Category: Me and Mine

Yet Another Week’s Worth Of Beery News Notes On A Thursday

Here we are. Again. Growing in wisdom. Me, I’ve been reading more books this year and keeping track. Keeping track of a lot of things. Self-improvement? Do more of this cut down on a bit of that. Twenty-seven books so far this year, not one of them about beer. Currently (after reading the highly recommended book The Shipping News,* ultimately a comedy set in a fictional version of small town Newfoundland in which beer – and screech – make appearances) I am on a third by Questlove, this one Creative Quest, an encouraging book about the creative process. I usually avoid self-help books… but then again I avoided books, too… too many law books can do that. You can help decide if it has any positive effect.**

Martin was particularly creative in his photo work, the image right there from his post about a guitar themed pub, Northern Guitars in Leeds. Love the angle.

Just to prove I do occasionally (mostly by accident) take advice, I did take a pub tip from Chris Dyson for my second pre-gig pint in Leeds. Perhaps the pace of change has slowed a little in the east of Leeds, but the Calls District was busy enough, though Northern Guitars was only ticking over. I guess their trade comes from music nights.

For the Jubilee, the ever excellent A London  Inheritance posted photos of processions, streets crowded with people and/or bunting from past royal celebrations – including a few pubs covered in banners including The George in the Strand.  Some not pleased with last weekend’s events – which is fine. Here is a live action photo of the madcap goings on. We are advised by The Daily Star that the event was pretty boozy as to be expected:

The streets of Soho, in the heart of London, were lined with drinkers and Ripe in East Sussex was just one of hundreds of villages that celebrated with an open-air party. Everywhere you looked, it seemed, someone was enjoying the day. James Heale tweeted: “Horse Guards Parade. Man singing lustily in an England ‘96 shirt, six pack in one hand, fag in another. Union Jack billowing behind him, Tesco crown on his head. The lion roars”. In fact, some people appeared to be enjoying themselves a little too much.

Rooting for an Oaken Joob myself, now. That would be fun. And a bit of a surprise for those most involved. Oh, one last but not least thing – Maureen won the prize so a parcel of goodness shall be sent her way…

Now that the bunting is folded up and put away, reality strikes. First up, why is lager more expensive in London and Northern Ireland compared to other parts of Britain? Less of a puzzle, sanctions against Russia appear to be effectively stopping beer imports:

That has pressured the economy and affected the habits of Russians used to a lavish selection of foreign-made alcohol. “The beer situation is very cheerless,” said Anton, a 36-year-old IT expert who works for a state financial organisation in Moscow. “Not to mention Paulaner, Pilsner Urquell and other tasty stuff, I’m not at all confident if Russian beer is here to stay. There are problems not only with beer imports but even with imports of hops,” he added. Russian breweries depend heavily on imports of raw materials, such as hops.

Another sort of shortage is also at play as the North America is undertaking the rare step of importing malting barley to make up for a poor 2021 crop. Keep an eye on that.

In another sort of dreary news, the iconic Buffalo Bill‘s brewpub of the San Francisco Bay area is shutting – after inflicting the dubious upon us all!

Buffalo Bill’s is best known for putting pumpkin ale on the map in 1986 when Owens was inspired by the beer first enjoyed during colonial America. Owens became obsessed with crafting a modern take on pumpkin ale after learning that even President George Washington once brewed the orange-hued beer during a time when pumpkins often substituted malt. Not long after Buffalo Bill’s resurrected the polarizing beer, other brewpubs around the country began to follow suit and devised their own renditions of pumpkin ale.  

Jay wrote about the original owner, Bill Owens, and the place calling it “one of California (and America’s) earliest brewpubs.” Pretty sure I had their Orange Blossom Pale Ale once, found in a NY state beer store over a decade ago. But do you think I can find the review? Who runs this place? What a mess!

Enough! Something fun. The screenshot to the right [Ed.: my left] was grabbed from this short vid of an old pre-decimalization penny auto bot thingie – which still works.  Called The Drunkards Dream. More info here, here and here.

And something uplifting. Beth Demmon has published another interesting bio of someone in beer, this time April Dove who balances her interest as a roaming brewer with her professional life as a nurse:

For now, that life means remaining a nurse. It “pays the bills,” April says, although moving into beer full-time remains the dream. The first years of working through COVID-19 left April with nightmares and PTSD. “I did things I hope I never have to do again,” she says. “I saw things I never want to see again.” But she’ll continue to invest in a future in beer, setting goals for herself like pouring one of her beers at a beer festival in the next year. Despite the challenges she’s faced, April hopes that by sharing her experiences with others who have been systemically excluded from craft beer, she’ll be able to introduce her passion to many more.

Ron‘s been on a bit of a roll in terms of writing about his experience of beer, he kissed a squirrel… errr… had a Newkie Broon this week and also featured a trip to Folkestone with Mikey:

It was at least three years since I’d last been. The longest gap, probably, ever. Well, since we started going there. Mikey went twice every year. I’d accompany him on at least one of those trips. I became weirdly fond of the place. Perhaps because of its ordinariness. And the really good chippy. Andrew asked on my return: “What did you do other than hang around in pubs and cafes?” “Nothing, really. Other than a little light shopping.” It genuinely was all breakfasts and beer. And the odd whisky.

The story goes on to end up being a neat and tidy description of two classes of pub, the pricy mini and the cheap maxi. Which makes one wonder if the lounge and the public bar have really just relocated. Boak and Bailey and their wise comment makers wrote about the gradations of such spaces exactly one yoink ago.

And there was an excellent example of Twitter as helpful tool in the form of a description – from the hand behind the Glasgow brewery Epochal – of drinking a 126 year old bottle of McEwan’s Pale Ale which was recovered from The Wallachia which sank in 1895 in the Firth of Clyde:

This one still had a good amount of carbonation. It smelled old but in a peculiarly musky, libraryish way rather than an excess of oxidation. It had a pronounced Brettanomyces character with subtle aromatic acids and miraculously retained a clear hop character, clear enough that I could have a guess that they used Fuggles and Goldings. On the palate it was very dry and still had a powerful, clear bitterness.

Connectedly, Gareth Young of Epocal was also featured in Jeff’s well researched article “Lost, Stock & Barrel: The Forgotten Funk of Old Ales” published by CB&B with this wise observation:

The flavors that marked stock ales of past centuries lacked many of the problems that can trouble mixed-culture brewing: excessive acetic acid, intense funkiness, chemical off-flavors. Instead, using what we would now call “heritage” barleys, techniques like long boils, cleansing tanks, and dry-hopping, brewers are edging back toward the refinement for which old stock ales were renowned.

You know… there is a school of beer history writing, now largely retreating in the rear view mirror fortunately, one based too heavily on supposition and assumption. We heard too often that old brewers made smoky even though there is plenty of evidence against it. Competent brewing starts in the 1800s we are told even though there is plenty of evidence against it. What really needs doing is reading some good history books.

Speaking of being in the good books, The Beer Nut is on the job this week examining if one brand extension has succeeded… and was not impressed:

The aroma is sweet and fruity: lots of very obvious hard caramel, sitting next to softer plum and raisin. The flavour is rather less complex. I was hoping that Landlord + caramel would unlock some new dimension of taste, but I could not perceive anything other than a quite hop forward English bitter — meadow blossoms and earthy minerality — spiked with thick and gloopy treacle. It’s sticky, not wholesome, and the two aspects don’t meld well together. The label promised chocolate and roasted malt, like a proper dark ale, but the flavour doesn’t deliver that.

Question: why a lottery?  Why not just promote a program you create, find sponsorship for and provide for free with next level resources identified? We have so much green-washing, #MeToo and #BLM cap waving but never quite cheque sending, Ukrainian net profits only giving corporate PR under the guise of charity. The price of the Sam Adams Pride packaging alone would likely pay for the program’s costs.

Apparently, in a case of un-red-tape, the Province of Saskatchewan’s Auditor has noticed that craft brewing is not getting noticed:

…according to the provincial auditor, the province is struggling to keep pace when it comes to meeting its regulatory oversight targets. The auditor’s latest report notes that of 83 approved craft alcohol product lines, over half (43) did not have valid lab test report certificates. These certificates prove products are untainted and that their alcohol content matches the label. Saskatchewan Provincial Auditor Tara Clemett says the SLGA [Ed.: the Saskatchewan Liquor and Gaming Authority] is failing to follow up when producers fail to submit a new certificate, which is required every two years. One producer, she noted, had not provided an updated certificate more than nine months after its two-year deadline.

Craft brewers are not concerned. The best way to not be spoken about.

Finally: are we tired of discussing mild yet? No! Are we tied of The Tand winning awards? No!! Are we tired of NA bevvie trade associations? Probably.

There… a middly sort of week I’d say overall. For more, check out the updates from Boak and Bailey mostly every Saturday but not from Stan every Monday as he is on his summer holiday. Check out the weekly Beer Ladies Podcast, and at the weekly OCBG Podcast on Tuesday (Ed.: back again this week) and sometimes on a Friday posts at The Fizz as well. There is a monthly sort of round up at The Glass. (Ed.: that seems to be dead now.) There is more from DaftAboutCraft‘s podcast, too. And the Beervana podcast. And sign up for Katie’s irregular newsletter, The Gulp, too. And check out the Atlantic Canada Beer Blog‘s weekly roundup. Plus follow the venerable Full Pint podcast. And Fermentation Radio with Emma Inch. The AfroBeerChick podcast as well! And also look at Brewsround and Cabin Fever. And Ben has his own podcast, Beer and Badword (Ed.: …notice of revival of which has been given… still not on the radio dial…)  And remember BeerEdge, too, and The Moon Under Water. There has also been the Beer O’clock Show but that’s now winding up after ten years.

*No, never saw the movie with Mr. Creepy in the main role. The book is excellent even if it can’t really be taken as a documentation of Newfoundland life. [It caused me to buy The Ashley Book of Knots, too, and doubt every half-hitch I make out in the garden.] Yet as in the book Newfoundlanders do, however, shoot off shotguns in their front yards in enthusiastic celebration still in some out ports. My pal, married on Fogo Island, was under attack as they were driven, post vows, about the place, from village to village. BLAM BLAM BLAM!!! Over and over. Were they in a convertible or standing in the back of a pickup? Can’t remember that bit of the story. BLAM BLAM BLAM!!!
**as Martyn helpfully did in last week’s comments.

The Thursday Beery News Notes For May Two-Four 2022!

May two-four. Back again. I explained it back in 2014 when I included the photo to your right (my left) of Bob and Doug McKenzie who were Canada’s #1 export forty years ago and whose 1983 movie, Strange Brew, is the last cultural statement about beer before microbrewing struck in earnest. Even though the movie isn’t set on the Victoria Day holiday in the second half of May, you can see many aspects of our drunken mildly retro-pro-monarchist celebrations replayed in Canadian homes as well as at campsites and cottages throughout the land this weekend as people feign gardening and practice inebriation. And it’s a big year for our top dog, our numero uno, our favourite anti-Nazi. Speaking of which… you know what broke? That cap thing on my whippersnipper that keeps the weedwhacker’s string coil in place. How the hell does that break? Spool went flying and the lawn’s all half haggy still. Didn’t so much break as ‘sploded. Now I have to hunt down a replacement lawn trimmer line cap or I have to buy a whole new thing-a-ma-jig. Pray for me.

Now… to the beer news. First up, a set of photos posted by the Glasladies Beer Society of a recent Glasgow beer fest set up in what looks like a somewhat permanent outdoor space. Being who I am, a child of children of the Clyde, the event looks like a mass gathering of aunties and uncles and masses of cousins. The use of steel container boxes is interesting as a relatively cheap but cheery but secure set up. Looks like it was held at the Glasgow Beer Works in the Queenslie Industrial Estate. This may be a common site for some of you but sometimes that’s still remarkable.

Next, Ron wrote a piece he titled “The Future of Mild” which serves as an interesting counterpoint to the fan friendly writings on the style mentioned two weeks ago. Ron provides an interesting set of thoughts about Mild itself and how styles may or may not make a comeback:

I’d love to go to Cross Green and drink 10 pints of Tetley’s Mild again. But it isn’t going to happen. The world has moved on. Beer styles come and go. And almost never return. I’ll just cherish the memories of a time that’s gone forever. Like a Porter drinker in the 1940s. The same fate, incidentally, awaits Pilsner and IPA. All styles have their day.

The fate of Mild has been formed he suggest as “it’s harder to throw all sorts of random shit into a Dark Mild.” That would seem to be where we are at. The post also lead to an interesting considered discussion on the nature of revivals. Jeff wrote:

…I wonder if a style that was once quite popular ever came back as a major style, perhaps not as popular as it was during its heyday, but with significant production. It’s probably happened, but I suspect it’s very, very rare. Once fashions change, styles sunset.

TBN reminded us of the classic example of style revival – Hoegaarden. I expect this is as much framed by the word “style” and its imposition limiting structure but the entire micro (1980-2003)) and craft eras (2003-2016) were based on revival of lost beers. Hoppy malt rich ales were descendants of earlier strong ales like Ballantine IPA and Dominion White Label as much as they were clones of imports.  So… revivals common enough in the days when brewing was not so wound up with novelty and amnesia. We always have to remember how quickly we forget. As recent at 2011, SNPA’s place in the pantheon was still somewhat speculative. Now, of course, it was always the source of all things including those that came before it – thanks to the nation’s PR professionals!

Speaking of perhaps one revival or perhaps homage that has not lasted, one bit of news that I was a bit surprised to learn about this week was how St. Joseph’s Abbey of Spencer, Massachusetts is no longer brewing its beer. This was all the news in 2015 and I reviewed their first beer as you can read here. The monks announced:

After more than a year of consultation and reflection, the monks of St. Joseph’s Abbey have come to the sad conclusion that brewing is not a viable industry for us and that it is time to close the Spencer Brewery. We want to thank all our customers for their support and encouragement over the years. Our beer will be available in our regular retail outlets, while supplies last. Please keep us in your prayers.

Jordan thought it a particularly worrying development based on their low labour expenses. Greg reported that the equipment was already listed for sale before the announcement. I gratuitously added the 2015ish image up there from the celler’s stash for Stan. Pretty sure the bottle has move about six inches in seven years.

Des generated a wonderful cascade of comments related to cellered casks with this big barrelled beery buttery – including these cautionary ones:

Not being funny, but going on that photo, “immaculate” is a strong word. Serviceable, cleaner than many, maybe. And as I’m sure has been pointed out, a 36 (massing the best part of 200kg) is a H&S nightmare. You romantic.

Note: please don’t send out bleggy emails saying “ I don’t have limitless cash on hand to subsidize this project, but it’s reality nonetheless. I need at least [XXX number of] paid subscribers…” Listen to the wind… the marketplace of ideas is speaking… write for joy or get a job to support your hobby interest in booze.

Boak and Bailey elaborated something at their Patreon widget-a-thing  that was evident in their (lovely and highly recommended) account of Ray’s out for hike and stopping at rural pubs with pals:

…at least part of the joy we took in drinking it on this occasion must be down to having “earned it”. The same goes for that first beer of the weekend, after a tough week at work. Or, as many people have observed, almost any mediocre lager you drink on holiday. How do you compensate for this effect? Well, you don’t, unless you’re a Top International Beer Judge. Instead, you report the context when you give notes on a specific instance of drinking a specific beer. And you make judgements about the overall quality of a beer based on mutliple encounters in multiple contexts. A beer that tastes good every time you bump into it is probably a good beer, full stop.

I wonder if we have become so enthralled with these beer judging events for hobbyists that we miss the obvious – that those beers actually do taste good in those contexts. And that judging contexts make beer taste bad. Because they are geared to ensure failure. Because that is what institutionalizing human experience does, makes you distrust and then outsource your own experience of life. Stop feeling bad because someone who has a certificate for passing the equivalent of a grade 11 history class says so.* Not to suggest TBN is not correct when he explains “Beer is weird. You’re lucky to have me here, putting things straight.” It is. We are.

Handy example: print off and cut into separate burger and beer images. Throw all in air and match the beer with the nearest burger. Equally valid. Every. Time.

Rolling Stone put out a story about beer prices this week under their “Culture Council” tab, not something I have notice from them in all my years at the coal face. The author, Kevin Weeks of Anderson Valley Brewing (who actually follows me on Twitter so I feel extra bad for not noticing before), argues interestingly that any increased costs faced by brewers are likely not going to justify the level of price increases that consumers are going to see on the shelf from the big brewers so…

For the smaller craft breweries facing this dynamic, this is an excellent opportunity to differentiate their brands by both managing pricing and clearly conveying priorities to the consumer. The most obvious tactic is to hold price (or implement only slight increases) to create an opportunity to increase market share through a comparable pricing advantage over the larger brewers that are grasping for margin.

And this passed by my eye this week, “It always rains on Monday” by Ian Garstka. More of his work can be found on IG. Prints available from the artist.

Perhaps relatedly at least atmospherically, Gary posted about “Birmingham Beer Detectives, 1937” who in plain clothes were sent out to protect the interests of the beer-drinking public and augment lab testing quality controls:

It seems therefore, at least for a time, a two-track beer-tasting inspection system existed, city and industry, to control beer quality in pubs. Perhaps the whole thing, at city level, collapsed with the Second World War – bigger fish to fry, if you will, but this remains to be known. Certainly at industry level, tasting onsite continued into the postwar era. A number of press reports, one pertaining to Ansells in 1949, attest only too graphically, a conviction of an inspector for drunk driving.

There’s a BBC historical drama script right there for the taking. I can smell the damp tweed and ashtrays now.

Note: “Finnish brewery release new beer celebrating Finland joining NATO“!

Note also: “TikTok star says Wetherspoons ‘scammed’ him out of £2,000 of food and drink.” Star!

Finally and falling under Stan’s reminder “no one cares what you think, Alan” I upset Maureen a bit a tiny bit (which I never like to do) when I commented about this article on Hogarth’s Gin Lane and Beer Street as I mentioned it amounted to was a bit of a sneeky apology for mass drunken frenzy. My observation was quite specific so I should explain so that all you all can correct me. The first half of the article is fairly straight forward GBH-style with loads of quotes from other sources framing the well understood topic. But then it goes in an odd direction mid-essay with the statement that those “in positions of power in England sought to create an all-around negative image of gin.” According to the article’s own previous paragraphs rightly describing the generally understood hellscape unleashed by gin at the time, I was left wondering if it could also be said that people in power now are perhaps creating an all-around negative image of the Covid-19 virus. My wonderment didn’t last. I found this key angle within the article odd. Odder still the suggestion that the works of Hogarth were for an elite:

Because of the timing, “Gin Lane” and “Beer Street” are often viewed as a work of moral propaganda, and some have speculated they were commissioned by the government to help reach gin’s working-class imbibers. Tonkovich points out this is not the case, however, because that working-class target couldn’t have easily accessed these prints. “These prints would not have been affordable for the working class,” she says. “They might have seen them in a tavern or through a window, but they couldn’t buy prints, so who is the audience for these? People of the press and the merchant class.”

The thing is… I just don’t think that is correct. Because I don’t think that is how mass communications and specifically those on virtue and vice worked at the time. If you look about at English political pamphleteering in the 1600s and 1700s, you see a wide-spread, robust and even salacious debate within a highly literate population. Vibrant grassrootism. You also see in the first bits of the 1700s, the development of the First Great Awakening and proto-Methodists sermonizing to many millions.** Consider, too, 1751’s Essay  on the Characteristicks and the “frenzy” of gin. Ideas related to a proper and healthy society were flying about. These and other Hogarth pieces fit into that scene. And, as the Royal Academy explains, fit into it in a very specific and intentional way given Hogarth’s process:

Hogarth aimed the prints at the popular, rather than fine art market, stating in his prospectus for the prints that: ‘As the Subjects of those Prints are calculated to reform some reigning Vices peculiar to the lower Class of People in hopes to render them of more extensive Use, the Author has published them in the cheapest Manner possible’. As a result the line in these prints is thicker and less sophisticated than in other prints engraved by Hogarth, both to enable the printing of more impressions without significant loss of quality, and to approach the characteristic style of popular prints.***

We are assured, via the hive, that the two prints were in wide circulation and that Hogarth’s works were even used for moral instruction by schoolmasters. So if they are not luxury items but rather something of a targeted public service announcement to those at risk, the paragraphs that follow seem strained, racing through the Victorians and US Prohibition then on to us today with a suggestion of the elites guiding government overstep. And, on the rebound, inappropriately sewing  doubts as to Hogarth’s good faith intentions under the guise of some sort of shadowy social engineering as opposed to improving public health. Had gin been slandered? Seems all a bit goal oriented.****

There. More fodder for a good general public debate. Away you go! And for more, check out the updates from Boak and Bailey mostly every Saturday but no longer from Stan every Monday as he’s on another extended leave of absence. Plus more with the weekly Beer Ladies Podcast, and at the weekly OCBG Podcast on Tuesday and sometimes on a Friday posts at The Fizz as well. There is a monthly sort of round up at The Glass. (Ed.: that seems to be dead now.) There is more from DaftAboutCraft‘s podcast, too. And the Beervana podcast. And sign up for Katie’s irregular newsletter, The Gulp, too. And check out the Atlantic Canada Beer Blog‘s weekly roundup. Plus follow the venerable Full Pint podcast. And Fermentation Radio with Emma Inch. The AfroBeerChick podcast as well! And also look at Brewsround and Cabin Fever. And Ben has his own podcast, Beer and Badword (Ed.: …notice of revival of which has been given…)  And remember BeerEdge, too, and The Moon Under Water.

*If you are unaware of this phenomenon, I recommend the works of Ivan Illych to you, starting with 1973’s Tools for Conviviality.
**and they themselves mocked in return.
***See also “The marketing techniques of William Hogarth (1697-1764), artist and engraver” by Mark McNally at page 170 “The conscious decision to set the price of prints according to the theme and the intended audience was further demonstrated with the distinctively didactic Gin Lane, Beer Street and the Four Stages of Cruelty which were advertised twice in the widely read London Evening Post on 19 and 26 February 1751 priced at one shilling each being ‘done in the cheapest manner possible in hopes to render them of more extensive use’ with an alternative set priced at 1/6d being done ‘in a better manner for the curious’. Despite the relative lack of sustained advertising for these key prints, which formed the basis of Hogarth’s campaign with his friend and magistrate Henry Fielding to draw attention to the moral decline of the lower classes, they became as popular as many of his more heavily publicised prints. This was perhaps due to the fact that they were primarily meant as social commentary and evidence of the need for reform rather than for commercial interest…” and also especially at footnote 123: “Hogarth noted with satisfaction in how ‘some masters gave their apprentices sets of the prints as Christmas gifts’ and that ‘he had even heard of a sermon preached on the prints’.”
****PS: a word about disagreement. If we are going to take beer writing seriously at all, we need to get used to the idea that a reader may either (i) disagree with aspects of what they read (as I have above with backing supporting research) or (ii) call out poor writing (which I have not done above.) One of the saddest things in good beer culture is the “hooray for everything!” mantra and, its cousin, the abusive response for those who who don’t buy in to the hooray. Let’s be honest – rooting for booze is weird. I blame too much booze and good folk struggling for not enough money as the commissioning organs do just fine. In this case, my comment to Maureen attracted the less than attractive, the dropped turd. Let’s be honest. I get negative comments and labels all the time and have for a couple of decades from publications high and low,***** sometimes from people I can’t imaging deserving one’s full respect. One scribbler who has my respect once even told me “hear that – that’s all the beer writers in Toronto mocking you” to which I responded “who gives a fuck about beer writers in Toronto?” We don’t worry about such things, especially now that the beer writers in Toronto either either have moved on now and are mowing the lawn somewhere in the suburbs, arguing with themselves. None of which relates to the article above that, in small part, I disagreed with. It is a well enough written if skimmy summary with a mild expression of the standard beer writer political slant on public health (“…nanny state! …neo-prohibitionists!! …folk putting my income at risk but mentioning health!!!“) but, no Maureen, it is not an example of something that did not exist before. The wheel that was invented long ago still turns round and round. Which is good. Because it gets thoughts going and leaves conversations enriched. Which is why I do this every week – to think about what is being written. If you aren’t doing that, why do you bother?
*****Funny ha-ha joke…no really… just kidding… footnote to a footnote, too! Very light and amusing, right?

The Thursday Beery News Notes For Tax Deadline 2022

It’s not that I have been doing my taxes. But I have been fretting about doing my taxes. I write this paragraph on Tuesday night watching the Mets play the Cardinals… and not doing my taxes. I can send them in as late as next Monday given the deadline is on the weekend. I will wait. I will wait and fret. I use paper. First a pencil. Then a pen. I do two versions. A draft and a good copy. Until I get fed up and just write in pen over the pencil draft. I complain. It sucks. Fanks for listening to my TED talk.*

So, now you know I live in Canada. But you did already. Lots of worse places to live I suppose. Not a lot happens here. That’s why I read and write every week about what the others out there are writing and doing elsewhere. Like this. Jeff has asked the question on many of our minds – how is Elon Musk going to screw up Twitter for beer fans:

Beer Twitter might not immediately descend into a hellscape of threats, and in fact I would instead expect it to look the same for a while—at least superficially…  The effect probably would probably be measurable only in months or years, as the diversity of voices slowly waned, as people moved elsewhere. We might not see overt bullying, but instead a steadily declining richness of conversation… It may not be a popular view, but I love Twitter. I find it far more usable than Instagram, far less creepy than Facebook. It’s the site for people with opinions, and you may have noticed I have a few. But it also feels a lot more “social” than many social mediums. I discovered a whole host of new voices there, and some of them have even turned into friends. I worry about a Twitter that seems more toxic to the people I want to hear. That would make beer a lot less interesting.

I agree. Instagram and TikTok just suck. As do podcasts to a lesser degree. I like the way Twitter encourages a variety of voices, the helpful heads-ups as well as the razzing and the inebriated confessions. I now understand, for example, that there is a thing called “my X-town pizza” that is emotionally important to individuals’ identity. I also do think that Twitter users will find a way to organically work with change to keep the opinions flowing. Unless the block, report and word filter features are removed. Then it’s going to be that tire fire over at the edge of the next town that can never be put out. I am signing up for alt services just in case but don’t have any trust they will do the job.

The craft beer market is getting a bit cramped in Canada accord to The Old and Stale:

“Things couldn’t continue the way they were,” he said. Mr. Sakthivel’s experience is a microcosm of an industry that to insiders and outsiders alike can seem like an inexplicable black box, in which heavy debt loads and financial red ink are the norm yet few breweries show outward signs of trouble and there is no shortage of new entrants keen to join the fray.

I met someone working on a similar story for a similar organization recently – a well situated business writer – and he was shocked when facing craft-normal stifled responses from industry members to his simple commercial reality questions. The “sunny days” approach to beer writing and trade PR over the last decade or more has not helped the immaturity of the conversation for sure.  Consolidation, the proposed reality-based response, is as old a tradition in brewing as adding hops. Likely older.

More fluidy fluid related considerations were raised late last week when Boak and Bailey asked about if it is important to know where your beer comes from, where it was brewed. I don’t think I do really but it’s not strong with me one way or the other. I wrote a comment that I might like to consider here with you for a moment… as if this was the Andy William’s show and there’s just a spotlight on him, his stool and a cardigan:

Isn’t one challenge is that beer really isn’t from somewhere in the vast majority of cases. The grain, hops, yeast and sometimes even brewing water are from sites other than and far from the brewery. The ownership and control is often not well understood or in any sense local either. There is a desire for local just as there is for “small” and “traditional” too but so often these are false claims as well. This chameleon capacity is probably one of beer’s greatest assets as long as consumers are not asked to frame their choices based on identity as opposed to loyalty or simply preference. Much of US made maple syrup is sourced in Quebec. The American made dishwasher I’m months into waiting for delivery of is made of components from Asia… which is why it’s not here. Why should beer be different now when at least 400 years ago Derbyshire malt was trundled by cart across England to make the best ales elsewhere?

What do we even mean when as ask where something is from? Is my dishwasher from where it was put in the cardboard box or where the components are from? In terms of beer, the same thing applies. Is a beer from where the packaging occurs? Where the wort is brewed? Where the malt is grown? Pretty sure ten or more years ago Quebec’s Unibroue (or a similar brewery) was trucking bulk beer (or wort) to be finished in the States where it ended up in Whole Foods (or some other chain) under a generic brand. Where was that beer from? Or should I just care that it was still tasty beer at a good price? Not unlike the questions I asked 15 years ago now (yikes!) in the post “Do We Love The Beer Or The Brewer?”

Good to see a Ukrainian charity beer being clearly actual charitable giving. 100% of sales and not profits please.

Speaking about tasty beer at a good price, The Tand himself has written about Wetherspoons but before I go there, isn’t there a prior question that needs asking? Ten to fifteen years ago beer chains were embarrassing plastic experiences that no one would consider supporting. McBeer. McGak. Which is quite an achievement, making selling gak and doing so in a way that actually further diminishes the experience down to the level of a McPigs.** That was related to the point the Tand-y-one was making:

..back to the hatred by some of Wetherspoons. What’s really behind it? Yes, they are a big company that force prices from suppliers to be lower than some would like, but unlike, say, certain other pub companies who also buy cheaply, they pass the savings on to customers. Bad people?  There is undoubtedly, too, a certain snobbery aspect. This will be vehemently denied, but really, many rather look down on ordinary people being comfortable with their peers in an environment that they can afford. Better by far they should learn to improve themselves and save up to buy expensive murk in a tin shed or railway arch. That would improve the beer market and give more money to deserving brewers, rather than to the ingrates flogging to Wetherspoons.

Do we all not love a well priced pint? Like chains, over-priced beer was an outrage once upon a time. Isn’t where you brewery makes the beer very similar to which pub you go to to buy your beer? And does this relate to the integrity of the beer business or the identity of the beer buyer? I worry about people who identify too closely with the booze they drink. “I’m a rum drinker!” = “I am my own lab test’s petri dish!” I worry about that more than I worry about where the beer is from – wholesale or retail – to be honest. Also honest, however, are the let’s be looping back to sorta where we started observations from Boak and Bailey about the ‘Spoons:

We don’t tend to go to them these days, mostly because we had a run of bad experiences – poor choice, rough beer, disappointing food (even within the given parameters), poorly maintained facilities, and so on.

I have a limited experience of exactly three ‘Spoony moments but I have to admit they did seem like a shopping mall food court plus some enhanced grot and needy dipsos getting a fix. Yet… if you like the fitba terraces is it really that different?

Stan issued Hop Queries 5.12 right about 3 minutes after I posted last week and offered interesting thoughts about the next big hop with details from from an ag-productivity perspective that remind us to keep that ag-productivity perspective in mind:

Helios is approaching 20/20 territory, that is 20% alpha acids and yields of 20 bales per acre. The actual numbers are 18-21% alpha acids, 3.5-4.5% beta acids, 1.5-2% ml/100g total oil, and 3,300 to 3,600 pounds (16.5 to 18 bales) per acre. Hopsteiner does not oversell the aroma, calling it muted with soft accents. It is primarily resinous, secondarily spicy and a bit herbal.  Also, and quite important, she is resistant to both downy and powdery mildew, meaning she needs to sprayed less. Her alpha to resources used ratio (granted, that’s a number I’ve never seen calculated before, although I expect we will soon) it surely top of the class.

Witness: a rather long and somewhat well put together article on a very specific complaint – some beers served too cold. Nice to see the argument being made that the full range of temps is useful depending on the style.

Further to the well above the above. Twitter. Meta. I do like the point:

IPAs are just like the deep fried Oreo of beer: it is technically/chemically overwhelming and flavorful, whereas lagers, kolsch, or pilsners are more complex and delicate and, as you say, harder to get right.

Relatedly perhaps, a classic (and perhaps generic 2019-22) brewery bio safely landed at Pellicle this week:

“We were looking to tap into a new, seemingly insatiable demand for New England-style beers as well as fill a gap in both our range and the local and regional market,” he says of Nokota. “As recently as 2018 NEIPA was not the dominant style in craft that it is today, but those soft and hazy beers were really drawing a lot of people into craft beer, and turning the heads of those who were already drinking modern beer.”

Conversely perhaps, Brian Alberts wrote a startlingly honest personal story about his Uncle Ron and how Miller High Life will always be associated with a hard part of his family’s life:

Ron passed away nine years ago, but the High Life took me a decade beyond that—before the house was eviscerated and sold, before the 2008 housing crash dragged it and Ron’s life underwater, and before I could legally drink. I was 11 again, taking a covert sip on the long sidewalk linking Ron’s construction company truck and detached woodshop with the riverfront house he’d built. I blanched, naturally, but was thrilled that he’d offered it to me while my dad wasn’t looking. At the time, this explosion of neurotransmitters was its own illicit pleasure, but in hindsight, I wouldn’t describe it as a fond memory. None of my memories of Ron are fully happy anymore. That’s partly his fault, and partly mine. 

Finally, I like my local future… for it is here now. Le marché est ouvert!

There. That all offers some chewy thoughts for the coming weeks slurping. Yet for more if you need it, checking out the updates from Boak and Bailey mostly every Saturday and from Stan every Monday, plus more with the weekly Beer Ladies Podcast, and at the weekly OCBG Podcast on Tuesday and sometimes on a Friday posts at The Fizz as well. There is a monthly sort of round up at The Glass. (Ed.: that seems to be dead now.) There is more from DaftAboutCraft‘s podcast, too. And the Beervana podcast. And sign up for Katie’s irregular newsletter, The Gulp, too. And check out the Atlantic Canada Beer Blog‘s weekly roundup. Plus follow the venerable Full Pint podcast. And Fermentation Radio with Emma Inch. The AfroBeerChick podcast as well! And also look at Brewsround and Cabin Fever. And Ben has his own podcast, Beer and Badword (Ed.: …notice of revival of which has been given…)  And remember BeerEdge, too, and The Moon Under Water.

*Just to be clear, this was not a TED talk. Don’t go looking for a YouTube video of me on a stage… either with the lights up standing in front of an insanely large PowerPoint behind me… or like on the Andy William’s show and there’s just a spotlight on my, my stool and my cardigan. But I do sport me a mean cardy, however. Just sayin’.
**Where I had lunch Tuesday, by the way, which makes me the biggest Fibber McFibFace on the planet.

Your Mid-April 2022 Thursday Beery New Notes

And how’s the wax-flavoured chocolate hangover going?  No tiny kids left around here so it has been a modest affair compared no doubt to others. Life moves forward. Still playing out the pandemic habits. The local news has not been great as the squiggly line up there shows. The sixth wave. Is it passing? Don’t know. So we are in the basement, now watching Moon Knight and, really, have no idea what is going on. Something about sand. Still, around here the snow this week only lasted hours.  And the radish seed is in the ground and the raspberry canes are starting to show their first green as buds open. Things are happening. Yes, the clothes dryer even died but I actually found and immediately bought a replacement that will be delivered today or perhaps tomorrow. Our one small supply chain victory. Not like the dishwasher. We ordered it after the last one died. It’s been months. The some day one day dishwasher, in whole or in parts, is floating somewhere offshore deep in a ship’s hold. Floating out there upon Pacific Ocean waves.

Beer? You stopped by for beer news? Let me see. Where did I put that folder. Here it is… first stop is in legal land. Brendan P shared that the modest personalities behind Stone have filed court documents rejecting the jury award of 25% of the original claim, seeking another $168 million based on the very questionable claim that the Keystone…

…rebrand caused a fundamental change in the trajectory of Stone’s business from which it has not recovered today and will likely never recover.

Really? I just don’t believe it. It would be nice if there was a separate trial of these assertions, given Stone’s self-inflictions and failures to move to the next level what with debacles like the Berlin brewery and never quite earning that grade A level of consumer respect that others second wave brewers have achieved in the marketplace. It would be good to have these facets of their commercial history carefully reviewed by the courts to see what trends and trip ups were really to blame.

One thing is for sure. Out there is the really real world, it’s not been a great year for craft beer generally – even if, given the real news, one may want to put that in perspective. As CNN reported:

For many of the nation’s small and independent brewers, this year will prove to be a true test of their staying power. Early data for 2022 shows that brewery closures are on the rise and some sales have been spotty… The pandemic and its ongoing effects, as well as the war in Ukraine, continue to drag down smaller brewers, who are battling climbing costs, rising rents, and seemingly interminable supply chain challenges… “2022 is going to be a make-or-break year for many breweries…” 

Now, while that may be true, it is always important to respect the chronology. Just as prohibition didn’t start the rationalization and reduction of players in the US brewery industry (a phenomenon started with the introduction of English modernization investments in the 1880-90s)  so too we have to remember and respect that craft brewing was starting to slow prior to the pandemic. 20% by 2020 never happened and even the numbers that are reported are propped up vastly by the Boston Beer fib and the muddling it up with comparisons to things which just aren’t beer. What do you reckon actual small brewery actually traditionally brewed actual beer represents in the market these days?  2%? 3%?

What does this wobbly market perhaps produce? Well, perhaps complaints about the complaints about a price of a pint. And perhaps even complaints about questions about the authority of beer writing. Relatedly, while we all wallow in myth, I am not sure I am buying the complaint in 2010 that overpricing of Cantillon was due to reselling, especially given I was buying  half bottles of their stuff in CNY for $7.50, $8.50 (pervy premium?) and even $9.00 USD around 2007-08 which was well above their cohort. Sure it was a prime example of being “shelted” but the brewery needs to take responsibility for part of their own no doubt quite profitable aggrandizement. Bottom line of all this? The training wheels have come off sometime ago and it’s shifted to a buyer’s market now. I* have choice and I know how to use it. Caveat braciator.

So be clever. Get the basics right. Pete Brown posted a very helpful guide to filling out a form – which may sound like a backhanded compliment but it’s not. Apparently the beer world is rife with folk who can’t manage to figure out how to submit the  beer to the right category in the contest as well as folk who can’t figure out how to structure categories in the contest. Here’s his help:

One year, we had an entry that was all about a piece of experiential marketing at a beer event. It was an installation I’d visited personally, and when we came to discuss it, I waxed lyrical about how brilliant it had been, how original and immersive it was, how professionally it had been executed, describing all the little details that made it truly special. The rest of the judges looked at me blankly, and when I finished, one of them said gently, “Yes, Pete, but none of that is on the entry form.”

And do right. David Jesudason has written an excellent piece for Pellicle about the obstacles faced by the beer fan with mobility challenges:

These include being ignored when ordering, or having his personal assistant asked by the bartender what he wants to drink. Not being able to use disabled toilets as they’re being used as a store cupboard. Not being able to attend eating areas or events as they’re located in inaccessible rooms. Or travelling to London from Essex only to be told at a pub that it’s “too busy” for him to enter. And it’s not just the establishments that can ruin his drinking experience. Other drinkers ignore him when there’s no table free that’s at the right height (a high table is useless for someone in a wheelchair) and his personal assistants can be verbally abused if he appears to be drunk—or is drunk, it’s his preference, after all.

Back to the economy. It’s still nipping at our heels. How bad are things getting out there? One English news outlet has suggested the answer is “bad“:

One of the oldest British traditions is meeting your friends at the pub for a nice cold drink. But all this could change soon as news suggests that the cost of a pint of beer could soon set you back £7… BlackCountryLive readers have expressed their fears the price hike could see many beloved pubs disappear from our streets. Phil said: “No pub would survive that.” The sentiment was echoed by Mick who wrote: “Not bothered but it’s the pub owners I feel for.” Brenden added: “It will destroy the local pub.”

I don’t know about these sorts of forecasts. I just don’t believe them either. Hasn’t beer and beer culture survived through adaptation? There have been plenty of dead ends along the way, century after century. Not all brewing industry trends have been wise. Stone is proof enough of that playing out in the US craft scene. Remember Pete’s Wicked Ale? Why wouldn’t today be the same? Yet… notice that Heineken sales are up in Europe over 11% in 2022 “with beer sales in bars and restaurants almost tripling.” Nutty. Beer survives. Things will adapt, especially as long as there are these sorts of places to enjoy… even if not exactly for the reason advertised:

Bass mirrors, Bass glasses, a beer range centred on everything but Bass. A pint of Plain, or was it the Usual ? I don’t care, and with half a dozen blokes seated along the bar discussing Ted Deighton I couldn’t read any of the pump clips even if I did. How do people score beers on What Pub when they can’t read the pumps. I’m not complaining, not more than usual, I just want to see lively pubs full again. The Angel isn’t an obvious “ale pub”, most here were on lager, but at £3.30 a pint the cask sells well enough.

I’m not complaining either. Beer will go on. The dryer will come. I know it in my heart. But will the dishwasher? Will the dishwasher?

There. That’s enough for this week. For more, checking out the updates from Boak and Bailey mostly every Saturday and from Stan every Monday, plus more with the weekly Beer Ladies Podcast, and at the weekly OCBG Podcast on Tuesday and sometimes on a Friday posts at The Fizz as well. There is a monthly sort of round up at The Glass. (Ed.: that seems to be dead now.) There is more from DaftAboutCraft‘s podcast, too. And the Beervana podcast. And sign up for Katie’s irregular newsletter, The Gulp, too. And check out the Atlantic Canada Beer Blog‘s weekly roundup. Plus follow the venerable Full Pint podcast. And Fermentation Radio with Emma Inch. The AfroBeerChick podcast as well! And also look at Brewsround and Cabin Fever. And Ben has his own podcast, Beer and Badword (Ed.: …notice of revival of which has been given…)  And remember BeerEdge, too, and The Moon Under Water.

*Speaking as the Global Every- person Beer Buyer as per.

Your Very Merry Christmas Edition Of Beery News Notes

This is the week! Santa and everything. So exciting. Last minute shopping opportunities abound even while heads nestle all snug in their beds bothered by visions of some sort. We are as happy for anything around these parts over the vaccination drive through outdoor wintery clinics, as seen above, which are boosting 5,000 people or about 4% of the city’s population per day. After a very scary spike that led the nation just a week or so ago, this is very good news for the holidays. The goose or turkey or whatever is sorta taking second place this year.

It is Tibb’s Eve today, a Newfoundland early start that may go back to 1700s and into the rural outports. What’s that about, you say?

Tibb’s Eve was a “non-time”; if something was said to happen on Tibb’s Eve, it was unlikely it would ever happen. It appears circa 1785 in “A classical dictionary of the vulgar tongue” thusly: “Saint Tibb’s Evening, the evening of the last day, or day of Judgement; he will pay you on St. Tibb’s Eve, (Irish).”

Fabulous. What is going on in beer itself? Well, I was really exciting by (as excited as one might get by I suppose)… by Ron’s reworking of some data to discover some very basic information about Dutch beer culture in the mid-1900s:

The obvious post-war trends were moves from dark to pale, sweet to bitter and draught to bottled. I’m shocked that pre-war dark beers accounted for almost 50% of the Dutch market. I would never have guessed that. Nor that such a high percentage of beer was sold on draught. Even in the UK, where draught was the norm, a higher percentage of beer was sold in bottled form on the 1940s.

That’s a fourth approach in addition to function, nationalism and style. This illustrates the great thing about amassing and writing in quantity – interesting qualities will jump out that would otherwise be missed.

Trying to be upbeat this week but this story on the death of one UK craft buyout is really interesting – especially as it is written from the marketplace reality point of view as opposed to the usual PR hopes and wishes:

Timing was an issue too. When it bought London Fields, Carlsberg’s eponymous lager and Export brews had been seriously struggling for years. Moving distribution to DHL also didn’t help, according to a second industry source, who says the tie-up was “fraught with difficulties” leaving irate retailers “unwilling to entertain a broader range”. Then after Covid hit, the merger became top priority. Put simply “[brewers] are potentially heading into another difficult period and it is all about cost right now, rather than growing younger brands”.

I really enjoyed watching Lars M.G. discussing why beer and Christmas are deeply connected, and what Christmas was originally all about all on a live (and free) online talk Tuesday afternoon my time hosted by @ChiBrewseum. These presentations they are putting on are a great addition to the good beer scene. He mentioned a record from the 1270s when the Norwegian king required prayers over the beer bowl to Odin to be replaced with those to Jesus. I mentioned that is right about when and why my peeps left town. We are also all the Elliots, too.

I really liked the “best of” reading list from Boak and Bailey if for no other reason that it is the sort of list that is separate from the self nominations we see on awards lists. Which can lead to this sort of unhelpful thing. Every entry is well worth your time. If I would pick out any one as the best 0f their best of 2021, it would be the epic A History of Brussels Beer in 50 Objects by Eoghan Walsh of Brussels Beer City.  Catch up! There is another half year of this tremendous bit of writing to go.

Great insider thread on the state of the bar scene in the USA in these days of the fourth wave.

The new drink buzz this week was all about the hot poker being thrust into your malty winter ale on a cold tavern patio somewhere.  Kate B. posted a vid. Stan on Insta wrote:

Some like it hot. Next please. My beer (Hogshead ESB) waits for a poke in the mug with a very hot iron. Lots of foam. Toasted marshmallow. 

I liked this – it’s a return to an old practice for winter punchbowls, whether filled with wine or ale… or both. Try it yourself, out in the yard with a Lambswool a la Braciatrix.

Martyn posted about one grump, sort of an anti-communicator, complaining about the quality of his drink:

In October 1736, Jonathan Swift, dean of St Patrick’s Cathedral in Dublin, and the foremost satirist of his age, published an attack on English porter, which was made, he said, of “the worst Malt, which is sent from all parts of the Country for that Use, and consequently nothing but Gin exceeds it for Badness.” The smell of London porter, he said, was “sufficient for any Creature above a Swine”…

Yikes. More tastefully, good news for hopheads in Stan’s newest edition to Hop Queries:

Friday the United States Department of Agriculture reported record hop production of 116 million pounds in Idaho, Oregon and Washington. That’s 12 million pounds more than 2020, when weather and smoke damage drug down yield, and 4 million more than the previous record of 112 million pounds harvested in 2019.

Speaking of good taste, Jordan brushed off his fountain pen and wrote about the state of Glutenberg, the Quebecois gluten free brewery and, like the Lord looking down upon creation, was pleased:

Alternative fermentables are used all over the world and the millet and buckwheat, which tend to be from arid climates, are probably things we’re going to need to look into in the near future. One thing this has certainly highlighted for me is how much we’ve become dependent on wheat and oats in the last half decade as the influence of New England IPAs has crept into other styles. I wonder whether that makes the Glutenberg products more accessible than they would have been six or seven years ago since haze and cloudiness are not issues in the general market anymore.

Finally, its time to brush off the Xmas tale from Church-Key Brewing of Campbellford, Ontario has arrived. Gather the kiddies, get your popcorn and Kleenex:

 

Well, the holidays are definitely here now. Be happy and eat a chestnut or whatever it is you eat that’s a bit weird. While you are being happy please also check out the updates from Boak and Bailey mostly every Saturday and from Stan every Monday, plus more with the weekly Beer Ladies Podcast, and at the weekly OCBG Podcast on Tuesday and sometimes on a Friday posts at The Fizz as well. There is a monthly sort of round up at The Glass. (Or is that dead now?) There is more from the DaftAboutCraft podcast, too. And the Beervana podcast. And sign up for Katie’s weekly newsletter, The Gulp, too. (That’s a bit now and then now.) And check out the Atlantic Canada Beer Blog‘s weekly roundup. Plus follow the venerable Full Pint podcast. And Fermentation Radio with Emma Inch. The AfroBeerChick podcast as well! And also look at Brewsround and Cabin Fever. And Ben has his own podcast, Beer and Badword (which he may revive some day…)  And remember BeerEdge, too, and The Moon Under Water.

 

 

 

The Very First Thursday Beery News Notes For The Second Half Of November 2021

I like this image above. It is a bit of an edit off a photo from Great Lakes Brewery off the north shore of Lake Ontario (as opposed to the one to the south of Lake Erie). Depth of field hit very nicely. Gran’s hand towels being put to good use. And clean lines every day. Best practice. Speaking of which, let’s see what else is worth noting in another week in the life of good beer and related stuff, shall we?

First off, Katie Mather wrote a very interesting piece of these times about a trip to sip natural wines in Paris which was as much about herself:

I ended up at Notre Dame every day I was in Paris. The resilient aura of a burnt-out cathedral was something I hadn’t been prepared for. I stared, making excuses to pass by, marvelling at the Medieval-like wooden supports bolstering the flying buttresses just like when they were new, wrong-footed by the stained glass rose window I had first seen in a Disney film, now blackened with soot. A dark emblem of survival—or perhaps a reminder of how close it has been to ruin, of being rescued, and still being rescued, and maintaining that iconic but now fragile facade. I was unwell, and I found a hand to grasp in the sight of this building. It seemed as tired as I was, of holding itself up, of being under so much of its own weight.

I am a bit interested in natural wine as I’ve known for a long time that I’m fairly sensitive to sulphite-based preservatives. This has been brought a bit into focus in the last few months as I am working on an intermittent diet that sees me weeding certain things out of my diet. Turns out I also have a problem with wheat and barley. Like a glass of red wine, good crusty bread triggers a histamine reaction. As does… beer. Weeping eyes. Inflammation. Drag. But manageable.

UPDATE: ghost tips over beer!

In his blog by email, Dave Infante took a very grim lesson from the Bell’s Brewery sale:

Remember early last decade? Selling out was anathema, and the U.S. craft brewing “movement” looked unstoppable. Now it’s starting to look insolvent. Sales are slowing; reports of workplace discrimination are up; a generation of new drinkers are reaching for hard seltzer and canned cocktails to power the party. In a 10 mere years, craft brewing’s rock-ribbed corporate antagonism has given way to self-imposed purity tests and fading relevance. In the same time, its product has morphed from zeitgeist-y leader to cheugy afterthought. Craft beer remains a product with a value proposition. But make no mistake: a dark night of the soul has fallen on its anti-commodity, independence-over-everything cultural dogma.

He’s probably right. Craft sucks. Right? Or is it “craft – doesn’t suck!” Can’t remember. Never mind – just remember who was calling craft “cheugy” back in May. The cool kids, that’s who.

Gary Gillman has been doing a fabulous job exploring eastern European brewing history with a focus on the role of Jewish culture. This week he wrote about  hops:

Hop-growing in the former Austro-Hungarian province of Galicia was an established but relatively small-scale business up to World War I. Prior to 1850 one source, Penny Cyclopedia (1838), states “a few hops” were grown, a cottage industry at best. By 1879 hop-growing is on a more solid footing. The Journal of the Society of Arts was particularly approving of quality, stating at their best Galician hops could hardly be distinguished from classic Bohemian Saaz.

Speaking of things easterly, here’s your Belarus update: still finding myself filling the hours at home rather than sprinting out into the local upsurge in the delta, I came across a video blogger who rides the rails of eastern Europe looking for former Soviet things to talk about. In this episode, it’s about five beers from five cities in Belarus.  Half seem to be gak. It is an interesting way to turn to Jeff’s thoughts (which we may have discussed before) about nationalism being the way to understand beer:

In the 44 years since Michael Jackson wrote The World Guide to Beer, people have become much more sophisticated in the way they understand and describe our favorite malty substance. The subject is incredibly complex, and over that span we have collected, classified, taxonomized, and shared information, refining what we know along the way. This effort has produced a shared (if disputed and endlessly debated) vocabulary and conceptual framework for discussing beer. For the most part, people have identified and developed the big concepts and we now focus on refining them. I was therefore surprised to discover a huge dynamic in beer that hasn’t gotten the classification/codification treatment: national tradition…

There is a lot in there to disagree with – that the subject is incredibly complex or that big concepts have been identified. Or that people have become more much more sophisticated. Consider this on that last point. But it is a reasonable additional way to look at a subject mired for a few decades in one fixed conceit – style. It is reasonable to have a number of ways to look at one thing to cross reference and improve understanding. But it is hampered by words like nation and culture that are greasy and malleable. Nations shift and cultures morph. Consider the political and cultural constructs just in Gary’s post above. And the concepts are prone to being coopted. Me, I am more of a globalist technology and trade story arc person myself.  But that is another way of looking at things in addition to style and national tradition, isn’t it. No good comes of the unified theory approach except perhaps in physics. Maybe.

I raise all this by way of background as this week, Stan wasn’t entirely on board with the nationalist construct or at least the rendering of it that made the era of craft special. He wrote thusly by way of counter example:

Last week, during the virtual portion of the Master Brewers Conference, Greg Casey discussed “The Inspiring Histories & Legacies of American Lager Beer.” Casey, who worked for several of America’s largest brewing corporations before retiring in 2013, is writing a trilogy of books that focus on the period between the 1840s and 1940s. He points out that America gave the world “ice cold beer here!” Americans learned about brewing adjunct lagers from the Germans, but made them their own. They perfected chill proofing, allowing beers to be served crystal clear even when cold, changing the look of beer and the culture of drinking beer.

See, this is why we have all those facets of a topic. Like history. See, America did not give the world adjunct beer after receiving them from the Germans. The Germans handed it around themselves as part of their global mercantile and military empire from before the First World War. For example, Germany took over the “port city of Qingdao in north-eastern China in 1898, and ruled over it until 1914” and established Tsingtao beer. See also Argentina. As Boak and Bailey explained in Gambrinus Waltz, they also brought it to Britain. In Japan, a German trained Norwegian (who did admittedly touch down in the USA) founded what is now Kirin. In a bit of a twist, in the 1920s rice-based adjunct beer took off in Canada, to sent it the other way sending it south into the US black market during American prohibition.* Americans then took it with them where they went and often stayed. All of which leads me to think that while nationalism may not be the right unified theory, the paths of nations and the interacting influences upon them may as important as the history of technological advances if we are to understand why beer is what it is.

Speaking of beery culture, the local version got weird this week. I have to admit, I used to drop in at the place a few years back as it was handy to my ride home from work in the family car. Small pitcher of basic adjunct lager and a basket of onion rings was my order.

In a more sensible context, retiredmartin prodded me to read this post from the blog Prop Up The Bar which I liked for a number of reasons but especially the man on the street view:

As I arrived the gaffer was on the phone making a very angry call, his mood not improved by muggings here standing underneath the ‘table service only’ sign at the bar. During his phone call he threatened to “just shut the pub” which would have made this an epic pub ticking fail. Not sure what had upset him so much, but looking at my picture maybe he was on the phone to the company that looks after the shutters.

See also Lord Largis illustrating the “non-tick”:

I hadn’t eaten properly and as the bus approached the Hussey Arms I remembered how good the food is in there, but I’ve been spending too much on takeaways and meals of late and I’m trying to cut this cost down. I had an R Kelly lyric pop into my head. “My mind’s telling me no, but my body, my body’s telling me yes”. But as it was now dark and I wasn’t overly convinced that I knew where my first pub to visit was, my mind won and I remained on the bus.

I like that clarity of the vignette. Much uncertainty, conversely, surrounds a news release that informs us that two of Ontario and Canada’s best established craft brewers have done a form of a deal focusing on efficiencies in distribution. Trouble is… it seems to be more than that. As Jordan stated:

Getting increasingly angry about this entire set of messaging and the general level of competence. Insulting to everyone’s intelligence to dangle the shiny thing at exactly the same time as letting the majority of staff go.

Ottawa’s news source The Review had more on the background:

“I can confirm that layoffs took place today, but they are largely not related to the Steam Whistle announcement,” said Beau’s spokesperson Jen Beauchesne, in a Tuesday afternoon email to The Review in response to an inquiry about the layoffs and the Steamwhistle announcement. Most of temporary layoffs which occurred this week are because Beau’s is slowing down production, while the company does maintenance work on its lines and brewing tanks, said Beau’s co-founder and Chief Executive Officer (CEO), Steve Beauchesne. “We have been having some fermentation issues,” Beauchesne said. “We need to empty the tanks and do a deep clean.”

Questions have arisen but, look, the Beauchesnes are family brewers from a small town in far eastern Ontario and (a rarity) I happily call them friends. They are great fun folk who I’ve had over to the backyard and who’ve had me to their fests. The times, however, may not be kind and if the business changes coming are greater than they are in position to discuss today, I can only wish them and their community the best.

B.O.B.** of the Week:  Mr B on a rather good brewery in his neighbourhood. The denial of standard B.O.B. context at the outset is an interesting variation on the brewery owner bio.

Finally: “Man driving 870 miles in world’s smallest car” – not about beer but, still, please send your 500 word essays as usual on how it is still like beer to the regular address to be entered in the context for our weekly prize of a photograph of a ten dollar bill.

That’s a lot. Busy week. For more, check out the updates from that same Boak and Bailey mostly every Saturday and from Stan now on a regular basis again every Monday, plus more with the weekly Beer Ladies Podcast, and at the weekly OCBG Podcast on Tuesday (where a parsing of press releases was featured this week accompanied by giggle, chortles and the mewing of cats) and sometimes on a Friday posts at The Fizz as well. There is a monthly sort of round up at The Glass. There is more from the DaftAboutCraft podcast, too. And the Beervana podcast. And sign up for Katie’s weekly newsletter, The Gulp, too. And check out the Atlantic Canada Beer Blog‘s weekly roundup. Plus follow the venerable Full Pint podcast. And Fermentation Radio with Emma Inch. The AfroBeerChick podcast as well! And also look at Brewsround and Cabin Fever. And Ben has his own podcast, Beer and Badword which may revive some day.  And remember BeerEdge, too, and The Moon Under Water.

*See The King v. Carling Export Brewing & Malting Co. Ltd., [1930] S.C.R. 361 at page 373.
**“Was ist eine B.O.B.? Das is eine B.O.B.!!” Translation: Brauereibesitzerlangweiliglichbiografie.

These Notes Are Beery And Newsy So It Could Well Be Thursday

If these comments come off as rushed and last minute, there is a reason. Long busy week – even as it looks like it might well end soon enough this being Thursday. And I’m bummed out by the Red Sox choking. And… much bigger a bummer… even though there are upcoming weeks off, there is the good old delta just a’rushing in, trying to block my way to the rooftop patio bar with the apps menu. Or just wanting to go to a game like Stan wanted to …. and just have a beer bat‘s worth. Now, I wake in the night with visions of carefully reserved hotels rooms, where I want to go for the first break in two years… finding myself again blocked by travel restrictions. Boo.

First off, just a few months after it was argued that beer guilds could not should not be considered to have a role in responding to the bad behaviours of some of their members, the New York City Brewers Guild gave one the boot:

“We are aware of the recent allegations against Gage Siegel of Non Sequitur Beer Project. These allegations directly contradict the core values and mission of the New York City Brewers Guild,” the guild wrote on Instagram last week. “In order to ensure a safe space for our guests, members and community at large, the guild has revoked the membership of Non Sequitur Beer Project; and they will not be participating in any upcoming guild sponsored events, meetings or collaborations.”

Good. And speaking of which, I know I post a lot of links to Martin’s posts about beer ticking and UK pubs but they really are fabulous what with a bit of wit and a bit of photos, both from unusual angles. But this is one of his best and it has nothing to do with the drink:

Enough pictures of beer. Let’s do a curry. As always, let Glaswegian legend Curry Heute be your guide. His website is to Chicken Dhansak what BRAPA is to John Smiths Smooth. But he’s little positive to say about Sheffield, and to be honest there do seem to be far more Chinese than Indian/Bangladeshi options in town. Curry Heute’s pick is Apna Style, just south of Bramall Lane, which seemed to justify a return visit.

Conversely, the jerk of the week award may well go to British Columbia’s Minister of Agriculture, Ben Stewart who tweeted:

Business owners across BC are struggling to stay open as Gov’t programs don’t encourage workers to seek employment. This is wrong!

How does this connect to a boozed up blog? He also runs a winery that has taken government subsidization and sells pretty pricey plonk while hunting down low pay labour. Nice.

Relatedly, Kate B. wrote a good piece on a similar situation for CB&B entitled “Help Wanted: Breweries Rethink Employment to Adjust to Staff Shortages” with this intro:

Portland, Oregon’s Von Ebert Brewing estimates it has thrown thousands of dollars behind employee recruitment this summer. The brewery has given away merchandise at job fairs, promoted its job postings on websites such as Indeed and Facebook, and offered $500 signing bonuses after 90 days of employment. The return on that investment hasn’t been good. “It’s moving the needle almost zero,” says Dom Iaderaia, Von Ebert’s director of food and beverage.

What to do when people want to do what they want? The follow up tweeting leaned a bit to the “raise the red banner high!” side with a number pointing out craft breweries avoiding unionization is part of the question.

We had a good long Lars post this week that ends with the unusual statement “I want to make it very clear that this is not my work. I’m just repeating what’s in the paper.” Which is good and all fine as the post is an explanation of a very science-y bit of science related to particular properties of kveik.  Just look at this:

The seven octagons are genes. Let’s start with the upper four: the yellow ones turn glucose into trehalose inside the cell, and the orange ones are regulatory genes that control when trehalose is produced. The kveik strains have changes in all four of these genes, but particularly in the regulatory ones. That’s very likely the reason they make more trehalose.

I know, me too! I have no idea what it is all about but it is neato for sure. And if you like trehalose, check out Stan on the thiols.

Somewhat conversely or perhaps similarly, Jenny P. wrote this:

The quest for “authenticity” in beer has always been something that has bothered me—for one, most of its history has been captured by white men, through a European lens. Who are the critics who get to say a beer (or cuisine) is authentic? It’s a limited scope.

…and then this:

I think it’s more than that—authentic is never objective. Authentic has always been decreed. Who made the decision which tradition or method was authentic?

…then this:

I think there’s a very big difference when talking about Tradition vs Authentic.

It’s very similar to the heritage v. history thing. I think. Does the man known as The Driver have it right? Perhaps. I know who has it wrong – the maker of shit. Speaking of shit, a Halifax NS brewery is offering folk a whole $1 coin (and that’s Canadian) for a social media post:

…you have to pick up one of the five eligible brews at your local liquor store. Then you have to post a photo or video on Instagram of the beer with @goodrobotbrew and #sponsored or #ad in the caption. After that, Good Robot will slide into your DMs to confirm your email and then e-transfer you $1 for each post.

What a stupid idea. Unless they aim to destroy the local market for beer influencers.  Then it’s dumb and stupid.

This week on GBH: a middling post about hops in Italy accompanied but some really weird blobby art. Much better at Pellicle: “…The Inherent Whiteness of British Beer Writing“!

When I wrote this piece on racism craft brewers face in the beer industry I was surprised that such a bold investigative report requiring a lot of time, guidance and investment was given the green light, considering it was the first story that I had approached Pellicle with. But why am I one of the lone minority voices who write about beer compared to other sectors, like food, which sees far more writing from people from diverse backgrounds?

One interesting suggestion in response: overhaul writing award categories “which currently favour print media and target influencers and bloggers.” Where have I heard that before!?!? But the real truth is shared by Pete Brown: “I’m chronically in debt…” There is no moolah in any of this.  Does that make the hardscrabble harder? Less welcoming?

Hmm… let’s leave it there. Lots to think about. For more and maybe even something else, get ye into yon updates from Boak and Bailey mostly every Saturday, plus more with the weekly Beer Ladies Podcast, at the weekly OCBG Podcast on Tuesday and sometimes on a Friday posts at The Fizz as well. There is a monthly sort of round up at The Glass. There is more from the DaftAboutCraft podcast, too. And the Beervana podcast. And sign up for Katie’s weekly newsletter, The Gulp, too. And check out the Atlantic Canada Beer Blog‘s weekly roundup. Plus follow the venerable Full Pint podcast. And Fermentation Radio with Emma Inch. There’s the AfroBeerChick podcast as well! And also look at Brewsround and Cabin Fever. And Ben has his own podcast, Beer and Badword – when he isn’t in hiatus as at the mo, more like timeout for rudeness! And remember BeerEdge, too, and The Moon Under Water.

Your Mid-May Beery News Notes For The UK Pubs And Other Floodgates Opening

What a week. We hit 50% first vaccine coverage locally and folk over 18 are able to try to book appointments. Our two eldest must head to two town over in three weeks for their. But as for me, the provincial government has gotten very cold feet over the AZ jab just as I await word on my where and what and when my second jab will be. Oooo… sole mio. Oh, to be the happy man that Tim Holt found reference to in an unnamed book: “[h]is hobby was chaffinches… on a Sunday he would lie nearly through the day sucking up the treacle beer through the tube… thinking of nothing at all…” Magic.

Of course I am not that man and, like all you all, must face the realities. This includes the biggest news in US craft beer circles is the news which isn’t really news at all.  Sexism is wide ranging within the culture and this week, led last weekend by Notch Brewing’s Brienne Allan, names were named.  Beth Demmons provided the best summary of the situation as of Monday afternoon through another well documented article at VinePair, setting out the background:

Allan, production manager at Notch Brewing in Salem, Mass. and a former leader of the Pink Boots Society’s Boston chapter, was on-site at Notch’s forthcoming Boston area brewery to help assemble the new brewhouse. After being in Covid-19 quarantine for a year, she says, she’d gotten used to not having to deal with sexism, but it didn’t take long for it to rear its head once — then twice — more.

In response, Allen went on line. She received over 800 response to her exasperated question “what sexist comments have you experienced?” The responses range from the crude to the horrific as Demmons writes. There have been initial consequences including a staff uprising at Tired Hands Brewing of Ardmore, Pennsylvania by Tuesday afternoon as reported upon by the Philadelphia Inquirer. And firings and resignations at this and other breweries and organizations followed and may continue to follow. Libby Crider of St. Louis’s 2nd Shift also shared experiences of what she has to put up with from pigs but also welcomed the wave of support. David Sun Lee shared the statement above from my local and beloved Matron Fine Beer. Also read Jessica Infante’s piece on the story from Tuesday as well. In addition to these grim allegations, one of the more interesting bits of information was this:

Let’s say hypothetically I run a for profit marketing business, that doubles as a publication, and am on record/screen shotted, warning clients to pull certain SM accounts before a hypothetical article dropped… am I contributing to the toxic male presence in beer while posting articles of the toxic male presence in beer? Asking for a “friend”.

Hardly independent publishing if that is the case.  Interestingly, GBH ran a story that consisted on interview notes with Brienne Allan along with commentary from two lawyers on the challenges whistleblowers may face in the form of defamation lawsuits. It was odd as it seemed to give both slightly false hope as well as a warning to whistleblowers. As a lawyer, I also found it a particularly odd approach what with the legal conclusions drawn like:

…users and providers of internet services are generally protected from defamation claims when they post or share content that was created by a third party…

Not to mention the categorization of brewery owners and employees as “public figures” which would require acceptance of the phony rock star narrative which is also part of the problem with depictions of craft beer culture. As always – as with pro/am beer writers offering medical advice – get actual professional advice if you are in any way involved with a situation like this.

My own two cents in all of this was to remind people – again – that the whole shift from “micro” to “craft” brewing was an intentional rebranding specifically in response to a sex scandal that led to criminal charges. You can read about the 2002 “Sex for Sam” promotion fiasco here and, if you doubt the primary sources I cited, you can read about it also in  Barrel-Aged Stout and Selling Out: Goose Island, Anheuser-Busch, and How Craft Beer Became Big Business by Josh Noel as reviewed here.

Katie questions the political economics behind the low ethical standards in what was supposed to be craft’s brave new world – what she calls “social justice paint jobs”:

I have worked in marketing for over a decade, and in that time I’ve developed a talent for sniffing out social justice paint jobs. This in turn has allowed cynicism to grow where it’s not welcome — I desperately want to see beer businesses working to bring good into the industry, and to banish what’s rotten, and to believe that this is being done for the benefit of everyone who interacts with the industry. It’s difficult to see how anything that operates within a capitalist society could survive without adopting capitalist goals…

Me, I am not one to think that “it’s the same everywhere” as I think craft has built for itself its own particular variant of the problem:

If you were wanting to create a cover story for anti-social behaviour why not create an alcohol laced drinkers’ loyalty culture controlled top down by the clique of brewery owners, cleverly labelled as a community driven by passion?

It’s that dream of a consequence-free experience under which it provides a particular cover for some pretty bad behaviour, the thing that still allows someone known to be a creep at work to claim it’s his personal matter.* Sorry. Nope.

Somewhat related, while these matters may raise many points of view, I am not sure this is exactly how one should put this, inclusion-wise. Seems itself to be pretty whitely-dudely:

…I want to balance my interview list a bit, so if you make or sell these beers and you’re not a white dude then I’d love to talk to you…

So… if this is all true, then are we facing a reality that unless you are a tiny family operation or a big brewery with all the controls a proper independent and empowered HR department that there is a risk the pigs are in charge? Maybe. Maybe not. As Jeff recommends, we can at least start by remembering that all humans deserve respect, kindness, and equity.

Speaking of tiny family operations, Joe Stange has written a profile of Virginia’s Wheatland Spring Farm and Brewery run by  Bonnie and John Branding. It is published in what is either Craft Beer & Brewing or Beer & Brewing depending on which web page upper left logo you are looking at. Warning: there may be pigs but they are the proper sort so it’s OK. The Brandings make land beer:

That experience in Germany also inspired the brewing of what the Brandings call “land beer.” To them, all Wheatland Spring beer is land beer. The Germans use the word landbier—it simply means “country beer,” and breweries use it to evoke images of local, traditional lagers. To the Brandings, it reflects the farm and its surroundings….  Land beer “has to do with culture and a mindset,” John says. “It’s this connection to agriculture and to artisans, and to this more tightly knit community of craft maltsters, small hop growers, and small family breweries.” In Germany, he says, those small village breweries aren’t trying to compete with the bigger ones. “They’re happy and content with their market, just as it is…. 

History lesson time. The T-feed presence known as “Intoxicating Spaces” posted this message and accompanying image to the right (my left):

A charming C18th view of St Pancras Wells, a spa and pleasure garden on the site of the present-day station. As well as healing waters, it offered ‘the best of tea, coffee, neat wines, curious punch, beers, other fine ales, and cyder’.

I have writing a bit about pleasure gardens, such as Vauxhall Gardens in the last third of the 1660s at Lambeth, England as well as, note bene, Vauxhall Gardens in NYC in around the 1760s. I would absolutely love access to a pleasure garden. Why have you not provided that to me, world?

Courtesy of TBN, I saw that Ron wrote about British military brewing in WWII including in the jungles of Burma:

In Burma they took the concept of mobile brewing one step further than a brewing ship. They stuck breweries on the back of lorries. Quite a clever way of getting beer production as close as possible to the front line. Given the conditions under which it was brewed, I doubt it tasted that great. The soldiers must have been glad to get any beer at all, out in the jungle. 

Look! A “curate” sighting care of the Mudge. So 2018. I thought we were done with that once it came to mean “stuff I own” but there you go.

Marverine Cole directed my eyes to this piece in The Guardian about troubles facing the only Belgian brewery that really really matters, Rochefort:

The monks have doggedly claimed that plans by Lhoist, an international company run by one of Belgium’s richest families, to deepen its chalk quarry and redirect the Tridaine spring risked altering the unique taste of their celebrated drink. Now, thanks to a deed dating back to 1833, it appears that makers and drinkers alike need no longer worry. A court of appeal in Liège has confirmed that while the quarry owner also owns the spring, it does not have the right to “remove or divert all or part of the water which supply the abbey”.

Holy subsurface riparian rights ruling, Batman! Excellent outcome.

Boak and Bailey educated us all on the history of pale’n’hoppy ale. As did Ed. They wrote in response to a post from Jeff on Thornbridge Jaipur. The point of pointing this out is not the appearance of corrections and disagreement. No, it was the appearance of a collective exploration that helped everyone and build understanding. Certainly helped me. Excellent. Good stuff indeed!

Finally, the pubs have opened in the UK for indoors pints and, just like that, the arseholes are back:

To the group of lads who ran up a £200+ drinks bill outside a #bristol pub yesterday, were abusive staff & fabricated complaints, only to then do a runner. You are the very worst of the worst sort of people, and we sincerely hope the police can track you down #unbelievable

In happier pub opening news, Jeff only had to move the sofa and TV to get the place fit for human company.

That’s a lot. Take the time to take it in. And please don’t forget to check out the weekly updates from Boak and Bailey mostly every Saturday, plus more with the weekly Beer Ladies Podcast, at the weekly OCBG Podcast on Tuesday  and sometimes on a Friday posts at The Fizz as well. There is a monthly sort of round up at The Glass. There is more from the DaftAboutCraft podcast, too. And the Beervana podcast. And sign up for Katie’s weekly newsletter, The Gulp, too. And check out the Atlantic Canada Beer Blog‘s weekly roundup. Plus follow the venerable Full Pint podcast. And Fermentation Radio with Emma Inch. There’s the AfroBeerChick podcast as well! And also look at Brewsround and Cabin Fever. And Ben has his own podcast, Beer and Badword – when he isn’t in hiatus as at the mo, more like timeout for rudeness. And remember BeerEdge, too. Plus a newcomer located by B+B: The Moon Under Water.

*Just had to note what a sad exercise this sort of statement is: “While this was all my PERSONAL life, I am so very sorry that these poor choices are now reflecting on the excellent people and products at Grains of Wrath. I emplore those who have any questions or concerns to ask me personally. I’m happy to talk to you and answer any questions you may have because open and honest dialogue is the only way to move forward.” No, bringing bad behaviours out into public with real consequences is how to move forward.

 

Blink And You May Miss The Mid-February Edition Of These Beery News Notes

I was thinking this week about an undergrad pal who used to say that February went by like a bat out of hell. Our small college of those days – just 400 students, half that in residence – has been making news for sad reasons this week so I have been thinking about those days a bit. But it is mid-February now and that means weeks from March and just as justice will have its day so shall the first coming warmth of spring. I am a bit all a giggle about it this year, frankly. I waaaay over invested in reusable row covers. Going to dig up have the lawn. Yup.

Sweetest bit of writing of the week has to go to Matt as he placed himself in the lineup at Pellicle and wrote about Dann Paquette and Martha Simpson-Holley of The Brewery of St. Mars. Many a love letter I sent to those two when they were on this side of the Atlantic brewing at Pretty Things. I send Matt my 2010 review of Jack D’or in response to Matt’s call for research materials. It provided him with background but I didn’t get quoted in the foreground. Oh… well… Anyway, the story is well worth your time:

Dann’s drawing of Jack D’Or, which depicts the “golden barleycorn”—as Martha’s poem describes him—bathing in a mash tun, adorns the label of a deliciously crisp, bold, yet balanced saison-style beer of the same name. It would eventually obtain something of a cult status among beer-loving Bostonites, New Englanders and others lucky enough to find it on tap, or get their hands on a bottle.

Oh. There I am. One of the lucky others. Thought for the day. A lovely summation of that which is the influencer:

She reminded me most of MPs I’d interviewed — the imperviousness to humiliation, the tolerance of rejection that let them go up to the public again and again.

Not unrelated. Bad day in your early Renaissance? Someone was having one when this image was painted. H/T.  Speaking of bad days, Ron has been posting interesting thoughts about why British beer became more boring in the 1980s and has been dipping into his own stream of consciousness as he does. This is his best sort of writing:

I’m just back from a walk. Unless it’s pissing down, I always go for a walk around noon. A good time to think, while I’m strolling around my little patch of Amsterdam. Not just think, but start writing in my head. Phrases or even whole sentences. I can shuffle the words around before committing them to metaphorical paper. (That’s an example of a sentence I mentally wrote.) But let’s not stray from the point. I was pondering why and when UK beers became blander. A few things became clear. Oh, what I’m referring to is mostly cask-conditioned Bitter and occasionally cask Mild. 

Writing. The waste of a good walk. Why is it so?  And while we are at it, consider the lot of the freelancer, too.

Speaking of whom, Kate Bernot has popped up with an excellent article on the issue facing breweries in these times of supply chain problems – bottles or cans or back to bottles. It’s in a restricted medium uncomfortably self-identifying as Beer & (Craft) Brewing so I am constrained from telling you more. I think I had a free subscription offered last time I complained so it’s really all my fault. Who suffers? You do. Sad.

A book on Celis. Might have to get that.

Elsewhere in time, Casket Beer has provided us with some extra thoughts in great detail on the creation of another container, the Nonik glass and its genesis in the US soda fountain trade of a century ago:

Hugo Pick, of Albert Pick & Company, created the nonik, receiving its first patent in 1913 (some advertisements around the time also indicate a 1912 patent). Pick & Co. was a well-established service industry company based out of Chicago. They also owned and operated a chain of hotels. The Nonik Glassware Corporation was a licensee, and, according to the Crockery and Glass Journal, sole distributor of nonik glasses to the “jobbing trade”. They advertised widely, emphasizing a glass design that was 38-percent stronger than other glasses, and eliminated breakage and nicking by 40-percent, or 50-percent, depending on which ad you read.

Sticking with mid-20th century beer history, Gary G has examined the iconic Genesee Cream Ale of western New York:

To my mind Cream Ale has always been a quasi-American lager. Genesee Beer, according to the 1977 account, used as adjunct, “powder-fine and oil-free corn grits”, the proportion not specified. Genesee Beer only is mentioned in that section, not the Cream Ale, but I’d think the Cream Ale used the same adjunct. The rationale advanced for the corn is “starch to increase its ratio over proteins”, and this made the beer “lighter in colour, smoother in taste, and more pleasing to the palate”.

I mention this in particular due to the cream ale / cream beer connections that I wrote about a few years back. There is a thread here… but what?

Jordan has also posted in some detail, in his case the state of the Ontario beer market mid- to late-pandemic. There is a bit of futurism in there which will have to play out to see if it is correct. I am more of a “what is now is not the future” person myself but I am totally on board with the short term nature of the bottle shop hereabouts:

What we’re dealing with here is a loophole that looks to be open on a permanent basis, and as happens with loopholes, people are pushing the concept as far as it can go as quickly as they can push it. I’ll tell you the same thing I tell the people who get in touch: It would be a mistake to assume that these changes as they stand are permanent. They’re making it up as they go and it will likely continue towards liberalization. Opening a bottle shop at this point might be fun, but I’m not sure it’s going to work out long term.  

Once the big money that has sat gathering at the sidelines moves back in, what is a state of flux will have settled and we will see where the real coins land. I am rooting for beer-mobiles – like bookmobiles meeting an ice cream van!

And Ren Navarro received an interesting honour of a bio in the Toronto Star this week. Nicely done.

Pete Brown reports that total UK beer sales are down +14% 2019 to 2020. One the one hand, bad. On the other, no too bad for the first pandemic in a century to his the nation. One solution for that might have been on the UK Tory government’s mind when they organized Brexit so so carefully – if one Brit retailer is correct:

Well looks like our importing of Belgian Beer is over. Software needed to “talk” to HMRC is not cost effective. Nearly £550 a year – Unless anyone knows of a different route #Brexit

Finally, in this week’s police blotter we highlight… or rather get into a bit of detail about a new matter which is moving towards the courts with a very local flavour. Iconic Canadian band The Tragically Hip have brought a lawsuit against one Toronto-based branch of the InBev / AmBev / ThingieBev conglomerate called Mill Street Brewing for poaching their intellectual property, as the CBC reports:

The Tragically Hip are suing a Toronto brewery for alleged trademark infringement in the promotion of its 100th Meridian lager. The legendary Canadian band has filed a suit in Federal Court against Mill Street Brewery, a subsidiary of Labatt, which is owned by Belgian multinational brewer AB InBev. The Tragically Hip allege in legal documents that Mill Street has tried to “pass off on the fame, goodwill and reputation” of the band. “Many of you are probably under the impression that we are associated with Mill Street’s 100th Meridian beer — we are not,” the band said in a Facebook post on Tuesday. At The Hundredth Meridian was a hit single on the Hip’s 1992 album Fully Completely. Its title refers to the line of longitude that marks the beginnings of the Great Plains.

The reaction has been swift and folk are eager to pounce. [Update: here is Josh Hayter of Spearhead on FB Thursday morning:

…they are using someone else’s intellectual property to sell their beer. They have been implying for years that the band supports their beer. If you think for one second if the positions were reversed, (someone using any AB product to promote anything they were doing) AB would not have an ARMY of lawyers up their backside in a second you are sadly mistaken…]

I have to admit a slight conflict as the band and its late singer originated here in my hometown and, while I never met one of the members, my late folks knew Gord Downie’s folks. Such is the town. That being said, I was personally and professionally quite surprised and even astonished that there had not been a licensing arrangement when the beer was created. Exactly no one in Canada knows that the “100th Meridian” is anything but a tune by the Hip. Crafty people even make crafts about the connection here in town. A huge hit. As the Winnipeg Free Press (the paper of record in that fair city) noted in 2011: “…the band slammed into the unforgettable riff to the 100th Meridian..”

“Unforgettable…” In his podcast, Ben mentions this week that there were failed negotiations before the lawsuit but that now Mill Street is in for a “world of hurt.”  And he is right. This is dumb and was well known. And the marketplace confusion is clear. In 2014, the Calgary Herald (the paper of record in that fair city) wrote of the release of the then new beer and always unexciting beer:

To steal a line from Gord Downie and the Tragically Hip, 100th Meridian Organic Amber Lager from Mill St. Brewery is where the great plain begins. (That’s a bit harsh, but I couldn’t resist the joke.) Seriously, though: the concept here is laudable — make a beer with barley from Canada’s breadbasket, the Prairies — but it falls short in the execution…

In 2015, The Tomato food and drink blog stated in a column written by Peter Bailey:

…Call it a classic Canadian compromise, Alberta barley married with Ontario water, with a name that calls to mind a great Tragically Hip song (“At the hundredth meridian / Where the Great Plains begin.”)…

In 2016, Simcoe.com recommended including the beer in any Hip themed party:

“…offer up Mill Street Brewery’s 100th Meridian Amber Lager and some of the band’s own Fully Completely and Ahead By a Century wine from Stoney Ridge Estate…”

And in 2017, one beer blogger wrote: “I have no idea if the beer is paying honour to the band or not, but here in Canada it’s great marketing.”   Yesterday, Jordan shared his recollection from the beer release party in 2014 that the brewmaster at the time claimed he had not heard of the song. Stunning – if only to indicate that they had their head in the sand and did not one bit of intellectual property investigation before the beer got named.  Lesson: pay attention to reality, brewery owners. Make sure you are aware of what is going on in culture and the law.

That’s it. Watch your nose. Don’t step out of line. Pay your bills. And for more good reading check out the weekly updates from Boak and Bailey, back now mostly every Saturday, plus more at the OCBG Podcast on Tuesday and sometimes on a Friday posts at The Fizz as well.  We have a new entry from the DaftAboutCraft podcast. And sign up for Katie’s weekly newsletter, The Gulp, too. Plus the venerable Full Pint podcast. And Fermentation Radio with Emma Inch. There’s the AfroBeerChick  podcast as well! And also look at Brewsround and Cabin Fever. And Ben has his own podcast, Beer and Badword.  And remember BeerEdge, too.

Christmas Eve 2020’s Merry And Very Own Beery News Notes


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It’s gone a bit quiet, hasn’t it. Yes, yes… there’s lockdown after lockdown all around – but there’s also winter settling in and Yuletide, too. Watching the UK – French blockade news is disheartening but at least France 24 is reporting all the Scottish scallops now in Paris have been sold. So, while we can’t be like those folk above from 1775 – and while we can’t even be down the pub with Santa Sid – we can more quietly mark the season and the day as our beliefs guide us. Go make a snow angel or just watch the stars overheard if the clouds take a break. Or do whatever you want… MNSFW.  It’s too late anyway, December 23rd as I write this. Tibb’s Eve in Newfoundland. Too late to change what’s happening now. The arse is out of it. We have bought the gifts, loaded the larder, filled the buttery and started to drain the bottles. Not quite the new roaring ’20s yet still a welcome break from the lockdowns.

Lockdowns. Always the lockdowns. One report on the lockdown from the auslanders on the way out of the EU  comes from The Retired Man Named Martin who went out a shipping in Sheffield:

Well, there was no panic buying. Perhaps because Northerners are less reliant on brie than London, perhaps because Morrisons are better at stocking shelves than Waitrose, perhaps because there’s a choice of a dozen supermarkets within a mile radius.

No panic. Good. No one needs that. Similarly – but a word that beer nerds like to deny – one of the most important in brewing is also on the go. Consolidation.  As Cookie noted, it is interesting then to read news of CAMRA welcoming one particular deal:

The Campaign for Real Ale said: “While we still need to see the detail of this deal, at first glance it appears a positive move. We hope this means that Marston’s will continue to run the pubs as beloved locals, securing their future for the communities that use them and the people they employ.” Findlay pledged to continue with Brains beers and said its tenanted tied pubs would now be able to stock the ales made by the Carlsberg Marston’s Brewing Company as well.

1,300 jobs saved. Maybe. Prepare ye for the top trend of Q1-Q3 2021. Consolidations are coming just as they always have after bottom is hit. Speaking of saving the day, I had no idea that there was intra-Germanic regulation of beer branding:

The consumer protection agency from the state of North Rhine-Westphalia (NRW) has now banned a beer called Colonia, produced by a Frankfurt brewery, from being sold in NRW, where Cologne is situated. The State Agency for Nature, Environment and Consumer Protection (LANUV) said the Frankfurt beer’s name and label could lead consumers to think they were buying Kölsch… The word Colonia harks back to the Latin name of the Roman colony from which the city developed, Colonia Claudia Ara Agrippinensium… The term “Kölsch” has a protected geographical indication (PGI) within the European Union, meaning that a beer can be sold under that name only if it is brewed within 50 kilometres (30 miles) of the city of Cologne.

The Beer Nut is not panicking either in this time of second or third wave – and gave a lesson to those unappointed and slightly sad mere beer experts who know not how to cram so much opinion, information and joy into just one paragraph:

Blackest of the black; shiny with a deep tan head, it looks like it promises a good time. The aroma is fairly mild, but gives you all the cocoa you could want from a porter. The flavour is where it really excels. Well, flavour and mouthfeel: the two are inextricably linked. Big and creamy, and a little chewy is how it rolls; cakey, gooey. On that texture rides dark chocolate and liquorice for two kinds of sweetshop bitterness: a rich coffee roast and then a fruity plum pudding thing at the end. It’s sumptuous, and one of those strong dark jobs that makes you wonder why breweries even bother with barrel ageing. More biggity-big no-gimmick porters please!

Speaking of excellence, Martyn noted one “ancient brewing” story that was 67% less full of lies – and utter lies – with only passing reference to Dog Fish Head and the Hymn to Ninkasi, both well trod recourses to the shortcutter, in favour of more interesting info:

The location suggests the Natufians—a hunter-gatherer group that lived along the eastern Mediterranean from 15,000 to 11,000 years ago—used beer in honoring the dead. The beer’s age—between 13,700 and 11,700 years old—is a surprise. The beverage is roughly as old as the oldest Natufian bread, from between 14,600 and 11,600 years ago, discovered at a nearby site in Jordan.

Also thinking historically-wise, Gary posted a double this week, both on the question of English Christmas ales. One about Hallett and Abbey’s version from 160 years ago and, then, the associations between the day and the beer:

The Belgians and northern French took in general to branding beer for Christmas especially after World War II. It was a progenitor to the current widespread practice by craft brewers to label beers for the Season. Anchor Brewery’s annual Christmas Ale was influential here. Its beer is spiced, a different formula each year, reflecting that part of the Christmas beer tradition. Christmas ale was never, in other words, a fixed style or type of beer. At best it might mean something special made available at Christmas. Sussex-based Harvey’s award-winning Christmas Ale, a barley wine (old Burton type), is an outstanding current example in the UK.

Never knew that. And speaking of things I had never heard of until just now, Stan released his latest Hop Queries monthly newsletter this week full of stats and non-stats sharing mucho including this about “dip hopping”:

So what do we know? Kirin began using the process in 2012 for its Grand Kirin beers. Basically, brewers there make a slurry by steeping hops for about an hour at temperatures (150-170° F) lower than found in conventional whirlpooling, then add the slurry into cooled wort before pitching yeast. Kirin found that the resulting beers contained as much linalool as dry hopped beers but less myrcene (which may mask fruity aromas associated with linalool and other oxygenated compounds). This also reduced production of 2M3MB (an onion-like off flavor).

Onion an off flavour? Don’t tell my Yuletide roasts. All in moderation, of course. And one last note. Stay within your means. Even Jude Law, the other lesser Leonardo DiCaprio, has issues with focusing on managing the load. Govern yourselves accordingly. Ho. Ho. And… ho.

There. Soon 2020 will be gone. Like I said about 1987. That one sucked. Let’s see how the last week of 2020 plays out but Trump’s going, we may now be past peak beer writer editor fawning and the vaccine is well on the way. Can’t be all bad. And remember that for more good reading check out the weekly updates from Boak and Bailey mostly every Saturday, plus more at the OCBG Podcast on Tuesday and sometimes on a Friday posts at The Fizz as well.  And sign up for Katie’s weekly newsletter, The Gulp, too. Plus the venerable Full Pint podcast. And Fermentation Radio with Emma Inch. There’s the AfroBeerChick  podcast as well! And have a look at Brewsround and Cabin Fever. And Ben has his own podcast, Beer and Badword (who advocates for a blog renaissance this week… though it is funny that he says “paid=good”… just means obedient far too often.)  And remember BeerEdge, too. Go! Merry Christmas all you all. See you on New Year’s Eve.