out how much you’re spending as you’re going along. But this is very much the not situation in most British pubs.

Finally, yesterday was Remembrance Day here in Canada and I have been thinking of the time I stayed with a pal in 1986 in Islington area of London. We went into his small local pub, the long shut Old Parrs Head I think, and I was introduced around as a second Canadian. Not long into the session, someone cracked that we should talk to the old guy in the corner to much guffaw. He’s Canadian, too, we were told. We looked at each other, didn’t see the joke and went over to the older man. The place went oddly quiet. We introduced ourselves and could quickly see he was in a rough way, damaged by alcohol. Turns out he was from Saskatchewan. A farmer’s kid who fought in WW2, fighting the Nazis though Holland in the 1940s. When he was released from his service he got a telegram from his family that said “don’t come back, there’s nothing here for you.” So he sat in London for the next four decades, making do but drinking himself to death. The pub owner came over after a while and joined us as we chatted away. He was a bit in shock. “Christ,” he said, “I didn’t know he could speak.” The vet had been sitting silently in that corner of the pub when he had bought the place.

Don’t forget to read your weekly updates from Boak and Bailey mostly every Saturday, plus more at the OCBG Podcast on Tuesdays (this week Jordan shares his love of Windsor!!!) and sometimes on a Friday posts at The Fizz as well.  And sign up for Katie’s weekly newsletter, The Gulp, too. Plus the venerable Full Pint podcast. And Fermentation Radio with Emma Inch. There’s the AfroBeerChick  podcast as well! And have a look at Brewsround‘s take on the beer writing of the week. Not to mention Cabin Fever. And Ben has finally gone all 2009 and joined in with his own podcast, Beer and Badword. And remember BeerEdge, too. Go!

The Last Thursday Beery News Notes For October 2020, The US Election And My Tomato Plants

It’s been difficult to cope with the changing of the seasons as I have for every other year I’ve ever been on the planet. Familiar things – like heat or evenings – just seem to have gone away. But the week of Hallowe’en every four years helps set a milestone that’s hard not to stub your toe upon. So here we are. Orange leaves turning to wet bran flakes in the ditch.  Speaking of orange, I saw the image above passing by upon the glowing screen this week, one of a series of four pub scenes by Ruskin Spear (1911-90) whose art included “the citizens of Hammersmith relaxing in local pubs.” Happy people in pubs… or not… also was the topic of my Zoom chat with Boak and Bailey. We had never met before but we chatted away for two hours last Sunday. Blogging. Brewing history. Pandemic. Gossip. Very grateful to have been invited by them.  I took a very fuzzy photo to commemorate the moment.

Out there in a more focused reality, Jessica Mason wrote wonderfully about visiting a neighbour:

I wondered, momentarily, if I should tell her what I did for a living when I wasn’t visiting people in the mornings. Tell her about the industry I worked in. About the drinks and hospitality sector or any of the magazines for which I’d written. I wanted so much for her to know that it wasn’t just her feeling lost and alone. That entire sectors of society had been overlooked and that the paucity of support for those in need had begun to force people into poverty. Do I tell her that I’m really a drinks and pubs writer? That later on that day I’d be at a desk looking for the right words to describe something that made people feel good and interested. Things that reflected our thoughts, tastes and individuality.

In Scotland, a ruling has come down on the meaning of cafe during pandemic, the sort of ruling we may be seeing more and more of in the coming weeks and months as the cold and dark comes upon us. In this case, an injunction was granted against a municipal order to shut based upon the legal principle “surely to heavens this could not be a cafe!”:

“The council’s main, final reason for forcing us to close was that some of our dishes were ‘too smart and too fancy’ for us to be considered a cafe. “Nothing in the law dictates how smart you can or can’t have your food in a cafe.” One20 was granted an interim suspension order by the Court of Session after an online hearing on Friday, 23 October and remains open this weekend.

Further to the south, in Manchester a different legal consideration on the nature of food service was before the Covid considering authorities:

The head of Greater Manchester Police Licensing got on the blower to let us know that Slice Gate has been revisited and our Nell’s Pizza slices (cut from 22 inch pizzas) are now officially deemed substantial.

And to the left, further west, we learn of this heartwarming tale from Northern Ireland:

A man threw a tin of beer over a PSNI officer and shouted “Up the ‘Ra” after being told to return home during the lockdown, a court heard yesterday. Neil Murphy (37) was given 12 months probation for the assault on police and disorderly behaviour outside his flat in north Belfast.

Nice one, Neil. Well handled pandemic response. What’s the “‘Ra”? Short form for the “‘Rona”?

Ryan Avent of The Economist wrote a worthwhile series of tweets that add up to a good remembrance of the phenomenon of blogging which, of course, continues hereabouts and many other places under other names including journalism:

Blog posts could of course blow up. But the potential for instant mass virality was smaller, because drawing attention to blog posts meant creating a post of one’s own, and even link roundups took a bit of effort… As snarky as blogging could be, the medium generally demanded a minimal level of argument and contextualization greater than what’s asked of twitter users: if, at least, one wanted to attract others’ time and attention.

Going further back, Eoghan posted a photo of his beer book bookshelf and started a trend in posting photos of one’s beer book bookshelves.  Me, I have more piles and piles of piles of books by the easy chair myself. There’s a copy of The Chronicles of the Maltmen Craft in Glasgow 1605-1879 in there somewhere. Which I know makes you all riddled with jealousy.

Be prepared. Whenever anyone posts a graph for any reason at all, I am going to quote this guy who wins for this week’s most fabulous gnumbskullery*:

I think that’s hard to conclude from this chart. It might still be true, but i think it’s a lot more complex with alot more unanswered questions.

One of my personal heroes is Katie Mathers, as you may have guessed, and I am saddened to hear that she has met up with the virus… but cheered that she’s found a positive angle:

…it’s actually quite cool that I have something that’s spread all over the world. A big viral connection to the globe…

Here is an update to the story from the Ithaca NY area, the one about the brewery that had to close because it brewed old school micros that no one wanted. Well, the facility has been bought but some downstate operation”

Big aLICe, headquartered in Long Island City, Queens, has reached a deal to buy the former GAEL Brewing Co. on State Route 14 just south of Geneva on Seneca Lake. GAEL owner George Adams announced his brewery’s closing earlier this month. Big aLICe co-owners Kyle Hurst and Scott Berger hope to have the new brewery and taproom open early in 2021. Big aLICe, which also has a tasting room in Brooklyn, is known for a wide range of beers, from hazy New England IPAs and pilsners to sours and barrel-aged brews.

Well, there is some sort of lesson there. You can shape it as you like.

In other business news, we hear a lot about the challenges faced by the hospitality sector and how it affects brewing but here is an interesting story about the challenges faced by Canadian drinks exporters:

…beer exports are down too. Year-to-date sales to the end of July are down 13 per cent compared to the same period last year, trade association Beer Canada data show. Pacific Rim Distributors, the leading distributor of B.C. craft beer, has certainly felt pandemic pain. “We saw a deeper drop in sales in the first quarter because COVID-19 hit Asia before North America,” says Garett Senez, vice-president of marketing for the North Vancouver-based firm representing 13 craft brewers in 19 foreign markets.

Interesting that Ontario’s own “Collective Arts plans to open a satellite brewery in Brooklyn next year.”

Otherwise, beer continues to get more and more boring according to the latest Euro-gak news:

Drinks giants have reported higher alcohol-free beer sales in the latest sign the low- and no-alcohol drinks sector continues to grow. Heineken and Carlsberg have both created alcohol-free versions of their flagship beer labels, Belgian brewer AB InBev recently launched a low-alcohol alternative to Stella Artois, and this week drinks giant Diageo launched a booze-free version of Guinness in Britain and Ireland. Danish brewer Carlsberg – behind the Tuborg and Kronenbourg brands – on Wednesday reported a 29% growth across its alcohol-free brews in the three months to September, compared to the same period last year.

Similarly, the Boston Seltzer and Hard Iced Tea Co. has seen its shares soar.

Speaking of the tactics of macro-gak, Heineken in the UK has been caught forcing its own pubs to sell its own beer… which sounds a bit weird to someone not in the UK:

Heineken has been fined £2m for forcing publicans to sell “unreasonable” amounts of its own beers and ciders. The pubs code adjudicator (PCA), an official who oversees the relationship between pub-owning companies and their tenants, said Heineken had “seriously and repeatedly” breached laws that protect publicans from company behaviour aimed at prohibiting pubs selling competitor brands.

Finally, to top off a less than cheery week, Jeff noted the extinguishment of the All About Beer online archives. I was more written of than wrote in that organ but it did speak to an era or two, thriving in micro times, collapsing under a shoddy hand through perhaps the peak of craft. We have left that behind.

There you are. Less actual beer news that most weeks. But remember that, as the days shorten in the coming darkest third of the year northern hemispherically speaking, there’s more out there. Boak and Bailey mostly every Saturday, plus more at the OCBG Podcast on Tuesdays (this week Jordan skips his obligations to the sponsors!!!) and sometimes on a Friday posts at The Fizz as well.  And sign up for Katie’s weekly newsletter, The Gulp, too. Plus the venerable Full Pint podcast. And Fermentation Radio with Emma Inch. There’s the AfroBeerChick  podcast as well! And have a look at Brewsround‘s take on the beer writing of the week. Not to mention Cabin Fever. And Ben has finally gone all 2009 and joined in with his own podcast, Beer and Badword. And remember BeerEdge, too.

*The “g” is sometimes even silent.

The Days May Grow Short When You Reach September, Frank, But There’s Still Time For Beery New Notes

The summer has raced by. We only have a bit of lingering warmish things left. Then false summer comes, followed by the now doubly  questionable Indian summer, then lastly a few surprisingly cool rather than cold days. Harvest is coming in. Season of mellow fruitfullness and all that entails. For the ladies to the right it included rather nice dresses. I saw this image on the Twitter feed of The Georgian Lords but have no idea where it is from. I suppose it indicates all hands on a day where there were deck as it’s hardly The Gleaners of months later on in the cycle. But, perhaps surprisingly, not unlike The Harvesters of 1565.

First up and as an excellent introduction for an effort which seeks to separate from chaff from the grain, Stan wrote about an article about wine writers and junkets and other seductions. Like the author, the excellent Jamie Goode, he uses the word “satire” but, as is usually the case with satire, it is framed as such to make a point about a truth:

Good reading from an author who writes, “Personally, I’d rather drink beer than suffer these dull, dishonest, trick-about wines.” Not sure what alternative he’d suggest for dull, dishonest, tricked-about beer.

Is it the beer that is dishonest? In some cases, yes but not always.  Anyway, excellent thoughts as we seek out the good as well as… the Goode in what’s out there to read this week. A reasonable contrasty comparison is this article that Matt noticed by Alicia Kennedy which in part covered similar ground with less of a satirical veneer and more of a personal reflection:

When I was 31 and used my passport again, it was to go to Spain on a trip paid for by a winemaker. The next month, it was a two-week trip to Italy with family that completely drained my meager savings (until I moved to Puerto Rico, this was the longest I’d ever been out of New York), and the next, it was to Scotland for whisky tasting. From 2017 through my move in 2019, I traveled somewhere pretty much every month. These professional opportunities (some personal), about which the ethics were and are always dubious, suddenly began appearing in my inbox at just the right time: after my brother passed away at the end of 2016 and I needed not to wallow, not to continue having panic attacks. 

Staying at home, Martyn triggered a lot of arge and the barge when he himself wrote triggered about changes to the small brewery taxation laws of England and Wales.* It’s all the same to me in that I think reasonably healthy taxation of beer and other strong drinks is a perfectly normal thing to do but decide for yourself:

Much of the outrage seems to come from exaggerated claims of how many and how much brewers will be adversely affected by the proposed reforms, and allegations that the changes will mean large brewers gaining at the expense of small brewers, though the group that led the call for a change in SBR, the Small Brewers Duty Reform Coalition, includes a fair number of brewers making less than 5,000 hectolitres a year among its 60-plus members.

Plus, and I presume some brewers read this so I appreciate it’s not what everyone wants to hear, the idea that the outrage is “manufactured” is not necessarily an accusation. It’s a reality that the discourse is bent and pushed and pulled for any number of reasons and interests. This is one of them.

According to the NME, 99 metal bands have signed up for a ’99 Bottles Of Beer’ charity cover:

The idea for the cover was put together by The Boozehoundz, the moniker of Scour members Derek Engemann and John Jarvis alongside Robin Mazen of Gruesome. It sees 99 musicians all singing a single line of the song, amounting to a mammoth 23-minute song.

All of which is entirely excellent.

Speaking of music, the earlier Matt in my life on these information superhighways linked to an excellent remembrance of being a teen at raves in Preston 30 years ago:

There was an abundance of places to go out to in Preston in the early 90s. The country was in recession but everyone was partying hard. Friday was rave night at Lord Byrons and Saturday was indie/dance. After a grim experience at a club in town when I was 16, Saturday nights at Byrons became part of my life. Most Saturday nights from the beginning to the end of 1991 we were there, drinking cider and black, dancing to our favourite music and forging friendships that would continue for three decades and more.

Reads as true as a witness statement in a criminal proceeding.

Andreas K. wrote about Carinthian Steinbier this week, an Austrian beer that disappeared over 100 years ago, and in doing so gave us a great intro into the world of hot rocks in cauldrons:

Carinthian Steinbier is interesting because it survived for a fairly long time, until 1917 to be exact, despite repeated attempts to completely supplant it with what was called “kettle brewing”, i.e. brewing involving metal kettles. During other research, I recently stumbled upon a 1962 article that is probably the most detailed description of Carinthian Steinbier tradition that I’ve found so far.

“Things You Gotta Try” on NPR’s Splendid Table included dipping Oreos in red wine. Oatmeal Walnut cookies in Imperial Stout anyone?

I have to admit, I have no interest in hard seltzer or hard soda or hard kombuchca and even little interest in most beer writing about cider but I do appreciate Beth’s argument that at least for the business of brewing, non-beer may be one of the ways forward:

They’re not the only San Diego brewery to fully embrace the seltzer craze. Mikkeller’s own line of hard seltzers—dubbed “Sally’s Seltzer” as a nod to one half of their iconic character duo Henry and Sally—launched in January 2020 in response to craft consumers’ changing demographic. “It’s a perfect change of pace for any type of drinker—and a cool opportunity for us to connect with a wide demographic,” explains founder/CEO Mikkel Borg Bjergsø. “It also fits with our desire to be inclusive and reach as many people as possible.”

Let’s be honest. They are end-times beverages, just the same coolers which have been with us for almost thirty years and just gak by another name. As relevant to an interest in good beer as the brand of bubble gum stuck under a pub’s table top. Mr. B. noted the latest abomination: “India pale hard seltzer.” FFS.

Finally, it was with great sadness that I heard the news about the death of Jack Curtin, dean of Philadelphia’s beer writing scene. He was a great supporter of this beer blog from day one and someone with whom I shared an interesting email relationship even if we never met. One of his greatest skills was ripping into his pal Lew Bryson, who I know will mark the loss deeply.

Enjoy the rest of your summer days. As you do, check in with Boak and Bailey most Saturdays, plus more at the OCBG Podcast on Tuesdays (where Jordan shits on church ladies and is dead wrong about coconut macaroons) and sometimes on a Friday posts at The Fizz as well.  And sign up for Katie’s weekly newsletter, too. Plus the venerable Full Pint podcast. And Fermentation Radio with Emma Inch. There’s the AfroBeerChick  podcast as well! And have a look at Brewsround‘s take on the beer writing of the week. Not to mention Cabin Fever. And Ben has finally gone all 2009 and joined in with his own podcast, Beer and Badword. And BeerEdge, too.

 

 

 

*Never sure when these things apply to the whole or the part.

Fine… It’s March And Here Are The Thursday Beery News Notes

I thought the new month would have made a big difference. But a couple of twelve hour days in hard black shoes and a snow squall meeting me as I got off the bus that finally made it through rerouted traffic and, well… well… well, at least it ain’t February any more. Let’s see what is going on!

First, there was much fretting in Engerlant over the shadowy Portman Group issuing an edict against a beer label. Now, I’ve beer posting about the shadowy Portman Group’s edicts since at least 2008 so I don’t really care that much now. But the fretting of others was remarkable. SIBA objected to the lack of much due process. The BBC covered it like it was an actual news story. Martyn wrote: “Running with Sceptres is not the ditch to die in over the Portman Group and its bans…” and then wrote more. Folk were cloyingly superior, spitting angry and even spent all the rent money. Pete went all Pete and shouted from the barricades that we need to “…check out the beautiful, sometimes strangely moving, artwork.” See, that is my issue. To me, that label on the can looks like panels stolen from a 1950s Rupert the Bear book.  And me, I don’t buy beer for the artwork and especially not Rupert the Bear rip-offs. In fact, if the art is too good, I assume they are cutting corners on the actual brewing resources. The money can only be spent once after all. Watch yourselves out there.

In another chapter of the tale how craft goes bad, we learned that Goose Island tri-packs with bottles of 2017, 2018 and 2019 Bourbon County stout have been marked down in the US Midwest to about 20% of their original inflated price. Imagine how many casks of the 2020 and even 2021 are sitting there in brewery warehouses… err… cellars with operating managers knowing how little it is really worth now. With such bad value, maybe they will be candidates for that #FlagshipFlotsam* thing one day.

In yet another sign of craft’s collapse, I had originally thought that this was a parody post from Ben, the tale of a overly-branded vegan brewery in Toronto shutting:

It’s like gentrification on human growth hormones, delivered by “The 5700,” a company that “manages a growing portfolio of lifestyle and entertainment brands that live online.” Now excuse me while I clean up the rage-induced blood-vomit typing that phrase has induced. Vegandale Brewery, which seemed to actually just be a coat of paint and a new name for the main floor of the existing Duggan’s Brewery, who officially moved to the basement of the location six months ago, wasn’t helping the image of veganism. Vegandale Brewery launched with the slogan “Morality on tap” and poured beers like Morally Superior IPA and Shining Example Stout. Yikes.

One last bit of endtimesy-wimsey news from CNY:

The Gordon Biersch Restaurant Brewery in Destiny USA closed today, joining a growing list of locations the national chain has been shutting down across the country. The brewpub — a restaurant with an attached brewhouse — opened in the Syracuse mall in 2012 and occupied a space on the first level, near the Hiawatha Street entrance.

I went there once as the family shopped out in the unending megamall for transitory branded objects. I came away with no actual recollections of the experience. Apparently, I was not alone… or at least not as alone as the bartenders were.

More in line with the “get in line” section of the news, I was glad to see this bit of law enforcement in Ontario’s news this week:

Jason Fach, 38, pleaded guilty to impaired driving causing death in December. An agreed statement of facts says that he had had four 20 oz. beers in a little more than an hour at St. Louis Bar and Grill the night of the crash. Fach has been sentenced to six years in prison. On Feb. 28, police announced that they had charged the restaurant, its owners and two staff members. The charges include selling liquor to an intoxicated person, permit drunkenness on licensed premises and failing to facilitate inspection. Under Ontario law, an establishment and its ownership can be held responsible for overserving someone.

The liability of a licensed establishment is distinct from social host liability in which responsibility is much reduced here in the land of the maple and the moose.

On another sort of establishment in another land, Retired Martin posted a lovely photo essay, a snippet of one of which sits above, on a very specific topic this week:

“Should it be open ?” I asked the chattiest of the group, all of whom had OS maps in plastic wallets round their necks. “Oh yes, I phoned them up before we set off. They SAID they’d be open”. Hmmm.

Even more elsewhere, it was Icelandic Beer Day last Sunday.

A nice posi-post of a piece on a lager was sent out via the internets by Pellicle this week:

Thankfully, there was Keller Pils, a lemon-bitter pale lager from Bristol brewery Lost and Grounded. The first barely touched the sides: one gulp, two gulps, three gulps, gone. The second, golden and glistening with condensation in a Willi Becher—a classic straight German glass that tapers elegantly towards the top—took longer. It was crisp but rich, toasty and bitter, direct and deeply rewarding.

One problem with these sorts of nice posi-posts is how they remind you of other positive experience unrelated to the subject matter. I can think of fifty other beers that have happily let to “one gulp, two gulps, three gulps, gone” which is not, I suspect, the point of writing about a particular thing. I did notice the pretty can, however. And this rather honest comment from a co-owner of the brewery:

“It’s like a Rubik’s cube, you know?” Alex says. “It’s about the branding. It’s the communications. It’s the quality of the product. It’s about people out on the road talking about it. It’s about how you work with the wholesalers … it’s all sorts of everything.”

And speaking of nothing in particular, here’s an interesting bit of spam by email:

I am the marketing director for Jolly Pumpkin Artisan Ales. As you may know, Jolly Pumpkin is an all wild, oak-aged brewery. We are announcing the launch of a new canning line for our wild ales and thought that your readers might be interested in the news. The first beers off the line will be year-round favorites, Bam Bière and Calabaza Blanca. We will also be canning Hyrrokkin, the first release of a new fruited seasonal saison series. 

Jolly Pumpkin in a can! Long term readers will recall when I spent a happy late afternoon in the company of owner/brewer Ron J back in 2007 when beer bloggers were still unique enough to not have the parking lot lights turned off and all the doors locked when one showed up to check out a brewery.  Now they sell the stuff in a can. Pretty cans. Life comes at you quickly.

Speaking of the most fabulous thing I heard related to the drinks trade this week…

The bartender at the Radisson Kingswood Hotel in Hanwell, near Fredericton, helped deliver a baby in a snowstorm on Thursday night. Storey said she got the call when she was closing down the bar for the night. “The person who works the front desk, Nick, comes over and says, ‘There’s someone having a baby in our lobby,'” said Storey. “At first I thought he was kidding.”

That’s enough. Once a child is born we have hit peak beer news for the week. And remember, if you want more beer news, check out Boak and Bailey most Saturdays, plus more at the OCBG Podcast on Tuesdays and sometimes on a Friday posts at The Fizz as well. And sign up for Katie’s weekly newsletter, too. There’s the AfroBeerChick podcast now as well! Plus the venerable Full Pint podcast. And Fermentation Radio with Emma Inch. Check them out. They are like blogs but with people speaking and saying “umm” a lot instead.

*…which is still really better than #JetsamJanuary if you think about it.

Your First Edition Of September Find the Long Trousers and Hard Black Shoes Thursday Beery News Notes

Ah vacation! Remember that. Seems like it was just a few days ago. Because it was just a few days ago. Now I sit here in the hard black shoes and a tie, half boggled from a work meeting that ended towards midnight. It’s so much better on holiday.* But its not all happy happy joy joy on vacation. Things can get out of hand. I had my concerns, for example, for the place Garrett Oliver had found himself when he posted the image just there on Twitter the other day. It could be just art. Could be. I will leave it for your further contemplation.

Don Cazentre has written an excellent extended piece in the central New York Syracuse.com, a digital arm (I believe) of that venerable newspaper, The Post-Standard. In it he explores three local breweries and how they face challenges in the current craft beer marketplace:

The competition is real. Still, it would be wrong to see the troubles at CB, Empire and Ithaca as a sign that the craft beer industry overall is collapsing, according to Leone, Stacy and other observers. “As a beverage branding consultant I speak with producers and stakeholders across the industry about how they position their businesses for success in today’s crowded marketplace, and from where I sit, none of them are hitting the panic button,” said Glenn Clark, who advises many craft beverage companies through his company, Crafting A Brand, in the Rochester suburb of Mendon. “Last week’s bad news was the result of unique problems at three larger, established breweries — and in my opinion shouldn’t be seen as a bellwether of a broader economic trend.”

No, but they should be seen as warnings of what might be faced by any brewer: unexpected implications of debt load, unplanned equipment upgrades and, of course, competition from those pesky nanos that are nipping at the heels everywhere.

Gorgeous tiles in a Belgian bar, courtesy of Boak and Bailey and their holidays. Click on the pic.

Speaking of holidays, Ontario Gewürtztraminer is one of my favorite Ontario Gewürtzes. A few weeks ago – as I do every year – I get myself to nearby Lacey Estates once or twice for their version. Their Cabernet Franc, a 2016, was fabulous, too.

On the last day of August, Martyn blessed us with a wonderful long form essay on his personal experiences of drinking and going to the pub underage and revisiting his teen haunts as a seasoned gentleman:

Not, either,  that I crawled that much back in 1969: there were two pubs out of the eight on the High Street itself where most of my pals would be found, so those were the two where I did most of my drinking. Generally Friday and Saturday evenings those pubs would be rammed almost to bursting with, largely, under-20s drinking pints (or brandy-and-babycham for the teen females: at least, that was what they always seemed to be drinking when I was getting the rounds in). I don’t recall any trouble or violence: the physical aggro was restricted to the only two pubs in Stevenage’s vast pedestrian shopping centre, and mostly to only one of those, the Edward the Confessor, know universally as the Ted the Grass.

Come for the study in change and stasis, stay for the photo of Martyn as a teen.

Myles on Twitter posted this excellent image on Labour Day reminding us all of the realities of how we got to this wonderful mixed socialist capitalist construct that we all love called the modern western world. He also reminded us that brewing – especially craft brewing – still has a ways to go to:

Without the sweat and toil of women & men in rubber boots, this industry means nothing. Brewers are entitled to much higher pay than they generally receive; the work is hard and dangerous, and actually creates something. Brewers, I hope y’all organize. Happy Labor Day!

Preach! Let’s have less of the craft brewery ownership class worship and more respect for those who actually brew and package and deliver your beer.

Robin and Jordan follow up on last week’s White Claw news, seemingly agreeing as we learned in last Thusday’s edition, that we suffer from an over-faux-intellectualizing of pop drinks like craft beer and are burdened by something of a parallel state which is perhaps best exemplified by the “no data” response.  The data, of course, is clear and tells us that the one product is now bigger than all of craft beer mere months into its existence. If we over-complicate, as Jordan discusses, one aspect which may need to be considered is if over-complicators act as a causal cabal. Few in the consumer side of the industry actually need or care to know why this or that hop, why this or that barrel. Good beer is comfortingly far simpler than craft would have you know as it is pitched to us even as it is a Mansion of Many Apartments, too.**

Note: I don’t like to link to other people’s new links posts but Stan’s was such a model of pungent minimalism this week, I have to direct you that-a-way.

Finally, this piece on non-alcoholic “spirits” is so accurate it is quite hilarious on yet another*** fraud being perpetrated on the drinks buying public:

…my opinion was based on a single shot. To give the respect any new product was due, I went on to Amazon and ordered two bottles of Seedlip: the original, called ‘Garden’ and what they call ‘Spice’. Cost me £56. I tried them every which way and tested them on my friends. Some were drinkers who understood the rationale. Others had given up drink and were crying out for a decent substitute. Not a single person liked them. It was a real case of the emperor arrogantly flaunting his new clothes. ‘Garden’ was just watery. And ‘Spice’ reminded them of dental mouthwash.

Update: The Tand has a late submission to the editors on his relationship with a certain suspiciously named Sam Smith and his landlordly attitudes:

…horror on horrors. A mobile phone rang in the bar and in hushed tones, after exchanging endearments with his/someone else’s wife/girlfriend or whatever, the callee, said words to the effect of “I have to go. I’m in The Pleasant and mobiles aren’t allowed.” Seems Humph has put the fear of God into his customers on that one. Less so on the effing and jeffing I’d suggest, but all of it was in the context of fitting bathrooms, exchanges about how the day had gone and so on, so to my mind at least, harmless enough.  One lad called through to me saying that he didn’t care (“couldn’t give a fuck”) about Humph’s rules. Sooner or later he’d shut the pub anyway, like he had the Yew Tree he observed.  “Aha” I thought. “I could have saved a journey here.”  

That’s it for now. Remember to expect Boak and Bailey reporting  on Saturday and Stan to follow up next Monday. Catch the OCBG Podcast on  Tuesdays, too. Soon it will be mid-September. Time for the woolens and heavy ales. All’s not bad. Now, surely goodness and love will follow me all the days of my life.

*Of course it is.
**Romantic Poetry 307, undergrad honours 1983-84 FTW!!!
***Also see, for example, hard soda.