Category: Drinking Culture

A Slightly Less Puffed Up Edition Of Your Thursday Beery News Notes

Here I am. Still on vacation but at least at home making dinners rather than forking out for them. Let’s be clear. I am not a cheap date when out and about but at the same time I do have my limits. Big city fun can hit that after a few days so nice to be back in the backyard for week two. Well, once the rain lets up. Gotta say, though, Montreal is my favorite big city even though I am maritally prohibited from rooting or the Habs. Drove past the front gate of the original and still operating  Molson brewery established in 1786 when I got a bit lost in traffic coming into the downtown. Quite the edifice.

Speaking of working, on Wednesday Gary posted an image of a 1938 Quebec beer delivery truck out in winter. Looks like a display as those boxes look empty and stacked way too high. I cropped this image out of the right hand corner. I love the guy’s look. Button suspenders over a tucked in sweater, high lace leather boots, fedora and tie. And look at the window in the background. Signs – perhaps in neon – for Brasserie Frontenac, Boswell Cream Porter as well as Dow Old Stock Ale. These brands were all related to provincial firms that merged in 1909, the amalgamation which inspired a young E.P. Taylor two decades later to start off on his global merger mania.  The truck and many of the boxes are also labeled with Dow’s Black Horse Ale. Cream Porter was still a thing when I lived in the Ottawa Valley in the mid-1990s under the Champlain brand made by Molson and in fact and early beer review on this here site was for Labatt Porter. Now there is a style that needs revival.

What else is going on? A few more ripples caused by the long piece in Pellicle on the state of IPA today are worth noting. JJB himself wrote positively of the explanation and agreed with how the code of IPA (as opposed to the definition) is effective for Stonch as a publican:

I can tell you that consumers with only a cursory knowledge of beer know what IPA means to them, and moreover that concept tends to be very similar across the board. When someone asks for an IPA, I know which taps to point them to.

Matt himself was unhappy with his thoughts being “torn apart in a @BeerAdvocate thread…” but that is a bit of an unfair statement as it was also praised there. His tension is reasonable.* There is a dismissal of old school thread writing but it is always good to remember that many there (folk who have no interest in blogging or certainly no interest in the dead end world of semi-pro beer writing) who know a hell of a lot about beer even though there are, yes, many oafs. For example, I entirely agree with this from someone on the site for fifteen years:

Once breweries realized that some of us were well and truly over the murkbombs, they started relabeling, or at least redescribing. It’s one of the reasons I’ve been shying away from any packaged beer called IPA unless I’m already familiar with it.

And also this from a seventeen year BA veteran:

It appears to me that the craft beer industry is viewing IPA = money and given this consideration I suspect that we will continue to see more and more beer brands with this labeling. They may be brands that can fit within one (or more?) of the categories that Matthew Curtis listed in his article or maybe they will be some brand-new name (e.g., New England style Wheat IPA) that some person just willy-nilly comes up with to make money.

Exactly. See, along with avoiding humour and any actual grasp of much of history, good beer culture has a very hard time with debate. It’s apparently uncomfortable for those trained on the short course who then have decided that they know what needs to be known, like a teen watching a movie with their parents when a dirty bit come on  No, in craft beer culture it is a fundamental principal that you have to all sing from the same hymnal because it is all… great! That is why it generates no serious academic discourse – or even researched to and fro anymore.  “Expert” is sorta of a participation award. Can you even call doing something “taking a course” if it fails to generate any deliverables that aren’t just repetition by rote? No, to discuss and disagree is rude. And that is one main reason why general good beer culture isn’t taken seriously.

Related perhaps, Ron summed up a trip to the USA and his observations on the beer scene this way:

I’m just back from the US. Wasn’t that impressed with the beer selection. Mostly: IPA, Sludge IPA, Sour Shit, Sour Shit with fruit, Sludge IPA with shit, Sludge IPA with fruit and shit, Pilsner.

Boak and Bailey unsettled me with a related consideration following up on a post from Jeff on the idea of session a few weeks back:

Jeff Alworth is right – most people (quite wisely) haven’t let themselves get bogged down in precisely what these terms mean. They just know that a brewery choosing to use a relatively more obscure word to describe its product is saying “You’re no rube, you know the lingo, welcome to the club.” As Matt points out, though, these terms are suffering the same fate as ‘craft beer’, becoming applied so widely, to products of such varying character, that consumers are beginning to distrust them. When you’ve decided you tend to like beers labelled IPA, and habitually order IPA, there’s only so many times you can be served something that doesn’t fit your mental model without getting irritated.

I am not sure what “quite wisely” is meant to suggest here. Basically, there isn’t much light between what is being said about the meaningless of craft beer’s terminology as code and Ron’s observations about how shit IPA has become due to the breakdown of meaning. Meaning it is no longer even code. You have to take a cartoon character approach to still suggest there is any integrity in all this. Which is what is being done, of course.

My thoughts?  What’s the level below lowest common denominator? IPA might as well be “eBeer” or “iBeer” now. The meaninglessness has hit max and all it serves to do it shout “drink me, fool!” which is why I focus on the adjective and not the noun EEEPAH. And avoid anything like a flogged flavour wheel in favour of the theater of the mouth.** Fortunately, as we know, things have three names. In this case, there will be the name on the can or tap handle, the name the brewer uses and the name the beer knows itself by.

Which is perhaps why the lager boom is so attractive. It retains far more stylistic integrity that the botch US craft has made of the IPA everything concept. Paste magazine has gone so far as to say this is the best thing in the good beer world these days:

That’s the biggest thing that has changed, in the last few years—i.e., the pandemic era—ease of access to good craft lagers has increased exponentially, and breweries have seemingly gotten much better at making them! Even breweries not particularly known for lager are now frequently producing excellent examples, and I’ve seen a notable number of breweries also rebrand themselves to revolve more tightly around lager as a central philosophy.

One more thing.  Stan picked up a thread from the IPA story, an actual fact about a yeast strain and unpacked it to explain how beers branded as Steam Beer do or at least did actually display a unique trait even though Steam Beer has little unique to do with steam:

In 1911, while conducting tests as part of another project at the University of California, T. Brailsford Robinson discovered just how different steam beer yeast acquired from California Brewing in San Francisco was from lager strains. “The yeast of the steam beer has accommodated itself to these conditions (warmer fermentation and the clarifier) to such an extent that it can no longer be employed for the preparation of lager beer, while lager-beer yeast may without difficulty be used for the manufacture of steam beer,” he wrote.

Neato. Also neato? Old lost Halifax Nova Scotia bars. Also neato? A Doctor Who based brewery. Less neato? The fall of certain people in the brewing trade that I know little about. Never been that much into the individual as a cornerstone to all of this, now that I think of it. Not neato? Possible signs of the market crashing.

For 22 years, Neal Stewart worked in sales and marketing for breweries like Pabst, Flying Dog, Mark Anthony Brands, Dogfish Head and Deschutes Brewery. He is leaving beer behind and left with some very powerful parting thoughts:

I had plenty of time to reflect on my time in the beer biz and quite honestly, it was a painful process. I discovered two things. First, my self-identity was wrapped far too tightly with my profession. My primary identity was my job. I wasn’t “Neal, the husband” or “Uncle Neal.” I was “Neal, the beer guy” or “Neal, the (insert one of the 47 breweries I’ve worked for) guy.” I was enamored with that identity and my ego needed it. Second, I really think I was addicted to stress. I’ve done some research and although “stress addiction” is not a clinical term, it is known that stress causes the brain to release cortisol and dopamine… When my life suddenly changed from 70 hours a week of non-stop calls, meetings and thinking about the business, to silence, I didn’t know how to react.  

Wow. If that is you, get out. What ever it is you do. And one more thing. I hadn’t expected that this beer would be as good as it turned out to be. Glutenburg Pale Ale out of Quebec. A bit of a rarer find in the Ontario LCBO but out there if you check the inventory. Made without barley but perfectly tasty as a base beer in one’s life. Which is what it might become. Through an odd sequence of absolutely low level medical matters it turns out that I may have a degree of gluten intolerance. See, I had to have a small four stitch operation on my right eyelid, which led to an observation about how my left eye sat, which led to a couple of CT scans in nearby quieter county town hospitals which led to an ENT guy sticking a camera into my sinuses, which led to connecting the dots to a very high wisdom tooth, which led to a removal operation, which led to me having a very tiny bit of my skull removed as a door for the wisdom tooth operation. All of which left me breathing better… unless I ate bread. Hmm. Bread made me puff up a bit. All over. Unpleasantly so on rare occasions. And feel like I had hay fever. Stuffed. So I dropped bread. Clearer head. Breathing better. Had a beer. All came back. Uh oh. So I bought this beer. Didn’t come back. Hmm. I had put the feeling when having a beer down to water bulking up or general alcohol reaction but it appears to be a third aspect of the beer – the gluten. Going to keep up the experiment for a bit. All of which I mention as ungraphically as I can as a recommendation to try it yourself for a week perhaps. See, being puffed is not good. Tiny important passages restrict. Blood pressure rises. Things not ticking along optimally. Leads to other things… more serious things.

There. The beery zeitgeist for another week has been summarized! Want more? Well, check out the updates from Boak and Bailey mostly every Saturday and perhaps now from Stan once in a while on a Monday. Check out the weekly Beer Ladies Podcast, and at the mostly weekly OCBG Podcast on Tuesdays or Wednesdays – and also sometimes, on a Friday, posts at The Fizz as well (Ed.: we are told ‘tis gone to podcast heaven… gone to the podcast farm to play with other puppies.) And the long standing Beervana podcast (Ed.: which I have missed from this list for some unknown reason.) There is a monthly sort of round up at The Glass. (Ed.: that seems to be dead now… nope, there was a post on July 25th… in 2022 even.) There is more from DaftAboutCraft‘s podcast, too. And sign up for Katie’s (Ed.: now very) irregular newsletter, The Gulp, too. And check out the Atlantic Canada Beer Blog‘s weekly roundup. Still gearing  up, the recently revived All About Beer has introduced a podcast, too. (Ed.: give it a few weeks to settle in and not be as agreeable.) Plus follow the venerable Full Pint podcast. And Fermentation Radio with Emma Inch. The AfroBeerChick podcast as well! And also look at Brewsround and Cabin Fever. And Ben has his own podcast, Beer and Badword (Ed.: …notice of revival of which has been given… still not on the radio dial…)  And remember BeerEdge, too, and The Moon Under Water. There has also been the Beer O’clock Show but that’s now wound up after ten years.

*I would not want to fail to mention Beth‘s similar sentiment: “I don’t have enough money to enter work for awards I don’t have enough money to fund my own press trips I don’t have enough money to buy a hundred samples to try I don’t have enough money for all the subscriptions or memberships How do writers do it? Actual question…” I may play a grump on social media but I am utterly sympathetic to the plight of the beer writer coming to the realization that for all the money in beer there is little money in beer.
**Make your own copy of the chart if you like. It’s also free and actually useful.

The Beery News Notes For The Thursday Before My Actual Vacation

Vacation? Haven’t had one of those since… 2019? Actually going places and looking at things? Don’t know how I will manage. Mr. Protz wrote* about one way to go places and look at things in Belgium, a tram that runs 42 miles and stops something like 68 times at or near watering holes. Much excitement in the ensuing comments. People want to be on that for sure. But… does it come along with a separate… err… washroom car? Pour le pissoire en volant? Annnnnddd… I might have thought the paint job on the tram might have been a little more exciting given the grey ground, grey sky, grey building setting. But you know me and my commitment to that colourful palate of life’s joys.

First up, Pellicle published another great story by David Jesudason. It’s the sort of piece I wondered for years about, though I was wondering why I never saw them. It’s a portrait of a possibly perfect pub, the Southampton Arms in Kentish Town, London:

This is the only real quandary you face when you visit the Southampton Arms—where to sit and who to sit among. The welcome is warm, inviting, and inclusive. The beer itself meets the most agreed-upon definition of ‘craft’—entirely independent, hand-picked, and varied in style, but not quality. The surroundings are uniquely comfortable for a busy London pub—a rare mix of classic hardwood floors and wood panelling, with a communal seating arrangement that fosters conversation between old and young, rich and poor.

The photos by Lily Waite are gorgeous, laden with the interior’s deep browns and rich creams as well as the bright pop of flowers and the glowing beer. They describe a casual, even worn in pub with a relaxed garden for a backyard escape. It looks like homey, the sort of place I would love to visit. Except I am not traveling to England. I will have to console myself with other wonders. Somewhat related, Old Mudge shared some thoughts this week about the general idea of updating of pubs and whether they are always warranted:

Was there any evidence that the previous layout of the Armoury imposed significant extra costs or held back its trading performance? Very often, pub refurbishments seem to be embarked on simply out of a sense of wishing to smarten things up and move with the times rather than any kind of rational cost-benefit analysis. And, as I have remarked before, once the initial surge of interest has subsided, refurbishment often becomes like a drug where you have to keep increasing the dose to get the same effect. The current zeitgeist is very much against the old, quirky and well-worn, but hopefully one day we will return to a time where these qualities are once again seen as desirable in pubs.

At an earlier point in the overall bevvy process, Barry M (the estate manager of all my German land investments) had a piece published this week about a variety of cider making methods in his adopted home:

Unlike the apple varieties typically used to make the majority of English and French ciders, German cidermakers have traditionally favoured what are generally termed dessert or culinary apple varieties with little to no tannin content. Think of the types of apples used in the Eastern Counties of England. Looking through German books on apple varieties, anything with elevated acid levels tends to be put under the Mostapfel category, deemed most suitable for making Most. And indeed, they do make very good cider, with well-made ciders showing a freshness and fruitiness that marks out this German variant of our favourite drink.

And interesting news out of Maine where Brienne Allan is opening a new brewery with a well-defined focus:

Allan, head brewer, was preparing the inaugural batch of beer for Sacred Profane’s opening mid-August as the only lager-exclusive brewery in Maine. Sacred Profane will basically offer two beers, both lagers: one pale, one dark. And Allan fully intends to make them better than anyone else does. To this end, Allan and her fiance Michael Fava, Sacred Profane’s operations manager and a former brewer at Oxbow Brewing Co. in Newcastle, take great pains during the brewing process. They triple decoct, concentrating the wort three times at three different temperatures to develop deep, complexly layered flavor in the lagers.

Conversely to the wonderful spaces, in the aftermath of the #GBBF, some spoke up about the unpleasant aspects of the event including Emmie Harrison-West who wrote a well considered bit entitled “Everyday sexism at beer festivals: a thread” including this very yik observation:

Touching: at bars, men touch and hold your waist to get past you. They wouldn’t dare do this to their male friends though, would they? Strangers would touch my arm, my hands, pull me in for bear hugs where their arms wrap around my body.

Good to see at least that the organizers issued an apology for failing to uphold any sort of standards for bad behaviours. Note: Stan also pointed out that the “Brewer of the Future” as selected at the #GBBF is 59 years old.  The only thing weirder was that the competition was for the best home brewer. Maybe “RetroBrew84” might have been a better prize title!

Jordan wrote a rebuttal about a piece on tech and beer that had me scratching my head (see the very foot of the last footnote last week) but Jordon thought about it from another angle – how dependent whatever craft has morphed into is driven by the internet:

For me the frustration is that it seems not to grasp that beer itself is a technological construct. In order for it to exist we need to create all of the ingredients, and all of the ingredients chosen to make an individual beer must be chosen by someone. There is always an intelligence behind the design of a beer because the constituent parts do not make themselves readily available. Beer doesn’t exist in the wild. What this means is that any technology that conveys information is going to fundamentally alter the intelligence of the designer of the beer.

And this week Jeff reviewed the concepts of what could be lumped together under the umbrella of the “Limited Transmission of Craft Culture” when he posted about the fact that no one know what “session” is supposed to mean:

The conversation led to low-ABV beers and how to deal with those, which inevitably led Torch and Crown’s Chris McClellan to comment on the best strength for session IPAs. Ah, session IPAs. This led us away from numbers and into language, and this we can file under “things Jeff knows.” And I know regular beer drinkers have no idea what “session” means.

Lots of good discussion followed which led to confirmations that the lack of understanding is a US matter not shared in other lands and, as Gary pointed out, quite seasoned beer fans “have little interest though in technics and terminology.” There is (in my learn-ed estimation) good reason for this: (i) this information is irrelevant to the actual pleasure, (ii) not standardized and so too often sounds like Mr Boring going on and on making it dubious information; plus (iii) it’s too often made up anyway making it not actual information. These are, after all, these times. It also illustrates the fundamental failure of some beer writing – that it is not so much informative than something like rhetoric. The conversation spun off in all directions leading to this summation on my part:

That’s because beer geeks in the US are disconnected from both the vast majority of US beer drinkers as well as vernacular beer culture in other countries. Hence the third artificial lexicon. Unfortunately most beer writers are beer geeks.

A constant observation that I really haven’t beaten you over the head with is this: the audience for so much of the beer writing I sift through every week  is written for (i) other beer writers and (i) other folk tied to the trade. Not the general beer drinking public like that piece up there in Pellicle. No, for too much of it there is an aspect of deep affirmation to it all, goal oriented writing – not unlike reading the histories of the now departed US pop historian David McCullough who seemed oblivious, for example, to the fact that a huge portion of the residents of the 13 colonies in 1775 wanted nothing to do with the revolution. Details. Details…

Finally, I’m not sure what to make of this. At all. Web 1.0 meets setting up a potential liable case? This approach is hardly conciliatory. Is the goal getting lost? What was the goal again?

That’s enough for now. Next week, we will be reporting from the road. On special assignment. Until then for more, check out the updates from Boak and Bailey mostly every Saturday but not from Stan every Monday as he is on his summer holiday. Check out the weekly Beer Ladies Podcast, and at the mostly weekly OCBG Podcast on Tuesdays or Wednesdays – and also sometimes, on a Friday, posts at The Fizz as well. And the long standing Beervana podcast (Ed.: which I have missed from this list for some unknown reason.) There is a monthly sort of round up at The Glass. (Ed.: that seems to be dead now… nope, there was a post on July 25th… in 2022 even.) There is more from DaftAboutCraft‘s podcast, too. And the Beervana podcast. And sign up for Katie’s (Ed.: now very) irregular newsletter, The Gulp, too. And check out the Atlantic Canada Beer Blog‘s weekly roundup. Still gearing  up, the recently revived All About Beer has introduced a podcast, too. (Ed.: give it a few weeks to settle in and not be as agreeable.) Plus follow the venerable Full Pint podcast. And Fermentation Radio with Emma Inch. The AfroBeerChick podcast as well! And also look at Brewsround and Cabin Fever. And Ben has his own podcast, Beer and Badword (Ed.: …notice of revival of which has been given… still not on the radio dial…)  And remember BeerEdge, too, and The Moon Under Water. There has also been the Beer O’clock Show but that’s now wound up after ten years.

*OK, a couple of weeks after The Times mentioned it.

The First Thursday Beery News Notes For Summertime

I took the week off. Things to do. That toilet flap with the itsy-bitsy trickily drip? Replaced. Raised bed cover? Mended. Hedge? Trimmed. Whipper?Snipped. So I am a bit tight for time. Good thing, then, that the beer world went dead this week as far as news goes. Me, I might go over to the USA on Friday but might just go to the west end of Ottawa instead… border still have rules you know. Maybe nip over to a dep and an SAQ in Quebec, too. I’ll let you know if I did next week. Please stay calm in the interim. Please. If I was going south over the big river this week, I could hit the Thursday night “Beers, Bikes and Barges” talk in Albany, NY where Craig is talking.

Join the Historic Albany Foundation, Discover Albany, the Albany Ale Project, and the Erie Canal Museum for this hourlong cycling tour through Albany looking at the city’s Erie Canal and brewing history. See sites like the location of the enormous John Taylor and Sons Brewery and Lock #1 on the Old Erie. The ride begins and ends at C.H. Evans Brewing Company, where you will be treated to a beer as part of your ride as well as a brief history of the brewery itself.

That sounds like a lot of fun. Though they misspelled enooooooormous. Because it really is that big. H_GE and a zillion U’s in between. Big. And that’s only the remaining part of the facility. There is even a stream running right under the building still. That’s the sort of thing you get to see when Mr. Gravina hauls you all over town saying “LOOK AT THAT!!!” 37 times a minute.

Stan released his latest Hop Queries bulletin by Telex… err… email subscription and, as always, has the substantive news that the kids all are filling the streets demanding.

Hop acreage strung for harvest in the three northwestern states of Idaho, Oregon and Washington declined this year for the first time since 2012. Given what happened to world beer consumption beginning in March of 2020, that shouldn’t be a surprise. There’s an overall surplus of hops, in various forms, to be worked off. Fact is, farmers only reduced acreage 2%, planting 59,896 acres, which is 1,255 more acres than they harvested in 2020 . . . and 30,213 more than 10 years ago.

So… is it Crisis, What Crisis? or These Be Yon End Times! Dunno. I tend to pay more attention to my reassuring blood test numbers than freaky hop acreage stats. Other news? Apparently BrewDog didn’t share it’s private business planning with the world a few years back – just like every other private business didn’t:

Brewdog’s CEO James Watt was involved in preliminary discussions about a potential sale of part of the firm to rivals Heineken, the BBC has learned. Leaked emails from 2018 reveal he told Heineken he was “open to being more pragmatic in our views on independence”. He previously criticised craft brewers for “selling out” to bigger companies. Brewdog said the BBC’s reporting had demonstrated “vindictive scrutiny and malicious criticism” of the beer firm.

Why would this be something anyone would think would be made public? I was thinking how BrewDog has basically replaced all of macro industrial beer as the “bad guy of beer” – some of which – maybe much of which – is probably deserved… but the weird thing is how they have seemed for a whole to soak up all the attention for the past few months – and perhaps letting other bad actors off the hook.* So, it was some relief to see that GBH has shifted focus to another toxic situation well worthy of attention:

A current Tired Hands employee says Broillet has effectively resumed his role as CEO and is at the brewery’s facilities six days a week. A former brewer who left the company this spring as a result of Broillet’s presence at the brewery confirmed that the founder has been working at Tired Hands’ property for months. “The public wasn’t made aware of that at all. He just kind of snuck in and [employees] really don’t want him around,” the former employee says.

Conversely – at least in the heroic outcome department – Martin himself shared another bit of research no doubt uncovered in the preparation of his upcoming book on stout with the tale of how Guinness administered under medical care got one particular gent out of a rather challenging personal situation:

On Sunday June 18 1815 at around 6pm in the evening, at the height of the Battle of Waterloo, ten miles south of Brussels, a 33-year-old captain in the 7th (Queen’s Own) Regiment of Hussars named William Verner, born in County Armagh, Northern Ireland, was hit in the head by a French bullet — one of 47,000 casualties that day.

Fabulous. Far less corpse ridden, Ray wrote an excellent piece for their B+B Patreon subscribers on his father’s approach to pubs:

He also taught me everything I needed to know about pubs and drinking, when I started (a bit late) in my early twenties. I remember sitting with him in the Railwayman’s Club in Bridgwater while he explained that I was drinking too slowly to be sociable: “Bloody hell, son – like this! Chug, chug, chug…” Third of a pint goes. “Chat, chat, chat. Chug, chug, chug.” Next third disappears. “Chat, chat, chat, then finish it…” Final third down the hatch. “Then get the next round in.” I think of him, I guess, as the ultimate Pub Man.

My old man was a church minister… but he was late to the ways of the cloth and shared hints of a similar youth in industrial Scotland. A short poured pint would “have gone back in the bartenders face when I was a lad.” Tales of great uncle with head butting skills. Hence my familiarity, no doubt, with this sort of grim news from the Old Country:

…alcohol-related hospital stays were nearly eight times higher among the most deprived Scots. Minimum unit pricing was introduced to curb excessive alcohol consumption and related harms, including death, crime and unemployment. But a separate PHS report published earlier this month found “no clear evidence” the policy had reduced consumption amongst the most harmful drinkers.

Bad news continues. Good beer is at risk of collapse, according to one correspondent from the antipodes:

Joseph Wood started making beer in a shed in New Plymouth more than a decade ago. Now he’s a master brewer, and the beers he makes at Liberty Brewing north of Auckland are some of the most awarded in the country. But he’s never seen anything like the past 12 months. “It’s a miracle we’ve managed to keep stock on the shelves. People moan about the price of beer – they’ve been lucky to get it at all.”

Is it that bad? Let’s watch and see if the brewery closings speed up. I give them a summer grace period. We’ll know by October. And, speaking of the neg, there was a interesting anti-craft comment of  note over at NHS Martin’s post about his visit to the Ring O’Bells:

I can barely recall* a time when I’ve resorted to the can fridge for a beer in a pub, I’m so utterly mistrustful of the fancy can lottery, which in pubs is often the repository for the wackiest sweet and sour high abv fruity-sweet hell-beers that I’ve never heard of. Also, is it just me that regards drinking what is in effect the takeaway/off license option in an on-licensed premises, somehow like eating a takeaway in a restaurant, kinda not the point. And finally, why is it that what’s probably the only acceptable use of a specialist drinks fridge, for bottles/cans of good dry ciders, is as rare as speckled hen teeth…

Lordy. An unhappy man in beer? Never hoyd of it! Well, neither did the person making the comment as he was actually quite happy in a good pub with a pint of plain beer.  But… it does speak to division in a way that I get – and worth tucking away should a new sort of craft collapse actually be underway. As to the fancy can lottery, just this week I got tricked** into trying a Cold IPA*** in a fun can which, if true to Nu-Styl Rools, means an unbalanced blast of hot Minwax furniture polish to the mouth with thin traces of malt. Similar themes were afoot in this YouTube bit Eoghan Walsh noted shared of Irish people trying craft beer. Hint: they aren’t signing up anytime soon. Not a growth sector. Thinking of investing your time or money further in craft? Please tell us why in the comments.

There. Thought it would be shorter. Sure didn’t take that long to write. Last week? I poured over that one over and over for days. No one gave a crap. As they shouldn’t. For more, check out the updates from Boak and Bailey mostly every Saturday but not from Stan every Monday as he is on his summer holiday. Check out the weekly Beer Ladies Podcast, and at the weekly OCBG Podcast on Tuesday (Ed.: back again this week) and sometimes on a Friday posts at The Fizz as well. There is a monthly sort of round up at The Glass. (Ed.: that seems to be dead now.) There is more from DaftAboutCraft‘s podcast, too. And the Beervana podcast. And sign up for Katie’s irregular newsletter, The Gulp, too. And check out the Atlantic Canada Beer Blog‘s weekly roundup. Plus follow the venerable Full Pint podcast. And Fermentation Radio with Emma Inch. The AfroBeerChick podcast as well! And also look at Brewsround and Cabin Fever. And Ben has his own podcast, Beer and Badword (Ed.: …notice of revival of which has been given… still not on the radio dial…)  And remember BeerEdge, too, and The Moon Under Water. There has also been the Beer O’clock Show but that’s now winding up after ten years.

*Time for another reminder of the “Sex For Sam!” project that still gets that pass.
**Tricked, I tell ya!!
***I name no names.

The Mid-June 2022 Edition of Thursday Beery News Notes

Finally. I am now convinced we may not get snow again… probably… the crops are a’risin’ and they are getting noticed and even harvested by strangers new to the neighbourhood. I even sharpened the manual mower and dug up the now dead fig tree’s root. In fact, I was reminded just last Saturday how much better beer was than having a fat guy at 59 heart attack when, laying on the lawn sweaty and staring at that damn fig root once cut from the planet which gave it life, I chose to have a beer rather than a heart attack. Good call. Meantime, I got on the Dall-E app thingie to see what all the cool kids are up to. Apparently the AI for the app likes its beer writers fat, white and male. I don’t dare show you the other three panels. Still… quite extraordinarily perceptive.

First up, I love this image from the Mi’gmaw academic Robbie Richardson of Princeton – and his caption: “There was a two man band doing a mix of Pink Floyd and Louis Armstrong covers.” Fabulous. He was in a London working man’s pub and captured the spirit of the scene in this shot as well as a second photo. Note: not yet included in the listed, upgraded or relisted by the Department for Digital, Culture, Media and Sport on the advice of Historic England.

Speaking of pubs, there is pub ticking and there is speculative pub ticking that requires you to tick a pub just in case only to find out that the pub was not worth the tick! But in the tick that was not ticky there are also gems, like this beer right here, a Dulse Stout. I like the sound of that. But I grew up near the Bay of Fundy.

Evan demonstrated a deft use of social media on Wednesday with his multi-tweet, multi-media argument on the relationship between Czech culture and a state owned Czech brewery. Read it. It’s better than 87% of the paid beer writing this week. Here, let me start you off:

I keep seeing Czechs ask “Why shouldn’t we privatize Budvar?” aka “Why should the Czech Budweiser brewery remain under state ownership?” A few quick thoughts on the pros and cons.

A bit further out there, we have either apparently run out of gimmicks or have achieved master level gimmick:

A Scots brewery has joined forces with a company of professional musicians in a bid to discover whether playing piano to fermenting beer affects the taste… Sean Logan, a member of the company, is playing a wide selection of his music to two batches of new beer now in the fermentation tanks at Bellfield’s brew house. The two new beers – Resonancy IPA and Resonancy Pilsner- have been brewed specially for Pianodrome’s summer-long ‘Resonancy’ at their new, upcycled piano amphitheatre at the Old Royal High School.

And, never the gimmick, I missed this a month ago about the last Fred Fest coming and going:

This weekend marks the final Fred Fest, a rare beer charity event created to honor the birthday of legendary Portland beer journalist Fred Eckhardt. Later this summer venue host Hair of the Dog Brewing is closing, and this will be one of the last occasions to celebrate both owner Alan Sprints and Fred Eckhardt’s invaluable contributions to the industry in-person.

Boak and Bailey had somewhat positive experiences at three ‘Spoons and were pleasantly confused:

It was busy but peaceful with mostly older drinkers chatting in groups as diffuse sunlight warmed them through big windows. Ruddles was, again, surprisingly, delightful, this time at £1.49. Adnams’s Ghost Ship (£2.10) was good, too – a reminder of what a great beer this can be, full of citrus zest. The tables were spotless and polished and the in-house mag sat there looking harmless, with a cover feature about Curry Club rather than, say, DOES TRUTH MATTER? 

But what about goes into what is in the glass? A study is being undertaken by my old alma mater, Dalhousie, in combination with two local breweries, 2 Crows and Propeller. They are looking to see if they can solve an old issue with how malt is made:

Historically, malting involved soaking barley in water, laying it out on the floor to germinate, and then drying it. This is a process called floor malting. Today, pneumatic malting is automated with large maltsters spreading the barley out on a perforated floor and blowing air through that floor to precisely control temperature and humidity before drying the malt. Two concerns about floor malted barley have been hindering the growth of craft malting: the potential for higher levels of a flavour-altering compound called Dimethyl Sulphide (DMS), and a condition called premature yeast flocculation…

Big picture, brewing industry economic challenges continue. Belgian brewers face bottle shortages:

Companies like the historic Huyghe brewery in Flanders, for example, are starting to run out of bottles. The lifeline, for now, is the accumulated stocks of bottles that were purchased from a supplier company in Russia. These days, supply has been interrupted and finding alternative suppliers with the capacity to respond in Europe is anything but easy due to the strong concentration that has occurred in the industry in recent years.

Similar stories out of the UK and Germany. Plus not enough C02. Plus drought. Plus the hot sauce is disappearing. (Glad I have backup.) In Hawaii and in Asia, the brewing basics are not as easy to get your hands on:

All food prices are going through the roof in Singapore. “It’s getting harder and harder for us to get any supplies at all,” Jesemann said. Hops and malt, delivered by ship from Germany, are also becoming hard to come by. The pandemic and the Russian war have made everything more complicated.

Now… there was an interesting set of three separate posts this week which added up to a bit of an interesting conundrum or at least signs of change. Worth unpacking.  First, to set the scene, Jeff used all his fingers and toes and came to the correct conclusion that there are a lot of beer  brands out there:

I was doing that same back-of-the-envelope math recently, and things have changed just a smidge. American breweries are within spitting distance of making a million individual beers. Maybe they already do. Three changes account for this. (1) The US has seen a more than fivefold increase in breweries since 2010, to around 9,500. (2) The number of beers each brewery makes has skyrocketed. Partly that’s a function of a changing market that rewards churn. But partly it’s a result of the fact that (3) almost all those breweries have taprooms, and a a lot have multiple taprooms. People are in turn drawn to those retail sites to sample new beers and buy four-packs they can’t get at the store. 

I totally agree. We could also do a similar calculation of local bakery cookies, squares and other doodads. As things localize and multiply – as the dream of big national craft continues to fade – we have a splendidly mindboggling range of options… as long as you can be everywhere all the time. Which you can’t. Which leads me to Robin and Jordan writing in conversation as they do monthly for Good Food Revolution. This month they discuss the fragmentation of style over the same timeline that Jeff discusses his numerical ker’splosion:

J: It’s not just flavour, either. As part of the instruction at George Brown, I’m explaining to people about the Lovibond Company. They were stained glass manufacturers who came up with a standard colour spectrum for beer. Sort of pale straw down to deep brown, but in gentle gradation. One of the students asked, “So what happens when beer is suddenly pink?”

R: I do take your point. While styles have changed so much throughout the centuries, things do seem to be going pretty alarmingly fast in terms of flavour development, with everything but the kitchen sink being put into a beer. Sometimes the beer is even aged in a kitchen sink for that flavour.

It’s an interesting discussion – but, with respect, it does move a titch to the reactionary. In the sense that it depends on chestnuts like Garrett Oliver on wine (no, wines have a massive range of flavours) and dear old Michael Jackson (whose declaration of style as periodic table flopped way before the beer went pink.) But it serves as a great X axis to Jeff’s Y.*  Facing this shock of the new… well, newish… we (rejecting the 1880s Michelson and Morley approach) should not worry about preserving a conceptual status quo. In the million brand universe the idea that beers can “rise up above all of the nonsense” like hit songs may not recognize that (i) the hits were rarely the most interesting songs** and (ii) there are far too many beers now for it to mean anything when a tiny foil Sunday School gold star gets awarded. It is simply no longer meaningful. That centre no longer holds.

Which leads us to Ben Johnson who has rejoined the land of the beer writer and posted his first post since last he posted in over a year and a half, reminding us all to disclaim the freebie:

It’s pretty basic marketing. For the cost of beer and shipping, you can put your product into the hands of people who are happy to share news and images of that product with your target audience. Beer writers and influencers get beer, they write about it and photograph it, and then share their work with their beer-loving followers; and the brewery, at least in theory, sells more of that beer.

This, too, is now a bit of a read guard action. Not because people don’t let folk know when a freebie is being discussed. We see disclaimers all over the place now – and that is great. Problem got solved. But the new problem is… it’s also sorta useless. And sorta 2018. Think about it. What beer drinker is now so weak of will that they are influenced? Wanted to be subjected to marketing? Second, many of the more interesting breweries just do not send freebie samples just like they don’t submit beers to award competitions. They know their base and have no need of the TikyToky marketplace of ideas. Third, too many freebie opinions boiled down to generic praise. Worse, fingerwaggery may ensue. Me, I can buy the beer.*** I can take the risk with a few bucks that I might not like something once in a while. Frankly, I am much more likely to be attracted by a skillful brewery that also displays a bit of good humour and jokes with itself. I am also much more interested, like Mr. Lemon, in what is a short walk away.

All of which adds up to something. And its something very different from even just pre-pandemic. The pre-pan. There is now just too much in beer to be aware of all that much about all the beer. It has been foretold, of course. Over seven years ago it was clear that it was impossible to be a “beer expert” but we are also well past even that. With the explosion of brands and styles and influencers (not to mention the seemingly hundreds of beer award competitions – now including a prize for iconic supermarkets? FFS. Really?? Have things gotten that tight for the award fee gatherers?) the confusion isn’t fading, it’s now a bazillion times worse. Or maybe better. Is all that variety actually all that bad ?

What can the poor beer writer do? No problem. Keep it specific. Look for the details. Experience what is actually there and now what you’re told should be there. And maybe write about it. That’s what I say. By this I mean if you are someone with the knowledge of what is good right there in your local area write about it… or write about what London Cooper was or… what is interesting about trademark law as it affects brewing or… or even what Ron has been eating… well, then you have half a chance to still be interesting and informative or even just funny. Write – even if its probably not all actually journalism. Writing is good. I’ve said it before but it’s worth repeating. Write. It’s hopeful thing. The hope that we acknowledge the rich niches which have replaced outdated umbrellas and overarches and authority figures. THIS JUST IN: no one need read Michael Jackson ever again except for archival purposes.

Perhaps connectedly, Stephanie Grant thought about something like it and wrote an interesting piece at her space “The Share” comparing craft beer now to the downsides of dating, including the fork in the road at phase 3 :

This is the part of the relationship where you start questioning things. Should I stay or should I go? It’s a hard question when beer has become part of my identity. What happens when it’s not? I left my job at the brewery. I started freelancing full-time. Initially, I dreamt of writing for breweries, but I started questioning that. Did I even want to work in the industry anymore? During this stage, my beer fridge went mostly untouched. It had been months since I posted about beer and even longer since I purchased a six pack. Meanwhile, my cocktail bar GREW.

Did she ditch the dud at phase 4? You will have to go read.

The rut is real – and, let’s be honest, maybe its because just as we have this unwieldy explosion of beer brands and alleged styles, we also have a limited range of beer writing themes.**** So much writing has not caught up with the scene from the consumer’s seat. Why listen to drinkers when you can talk at brewery owners? Yet… I think the last few years’ worth of new writing on social justice through the lens of beer is invigorating and, like the niche and the local, points to the way. Focused as it is on their personal experience, it is a step forward exactly because it’s written by people who actually do “think about press freedoms or the politics of their readers” and then think about their experience in beer overall. These writers have had to work to be heard. And beer doesn’t traditionally have much time for the bad news. Commissioning editors get the yips about bad news but these writers now sometimes write uncomfortable personal things. Discomforting interesting things – unlike what that DALL·E mini app would have us believe as illustrated above. It is also interesting that it is occurring just as established news services also shine a brighter light on the little ways of brewing.  Again, I speak of hope. This is excellent. And it bodes well for a better future.

What’s it all add up to? In the million brand world, just don’t be a follower. Be the subject of the story of your own experience. We simply don’t have any use for the good old days when craft beer was the defined as the domain of the heroic great white male, whether brewer or writer. A past when perhaps, to channel Mr. Ahmir Thompson, we have been burdened by the achievers who kept down creatives. Someone should let the DALL·E mini app up there know we may be done with that. If we are lucky. It’s a needed change – because it was not all good and fun, whatever you were told.*****

There. Another long variation on a theme. But that’s what the beery news notes is for! Reading the writing. And for more, check out the updates from Boak and Bailey mostly every Saturday but not from Stan every Monday as he is on his summer holiday. Check out the weekly Beer Ladies Podcast, and at the weekly OCBG Podcast on Tuesday (Ed.: back again this week) and sometimes on a Friday posts at The Fizz as well. There is a monthly sort of round up at The Glass. (Ed.: that seems to be dead now.) There is more from DaftAboutCraft‘s podcast, too. And the Beervana podcast. And sign up for Katie’s irregular newsletter, The Gulp, too. And check out the Atlantic Canada Beer Blog‘s weekly roundup. Plus follow the venerable Full Pint podcast. And Fermentation Radio with Emma Inch. The AfroBeerChick podcast as well! And also look at Brewsround and Cabin Fever. And Ben has his own podcast, Beer and Badword (Ed.: …notice of revival of which has been given… still not on the radio dial…)  And remember BeerEdge, too, and The Moon Under Water. There has also been the Beer O’clock Show but that’s now winding up after ten years.

*Another interesting X and Y graph would be where one axis represented the collapse of  stylistic and branding certainty and the other axis represented the increase in card carrying Cicerones.
**Have you ever seen “Pina Colada Song” aka “Escape” lip sinc-ed vids? Big hit. In its fifth decade of existence. Shitty.
***This is my favorite line when a brewer offers me samples, that I am not one of that sort of writer. Brewery owner then laughs. Then I laugh. It’s a nice bonding time. Then I pay and go.
****They include: (i) social justice through the lens of beer, (ii) comforting praise for the rural brewery preferably founded by career changers… perhaps before they change back, (iii) beer writers interviewing beer writers and other circles of praise, (iv) possy spin over what arrived for free this week (yet… who could deny him this time?) and (v) affirmations of the abiding beer fibs through time like there is nothing to worry about the marketplace, temperance bad, puritans really bad, j-curve good ’cause beer is health food! (I often think of whether Gary Bredbenner so well remembered by Lew at the time now 13 years ago was affected by this… and Norm Miller as well.) Not to mention the crap that isn’t even beer. Fibs and lies, I say. Money in this case is the root of all evil, isn’t it… yet so is its absence.
*****Which is to say we are well past the day a decade ago when Melissa Cole could say that “brewing industry is not only booming and forward-thinking, it is also fabulously friendly” while James Watt was calling someone out by saying “…if we wanted advice from you, it would be about how to simultaneously patronise women and bastardize beer…” Quite the reversal! But it is a meaningful reversal of sorts as brewing is not and has not been a friendly place even if there are friendly faces to be found. And it’s good for us all to have grown up even if it means you leave behind those things of interest in youth.

These Are The Beery News Notes For The Week Of Jubilee Madness

It is here! Jubilee!!* There shall be bunting. Confession time: I like the Queen herself. I like the structure that the Crown in Canada give the law that I practice. And… that’s pretty much it. Others are less enamored thanbeven that. So… we recognize that Her Maj does like a drink and a pub yet we do recognize that the whole rah-rah Union flag bunting and the children of Oswald Mosley’s nasty jingoism has tainted the whole flaggy wavey aspect… along with the colonial record… and… rampant and growing inequality… and well… Boris… but HRH like a drink and a pub!  In commemoration of the Platinum Joobe, I participated in one of the few ways the government in Canada provided and got a few pins. Pins! What Canadian child doesn’t long for their very own lapel pin celebrating HRH? And in mad cap celebration, one will be gifted to the maker of the cleverest comment left below this post or on social media responding to this post on an appropriately related theme. Remember – cleverest.

First, I missed this a few weeks back, a post from Ashley Newall with a number of forms of branding from Bradings brewery of Ottawa, the first step on our blessed patron E.P. Taylor’s rise to fame.  Of particular note is the photo of the Bradings Man by Yousuf Karsh and how similar it is to one of EPT’s assets, the branding for Cincinnati Cream Beer discussed in the bigger scheme of cream beer six years back.

Two writers took the helpful step this week of tweeting guidance on stories located in obscure journals. First, a Lily Waite bio in Waitrose Magazine (as illustrated) and, second, ATJ in Brewing & Beverage Industries Business saved here on the perils facing brewing industry in these uncertain times. Brewery closures, investment failures and hegemony from big craft. Times are hard at all corners of the trade, especially given the UK’s situation. It was all foretold of course, if only by the obvious patterns set out in brewing industry history. Consider this letter from Carling to Molson in the 1930s. Beer competes. Beer colludes. The small and weak fail. Spend your pennies wisely.

Not sure the monks were all that wise with the pennies as Jeff explores, here quoting from reporter John W Miller** of the publication America: the Jesuit Review:

“…it is very modern, with automated machines that require only a handful of workers. Everything is top-of-the-line. Bottling lines come from Italy, brewing gear from Germany…” In order to service the debt and fund the monastery, the business plan called for the monks to build to annual production of 10,000 barrels a year… Miller helpfully reports that they had annual revenues of $1.5 million, which is pretty good if you’re not servicing a lot of debt.

In Boak and Bailey’s newsletter for May there was a comment made which, unlike everything they have ever ever written, had me shaking my head. It’s this passage in a good discussion about when to stop blogging:

Another natural full stop on a blogging project might be when you ‘make it’ as a writer and sell your first commercial piece. That’s not why everyone gets into blogging but we’ve certainly seen quite a few people make that transaction, with the blog as a stepping stone.

Perhaps what is meant is that this is the reason folk themselves think to stop blogging about beer – which I agree with – but it is not an actual reason to stop writing for the public without pay on a website you control. Why write to make someone else money? Seems weird. Let’s be honest. You have not made it or (too often) you have not made much of anything. So much of what I have to sift through to put together this weekly review is boring derivative and/or feeble writing for pay.  Very generously I would say half of what is most interesting is writing shared freely.*** Very generous half. Hunt out that other good stuff along with me. And write.

Lew on blind tasting:

We taste 5 spirits (blind picked by my daughter from 20 whiskies, rums, barrel-aged gins, calvados) in colored @GlencairnGlass & fearlessly guess all but one wrong.

Lew: “I’m dead sure we’re stupid…” Gold!

Not really related at all, BBC Four apparently ran a replay of Abigail’s Party last evening. You can see the entire miserable drunken thing here. A great trip back into “not nostalgia” for anyone convinced the past was a better place.

Perhaps it’s just an unfortunate camera angle but only in Montreal could someone out-Scandinavia the Scandinavians when it comes to stark and grey:

The space, designed by Ethan’s wife, interior designer Annika Krausz, has soaring ceilings, a firehall door with daytime light streaming through, and heated floors for the winter. Two immense earth-toned paintings by Annika’s father, renowned artist Peter Krausz, and a huge red light fixture above the semi-circular bar further enhance the space.

Another sighting of a brewery sending 100% of proceeds and not just profits as part of supporting the Ukraine cause. Good.

Debates of the week: (i) In the US, can you cool warm beer that was previously cold and (ii) are UK rough pubs a real thing?**** Expertise abounds with, as per, many contradictory positions taken.

Conversely, for years I wondered why beer writing did not focus more on particularly fabulous pubs… then I realized that there would be a chill from the many of those not mentioned,***** one of the great drivers in beer writing topic selection. Robot says “must raise all ships must raise all ships.” Happy then are we to see in Pellicle an honest to goodness warming tribute to a great singular pub, The State Bar of Glasgow:

The State Bar isn’t particularly trendy or arrogant, it’s a humble affair with an unassuming frontage. Possessing an Edwardian horseshoe bar upstairs—an ideal spot for watching football, doubly so as the bar is strictly non-partisan, (a rare blessing in Glasgow). Head downstairs and you’ll find yourself in what feels like the cosy library of a well-to-do Victorian household, complete with dusty books to read, well-worn leather chairs and a crackling fireplace. You can find all the essentials here; house wines and spirits, Tennent’s, Guinness, Cider & McEwans 80-/, or “wee heavy” as it’s known by the locals, and a stage for the bar’s weekly comedy or acoustic nights.

Nice. Now on to cheery international beery news time. Price hikes of 6% to 10 % expected in Japan. In India, beer drinkers may also be facing beer price hikes in addition to the local rationing mentioned last week. South American brewers are seeing “early signs of demand destruction” while a beer contamination scandal in Brazil (in which coolant and wort mixed during the brewing process leading to deaths) has reached the courts. Brewing for a rare medical disorder charity in New Zealand.

Finally, GBH seemingly did the right thing – though in the wrong order – and got some actual advice about writing risky bits about BrewDog and British court processes now republished, though there is the odd suggestion that others can rely on the legal opinion received. Beware! Now… it will be interesting to see if a legal paperwork of some sort now follows. As I have often said, just getting a legal opinion doesn’t stop a plaintiff from taking steps. I trust all involved got independent legal advice, too, just in case assurances had been given.

For more, check out the updates from Boak and Bailey mostly every Saturday but not from Stan every Monday as he is on his summer holiday. Check out the weekly Beer Ladies Podcast, and at the weekly OCBG Podcast on Tuesday (Ed.: but not again this week) and sometimes on a Friday posts at The Fizz as well. There is a monthly sort of round up at The Glass. (Ed.: that seems to be dead now.) There is more from DaftAboutCraft‘s podcast, too. And the Beervana podcast. And sign up for Katie’s irregular newsletter, The Gulp, too. And check out the Atlantic Canada Beer Blog‘s weekly roundup. Plus follow the venerable Full Pint podcast. And Fermentation Radio with Emma Inch. The AfroBeerChick podcast as well! And also look at Brewsround and Cabin Fever. And Ben has his own podcast, Beer and Badword (Ed.: …notice of revival of which has been given…)  And remember BeerEdge, too, and The Moon Under Water. Things come. Things go.

*I expect scenes not unlike those in The Return of the Archons to play out. In tribute, an old pal used to shout “Festival!” in bars as he smoked three cigarettes at a time. That sort of thing.
**Quoting heavily yet still slightly slagging the author he relies upon as it relates to a side issue: “… but he’s not an industry writer and doesn’t realize…” No need of that… I clearly like to project a less saucy approach!  
***If you have any doubts, read Boak and Bailey‘s archives… then go on to Jeff at Beervana… or Jordan‘s site or… or… or…
****Of course they are. The playgrounds of racist, sexist and every other sort of beery bigotry… oh, and violent, too. But most labeled as such are not.
*****And perhaps also the tourist association funders who ensure junkets are (i) paid for and (ii) non-selective. I mean, sure, a rising tide raises all boats but who doesn’t want to control the tides???

The Thursday Beery News Notes For May Two-Four 2022!

May two-four. Back again. I explained it back in 2014 when I included the photo to your right (my left) of Bob and Doug McKenzie who were Canada’s #1 export forty years ago and whose 1983 movie, Strange Brew, is the last cultural statement about beer before microbrewing struck in earnest. Even though the movie isn’t set on the Victoria Day holiday in the second half of May, you can see many aspects of our drunken mildly retro-pro-monarchist celebrations replayed in Canadian homes as well as at campsites and cottages throughout the land this weekend as people feign gardening and practice inebriation. And it’s a big year for our top dog, our numero uno, our favourite anti-Nazi. Speaking of which… you know what broke? That cap thing on my whippersnipper that keeps the weedwhacker’s string coil in place. How the hell does that break? Spool went flying and the lawn’s all half haggy still. Didn’t so much break as ‘sploded. Now I have to hunt down a replacement lawn trimmer line cap or I have to buy a whole new thing-a-ma-jig. Pray for me.

Now… to the beer news. First up, a set of photos posted by the Glasladies Beer Society of a recent Glasgow beer fest set up in what looks like a somewhat permanent outdoor space. Being who I am, a child of children of the Clyde, the event looks like a mass gathering of aunties and uncles and masses of cousins. The use of steel container boxes is interesting as a relatively cheap but cheery but secure set up. Looks like it was held at the Glasgow Beer Works in the Queenslie Industrial Estate. This may be a common site for some of you but sometimes that’s still remarkable.

Next, Ron wrote a piece he titled “The Future of Mild” which serves as an interesting counterpoint to the fan friendly writings on the style mentioned two weeks ago. Ron provides an interesting set of thoughts about Mild itself and how styles may or may not make a comeback:

I’d love to go to Cross Green and drink 10 pints of Tetley’s Mild again. But it isn’t going to happen. The world has moved on. Beer styles come and go. And almost never return. I’ll just cherish the memories of a time that’s gone forever. Like a Porter drinker in the 1940s. The same fate, incidentally, awaits Pilsner and IPA. All styles have their day.

The fate of Mild has been formed he suggest as “it’s harder to throw all sorts of random shit into a Dark Mild.” That would seem to be where we are at. The post also lead to an interesting considered discussion on the nature of revivals. Jeff wrote:

…I wonder if a style that was once quite popular ever came back as a major style, perhaps not as popular as it was during its heyday, but with significant production. It’s probably happened, but I suspect it’s very, very rare. Once fashions change, styles sunset.

TBN reminded us of the classic example of style revival – Hoegaarden. I expect this is as much framed by the word “style” and its imposition limiting structure but the entire micro (1980-2003)) and craft eras (2003-2016) were based on revival of lost beers. Hoppy malt rich ales were descendants of earlier strong ales like Ballantine IPA and Dominion White Label as much as they were clones of imports.  So… revivals common enough in the days when brewing was not so wound up with novelty and amnesia. We always have to remember how quickly we forget. As recent at 2011, SNPA’s place in the pantheon was still somewhat speculative. Now, of course, it was always the source of all things including those that came before it – thanks to the nation’s PR professionals!

Speaking of perhaps one revival or perhaps homage that has not lasted, one bit of news that I was a bit surprised to learn about this week was how St. Joseph’s Abbey of Spencer, Massachusetts is no longer brewing its beer. This was all the news in 2015 and I reviewed their first beer as you can read here. The monks announced:

After more than a year of consultation and reflection, the monks of St. Joseph’s Abbey have come to the sad conclusion that brewing is not a viable industry for us and that it is time to close the Spencer Brewery. We want to thank all our customers for their support and encouragement over the years. Our beer will be available in our regular retail outlets, while supplies last. Please keep us in your prayers.

Jordan thought it a particularly worrying development based on their low labour expenses. Greg reported that the equipment was already listed for sale before the announcement. I gratuitously added the 2015ish image up there from the celler’s stash for Stan. Pretty sure the bottle has move about six inches in seven years.

Des generated a wonderful cascade of comments related to cellered casks with this big barrelled beery buttery – including these cautionary ones:

Not being funny, but going on that photo, “immaculate” is a strong word. Serviceable, cleaner than many, maybe. And as I’m sure has been pointed out, a 36 (massing the best part of 200kg) is a H&S nightmare. You romantic.

Note: please don’t send out bleggy emails saying “ I don’t have limitless cash on hand to subsidize this project, but it’s reality nonetheless. I need at least [XXX number of] paid subscribers…” Listen to the wind… the marketplace of ideas is speaking… write for joy or get a job to support your hobby interest in booze.

Boak and Bailey elaborated something at their Patreon widget-a-thing  that was evident in their (lovely and highly recommended) account of Ray’s out for hike and stopping at rural pubs with pals:

…at least part of the joy we took in drinking it on this occasion must be down to having “earned it”. The same goes for that first beer of the weekend, after a tough week at work. Or, as many people have observed, almost any mediocre lager you drink on holiday. How do you compensate for this effect? Well, you don’t, unless you’re a Top International Beer Judge. Instead, you report the context when you give notes on a specific instance of drinking a specific beer. And you make judgements about the overall quality of a beer based on mutliple encounters in multiple contexts. A beer that tastes good every time you bump into it is probably a good beer, full stop.

I wonder if we have become so enthralled with these beer judging events for hobbyists that we miss the obvious – that those beers actually do taste good in those contexts. And that judging contexts make beer taste bad. Because they are geared to ensure failure. Because that is what institutionalizing human experience does, makes you distrust and then outsource your own experience of life. Stop feeling bad because someone who has a certificate for passing the equivalent of a grade 11 history class says so.* Not to suggest TBN is not correct when he explains “Beer is weird. You’re lucky to have me here, putting things straight.” It is. We are.

Handy example: print off and cut into separate burger and beer images. Throw all in air and match the beer with the nearest burger. Equally valid. Every. Time.

Rolling Stone put out a story about beer prices this week under their “Culture Council” tab, not something I have notice from them in all my years at the coal face. The author, Kevin Weeks of Anderson Valley Brewing (who actually follows me on Twitter so I feel extra bad for not noticing before), argues interestingly that any increased costs faced by brewers are likely not going to justify the level of price increases that consumers are going to see on the shelf from the big brewers so…

For the smaller craft breweries facing this dynamic, this is an excellent opportunity to differentiate their brands by both managing pricing and clearly conveying priorities to the consumer. The most obvious tactic is to hold price (or implement only slight increases) to create an opportunity to increase market share through a comparable pricing advantage over the larger brewers that are grasping for margin.

And this passed by my eye this week, “It always rains on Monday” by Ian Garstka. More of his work can be found on IG. Prints available from the artist.

Perhaps relatedly at least atmospherically, Gary posted about “Birmingham Beer Detectives, 1937” who in plain clothes were sent out to protect the interests of the beer-drinking public and augment lab testing quality controls:

It seems therefore, at least for a time, a two-track beer-tasting inspection system existed, city and industry, to control beer quality in pubs. Perhaps the whole thing, at city level, collapsed with the Second World War – bigger fish to fry, if you will, but this remains to be known. Certainly at industry level, tasting onsite continued into the postwar era. A number of press reports, one pertaining to Ansells in 1949, attest only too graphically, a conviction of an inspector for drunk driving.

There’s a BBC historical drama script right there for the taking. I can smell the damp tweed and ashtrays now.

Note: “Finnish brewery release new beer celebrating Finland joining NATO“!

Note also: “TikTok star says Wetherspoons ‘scammed’ him out of £2,000 of food and drink.” Star!

Finally and falling under Stan’s reminder “no one cares what you think, Alan” I upset Maureen a bit a tiny bit (which I never like to do) when I commented about this article on Hogarth’s Gin Lane and Beer Street as I mentioned it amounted to was a bit of a sneeky apology for mass drunken frenzy. My observation was quite specific so I should explain so that all you all can correct me. The first half of the article is fairly straight forward GBH-style with loads of quotes from other sources framing the well understood topic. But then it goes in an odd direction mid-essay with the statement that those “in positions of power in England sought to create an all-around negative image of gin.” According to the article’s own previous paragraphs rightly describing the generally understood hellscape unleashed by gin at the time, I was left wondering if it could also be said that people in power now are perhaps creating an all-around negative image of the Covid-19 virus. My wonderment didn’t last. I found this key angle within the article odd. Odder still the suggestion that the works of Hogarth were for an elite:

Because of the timing, “Gin Lane” and “Beer Street” are often viewed as a work of moral propaganda, and some have speculated they were commissioned by the government to help reach gin’s working-class imbibers. Tonkovich points out this is not the case, however, because that working-class target couldn’t have easily accessed these prints. “These prints would not have been affordable for the working class,” she says. “They might have seen them in a tavern or through a window, but they couldn’t buy prints, so who is the audience for these? People of the press and the merchant class.”

The thing is… I just don’t think that is correct. Because I don’t think that is how mass communications and specifically those on virtue and vice worked at the time. If you look about at English political pamphleteering in the 1600s and 1700s, you see a wide-spread, robust and even salacious debate within a highly literate population. Vibrant grassrootism. You also see in the first bits of the 1700s, the development of the First Great Awakening and proto-Methodists sermonizing to many millions.** Consider, too, 1751’s Essay  on the Characteristicks and the “frenzy” of gin. Ideas related to a proper and healthy society were flying about. These and other Hogarth pieces fit into that scene. And, as the Royal Academy explains, fit into it in a very specific and intentional way given Hogarth’s process:

Hogarth aimed the prints at the popular, rather than fine art market, stating in his prospectus for the prints that: ‘As the Subjects of those Prints are calculated to reform some reigning Vices peculiar to the lower Class of People in hopes to render them of more extensive Use, the Author has published them in the cheapest Manner possible’. As a result the line in these prints is thicker and less sophisticated than in other prints engraved by Hogarth, both to enable the printing of more impressions without significant loss of quality, and to approach the characteristic style of popular prints.***

We are assured, via the hive, that the two prints were in wide circulation and that Hogarth’s works were even used for moral instruction by schoolmasters. So if they are not luxury items but rather something of a targeted public service announcement to those at risk, the paragraphs that follow seem strained, racing through the Victorians and US Prohibition then on to us today with a suggestion of the elites guiding government overstep. And, on the rebound, inappropriately sewing  doubts as to Hogarth’s good faith intentions under the guise of some sort of shadowy social engineering as opposed to improving public health. Had gin been slandered? Seems all a bit goal oriented.****

There. More fodder for a good general public debate. Away you go! And for more, check out the updates from Boak and Bailey mostly every Saturday but no longer from Stan every Monday as he’s on another extended leave of absence. Plus more with the weekly Beer Ladies Podcast, and at the weekly OCBG Podcast on Tuesday and sometimes on a Friday posts at The Fizz as well. There is a monthly sort of round up at The Glass. (Ed.: that seems to be dead now.) There is more from DaftAboutCraft‘s podcast, too. And the Beervana podcast. And sign up for Katie’s irregular newsletter, The Gulp, too. And check out the Atlantic Canada Beer Blog‘s weekly roundup. Plus follow the venerable Full Pint podcast. And Fermentation Radio with Emma Inch. The AfroBeerChick podcast as well! And also look at Brewsround and Cabin Fever. And Ben has his own podcast, Beer and Badword (Ed.: …notice of revival of which has been given…)  And remember BeerEdge, too, and The Moon Under Water.

*If you are unaware of this phenomenon, I recommend the works of Ivan Illych to you, starting with 1973’s Tools for Conviviality.
**and they themselves mocked in return.
***See also “The marketing techniques of William Hogarth (1697-1764), artist and engraver” by Mark McNally at page 170 “The conscious decision to set the price of prints according to the theme and the intended audience was further demonstrated with the distinctively didactic Gin Lane, Beer Street and the Four Stages of Cruelty which were advertised twice in the widely read London Evening Post on 19 and 26 February 1751 priced at one shilling each being ‘done in the cheapest manner possible in hopes to render them of more extensive use’ with an alternative set priced at 1/6d being done ‘in a better manner for the curious’. Despite the relative lack of sustained advertising for these key prints, which formed the basis of Hogarth’s campaign with his friend and magistrate Henry Fielding to draw attention to the moral decline of the lower classes, they became as popular as many of his more heavily publicised prints. This was perhaps due to the fact that they were primarily meant as social commentary and evidence of the need for reform rather than for commercial interest…” and also especially at footnote 123: “Hogarth noted with satisfaction in how ‘some masters gave their apprentices sets of the prints as Christmas gifts’ and that ‘he had even heard of a sermon preached on the prints’.”
****PS: a word about disagreement. If we are going to take beer writing seriously at all, we need to get used to the idea that a reader may either (i) disagree with aspects of what they read (as I have above with backing supporting research) or (ii) call out poor writing (which I have not done above.) One of the saddest things in good beer culture is the “hooray for everything!” mantra and, its cousin, the abusive response for those who who don’t buy in to the hooray. Let’s be honest – rooting for booze is weird. I blame too much booze and good folk struggling for not enough money as the commissioning organs do just fine. In this case, my comment to Maureen attracted the less than attractive, the dropped turd. Let’s be honest. I get negative comments and labels all the time and have for a couple of decades from publications high and low,***** sometimes from people I can’t imaging deserving one’s full respect. One scribbler who has my respect once even told me “hear that – that’s all the beer writers in Toronto mocking you” to which I responded “who gives a fuck about beer writers in Toronto?” We don’t worry about such things, especially now that the beer writers in Toronto either either have moved on now and are mowing the lawn somewhere in the suburbs, arguing with themselves. None of which relates to the article above that, in small part, I disagreed with. It is a well enough written if skimmy summary with a mild expression of the standard beer writer political slant on public health (“…nanny state! …neo-prohibitionists!! …folk putting my income at risk but mentioning health!!!“) but, no Maureen, it is not an example of something that did not exist before. The wheel that was invented long ago still turns round and round. Which is good. Because it gets thoughts going and leaves conversations enriched. Which is why I do this every week – to think about what is being written. If you aren’t doing that, why do you bother?
*****Funny ha-ha joke…no really… just kidding… footnote to a footnote, too! Very light and amusing, right?

Your Thursday Beery News Notes For The First Of May

OK, the lawn has been mowed. Even though we had frosts three times in the last week. That is a milestone. As is the Craft Brewers Conference for 2022. I like the logo. No reference to #CBC2022. Actually looks like it was used by the Minnesota Beer Distributors’ Convention back in 1974. Right down to the bottle rather than, you know, a can. So… some people are getting back together. To get a bag or two of fruit sauce. Even we were out last night at a favourite place and hardly anyone had a mask on. Yikes. Our local numbers have moved from worst ever to less than worst ever so people must have forgotten or given up. Fingers crossed!  That’s where we are. Fingers being crossed.

The big news is in beer periodicals… as it is periodically. Is there a comeback being made with the news that All About Beer has been revived to some extent by Beer Edge collaborators Andy Crouch and John Hall:

When we founded Beer Edge in 2019, we drew on our experiences with All About Beer and the role it had in developing our own education and careers to help define the vision for our new company. Meanwhile, All About Beer’s bankruptcy concluded and the company and magazine closed for good. Bradford and Johnson later regained control of the brand itself and the content archive. And in early 2022, they agreed to sell these individual assets to us.

I will be interested in hearing about the business model. Andy, a public service lawyer in the real world, is acting as publisher with John reviving his role as editor, a position last held in 2017. After learning that GBH is essentially subsidized by non-publication public and private revenues (and subject to the inexplicable* withdrawal of cash, too) I thought a bit about the other ways of making an entirely niche topic at least break even. Pellicle, for example, on its third anniversary has announced a sustainability goal based on subscribing patrons with a noble goal: “your subscription lets you ensure that people who can’t afford it can still access our features, free of charge“. I am among the subscribers as Pellicle often offers writing you don’t see anywhere else. The main remaining old school periodical is Craft Beer & Brewing run these days by Joe Stange appears to be run as a for profit business with generous old school subscription rates with various tiers no doubt providing quite a range of valuable benefits.  I don’t subscribe as I find the articles, however excellent, to be often aimed towards the supply side, rather than me and my consumer demands. What is the proposition now from All About Beer?

The other big news in the brewing world in 2022 is really the resurgence of big beer. Or rather BIG BEER. As illustrated this week by the fabulous news from Molson Coors:

Molson Coors Beverage Co. says its profits soared in the first quarter for its largest quarterly sales growth in more than a decade. The Colorado and Montreal-based company, which reports in U.S. dollars, says it earned US$151.5 million or 70 cents per diluted share, up from US$84.1 million or 39 cents per share a year earlier. Underlying net income excluding one-time items was US$63.8 million or 29 cents per share, compared with US$1.6 million or one cent per share in the first quarter of fiscal 2021. Revenues for the three months ended March 31 were US$2.2 billion, up nearly 17 per cent from US$1.9 billion, primarily as a result of strong growth outside of North America amid fewer on-premise restrictions in Europe.

So much for the end times that all the experts spoke of. Like seltzers taking over. We do, however, still seem to have a slight bitterness in the mouth. Speaking of macro-lag, The Tand shared an image of what I think is a very attractive beer label, Cerveza Victoria lager from Malaga Spain. Utterly unhip with its middle aged guy in a suit wiping the sweat off his bald head, the use of white in his shirt, the hankie, the table and the background sends the image of pounding heat. I like the straw hat, too. Lovely design.

Less wonderful are the stories David Jesudason shared of his disheartening discriminatory experiences in the bigoted wine world for Glug:

One of the worst racist nicknames I endured was repeatedly said when I worked at a bar during my university days from 1999 to 2003. It was my job to carry the bottles of wine from the cellar and the manager of this West London establishment – Keith – would reward my efforts by calling me Gunga Din. For those not familiar with the Rudyard Kipling poem (and I’ve got a feeling that my racial abuser only knew the title) it’s about an Indian water carrier so expendable that after being killed helping the British Army his life is summed up by the jokey line: ‘You’re a better man than I am, Gunga Din.’ Although it’s a highly offensive term, it’s actually fitting as I was as dispensable as Kipling’s Hindu hero and if I’d complained I would’ve been ushered out of the door.

Just to be clear, the need for the efforts of Crafted for All and Beer Diversity at #CBC2022 give me no greater hope for the experience in the beer world.

Also at #CBC2022, rolling out craft’s long stale mantras of “we” and “winning” and “wars” is so utterly bizarre. And to my mind, the group think enforced at these gatherings has led to things like hazy IPAs being effectively gateway drinks for seltzers. Dumbing down leading to loyalty leachate. And shit like this:

… beers brewed with marshmallows. This once niche ingredient has actually become a trendy adjunct, but will it stick? …the marshmallow beer trend is like a Peep in the microwave: it is on the rise! Just last year, the number of beers containing marshmallows available through Tavour increased 31% over the year prior… these brewers started using mallows in small doses in select Stouts… fans of the brewery loved it and continue to love it. Tavour recently featured one such Drekker, a dessert-inspired smoothie Sour –– Chonk Mango & Marshmallow. It sold out in less than 48 hours.

I feel dirty just mentioning that. Sharing another sort of thing I don’t want to experience, Ed told a tale of mixing beer and rock climbing this week as he retro-ticked:

On the last night of our trip as the pints went down we were planning what to do in the morning before we went home. We were tempted by the fizzy keg climb Double Diamond (HVS 5b) on the impressive Flying Buttress. I was also tempted to pour more beer down my neck, it was the last night after all. When it started raining heavily I agreed to lead the climb before heading back to the bar, confident it would be far too wet to climb in the the next day. So when I was greeting with blazing sunshine when in my hungover state I peered out of me tent in the morning I was not filled with joy. 

By contrast, Jordan has done the far more sensible thing and taken up writing about beer more often. I say this with the greatest of pleasure as for a certain set it can seem that one of the qualifications for being a beer writer, when not hiding in podcast oblivion,** is not actually writing all that much about beer. Not Jordan! His immediate focus? Actually reviewing beers that show up in the mail and being a bit honest about the process:

I didn’t read the label. Although I try to do right by everyone, sometimes, there’s so many samples that I’m profligate. Sometimes I’ll try things and they aren’t worth mentioning; I’d just hurt the sales. Sometimes, I’ll really enjoy something but I won’t find a place for it. With Hoppy Pollinator, I just didn’t want you to know about it on the off chance you’d prevent me getting more of it next year.

I liked this article by Will Hawkes about the current trend of Dark Mild in England’s Black Country, a theme I’ve seen nosed around periodically over the years. Twenty years ago and more, Sarah Hughes Dark Ruby Mild was a but of a lantern in the dark to the home brewing set. I say I liked it but more so after I did a bit of text analysis on the 3,800 piece to establish what I was reading given, you know, it was filed under the word “critical“… something of an unlikelihood.  I thought to do this primarily as the article makes no mention of the sorts of background to Mild that one would find in, say, a piece by Ron Pattinson… like his 2011 bit in the BeerAdvocate “A Short History of Mild.” So… 42% of the article is made up of quotes from folk in the trade. Three historical records are cited and the rest is mainly pleasant physical observations or input from or about four breweries making these Dark Milds: Yates, Bathams, Fixed Wheel and Box Car. What do we call this sort of writing? If it was in the newspaper, a lifestyle piece on a regional scene?

Matt mentions another aspect of reality:

News of another brewery closure. They are dropping like flies at the moment. My thoughts with all the affected staff.

That was raised in relation to Exe Valley Brewery shutting down. In operation since 1984, the current owners only held the reins since 2020. They join another brewery well into its fourth decade, Wood’s Brewery in Shropshire, along with many others. Normal churn or end times? Hard to know but hard times for the owners and staff.

On the up beat, Beth Demmon continues her series of profiles at Prohibitchin’, her blog receivable by email, with this week’s article on Lauren Hughes, head brewer at Pittsburgh’s Necromancer Brewing and how they are seeking to make change:

Strategic hires at Necromancer Brewing, ensuring long-term support of said hires through consistent mentorship, and plenty of community-facing events that signal safety and support for marginalized people. “Having people enjoy beer in a place where they feel welcome and being able to give back to the community so much, that means a lot to me,” says Lauren.

Finally, I am not sure I would call a beer experience “Schubert-like in its symphonic harmony” given he completed only six of his thirteen symphonies and one of those is named Tragic.

There. For more, check out the updates from Boak and Bailey mostly every Saturday and from Stan every Monday except last Monday and next Monday, plus more with the weekly Beer Ladies Podcast, and at the weekly OCBG Podcast on Tuesday and sometimes on a Friday posts at The Fizz as well. There is a monthly sort of round up at The Glass. (Ed.: that seems to be dead now.) There is more from DaftAboutCraft‘s podcast, too. And the Beervana podcast. And sign up for Katie’s irregular newsletter, The Gulp, too. And check out the Atlantic Canada Beer Blog‘s weekly roundup. Plus follow the venerable Full Pint podcast. And Fermentation Radio with Emma Inch. The AfroBeerChick podcast as well! And also look at Brewsround and Cabin Fever. And Ben has his own podcast, Beer and Badword (Ed.: …notice of revival of which has been given…)  And remember BeerEdge, too, and The Moon Under Water.

*Actually, quite explicable.
**Let’s be honest. They take up too much footprint in your audience’s available time, you can’t cite an idea within them for a quote, the attract no comments of consequence and they contain no means to link to something they reference. You may as well as be sending postcards to the handful of folk who listen. And writing “umm” for every seventh word.

Your Beery News Notes For The Easter Long Weekend

Four days off at Easter in mid-April is quite sensible. March is too dodgy with the threat of snow. This weekend promises, on average, at least one day of decent half-assed yard work with tasty drinks. Spring is here and soon the lands will be dry. Events too are coming soon. The annual revival is on at nearby Church-Key on May the 7th. Things are happening. I like this event three weeks later at nearer nearby MacKinnon Brothers – and I really like this poster which is a play on their Crosscut brand of ale. Doing things outside. Sprong has spreenged!

First, after the weekly news went to press last week I read an obit from The Times which was worth noting. It was for a young policeman man, Flight Lieutenant Douglas Coxell, who, by just 24, became one of Britain’s most accomplished bomber pilots serving both on D-Day and at Arnhem. This is a great line:

A jovial man, Coxell brewed his own beer and was known by his RAF colleagues as “the Soak of Peterborough”

This second beer related recollection in the obit is also worth noting:

Coxell had been mentioned in dispatches for his daring sorties in Norway, but his greatest feeling of achievement in the war came in early 1945 when he and his brother Peter joined their father and his fellow First World War veterans at the snug bar of the White Hart pub in the Cambridgeshire village of Old Fletton. “It was the proudest moment of his life to present two commissioned air force officers, one flying Spitfires with the 2nd Tactical Air Force in northern Europe and one flying Halifax modified bombers on supply drops to the Norwegian Resistance,” Coxell recalled with tears in his eyes. Much drink was taken.

I am a regular reader of Retired Martin‘s posts from the road as you all know but this week he pulled back the curtain on the exciting exotic life of a pub ticker:

… it’s actually quicker to get from Waterbeach to Guyana than Gunton, home of my next tick, a first newbie in more than two (2) weeks. Gunton has a station, right next to the Suffield Arms, which is convenient as the road is closed due to it being inconvenient to close it that week. The GBG reckons it’s in Thorpe Market (this year, watch it move to Southrepps in 2023). Work that one out. I’ve marked two other GBG entries either side of the Suffield. They’re all called “odd name Arms“; I was TORMENTED by the the fear I’d go in the wrong Arms, particularly as they’re all the sort of rustic gastropub that exist entirely for holidaymakers from Overstrand.

Legal notes this week include Brendan P sharing how Stone is being sued for pinching the trademark of another brewery. I’d be suing for around 50 mill. In other asset lightening news – this time related to your wallet – John Hall encountered a new form of gouge. Being asked to pay more for the sort of tap the beer is poured from. The rip is on at Dogfish Head. Shocking. Not shocking.  Also, Guinness settled a 2015 claim related to the Irishness of beer not brewed in Ireland resulting in a rather modest settlement:

The outer packaging of six- and 12-packs of Guinness Extra Stout sold in stores between 2011 and 2015, McCullough’s suit alleged, led consumers to believe that the beer was brewed at the historic St. James Gate brewery in Dublin, Ireland. It was, in fact, being brewed in New Brunswick, Canada — something that was noted in small print on the side of each bottle…  Those who filed a claim before a deadline last year will receive 50 cents for each six or 12-pack of Guinness Extra Stout purchased between 2011 and 2015, up to a total of $10 without proof of purchase, or up to $20, if a claimant can provide proof of purchase.

The Mudge has reported that England has joined the rest of us in the 21st century and now requires calorie to be listed by all but the smallest restaurants and pubs:

It probably won’t make much difference to obesity, but then the entire government anti-obesity strategy is misconceived anyway. And of course calories are only one figure in the overall mix of nutrition. But what it will do is to give consumers the facts to make informed decisions – it is treating them as adults. It is hard to believe now that, going back forty years, the strength of alcoholic drinks was never declared. When CAMRA first published figures of original gravity – which is a rough approximation to alcoholic strength – in the 1970s, there was an outcry from the brewers, but it is now accepted is routine. I would expect that, in twenty years’ time, we will look back with surprise that calorie figures were ever not stated.

On a related note, I came across one Canadian brewer doing what every pro beer scripto-consult-p/t dishwasher-expert said was impossible: a beer can with a nutritional info label. From a can of Rally Golden Ale made in Thornbury, Ontario. Nice. Treating people as adults.

This is an interesting graph posted ten weeks ago by Dr. McCulla. I am not so much interested in the graph as the footnotes. Utterly unreliable guesstimates. It is so odd that the US still has no grasp on its own brewing history before the mid-1800s.

Ron has, as mentioned, be involved with some extended travel and (finally!) has rid himself of the burden of beer writing to get down to a more essential topic in a two–parter, the eggy breakfasts on Cartagena, Columbia:

As with many restaurants we visited early doors, it was deserted. Almost. One table was occupied by a group of men. One of whom was so load, that he literally made me jump. And hurt my ears. While being right over the other side of the room. And me having my back towards him. I was so glad when they fucked off and I could eat my breakfast in peace. But I’m getting ahead of myself. I was delighted to see fried eggs on the menu. But worried they’d come hard fried again. That would be such a downer. I tried to make clear I wanted the yolks runny when I ordered. “Huevos fritos. Liquido, por favor.” See how fluent I am in Spanish. Almost like a native. At least the waitress understood, as two beautifully fried eggs arrive a little later. I’m so happy. Even though they’re served with nothing other than toast.

This was a helpful lesson. An article on a return to the what has been called the toughest pub in Britain, Walthamstow’s Tavern on the Hill (described as  featuring scary customers, random acts of violence and grim facilities) has discovered a very different scene:

I find an impressive 5-star food hygiene rating sticker on the door (something even some popular upmarket chains can’t claim to have); a friendly Scottish barman in a bright pink shirt; and a large collection of impeccably-tended houseplants. A quick scan of the pub’s Twitter reveals it has changed hands, seemingly not long after the YouTube video was shared… and it’s new look couldn’t be more different from its old one. It’s a Tuesday lunchtime and the atmosphere inside is calm and communal. A few locals sit chatting near the bar. The bartender is giving one of the older customers advice about his National Insurance, while other customers are having an amicable debate about the latest Downing Street scandal.

I even read a beer book this week. I am on a bit of a book reading spree, having organized myself a bit, now on my 19th book of the year. The 18th book was 2010’s The Search for God and Guinness by Stephen Mansfield. A good and reasonably quick read, it’s more a book on the family than the brewery and focuses on their Christian and otherwise ethical good works over the centuries. There is also a helpful bibliography. Here is an interview with the author from the time of publication from a faith-based point of view. It reminds us of how subject to mannerism beer writing is, how formulaic. While a bit of a hagiography it is at least an attempt to discuss the haigo and not the more common happy clappy booze trade PR.

Finally, a new form of beer: illegality and political crisis beer.

For more, checking out the updates from Boak and Bailey mostly every Saturday and from Stan every Monday, plus more with the weekly Beer Ladies Podcast, and at the weekly OCBG Podcast on Tuesday and sometimes on a Friday posts at The Fizz as well. There is a monthly sort of round up at The Glass. (Ed.: that seems to be dead now.) There is more from DaftAboutCraft‘s podcast, too. And the Beervana podcast. And sign up for Katie’s irregular newsletter, The Gulp, too. And check out the Atlantic Canada Beer Blog‘s weekly roundup. Plus follow the venerable Full Pint podcast. And Fermentation Radio with Emma Inch. The AfroBeerChick podcast as well! And also look at Brewsround and Cabin Fever. And Ben has his own podcast, Beer and Badword (Ed.: …notice of revival of which has been given…)  And remember BeerEdge, too, and The Moon Under Water.

The Thursday Beery News Notes For The First Of April

Here we are. Real spring. No more frozen nights on the forecast. Brussels sprout seeds are in some soil.  The cardoons are up. Cardoons? Yup, cardoons. Four foot tall edible thistles, a Victorian veg. Harry Dobson would be proud. Still rather insulated from the exterior world by my convalescent state but I am assured things are progressing as they should. It was April Fool’s Day last Friday. Best beery April Fools? This is my candidate. Silly but also somewhat restrained. What people might have actually asked about having once in a while, as a joke… as a… what… treat? A good brand making fun of itself. That’s a good thing, making fun. Like this! Fun!

Now, enough of that. Time to get serious. First up, care of Merryn, we learn that the BBC has reported on a Roman brewing site found in England, with speculation that it was actually only a malting with suggestions of a rather complex brewing industry:

Archaeologists have identified evidence of 2,000-year-old beer production at a site of a road improvement scheme. The remains of a Roman malting oven and charred spelt grains were found during digging in Bedfordshire, as part of the proposed work on the A428 between the Black Cat roundabout and Caxton Gibbet. Experts have analysed the grains and said they suggested people who lived there were involved in making beer…”As large quantities of grains are only allowed to germinate when the aim is to produce malt – the first step in the brewing process – this strongly suggests the people living at the settlement were involved in beer production,” a Mola spokesperson said.

Some serious neato going on there. Also neato? A map! This is an interesting info graphic. Who asks this question? I suppose health professionals. Utah makes sense but look at the dividing line between West Virginia and Pennsylvania. The Florida panhandle and Alabama. Why? I have not idea. I am Canadian.

Pellicle posted one of the best articles it has ever had its hands on this week, a tale of tall ales titled “I Want To See Mountains Again — The Banked Beers of Teesside, North East England” by Reece Hugill:

Half-full glasses are pulled from the bar-back fridge, topped up feverishly from the hand-pull. Placed in front of me are two ridiculous looking pints of ruby-red cask beer. Foam cartoonishly mounded a full four inches higher than the brim of the glass. Wobbling and bubbling, alpine peaks and whips of pure white…

…The pints of Bass at the Sun Inn are magic. It’s a beer I usually don’t even like, but when banked, the beer seems to change a tiny bit. The fluffy head brings out a little more bitterness, the body is mellowed into something less vaguely malty and brown, into something soft and clean, like, perhaps, an unusual dunkel lager…

Excellent. You could do this with an Olands Ex back in college but it was a matter of pouring the bottle yourself.

Lars posted a really good thread about Christmas “sugar beer” for children in Norway including this fabulous if fairly frightening fact:

This newspaper article is quite illustrative. Headline: “The favourite beer of the kids.” They use 3kg sugar for 20l + 1/2 cup of malt extract. If you ferment it out fully that’s 8% ABV. No wonder “the kids prefer this to any soft drink.” Prob not 100% fermented, but still.

Question: is this a new technique? Holding some of the dry malt in a dry aromatic barrel?

In the increasingly vibrant world of beer related litigation, we have (care of Mike Kanach, Esq.) learned on one Mr. Parshall “who does business as Sports Beer Brewing Co. that is operated through a website” – court said this about his business:

Parshall is required to transfer to the university all Internet domain names containing a portion or derivative of Penn State’s marks. He also is to transfer sportsbeerbrewing.com so it ceases operation. The injunction prevents Parshall from engaging in any conduct that would cause consumers to erroneously believe his goods and services are authorized, licensed or affiliated with Penn State.

That is just weird. Took a university’s IP and put it on a beer can. In 2017 he did the same thing with Purdue and another judge did pretty much the same thing. Self-represented. Weird.

Not as weird, Stone now seeks a permanent injunction despite the Keystone brand lords announcing a remake after five years. With any luck they’ll find a new way to jerk Stone around. And mid-weird, the little and large tale of BrewDog and the not quite hired consultant* continues and even made The Times of London. This passage neatly captures the two aspects which have confused me:

Allan Leighton, BrewDog’s chairman and the former boss of Asda, has accused Hand & Heart of “amplifying attacks” on its management team and has declined to take part in a proposed reconciliation programme. In a letter to Kate Bailey, Hand & Heart’s managing director, Leighton said he was concerned about a platform that had been set up for BrewDog workers, claiming it was “encouraging participants to submit malicious content . . . The unavoidable impression is that of H&H charging the company to extinguish a fire it is fuelling itself.”

On the other hand, BrewDog apparently continued to shoot itself in the foot without the assistance of others, rolling out a quote from the consultant that they did actually hire… only for that consultant to point out they never said any such thing. Weird.

This was a fabulous find as posted on Twitter by Mr. S. Smith, a mint 1960s form to fill out and pass over the counter at a Brewers Retail store in Ontario. A buck twenty eight for a dink pack.  Until 1969, you had to give your name and an address to get your beer. Presumably you filled out the last line by hand if you were buying quarts. Crain Business Systems must have made a killing on this contract seeing as this was the only way in Canada’s biggest province to buy beer outside of a sit down establishment.

Finally but fabulously, Beth published her latest edition of Prohibitchin’ (sign up here) and featuring (i) Ashley Johnson and Jasmine Mason bringing cider to Philadelphia along with first (i) this bit of local slang they had adopted in their business’s name – The Cider Jawns:

“Jawn” /jôn/: Philadelphia slang that’s used as an all-purpose substitute for literally anything—a singular or plural person, place, thing, or event that can’t be specifically described…

Jasmine and Ashley are having the time of their jawns. Or is it the jawn of their lives? …“We looked around and a lot of the attendees were women, but there weren’t a lot of women of color as vendors,” explains Jasmine. Ashley agrees, noting that while there wasn’t much diversity in vendors, there were plenty of Black women and other women of color enjoying themselves as attendees. The discrepancy spurred them to action. “We were inspired to take something we enjoyed and bring representation of women of color to the hard cider and brewing industries,” says Ashley. They launched their Cider Jawns Instagram shortly after to “share our cider journey and take our community along for the ride,” she says.

There. Blame all the errors on the meds. For more, checking out the updates from Boak and Bailey mostly every Saturday and from Stan every Monday, plus more with the weekly Beer Ladies Podcast, and at the weekly OCBG Podcast on Tuesday and sometimes on a Friday posts at The Fizz as well. There is a monthly sort of round up at The Glass. (Ed.: that seems to be dead now.) There is more from DaftAboutCraft‘s podcast, too. And the Beervana podcast. And sign up for Katie’s irregular newsletter, The Gulp, too. And check out the Atlantic Canada Beer Blog‘s weekly roundup. Plus follow the venerable Full Pint podcast. And Fermentation Radio with Emma Inch. The AfroBeerChick podcast as well! And also look at Brewsround and Cabin Fever. And Ben has his own podcast, Beer and Badword (Ed.: …notice of revival of which has been given…)  And remember BeerEdge, too, and The Moon Under Water.

*Example: I don’t have a clue what this means. Or this.

The Last Beery News Notes And My Golden Pints For 2021

Well, it’s been a bit of a napping sort of time, these last few days. Not much going on. Can find enough to cut and paste enough together to come up with enough beery news notes? Between an increased lockdown and the general Yuletide slowdown, it’s been very quiet. And New Year’s Eve is tomorrow. What to do? What to do? Research canapés and hors d’oeuvres of course! I’ve started my prep and even recommended a resource as shown to your right (Ed.: to my left), a copy of  which you can download for free here. Scotch Woodcock is looking interesting. Scrambled eggs with a little anchovy on tiny toast. Yum.

Is there any beery news or other beer writing to report upon? Jeff Alworth wrote one of the most detailed and slightly obsessed year in review posts which is, one the one hand, clearly a bunch of links to stuff he had thought about and written about throughout the year but, on the other hand, obviously a fabulous summary of all the stuff he had thought about and written about throughout the year! Summary of his summary?

It was a transitional year, but also one that never got out of second gear. Things went back to a kind of new normal, but nobody has been very happy about what that looks like.

Yup. But at least he got to do a US National Grand Tour and updated many fine thoughts and observations as a result. Good stuff.*

Also, Gary Gillman* posted the inordinately and perhaps unnecessarily formally titled “Index to Gary Gillman’s Writing on Porter and Stout” which is a fabulous resource. I would say Gary has had his best year of beer writing. His research on Jewish Breweries of Eastern Europe before the Nazis is one of the most remarkable things I have ever read under the guise of beer writing. Just look at his fabulous post “Hops of Galicia, Beer of Lopatyn” published in mid-November and then look at the twenty or more posts he has written in the weeks between then and now. Blogs dead? Nope, you just fell asleep.

And it is wonderful that Katie‘s piece on the modest dinner roll… bun… bap… was the #1 read piece on Pellicle this year. It’s probably the reason I started supporting them on Patreon. It’s the sort of quality writing that keeps me supporting them. Hope she put the old plates of meat up on the old pouf.

In more newsy news, apparently during these summer months in Australia, drinking beer too quickly is a bad thing:

It used to be a famous sight of the Australian cricket summer – former Australian prime minister Bob Hawke skolling a beer during the New Year’s Test at the SCG. But if the late Hawke skolled a beer at the MCG during the recent third Ashes Test, he would have been among many fans to have been ejected from the venue for drinking their alcoholic beverage too quickly. During the three days of Australia’s thrashing of England at the famous Melbourne stadium, countless cricket fans were booted out for skolling their beers.

There. Your beer word for the week: skolling.

Note: the new 2021 BJCP Style Guidelines are out. The beer I am having right now is excellent and breaks the rules. Table Saison by Meuse is only 3%. No one cares. And that $2.43 is a nutty price. 

And without further ado… well, perhaps a bit of fanfare… I give you…

My Golden Pints For 2021

Favourite new Ontario beer: I thought this was going to be easy after I tweeted this earlier in the month:

Holy crap! Why has no one screamed at me about Sklepník from @Godspeedbrewery? This is one of the best beers I have ever had. Constrained, bread crust malt, herbal, even creamy. Wow. And “sklep” means shop in Polish so that’s totes cool. Shop beer. 

Definitely Skelpnik… but then I had my first Meuse 8 yesterday. So it is a tie. I have not been on side with Jordan’s longstanding claim that this is a golden age for good beer. It is, however, now clearly a golden age for beer in Ontario.

Favourite Old Beery Friend: Peculiar Strong Ale by Granite Brewing. I’ve written about my youthful 1980s in Nova Scotia before, in 2008 for the 15th edition of The Session and again in 2017 when I wrote about a dusty business case study of the Halifax bar scene. for I am not going to be one of those dinkledorfs who will pretend to be able to tell you it does nor does not taste the same but it is very nice to be able to pour a beer that was poured for you around 35 years ago at the time when, in addition to some fine regional breweries and a raft of imports, the Canadian microbrewing scene was taking off.

Best Pub Experience: none.

Best Song About Beer: “Chaise Longue” by Wet Leg. This song is an NPR favourite but what hasn’t been pointed out quite clearly enough is that it is really a song about beer… or at least what goes on that chaise longue:

Hey you, in the front row
Are you coming backstage after the show?
Because I’ve got a chaise longue in my dressing room
And a pack of warm beer that we can consume

Beer song. 100%. Also the best song of 2021 if anyone is asking…

Worst Continuing Trend That Could Just Die: bland samey cartoons with a vaguely positive spin but an underlying tisk of one sort or another – oh and blobby graphics accompanying digital beer ‘zines.

Best Book about Beer: none… bad year for  beer books… though if I had access to more modern British Beer I would likely be happy to recommend Modern British Beer by Matthew Curtis* as a useful guide to my options. This illustrates the ups and downs of more localized beer markets – aka more normal beer markets.

Best New Voice: Probably just new to me. David Jesudason in Pellicle with “Desi Style — The History and Significance of England’s Anglo-Asian Pubs” and “On Bat and Trap, and Finding A Sense of Place in Rural England” both articles gave me a window into place and time. I have also obsessed over Bat and Trap coming on 15 years.

Best Trend in Beer: home delivery continues to be wonderful. Right in front of me as I type these words is a door in my basement to a cold room. There are portions of boxes of beer in there from Matron, Godspeed, Meuse, Leftfield and Stone City for present drinking and gift giving to the neighbours. All brought to my house. Half the time for no shipping if you know when and what to order. Fabulous.

Best Beer Blogger: one stands above all year after year – John Duffy of The Beer Nut. Why? Constantly top  quality writing by an encyclopedic and independent bon vivant, all offered with both sharp wit and a healthy slice of what I can only call humility. He will maybe laugh at me putting it that way but there is sort of decency and humanity that comes through… even when tearing a strip of something. He truly likes the brewing world and those who work in it. Rarely drops a name but highlights what they offer us all. If anyone sets the tone, it’s your lad, John. Drunk Tand agrees.

Best Imported Beer: The LCBO, our government store, brought in bottles of Timothy Taylor’s Landlord this fall and I like it. I have had it on tap when visiting the fam and I like it just fine in the bottle, too.

Biggest Waste Of Effort: either making or writing about pickle beer.

Best Beer Project: I know that Boak and Bailey awarded this their “Blogger of the Year” award but I think that is too narrow, perhaps a mislabeling. A History of Brussels Beer in 50 Objects by Eoghan Walsh is one of the best projects anyone who thinks at all seriously about beer has tackled in years. It is a book being writing before your eyes on a weekly basis. It is a draft of a TV script for a documentary shown on Belgian TV in 2026.

A final note. Many folk have given up on awarding this year’s beer best awards as part of their general abandonment of good writing about beer. What is up? It does seem like a point of pride with some beer writers that they don’t actually write all that much any more. As Stan got me thinking about this when he wrote his thoughts this week:

I realized as the lists started to roll out in recent weeks that I miss Bryan Roth’s annual effort to add objectivity to subjective choices. I’m too lazy to do something similar, but I did start saving lists a while back with the idea of posting them here in one giant listicle of listicles. Then I came to my senses.

And what is too often written is spun, formulaic or, worse, apologists. “The Five Best Beer Bars in Sarnia.” Lists of beer related presents at holiday time. 40 word beer reviews for throwaway advertising fliers posing as weekly community newspapers. Short, scripted lines for their 37 seconds on TV explaining this beer or that, those 37 seconds before the host laughs unkindly and moves on.  It’s sad that this has happened – and frankly a bit embarrassing in a lot of cases – but I figure it’s better to find something else to do like write trade PR if you have nothing much actually interesting to say. Happily there are other far brighter lights to follow and more new voices showing up regularly. I am happy to help you find it… if that is what I am doing on this site.

Oh – and by the way – one more thing… I have created another thing. A Patreon site. Not necessarily to make any money so much as to create a micro site to experiment with. Honestly, I will probably use any money raised to give to others via Patreon. The micro site is getting populated with content as you read this. Well, right around now. Yesterday for sure. I think you can find the Patreon page here. I tried to make it as cheap as I could but $1 a month is not recommended so I went with $3 USD, $4 CND. One price. All in. Stop by or don’t. I won’t judge you. Maureen** is clearly on board.

There. Welcome 2022 and to Hell with you, 2021! Even though it gave us the vaccine roll out and proved once again that humanity can pull its boots up and get things done if it puts its mind to it. OK, 2021 wasn’t so bad. Remember 2020? Now, that one sucked. While you think on that and plan your Friday evening snacks, please please check out the updates from Boak and Bailey mostly every Saturday and from Stan every Monday, plus more with the weekly Beer Ladies Podcast, and at the weekly OCBG Podcast on Tuesday (except when they check out like they have for the last two weeks) and sometimes on a Friday posts at The Fizz as well. There is a monthly sort of round up at The Glass. (Or is that dead now?) There is more from the DaftAboutCraft podcast, too. And the Beervana podcast. And sign up for Katie’s weekly newsletter, The Gulp, too. (That’s a bit now and then now.) And check out the Atlantic Canada Beer Blog‘s weekly roundup. Plus follow the venerable Full Pint podcast. And Fermentation Radio with Emma Inch. The AfroBeerChick podcast as well! And also look at Brewsround and Cabin Fever. And Ben has his own podcast, Beer and Badword (which he may revive some day…)  And remember BeerEdge, too, and The Moon Under Water.

*We have never met and neither of us owes the other money.
**TO my horror, when cleaning up and getting masses of paper files out the door and to a professional shredder, I realized I owe Maureen a modest sum for a project I dreamed up years ago that went absolutely nowhere. I found the envelope she sent her cheque in. Post marked Iowa. I am embarrassed. I need to make amends.