Industry Marketing – Page 9

When Steam Was King… It Was Common

Two years ago – well, 23 months ago, I wrote a brief passing thing about the concept of “steam” beer in a post about another thing, cream ale, but given this week’s sale of Anchor, makers of steam beer who proudly proclaim they are San Francisco Craft brewers since 1896, to an evil dark star in the evil dark galaxy of international globalist beverage corporations, I thought it worth repeating and expanding slightly. Here is what I wrote:

Adjectives from another time. How irritating. I mentioned this the other day somewhere folk were discussing steam beer. One theory of the meaning is it’s a reference to the vapor from opening the bottle. Another says something else. Me, I think it’s the trendy word of the year of some point in the latter half of the 1800s. Don’t believe me? Just as there were steam trains and steamships, there were steam publishers. In 1870 there was a steam printer in New Bedford, Massachusetts. A steam printer was progress. Steam for a while there just meant “technologically advanced” or “the latest thing” in the Gilded Age. So steam beer is just neato beer. At a point in time. In a place. And the name stuck. That’s my theory.

And here is what I would like to add. To the right is a news item from the Albany Gazette of 10 March 1814. As I have looked around records from the 18o0s for example of the use of “steam” I describe above, I found this one describing a steam battery both early and entertaining. I assumed on first glance that this was some sort of power storage system. In fact it is for a barge loaded with cannon. 32 pounder cannon which are rather large cannon indeed. Well, all cannon are large if they are pointed at you I suppose but in this case they are significant. For the nationalist vexiologists amongst you, I can confirm that the proposed autonomously propelled barge system of cannon delivery was reported six months before the Battle of Baltimore. Were they part of the sea fencibles? Suffice it to say, as with steam publishing and steam train engines you had steam based warfare by battle barge.

Next – and again to the right – is a notice placed in the New York Herald on 11 September 1859 indicating that John Colgan was selling three grades of ale and perhaps three grades of porter after “having made arrangements with W.A. Livingston, proprietor of steam brewery…” This appears to be an example of contract brewing where Livingston owns the brewery and contract brews for the beer vendor, Colgan. Aside from that, it is a steam brewery. Livingston’s operation was listed in the 1860 Trow’s New York City Directory along with a number of other familiar great regional names in brewing such as Vassar, Taylor and Ballantine. And it lists over two pages a total of four steam breweries, including Livingston’s. Which makes it a common form of industry marketing.

“Steam” is quite venerable as a descriptor of technology. If you squint very closely at this full page of the Albany Register from 29 January 1798 you will see steam-jacks for sale. It is also a term that moved internationally. In the New York Herald for 15 September 1882, you see two German breweries named as steam breweries. And again in the Herald, in the 10 August 1880 edition to the right, we see the sale of the weiss brewery at 48 Ludlow Street details of which included a “steam Beer Kettle” amongst other things. One last one. An odd one. If you look at this notice from the Herald from 14 June 1894 you will see a help wanted ad seeking a “young man to bottle and steam beer.” Curious.

What does any of it mean? Well, steam beer and common might have a lot more to do with each other than the just the name of a style.

Your Monday Beer New Links For The Return To Office Work

It’s not like I dislike office work. It’s just that I like a week off in summer better. Drove too much. About 2500 km all in all. Did home repairs and lawn stuff. Took trousers to the tailor. Visited a tiny new brewery. Yes, that one right there. I expect to post on the beers I dragged home hidden amongst the kids’ camp and cottage crap. What else went on this week?

Flying Dog Quits The Brewers Association

The recently Maryland-based brewery Flying Dog announced it had quit the Brewers Association and folk quickly took sides or at least thought a bit about which side they might take. Nothing better than when libertarians and progressives face off over something even though the both have a thing for tie-die shirts. The press release is pretty clear about what’s behind the move:

The BA’s new Marketing & Advertising Code is nothing more than a blatant attempt to bully and intimidate craft brewers into self-censorship and to only create labels that are acceptable to the management and directors of the BA. By contrast, Flying Dog believes that consumers are intelligent enough to decide for themselves what choices are right for them: What books to read, movies to watch, music to listen to, or beers to consume (and whether or not they like the labeling).

What’s really interesting about this is how it is tied in as part of the new optional (and seemingly stalled at about 20-25% buy-in) logo thing. And… freedom!!! Or just licence… or debauchery… or something co-opted. J. Notte summed it up this way on Sunday: “BA sees itself as a parent setting the rules, Flying Dog sees BA as a roommate who just set a fire in the living room.” What I don’t understand was where the BA membership outreach and committee work was on the logo and the code of conduct? Was this all actually just imposed without any trial balloons? More to the point, will others quit, too?

The Economist Noticed Craft Beer!!!

I found this story entitled “Craft Beer in America Goes Flat” interesting, pretty cool in fact as The Economist isn’t this micro focused [Ed.: get it? An economics pun!!] usually but it gets to the point: “the number of brands has proliferated, the number of drinkers has not.” [Ed.: sweet attention to that verb structure, too.] It might have been a link for last week but the lack of chit chat about the story since it came out is interesting in itself. I am sure if we ever see a retraction in US craft beer we’ll have months and months and months of explanation of how it’s not a retraction from all the smart people with careers invested in the expansion of US craft beer.

Why Even Call It “Contract Brewing”?

Ben Johnson expanded on his article in Canada’s newspaper, The Old and Stale, with a blog post that unpacks the contract beer situation in a pretty clearheaded manner. Me? I take nothing from the argument that consumers don’t care given that labeling laws don’t require that anyone tell consumers that a beer is brewed somewhere that isn’t the little sweet Grannie’s cottage the branding would make you think… but the other arguments are pretty good.

Let’s be clear. The firm that brews the beer bought on a contract is a “contract brewer.” Other folk in the retail supply chain are maybe a “beer company.” Nothing wrong with being a beer company. Also, it obeys English as one who does not brew can’t also be brewing. Doubt me? Ask one of them to change the yeast strain to improve the batch. Oh, not allowed. By whom? Oh, the actual brewer.

And the Co-opting Of “Punk” Started A Decade Ago

Good to see, as reported by Matt C., a Sussex-based brewery Burning Sky… a wee actual-ish crafty brewery has back away from BrewDog’s weird insistence that they are somehow connected to “punk.” [Ed.: they are only getting that in 2017? It’s like your nerdy accountant cousin Ken who likes to pretend he gets that hop-hip all the kids are listening to.] Anyway, BrewDog is great at marketing, aiming to be wonderful at opening branch plants globally as well as a chain of bars and half their beers are even sorta OK. But, let’s be honest, it’s hardly craft anymore let alone punk. A fledgling lawyer and his pal, a very successful brewer, dreamed up a way to get rich through beer with a smidgen less – what? – less of something… than even Malcolm McLaren‘s relationship to the actual invention of punk. Tellingly, Matt could only find a managing director for the BrewDog bars division to get a quote from. Small. Traditional. That’s it. Keep in line. Punks do that. Keep. In. Line. And… err… something co-opted.

Other Things of Great Importance

Jeff Bell posted a lovely short vignette of an encounter on the streets of London with a man sharing his beer.

Tweet of the week? From Matthew Osgood who neatly summed up the irritation posed by craft beer evangelists who just won’t stop it what with their knocking at the door fun, pamphlets in hand:

…my issue is that I don’t need a six-beer tasting session every time I come over to watch a game.

Jeff Alworth was exploring what things were like ten and twenty years ago in his fair town of Portland, Oregon care of a tweet and one of his best posts ever. Recent history benefits as much from reliance on records as much as the far dimmer past I wallow about in.

Rebecca Pate reported on her visit to our mutual hometown, Halifax, where she had a Pete’s Super Donair and… visited 2 Crows. Which is interesting as “crows” was a slag in my years at our mutual undergrad college.

Is Andy Crouch the first beer writer to actually pay with his own money when visiting Asheville? Seems incongruous.

And last but certainly not least remember to follow Timely Tipple for the weekly brewing history links.

The Intern’s Beery Links For Mid-July

Ah, the mid-July week off. Nothing teaches you more about how life is a fleeting interim stage than July. The poppies and irises are already in the past. The last of the early radishes have long been dug under. Time is passing. One day you wake up and discover you are a 54 year old intern for some guy named Stan. Hmm.

What’s gone on this week in beer?

When The Selling Out Game Has Some Weird Players

The BeerCast has posted an excellent unpacking of the sale of the discount shelf of London Fields (mothballed) brewery by an experienced guest of the Queen to those oddest of flatmates, the Danes of Carlsberg and the Empire State folk at Brooklyn Brewery. Expect a shedding of everything associated now with the name and then a massive leveraging of the name. For a mere four million pounds, most owners of craft beer won’t get out of bed in the morning. Given the situations of all involved, this deal looks like and smells like money all around.

Cheery Not Niceness

I enjoy these teletext messages from Matthew Lawrenson on Twitter. They retain his snappy direct humour but it’s like the words are coming out of the mouth of Tinky-Winky. I love the format he is developing. Thirty years ago visiting family in Scotland, I would sneak into the TV room to play with the remote, exploring teletext. Checking the weather forecast for Skye in multi-colour dot matrix… then checking out the soccer scores. All while the TV plays on underneath the text info. Magic. As a form of brewing and craft commentary this singular and effective. This one was posted Friday morning my time here in North America. Note the author. And the cheeky image.

Being Nice

I am less certain about this conversation one Twitter – while making no comment on the particular conversation. It’s the pattern. You see it quite often, a double form of delicacy. The desire to speak discretely of a brewery or bar doing something wrong being jumped upon for either (1) not name the names or (2) raising the real issue without naming the names. I am never quite sure what makes folk more upset, not getting all the juicy gossip or finding fault with a craft community member without first satisfying a level of procedural test for bringing evidence before a criminal court. Yet, it is only beer. I dunno. Folk seem happy to slag airlines and coffee shops. It seems a particularly southern Ontario concern but you see it pop up in England, too. In this case, the misapprehension that brewery or bar staff have some deep loyalty if not a monogamous bond with the boss seems the root of the problem.

Oliver Grey expanded on this concern mid-week. He primarily discusses the tribal divide between big craft and big beer, framing it from the perspective of Campbell’s narrative structure:

I get it, the hero of the story needs a villain to triumph over. I wrote about it at length. But it’s important to remember that to the villain, the hero can often look like a terrorist. For every story a perspective, for every perspective a truth. Therein, the issue slumbers.

Seeing as he has to deal with fools like this, I get the point. But there is the greater risk that is engaged with far too much in beer – the Hosannas, all the Hosannas. Given alcohol makes you initially feel good, it is not unexpected that people like saying nice things about it but taking the next steps of treating it like something beyond criticism and discord has always struck me as a bit weird, leaving ideas and interests unexamined. Give me cheery naughtiness anytime.

Mentioning the Bad

Jeff Alworth made a promise on Friday that definitely borders on the niceness question:

…enough of the excuses: Boak and Bailey are right, I should be writing about bad beer more often. I’m actually going to start looking for them. Rather than just writing scathing reviews, though, I’ll use it as an opportunity to discuss why I think the beer is bad, because “bad” is in many dimensions an objective evaluation. A good brewer may fail to execute on a vision, which is one kind of bad. A mediocre brewer may compose an uninspiring recipe, a different kind. Or the beer may have faults and off-flavors, a kind of bad that is now rarer, at least in these parts. Beer may be bad because of technical, aesthetic, or other reasons–and there’s actual value in discussing the nature of the problems.

I am delighted by this declaration, if only because it is framed as contrary to the Jacksonian model we have inherited. I would note that it is not what was first given that was inherited but what was later devised. Change is good. Let’s change some more, please.

Jet Setting

In an effort to bite the hand that feeds me (not), I wonder about this tweet:

It’s not that I equate this sort of event with junketeers who dash off to lap up the gravy and PR before regurgitating some or all, then claiming to be clever. My question is whether this is simply another form of the internationalization of commodity craft, that globalist mono-culture that leaves nothing local in its wake. I would be thrilled to hear about what local beer questions and successes were discussed in South Africa by South Africans. Not sure I will.

Other Stuff

Interesting to see that Diageo via Guinness USA has a money flow to another beer site on the internets. GBH calls it underwriting. Beervana calls it sponsorship. This pays for interesting writing. Good. Also interesting that this goes largely uncommented upon especially compared to other funds flowing from other big drinks empires into smallish bank accounts. Just to be clear, I have happily spent sometimes shockingly generous sums for running ads on this website and its predecessor. To be fair, they were largely from outside the brewing world due to my (way back then) huge following. I call them ads. In the glory days, it paid for a lot of travel. Still, interesting quiet little pay packet play.

Yes, Mirella. Very good tee.

And finally, the best use of a GIF ever. Thanks Zak. This is going to end up dumber than “crafty” isn’t it.

Your Monday Morning Beer Links For Canada Day Weekend

As threatened and then oddly certified, I am stepping in for July as Stan has scampers off somewhere. And it seems Boak and Bailey are putting their feet up, too. So my July 2nd and a bit of the 3rd will be spent pounding the keyboard for your sideward glance – instead of focusing on the can of Bud and Coors Light like most beer loving Canadians will be doing. No rush. I have to make the best use of that lawn chair out back. Hmm… has there been anything going on worth discussing?

Wine News

As is Stan’s habit, I begin the week’s highlights with news from Clarence House. Prince Charles and herself spent a part of last Friday about an hour’s drive west of me partaking of the wines of Prince Edward Co., Ontario. I have written a few posts in the past about the region which you may wish to review before checking out the story as covered by the UK’s Daily Mail. Excellent exposture to the greater world market likely means my local prices go up. Thanks, Chuck.

In other wine news, Eric Asimov in The New York Times has made the case for simplicity and pleasure in his regular “Wine School” column:

That is especially true with the thirst-quenching wines we have been drinking over the last few weeks. These easygoing wines are primarily focused on the No. 1 task of any wine: to refresh. They do so deliciously, but these wines don’t offer much to think about. They are the lawn-mower beers of wine, ready to stimulate, energize and invigorate. They provoke physical reactions, and do not leave much room for contemplation.

I can hear the teeth grinding but being honest – for 99% of the time 99% of beer drinkers don’t sit around and contemplate 99% of their sipping anyway. Thinking about such things might include less thinking about such things. Think about it.

The Logo

Once again, the US Brewers Association PR committee has made a bit of a botch of a well meant bit of communications. At the start of the week, they revealed a new logo for their organization, then limited its use to only members who signed the special pledge and watched as their plans for market share demarcation got ripped. Given these folks came up with the fabulous failure of “craft v. crafty” what were we expecting? So many fonts for one image – is it five? And that weird outline. And an upside-down bottle.

The really problem the BA faces is that it can’t use the proper word that beer fans are really interested in – local. This is because it has spent a decade chasing the false promise of national craft with truckloads of California beer selling in New York gas stations and corner stores while Maine brewed Belgian-styled ale sell in Hong Kong and Dubai. So, the campaign and the logo have to fall back on second rate concepts.

The key concept in the messy logo is something called “INDE… PEN… DENT” which sits uneasily along with inordinate use of a “TM” and “CERTIFIED” given the limited visual geography. [Note: I couldn’t find the image’s trademark registration when I looked for 47 seconds and nothing about the logo relates to certification.] The problem with “independent” as a core message is that big industrial macro is independent too and the diversity of small local brewers can hardly be expressed with the “one ring to rule them all” approach that centralized trade industry branding offers. Plus anything can be “independent” can’t it.

Jeff Alworth takes a different approach which is quite compelling, separating message from branding. He argues that by moving away from “craft” and embracing “independent” as the core concept, the BA is taking back control of the debate. Bryan Roth also explores “independence” more from just the branding angle. But, for me, both these approaches (as both Jeff and Bryan state) are not without long term issues. Consider Mr C. Barnes at The Full Pint who is even less hopeful.

The Video

This is even sillier. Andy called it correctly when he called it “whining and whinging.” You may have more thoughts on the thing but I don’t see why anyone would bother. Why make that sort of ad when you have made this fabulous one?

Other things

The Sun newspaper-like thing reports that hipster craft is causing an inflationary effect on the price of lager. Who saw that coming?

The Sammy Smith “no swearing in our pubs” rule has led to at least one pub closing up for an evening due to naughty bad bad people being rude. Pete Brown, no fan apparently, called Humphry Smith, the head of the company behind the scheme to wipe out bad language the “nastiest, most unpleasant person in the brewing industry” by way of his introduction to a story on Humph in The Guardian which discloses this tidbit:

Smith’s eccentricity is the source of local legend and seems to know no bounds. Regulars inside Smith pubs claim he habitually dresses up as a tramp and poses as a customer to make sure his rules are being enforced. Punters in the Commercial Inn in Oldham claim Smith once sacked a bar worker for not handing him the correct change – another tale of summary sacking it has not been possible to confirm.

Quite the nut – but it is his ball so he can take it home whenever he gets in a huff, I suppose.

Finally, happy to report that the Canada Day long weekend was celebrated with Ontario made regional and local small brewery beers from Perth, Riverhead, Beyond the Pale, Great Lakes and Side Launch. Those two gents up there with their Buds? They are the 90%. It’s everywhere.

Fine. That’s enough for this week, Stan. Time to hang up the bloggers smock. Send your complaints and spelling correction suggestions to him via Twitter.

Imperial, Yes, But Cream Ale Was Also Light As Well As…

The more I get into the records referencing cream in 1800s New York brewing, the more obvious it is that the term was pervasive. It illustrates excellently, as a result, how branding existed independent of those claims to copyright we suffer from today. In law, there is an excellent and better word for such stuff that applies as much now as then – puffery. Claims made as to quality that are never ever really expected to be challenged. Look at that ad from the Jewish Daily News of 30 November 1916 again. Imperial Cream Ale. Is that the same as the Imperial Cream Ale of the Taylors of Albany from the early 1830s to the late 1860s? Or is the cream just a puff?

That image to the upper right? It’s a part of a column in the Plattsburg Republican from 21 August 1858 entitled “Items: or Crumbs for all kinds of
Chickens.” Is that puffery? Seems a bit more than that. Cream beer is being lumped into a class: non-intoxicating drinks. Sounds like a bit of a vague concept but at the same time the courts in New York State were struggling with the same term as it related to lager and the wider issues related to acceptance of the German immigrant wave in the middle third of the 1800s.

The book De Witt’s Connecticut Cook Book, and Housekeeper’s Assistant from 1871 includes these two recipes, one after the other, on page 100. The first for “common beer” has yeast added, the second, for “cream beer” doesn’t. Is “cream” then code for no alcohol? When I was a kid out east in Nova Scotia, one of my favourite things was cream soda. There were two types as I recall. Pink or clear. Pink was like drinking candy floss. Clear was like drinking candy floss… but was not pink. I hated pink cream soda. I was a clear cream soda man. Crush, if you have it… but only in Canada. Pop… soda… soda pop… was a class of soft drink that morphed out of beer. In the 1850s you could speak of California Pop Beer. In the 1830s you could speak of the Lemon Beer of Schenectady. In the excellent short book Soft Drinks – Their Origins and History by Colin Emmins, small beer is described as a progenitor of British soft drinks along with spa waters, syrupy uncarbonated cordials and that favourite of George III, plain barley water. [Continuum. Perhaps continua.] Consider the simple lemon…

The earliest English reference to lemonade dates from the publication in 1663 of The Parson’s Wedding, described by a friend of Samuel Pepys as ‘an obscene, loose play’, which had been first performed some years earlier. The drink seems to have come to England from Italy via France. Such lemonade was made from freshly squeezed lemons, sweetened with sugar or honey and diluted with water to make a still soft drink.

It appears that 1660s lemonade plus small beer could be a cause of that fancy 1830s upstate NY lemon beer. Could be. There would be other intermediaries and antecedents. Think of how the sulfurous spas of Staffordshire in the late 1600s, saw the invention a drink introduced the local hard to swallow spa water into their beer brewing. Is this how it works? Isn’t that how life works?

When you consider all that, I am brought back to how looking at beer through the lens of “style” ties language to technique a bit too tightly for my comfort. The stylist might suggest that in 1860, this brewery brewed an XX ale and in 1875 that brewery brewed an XX ale so they must be some way some how the same thing. I would quibble in two ways. Fifteen years is a long time in the conceptual instability of beer and, even if the two beers were contemporaries, a key point for each brewery was differentiation. The beers would not be the same even if they were similar.

Layered upon this is the fact that “style” is an idea really fixed somewhere in the 1980s after Jackson’s original expression which was altered in the years that followed. The resulting implications are important given how one must obey chronology. This means if (i) Jackson’s 1970s “classics and cloning” idea didn’t last more than ten years until (ii) the more familiar “corner to corner classification” concept comes into being then the application of “style” to brewing prior to the 1970s (if not 1990) is also a challenging if not wonky practice. Brewers brew to contemporary conventions even though they are but points in a fluid continuum. You can’t conform to an idea that doesn’t yet exist.

All About Beer published the article “How Cream Ale Rose: The Birth of Genesee’s Signature” by Tom Acitelli on 17 August 2015 which, as we can see above, contains an origins narrative for cream ale which (though very condensed so somewhat unfair to parse) is now really not all that sustainable:

Cream ale is one of the very few beer styles born and raised in the United States. Predating Prohibition, the style grew up as a response to the pilsners flooding the market via immigrant brewers from Central Europe. Cream ales were generally made with adjuncts such as corn and rice to lighten the body of what would otherwise end up as a thicker ale; brewers also fermented and aged them at temperatures cooler than normal for ales.

I think I am good until to the word “the” in the second sentence after the comma. If style can be applied to the concept at all, cream ales at best probably represented styles. They were not a response to pilsners as they predate Gillig and were in mass production happily in their own right though the mid- and latter 1800s. They became made with “adjuncts such as corn and rice to lighten the body” but so did ales as our recreation of Amdell’s 1901 Albany XX Ale illustrated. The last sentence may well be fine.

BUT! – now notice the gem of a wee factual trail actually setting out as the specific origin of Genesee Cream Ale as related to Acitelli:

His father and grandfather, a German immigrant, had been brewers in Belleville, Illinois, about 15 miles southeast of St. Louis. Bootleggers had approached his father, in fact, about brewing during Prohibition, but he demurred. Clarence Geminn himself was completely dedicated to the craft, according to his son, a fourth-generation brewer. “Saturday and Sunday he would go into check on things,” Gary Geminn told AAB from his home in Naples, New York. “Summer picnics had to wait until the afternoon; any outing had to wait.” As for the exact formula behind his father’s most enduring beer, no one’s talking—obviously not the brewery itself, nor did the beer’s progenitor.

Mid-west Germans? Now that starts sounding more like the parallel universe of cream beer than cream ale. Does its DNA include Germans moving to Pennsylvania in the 1700s, then on inland into Kentucky in the early 1800s then into the Mid-West later that century only to back track to upstate NY by the mid-1900s? Can we draw that line? Either to connect or perhaps delineate? Maybe we need to be prepared to do both if we are seeking to understand events prior to the point of conceptual homogeneity that is achieved with the crystallization of style when MJ meets what becomes the BA.

As for cream? It’s a lovely word. So many meanings. So many useful applications. So many more leads to follow.

Cream Ale, Cream Beer And Creamy Goodness

This ad in the Jewish Daily News of 30 November 1916 published out of New York has my wee brain spinning – and not only due to the works I can read and those I cannot read. I am starting to think “cream” is a nugget of a folk tale, an indigenous memory that keeps appearing generation after generation from, as Gary proposed, the later 1700s to today in the northeastern US for no other reason than its useful pleasantness.

Gotta think about this.

Would I Go To A Tap-and-Pay Beer Pump Place?

This is news? This is what folk want?

Pay@Pump allows drinkers to order and pour their own pint and pay with a contactless card or device touched on a pad at the base of the pump. The technology has been devised by Barclaycard – and a prototype designed and installed in a Central London pub, Henry’s Café Bar – to help reduce queuing time for customers buying drinks during busy periods.

What is a place like that even called? A tap room? No, a tap room is the sorta thing you find in a back room at a place like the Laxfield Low House. This is just a tap. And, the weird thing, is that its is only that – a tap. One. Click on the photo. So you are getting the last guys beer left overs in the space between the one spigot works its way back into the stand. That might be an ounce. Fine if its all macro gak but, like one of those soda guns behind a bar, everything is getting served through the same nozzle. A bit of stout in your wit? One nozzle. Which no one wipes down between fill-ups. Which means it’s like an elementary school water fountain that spews beer. And whatever else is on that nozzle.

Yum.

AGBB’s Proof of Pumpkinness Assurance Certificate

pump1 The tweeted response from Nickel Brook Brewing this morning read “how bout them pumpkins?” It was sent in reply to today’s hurried announcement of A Good Beer Blog’s Pumpkinness Assurance Certificate Program. The program was launched after many many minutes of study and consumer outreach consultancy upon reading this post by the venerable Boing Boing which explains:

Pumpkin is too watery and stringy to can, and the USDA has an exceptionally loosey-goosey definition of “pumpkin,” which allows manufacturers to can various winter squash varieties (including one that Libby’s specially bred to substitute for pumpkin) and call it “100% pumpkin.”

WHAT??? Boing Boing was/were just quoting an article at Food + Wine which contains this bombastic statement: “pumpkin puree is not pumpkin. It’s squash.” Oh gourd – no… we live in a land of LIES!!! Now, as Stan testified a few days ago, pumpkin beers are more popular than the chorus of complaints would have us understand. He told us to look at what people are putting in their shopping carts. Sounds like he should have told us to look at what brewers are putting in their mash tuns.*

pump2 How many pumpkin ales are actually being made of this year’s pumpkin patch crop as opposed to last year’s bucket of miscellaneous variety gourd glop? How many other ingredients in your beer could be treated with such callous disregard? I posted a tweet bearing witness to the scene at Cambridge Brewing Company near MIT in Massachusetts on 18 August 2013. See the volunteers at work. How many other craft brewers put in the effort that Nickel Brook and CBC are putting in? Speak up! Do you know of one? Send in some compelling evidence and we can issue an official Proof of Pumpkinness Assurance Certificate Notification. For an unnecessarily large fee I am sure I could even draw, sign and mail a certificate to someone. And make sure you ask to see the paper before you buy your next pumpkin ale. Accept no imitations.

*By the way, I get it. I have seen a Blue Hubbard Squash. I have even grown them. Ugly as sin even if tasty as all get out. No wonder they keep them hidden from view. Might make the greatest ale in the history of mankind but no one is putting that on the label.

Not So Much A Bursting As A Great Dissipation

monkey4 Ah, Mr. Chimphead. A serious point must be about to be made. But being August, there is not much out there to read, not much worth writing about. People rightly have other things to do. But Bryan Roth has posted a useful examination of the use of the word “bubble” that gets the juices flowing. He did so hard upon Stan posting a piece pleading (maybe rhetorically) for the cause of “craft” based on its persistent use. And he did so perhaps not coincidentally after Lew was quoted extensively on the need to kill off the word. For Stan, the mere fact of use conveys a certainty of some meaning. For Lew, there is simply no need for the word: “I’m holding a smart phone in my hand. If I want to know, I just thumb it in.” To be honest, I find these sorts of conversations appear amongst the All About Beer set rather regularly and I usually assume they are fillers until a real topic comes along. Quantity sometimes is a quality. What we have at this moment, however, is an opportunity to discuss how words are used to see if we can see what might actually be going on. So… let’s do just that.

I have looked back into this blog’s archives and those of others to see what can be found of assistance – not to mention making sure I did not write something entirely contrary to what I am suggesting here. It is easy to trace to way that “craft” was thrown away. It’s illustrated in one sentence from 2012 that I discussed here:

The large, multinational brewers appear to be deliberately attempting to blur the lines between their crafty, craft-like beers and true craft beers from today’s small and independent brewers.

“Craft” was botched by the Brewers Association in two main ways. First, it was made mutable. It could be uniquely redefined by their sole higher authority – and then was redefined regularly. Second, as we see above, like the man who lends his rake to the new neighbour never to see it again the BA extended “craft” to big beer by attaching a mere “y” to it. And the BA did not just give large multinational brewers the gift of “crafty” but they reinforced the point by creating the concept of “craft-like” too. Prior to that point no legitimate voice on the small brewer side was admitting that big beer was making a product similar to the beers of BA members. Then their very voice of authority confirmed that some of the Evil Empire’s beers were like craft. No one remembered the underlying intention of drawing a line. As Jordan wrote two years ago there is no such thing as an evil milkshake. All that the BA achieved with “crafty” was bringing macro into the club. Way to go.

Since then, we have seen “craft” not only extend to include these beers of big brewers but also things which were not considered well-crafted beer just a few years ago. Beers with facile fruit flavours to attracts folk who have no interest in beer. Beers made so poorly that the question is now legitimately discussed as to whether “murk” is now a style. The concept of “craft” takes in such a wide range of beverages now – even casually invading the distinct realms of cider and sake by times – that its meaning has been diluted and dissipated. It now includes so much meaning – so many meanings – that it no longer has little specific meaning. If you doubt that such a thing is possible, look up the word “jack” in the dictionary.

“Bubble” is starting to reach “craft”-like meaninglessness. Look again at Bryan’s post. In it he discusses, quite acceptably, that the measure against which the posited “craft beer bubble” is to be judged is the growth in the number of craft breweries in the United States and their ability to sell expensive beer. He does not mention the ability of most of those brewers to sell and actually rely upon revenues from relatively inexpensively priced good beer. He also quotes from the BA’s Tweeter-in-Chief, Bart, for whom I have a growing fondness largely based on his intelligent responsiveness to inquiries. When he was discussing bubbles last week, I asked a few questions to narrow exactly what he meant when he used the word “bubble” in this context. His answer was that “most common usage in econ is an asset price bubble” in relation to “collective brewery equipment” as it covers both number of breweries, their capacity and level of investment. He indicated his understanding was that lots of breweries [were] using equipment as collateral for loans.

We can see that “bubble” is being used in two very different ways by Bryan and Bart. And they are not mutually incompatible. The increase in the number of small entrants to the good beer market should be expected to be a pre-condition to a later “asset price bubble” in relation to “collective brewery equipment.” There may be other meanings. Retail price collapse is one. We have seen a form of that with the slowing or even halting of inflation. Craft beer prices hikes five to eight years ago would not be accepted today. But that was a time when people could suggest with a straight face that value was not to be a consumer’s consideration when approaching craft beer. “Bubble” can also mean a conceptual collapse. Craft’s bubble could burst were the sector to splinter along the faults seen now: macro crafty, big, craft, actual local micro continue to have less and less in common. The word would burst in the sense that it no longer had a center upon which the all these different forms could latch onto and hold.

For me, “craft” has suffered a conceptual dilution in the same way that “IPA” has. I wrote about this three years ago. The success of the word as a word is in large part due to its failure in maintaining precision. Has the same thing happened to “bubble”? In the rush to set up straw man arguments “bubble” gets trotted out, defined to the proponent’s convenience and then knocked down in yet another moment of triumph for craft… whatever that is… too? Think about it. Isn’t discussing the bubbles in the craft beer market about as precise as a discussion of positives in politics? How useful is that? You know, in many contexts and for a number of purposes – very.

The Government Store Has Bad Branding News

Ah, the liquor control system. Government stores controlling the marketplace and then pretending that it’s still a marketplace. The sort of system that announces growlers will be sold in Ontario and then builds one growler stand in just one Toronto store to serve the entire population of 13 million or so. Once in a while, however, it comes up with a great idea:

Several LCBO stores, including the location at Wonderland and Oxford in London, have moved oodles of Ontario craft beer by refusing to tell customers what exactly they are buying. The store puts random cans in plain brown bags and prices the mystery bags for about $12, give or take, depending on what’s inside. An LCBO store in Waterloo recently claimed credit for starting the surprise suds marketing phenomenon, fuelled by young adults seeking to recapture some birthday party-style grab bag excitement.

Planning a career in branding? Maybe you should switch to marketing instead. Because sometimes covering up what’s in the package sometimes is an improvement. Think about it. Folk seem to be unhappy about this year’s new beer brand, America. For the life of me, I don’t see the issue. But I am Canadian so maybe I wouldn’t.

Maybe it’s going to be OK. Maybe it’s this summer’s new thing. Beats the hell outta X-treme, crafty v craft or treating buy-outs like identity theft. Could 2016 be the year that we just want a beer?