I am a lucky man. I was almost into a nap after a failed morning of showshoeing followed by some throwing around of embarrassingly light weights when the family poured back into the house with many purchases – including a collection of tiny German beer glasses bought at a charity second hand shop. Most are 200 ml with one 300 ml from Franz of Rastatt that sits before me filled with Bernardus Abt 12. They are lovely things. The stemmed Dortmunder Union glass is particularly sweet. Each one cost only around 99 cents and apparently there are more, though the rest suffer from chips and scratches.
The funny thing is, of course, that I am not all that keen on German beers as a general thing. Yet whenever I get these tiny glasses with their heavily embossed brightly painted branding it’s like your first glimpse of your stuffed socking on Christmas Day. There is a delicacy about them. The glass is thin. The art work is thoughtful, larded with crests and Gothic script. And then there is this thing that I am going to call “hand feel” – the pleasure of the physical design. There is that one with the stem but others are slightly scalloped on the vertical. The rest give a subtle nod to the needs of the hand whether as a slender cylinder or a gentle widening then tapering that just fits.
Clearly someone packed it in. These could have been consigned by an executor or an abandoned spouse. The glass I use now may have been once untouchable, sitting in an cabinet behind glass. Mine now. I do as I wish with them.