Grill, Shed, Steak, Rain, Bieres de Garde And Saisons

The trouble with charcoal grilling is that when the rain comes you can’t turn it off. Propane, on the other hand, has a nice dial that has a “0” setting. But there is the garden shed and, when it rains and you have visitors, it can turn out to be a delightful place to while away a late afternoon hour reading last week’s newspapers in the recycling bin, listening to AM radio and comparing a few examples of bieres de garde and saisons.

We opened the Ch’ti Blonde from Brasserie Castelain à Bénifontaine first, a gold ale called a saison (though French not Belgian) by the BAers but a biere de garde by Phil Markowski in his book Farmhouse Ales under a white mouse head that resolved to a froth and rim. It was the favorite of the set with cream malted milk, pear juice and nutty grain. Very soft water. I actually wrote “limpid cream of what graininess” but I am a little embarrassed by that pencil scribble. It gets a fairly poor rating from the BAers but maybe that is because they were not in a shed when they tried it. Castelain’s Blond (no “e”) Biere de Garde was drier but still creamy fruity, not far off the greatest example of a Canadian export ale. Light sultana rather than pear. Also dry in the sense of bread crusty rather than astringency. Lighter gold than the Ch’ti but, again, the rich firm egg white mousse head and far more BAers approve. By this time the shed dwellers had decided that steak could in fact be finger food and also that these ales were an excellent pairing with chunks of rib and New York strip. The Jenlain Ambree by Brasserie Duyck was another level of richness altogether, the colour of a chunk of deep smoked Baltic amber, the richest lacing I have ever seen left on a glass. Hazelnut and raisin, brown sugar and black current with a hint of tobacco. Lately I have been thinking that amber ales are the one style that could quietly slip away and never be missed. Placing this in the glass in the hand in the shed as the rain thumped on the roof and steak was eaten was an instructive treat as to what ambers can be, though 6% of BAers hesitate to be so enthusiastic.

I think this is the worst photo I have ever posted so I will keep it tiny unless you choose to click on it for the full effect. Apparently there is a limit to the beery photographic arts and I have made it my own. The 3 Monts to the left was picked up at Marche Jovi in nearby Quebec for a stunningly low price of under six bucks. Plenty of malteser and pale malt graininess with yellow plum and apple fruitiness, straw gold with more of the thick rich head, cream in the yeast. The water was not as soft was either beer from Castelain but all BAers love it. By Brasserie De Saint-Sylvestre who also made this biere nouvelle. To the right, the Fantome Winter was one of the stranger beers I have ever had and, frankly, a disappointment. All I could taste was radish, sharp and vegetative, over and all around the insufficient malt. In my ignorance, I didn’t realize that was likely quite an aged beer as the happy BAers explain. Neither the cork or even label, with its unmarked best before portion, give a hint as to the year but that is all right as I suspect I will consider this just a lesson learned even though I generally love Fantome.

By this time there were stars and a breeze as the cold front finished moving through.

Belgium: Pannepot GR ’05, De Struise / Deca, W’ Vleteren

I must have been very good today as this is the bottle I decided to open. I mowed the half the lawn. And I held the fort at my desk with a certain style. I’ll likely even keep the empty as it even has the mark of importers Roland + Russell, the kind folks who forwarded this sample.

But, you know, it would be bad enough keeping things straight if it were just the fact that Brouwerij ‘t IJ in Amsterdam has a beer called Struis. But these guys of De Struise don’t even have a brewery. Celebrator explained the deal last December. Well, they are adults so that is up to them but it’s no way to run a railroad, I can tell you that. Professor Unger tells us that the accumulation of capital was the path to brewing dynasties…at least as far as medieval low country brewing went – why is it that just because we are in the next millennium we throw all that wisdom right out the window? Kids. Go figure.

Anyway, this brew is a bomb at 10%. The label includes “candy” as an ingredient. I really hope that means candi sugar and not a Mars bar or Bubbalicious. That would be a real let down. It pours nutty mahogany under a thick beige head. Oloroso gently meets balsamic on the nose. In the mouth, it is a cross between Duchesse De Bourgogne and…um…Newkie Broon. Just a first impression but that’s what it was. Then – much to your relief – there is more: a sort of a black cherry thing, vanilla, balsamic, molasses and herbal/medicinals like maybe those in Orval hop profile. All in all, lightly soured and oaked brown ale of great complexity that shows no sign of its massive strength whatsoever.

Greg has more. The BAers go all gushy and blush.

Belgium: Chapeau Lemon and Kriek, Brouwerij De Troch

Girlie Drink Drunk. There was a Kids in the Hall skit fifteen years or so back called “Girlie Drink Drunk.” It seems to be on YouTube. That’s all I can think of when I see these super sweet lambic offerings but I buy them hoping they will be more fruited than sweetened. And I didn’t mind the pineapple cousin to these two – except for wondering why anyone would want pineapple in a beer.

The Kriek is the red of warning or lollipop rather than fruit but a bright cheery red nonetheless. Pink foam and rim. Candy and cough drop on the nose. Some acidity to cut the sweet but pretty sweet, cough droppy. If this was a fruit juice I would think it too much. The acidity is more than lingering – and not pleasantly so as it leads to no sense of funk what so ever. Slightly plastic finish. The Lemon? Gimme a sec.

Slightly clouded amber ale under white rim and foam. On the nose, lemon furniture polish meets real lemon peel. In the mouth the lemon is more honest than the Kriek was a reflection – or even the shadow – of a cherry. Maybe because both have a overwhelming (added?) citric acidity. With that acid bite, there is lemon peel and lemon juice but also a little bit of wheaty cream. Still, even though this is really not super sweet, the effect is more annoying even if not cloying. Enamel stripping. Can’t finish it. Both tip the scale at only 3.5% – meaning, unfortunately, you will not have the benefit of having your senses dulled the slightest bit thoughout the entire experience.

By the way, the BAers are strangely attracted. Upon reflection I should have placed the dart in the photo one inch to the lower-left.

Belgium: Canaster, De Glazen Toren, Erpe-Mere

can1Here is a hint when you are traveling. If, after a tiring 600 km drive (to be followed the next day by another 600 km drive) you notice contract street sweeping equipment in the parking lot, get a new hotel. Street sweepers come and go in the night, you see. After idling their massive engines for fifteen minutes or so. It was like sleeping in a public works depot.

My only consolation was the bottle of Canaster I had brought. Labeled as a winterscotch-style ale I had brought it along as a reward for being me. It’s by the same good folk at KleinBrouwerij De Glazen Toren who made that saison I had last Thanksgiving. The beer is basically a Belgian brown with plenty of round brown maltiness, burlappy nutmegged yeast and some black tea and perhaps black malt astringency. It pours a thick sheeting cream head over chestnut ale. In the malt there is date and maybe dark raisin with a bit of a tobacco effect. It could have done with another something something but it was a very pleasant 9.5% brew that came across nothing as big as that. Plenty of BAer approval.

Not needing anything was the bottle of The Lactese Falcon Flanders Sour Brown Ale I picked up at Church-Key on the way home – you know, as a reward for being me. Yum – but I like the tastes of Parmesan cheese and Flemish sour beer and here they are in one brew. Plenty of roasted beef broth notes, vanilla, pear juice, balsamic, Worcestershire and Parmesan. Herself gets only molasses on schnozzal analysis. Somewhat controversial when it first appeared, here is a beer that intends to be itself – and one that may sort the style huggers from the brave and the free. I have another put away for a long sleep. I want to make sauces with it, soak meat in it – make welsh rarebit with it.

Sour Beer Studies: Kriek 100% Lambic, Cantillon, Brussels

I shared with one to the shock and dismay of my guests two years ago but I’ve grown up so much since then I thought I would revisit it to see what I thought. Back then I use the word poo which seemed to tick off a crank. Apparently some who write “barnyard” have never been in a barnyard. Let’s see how this goes today when it’s just me and the glass and a sticker on top saying I spent nine bucks for the 375 ml of the 2006 bottling.

Pop. There it is. Gravenstein apple and beef cattle holding structure. You will have to excuse me as I grew up in the Annapolis Valley of Nova Scotia and actually recognize the scents. Yet they are not repulsive. Not at all. Rather they are evocative this time. It looks lovely – pouring a clear deep blush – the colour of rosé wine, with a fleeting white foam that disappears after a few seconds. In the mouth there is less harshness than I recall even with the strident acidity. I must be weakening.

In the first sip, there is that green apple acid, a general fruit berry thing that I can associate with cherry if I think about the idea of a mouthful of under ripe pin cherries grown on the unrelenting North Atlantic brushland. There is also a little cheesy, yogurty rich funky tang that needles at you a bit but is overshadowed by the snap of the sour. More than anything it reminds me of the austere dryness of the wine I made with my own vines and my own hands back in 2003. As I get into it, though, I get the sweet fresh cherry layer. It opens up ever so grudgingly. My teeth feel slightly stripped of enamel but with a fruit note in the mix of dissolving calcium.

What can I say? If it were not for the specific acidity that mimics one under ripe variety of Maritime Canadian apple that happened to grow where I grew, I would not know what to make of this stuff. A theory of fruit preservation put in stark action? BAers still approve but I am still disappointed with my understanding of why I need that much acid in my body.

Sour Beer Studies: Gueuze, Girardin, Sint-Ulkis-Kapelle, BE

gira1The 2006 edition of Great Beers of Belgium showed up today and I thought that I had better pop a cork in its honour. A Girardin Gueuze seemed just the thing. The “1882” on the label is the date when the current family took over the brewery and they brew comprehensively, perhaps still with no other staff. Jackson noted:

They grow their own wheat, brew Lambic in winter and produce a Pils in summer. The Girardins use 40 per cent wheat in their Lanic, and still have a mill that grinds the grain between stones, as well as a more modern one with metal cylinders. “We continue to use the stones for some of the grist,” Lousi told me, “in case it contributes to the character of the beer.”

I like that “in case” a fine expression of traditional conservatism. Jackson called it one of the most complex beers he had ever tasted. The black label (or in Flemish Zwart etiket) appears to indicate unfiltered [Ed.: ie fond] while a white label (or Wit etiket) would not [Ed.: ie filtré]…though neither Ed nor I quite know why “etiket” in Flemish means “label” in English. I bet Ron knows.

On the pour, the funk jumps out of the madly growing off white head that soon fall back at a leisure pace. Barnyard. Very evocative of poo and stall of a former neighbour’s beef cattle barn. Plus rice wine vinegar as well as Gravenstein apple. But it is all wrapped around a small core of sweet. Once in the mouth, the barnyard knows and takes its place letting other flavours come forward. Overall, this is a far less austere Lambic experience compared to the stridency of Cantillon, even their gueuze. Relatively (by which I mean relatively) soft as well as acidic – an odd combination to describe but think mandarine orange juice without any orange flavour and a good slug of rice wine vinegar. Plenty of grain, a little lemon and a lot white grapefruit citrus, a little wheat cream even. Grassiness in the middle which morphs a little into something that is like a hint of licorice. Dry and acid and moreish in the finish. Fabulous. Love it. I am going to buy this beer whenever I see it. I promise me so.

Plenty of BAer love. $7.99 for 37.5 cl from Bello Vino in Ann Arbor Michigan.

Photos From My Visit To Jolly Pumpkin, Dexter, Michigan

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It was a Ron-a-thon last Friday at Jolly Pumpkin. After leaving London, Ontario, Canada at about 1 pm and we hit Dexter, Michigan at about 5 pm just as Ron Jeffries was finishing up a days work. He gave me an hour of his time and by the end of it I was thinking this had been one of the most intense hours of beer I have had without taking a drink. Being the doe-eyed schoolgirl that I was, perhaps a bit like Ron in Bamburg, in awe of the moment of course I did not take notes until I got to our hotel in Ann Arbor. But I did get a brain full.

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Barrels everywhere. Everything is aged in oak. Barrels from bourbon and brandy distillers. Barrels from Firestone and other brewers seeking vanilla where Ron seeks tang. A 2000 litre barrel newly in from France. Being in a room full of barrels of beer is an interesting experience. The feeling was much more like cheese making than other brewers with their steel conical fermenters and bright tanks. These was life around me and it was asleep, seeking slow funkiness. Lame? Deal with it.

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I got an education. While Michigan has twice the brewers of Ohio, it has only 1% of the state’s market, compared to 6% nationwide. This means brewers have to seek markets out of state. I was happy to do my bit and introduce Ontario importers Roland and Russell to Jolly Pumpkin as was announced on Monday. Ron apologized when he explained the price would be high but I had to assure him that ten bucks for a 750 ml of some of the most thoughtful ale made on the continent was quite reasonable given what else we have to put up with.

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Ron makes beers unlike others. Beers that have the dryness of oak with less of the vanilla than others impart. There is a lambic, the only true one in North America, that has been three years in the wood soon to be released on a six month cycle. When I asked about the source of the wild yeast strains, Ron said the make of Cantillon told him you can make lambic anywhere. I have particularly liked the Bam and Bam Noire which I think are up for the CAMWA beers of the year award for 2007. I did, by the way, share the concept of CAMWA and think it is now Jolly Pumpkin approved. They have done well with 50% expansion in each of the first two years and 30% for both 2006 and 2007.

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The hour flew by and the generosity shared was quite the thing. We took a case of large format beers for just around 75 bucks and others to spare as well. Likely the best value in beverage that I can think of. A couple of hints. Ron recommends, as they age, chilling the beers before opening as they create be quite the fountain. I recommend leaving them to get to that age to get to this state as time enhances their complexity to a degree I have not experienced before with beer.

Sour Beer Studies: Oro De Calabaza, Jolly Pumpkin, MI, USA

A busy day today that will hopefully continue but the one point of agreement seems to be Jolly Pumpkin beers and – oh, happy day – I have one in the stash. I have been known to Bam and Oro de Calabaza is the strong golden ale by the same happy gourd of a brewer.

Wow. It’s like a cross between Duval and Fantome. Plenty of grain texture but a acidic, farm yard funk that leans towards a Flemish red. Plus, a whirlwind of fruit in the malt – yellow plum, pear, sultana. Black tea hops with a bit of white and black pepper. Fabulous. Golden light amber ale under a massive egg white head that keeps growing – it’s alive.

I am heading in two Fridays to get to Jolly Pumpkin after a morning presentation in London Ontario to learn more. 100% of BAers are stunned by the quality.

Sour Beer Studies: Sweet, Sour And… The Brewmaster’s Table

I have been a bad beer blogger. I just got a copy of Garrett Oliver’s The Brewmaster’s Table. One baaad beer blogger. And not bad like ManRam says either. The fact is, I thought it was really more like The Brewmaster’s “Kitchen” and had expected it was more like a recipe book. Not that there is anything wrong with that. Lucy Saunders obviously does a great job at telling us how to cook with beer. But I didn’t feel drawn to another similar one.

How wrong I was. How shallow the uninquisitive mind. This is a great and valuable text. No wonder everyone recommends it. Let me be a guest late to this party. It is well laid out with sections of the traditions of the great brewing nations, a discussion of the major styles found in each, examples and their properties as well as a description of the foods that go with each. It is the table because it is what a craft brewer would (and does) place place before himself in terms of food and drink. Good. Handy.

For present purposes, though, the book provides me with one thing that no one else in my meager span of attention had mention. Many traditional sour beers – and especially the sourest – were not intended to be consumed without sweetening. See, this is what has always bugged me about lambics and gueuze. We do the medievals and thems that followed a disservice when we say that the pure raw lip puckering drink is what they would have consumed. First of all, most of them would have consumed mostly unhopped ales bittered with gruit made and swallowed within a few days. Then, few would have had access to the resources required to buy aged ale, including any which might have been aged for souring. Additionally, those that were aged were likely aged within the annual cycle as is most every other agricultural product. These general observations seem both logical and consistent with the histories by Cornell, Haydon, Hornsey and Unger. Plus I have another pet theory – no one drinks extremely sour things without a certain purpose and sour in beer has long standing recognition as a failing in brewing.

But I have gone over that before in these sour beer studies. What is new is the mention made of one tradition of Belgian lambic drinkers – as opposed to its brewers – described in The Brewmaster’s Table. At page 71, comparing dry lambics to their sweet siblings, Oliver states:

Lambic afficiandos are given to frothing at the mouth when the latter versions are mentioned, but I feel both types have their place. Don’t forget that some people always sweetened their beers, when they could afford it – sugar was once a luxury.

Sadly, I can not longer wallow in vindication dancing the merry jig as these studies have given me both respect and a taste for the sour beers of Belgium. I still find Cantillon too stark but that is like saying Guinness is too dark. It simply is. And sour for me now holds an interesting and worthy place in the beery pantheon.

But, still, there is comfort knowing that now and likely in the past people did not suffer austere acidity except as a mild fetish or a consequence of poverty. Two traditional styles, neither of which I have tried as they are quite localized, confirm how sweetening may have been undertaken, Berliner weisse and faro. Berliner weisse is a German sour brew uniformly taken with a sweet fruity syrup and preserving sweets is entirely reasonable as a form of storage though the centuries. I would expect that facing another pitcher of dry lambic before him on the table, your average 16th centurian may well have had a spoon in the jelly or honey jar next to it. In addition to Berliner weisse, Belgian faro is described as a “low-alcohol, slightly sweet table beer made from lambic to which brown sugar has been added” – taken on draft, again, it is a reasonable approach to making a rather restrictive brew more approachable for the many.

Point? I am relieved to find this confirmation from somewhere that lambics were sweetened by drinkers in much the same way as the old guys shook the salt over their draft in the Nova Scotian taverns of my youth. People, as we learned from Depeche Mode, are people. Other point? Buy The Brewmaster’s Table.

Sour Beer Studies: Vichtenaar, Verhaeghe, Belgium

Sibling to the more popular Duchesse De Bourgogne, I got this one at Beers of the World in Rochester at the beginning of August. Frankly, I can’t believe that it’s lasted this long as one thing I am learning from these sour beer studies is that I could be a wee bit obsessed with these Flemish ones.

At 5.1%, not a heavy-weight by any length but not many of these are. The brewery’s explanation of the beer is in Flemish but have a go, tell us what you think it says – this bit especially:

De smaak van de “Vichtenaar” kan men omschrijven als licht zurig en complex en dit door de lange gisting in eikenhouten vaten.

If you need a hint, I recall that “smaak” is taste, which you might have figured out yourself. “Omschrijven”? – not so sure.

Translucent mahogany ale under fine tan froth and foam, the aroma is sherry and nuts, vanilla and a little vinegar. Very soft water, as the website states, makes this very moreish – surprisingly so with one of this style. Initially I thought that this was less complex than other Flemish sours I had had but it’s just a bit less strident, the sour a bit recessed, the yeast milky, the malt all full of cherry and pear and maybe, just maybe, a tiny note of maple. Plenty of BAer respect.