Industry Marketing – Page 8

This Mid-February’s Beery News Stories The Cool Kids Are Talking About

Starting with more Olympic beer news, apparently Team USA has jumped into the spirit led by Canada with it’s own variation, Olympian’s drunk Dad. Well played.

Speaking of drunk Dads, Ben has written extensively and not without a bit of flair on the endearing awful bars which he insists can be distinguished from the more hipster friendly dive bar:

They have cheap wing nights, karaoke, a clock counting down to St. Patrick’s day. Big corporate branding shamelessly adorns every sticky surface; a tacky plastic archive of years of visits from beer reps with expense accounts and a few kegs to unload. They’re the kind of places where the food is almost never what you want and exactly what you expect: big, fried, heavy, and available with inappropriate amounts of sauce for drizzling/dipping/Buffalo-ing. Where they serve Pepsi in heavy, branded 16oz shaker pints and they scoop the ice right out of the well using the glass…these bars appeal to a baser part of me that remains from a time before I knew better.

I tend to think of such bars (“dumps” in my parlance) fondly if I recall them in safety of the theater of my mind. The dumps of my youth. Ah, the places my pals passed out in. But… you know, now I actually hate a bad meal, a sticky surface. My pals passed out in a place like this! And, then, it’s a vicious cycle as snooty Oldie Olson beats himself up a bit inside for being such a loser. I can’t appreciate an actual unselfconscious bar anymore. But maybe that is OK – as they are often just grim bars for the unconscious.

Again, the everlasting “good people” question. Personally, I have seen no evidence of better or worse. Elsewhere, the media analogously sift clues. Because that is what they do.

No. No, I actually wasn’t.

“I have absolutely no way to account for its sales growth” is an odd thing for a good writer to write. [Not anywhere nearly as bad as the too often otherwise stated “trust me” but… still.] For me, the reasonable or at least knee-jerk answer is that seeking all-purpose axioms are a bit of a mugs game.* The only fact needed to be known is that Two Hearted Ale is lovely. By way of comparison, have a look at what wonderful wine writer Janis Robinson wrote about the problem with typicality. I like how she points out that focusing on type is a distracting problem caused by a conservative approach and mainstreaming. Yet, Jeff is right that a pattern seems to be offended by the beer’s success. Does noticing such things reflect a natural desire for the means to account for such things, for the seeing of sub-species, for the hope for “some sort of convention in naming and labeling“? Just because it is a weak draw for me and some… is it so wrong for others and some?

Next, it is either quite hard to find an exclusively all-male WASP panel these days or, I suppose, quite easy:

Finally, as we all heard at the first end of the week, Stone has brought a trademark action to defend its branding against MillerCoors for certain presentations of its Keystone branding. As you can imagine, the actual law is dull as dishwater – as it should be. The only attention grabbing is the needy “He’s Hip, He’s Cool, He’s 45” stuff from that annoying member of of Stone’s ownership group. Bryan Roth has a very good roundup of a number of legal perspectives on the case, summarizing views ranging from “it seems like a pretty decent case” to the arguments are “a bit thin.” Like others, I emailed one of those quoted, Brendan Palfreyman, to ask questions. Turns out he’s in Syracuse about 90 miles to my south and we now know we know people. He assured me that the wild eyed hyperbolic form of claims made by Stone in the court filings are actually normal forms of pleading in the States. Have a look yourself. Sad. The Queen would never have it. Apparently, MillerCoors could move to strike a bunch of the junior high puffy but it would actually be unusual – unlike here in Canada where we lawyers operate with that cool clinical confidence that the Crown requires. Bond-like. That’s us. So… we can probably expect a second helping of a whole heaping pile of knuckle headed rang-dang-doo in the Statement of Defence which could be issued as soon as a month from now. That should be fun. My take? There is no confusion ever going to be had in the marketplace between the two products which have co-existed now for about twenty years.

Oh… not beer: the history of slavery on Prince Edward Island.

*See “good people” concept above.

The Two Year Dead “Craft” Is Still Dead And Might Be Expecting Company

This graph… err… table to the left right was posted on the internets today by Jeff Alworth. It is tied by him to the piece in GBH by Bryan Roth about the meaning of IPA – which has the wonderful and likely most accurate thing about IPA or even craft I have read: “IPAs are what people want from me, you kind of have to give them what they want…” Jeff posted a piece himself on the now stone cold demise of of “craft” – an event I sent my funeral wreath and condolences in relation to over two and half years ago. Oliver Grey wanted it put out of its misery even further back.

The main point to focus on today, however, is not the disutility of the terms but the disutilty of the graph. It goes to a notion of abstraction and levels of abstraction. The graph offers a fabulous illustration of the failure to align levels of abstraction. You will see, yippee, that IPA wins in the race to top the craft beer style race. The problem is not whether this is correct or not as we all know people who know nothing about craft beer who ask for an IPA. It’s the chardonnay of white wine circa 1999 in that respect. Code for (i) something that the drinker will like (ii) that the bartender will understand (iii) because the bar likely stocks it. Because “…you kind of have to give them what they want…”

The problem is that IPA is an umbrella term, even if a useful one. Consider the other terms in the list. “Craft Scottish,” “craft porter,” “craft dark beer” and even “craft amber” might for the average person reasonably all fit into “craft brown beer” as an umbrella term. “Craft IPA” on the other hand is known to include unspecified styles like IPA itself, DIPA, TIPA, BIPA, WIPA and any number of other Franken-styles designed primarily to ram the three letters “I” and “P” and “A” onto the label to ensure that the code speaking person in the bar orders one thus making the sale. Does this mean IPAs are not the most popular category? No. Does it mean I always know what I will get in the glass when I order one? The answer, compared to say pilsner, is also no.

As the ripples on the lake into which “craft” was flung a few years ago spread out to their limit and fade, we should be aware of how its fate was tied to it becoming an abstract concept prone to influence, interest and malleability. For me, IPA is half way down that same slippery slope.* I look for other words to guide me beyond the relative hop intensity flag that it waves. As has happened over and over, hop intensity itself fades as either or both an offering or a preference. You see it starting in the fruity murk that I have been, frankly, fooled a few times into ordering. As in the past, what is an IPA might be now or in the future be quite forgotten for the very reason that graph unintentionally demonstrates.

*…because, see, before badly used words are flung into the lake they slide down a slippery slope. Presumably there is a ramp involved near shoreline.

Tales From The Crypt Of Early Micro

I am working on a relatively new database to me, a newspaper and magazine archive covering a little over the last thirty years. Grinding common beer words through the search engine of any new database is always fun but in the shadowy world of the recent past it can also be surprising. I don’t actually write all that much about the origins of of the micro brewing industry but, as we know, the shifting sands and rearguard revisionist retelling of all the genesis stories should be enough motivation for anyone. And it turns out there are interesting tales to be told from the point in time when “micro” was battling with “mini” and recently deceased “craft” was just a gleam in some PR committee’s eye.

First, set the scene. In Albany, New York’s Times Union of 16 July 1986 we have the staff byline story “Abrams Sues Big Breweries” – this particular Abrams being New York State Attorney General Robert Abrams:

The state attorney general filed an anti-trust suit in federal court Tuesday charging the four major beer breweries and their distributors have virtually suffocated competition and created unnaturally high 6-pack prices. The suit filed in U.S. District Court in Brooklyn names Anheuser-Busch Inc., Miller Brewing Co., G. Heileman Brewing Co. Inc. and the Stroh Brewery Co. breweries and the New York State Beer Wholesalers Association, which he charged control 80 percent of the New York state beer market. The four companies distribute almost every big-name beer in New York, including Budweiser, Michelob, Miller, Schlitz, Schaefer, Colt 45 and Schmidt.

The story states that the lawsuit, which charged distributor and breweries were engaged in an actual conspiracy to control the beer market prices. The interesting thing is that this is the sort of thing that big craft suggests it triggered but this story is effectively pre-micro.

In another tale from that same month we read, again in the Times Union, a story of accusation. In the 7 July 1986 edition, we can find the headline “Boston Beer Seller Claims 3 European Imports Impure” which is pretty funny given there have been false and well proven accusations about competition in the brewing industry since, well, pretty much since beer was invented. The story by Bart Ziefler of the Associated Press starts in this way:

A tiny Boston beer company is taking on two giant international brewers, claiming the top European imported beers couldn’t be sold in West Germany because they don’t meet that nation’s beer purity law. In a series of radio and newspaper ads, Boston Beer Co. has challenged the the quality of the Beck’s, St. Pauli Girl and Heineken beers sold in this country. Beck and Co. of Bremen, West Germany, which brews Beck’s and export- only St. Pauli Girl, denies the claim. Netherlands-based Heineken, brewer of the No. 1 import, acknowledged that its contains corn and they don’t try to sell it in West Germany, according to the Boston Business Journal. “It’s sort of common knowledge among brewers that the beers are doctored,” said James Koch, whose company began selling Samuel Adams beer a little more than a year ago. “If you’re going to bring beer from that far away and have it drinkable, you’ve got to do something to stabilize it.”

Really? Corn as the crisis in craft? Excellent. Can’t we just admit we like corn sometimes? Is this PR campaign where the phobia related to the one ingredient “whose name may not be spake” came from? Sweet last line in which Koch states that he said he hoped to make Sam Adams truly a Boston beer next year by opening his own brewery. Correct me if I am wrong but, according to wiki wisdom, the brewery wasn’t bought for another eleven years and it was located in Cincinnati.

The Buffalo News of 8 November 1991 included a particularly excellent “state of the nation” report by Dale Anderson from the 1991 Microbrewers & Pubbrewers Conference at the Hyatt Regency in that fair City… two months before, in September. Under the lengthy headline “A Little Beer – Microbreweries, Producing Specialty Beers in Small Quantities Are The Talk Of The Industry” we learn a lot of things… and not just that there was the term “pubbbrewers”:

1. “Two American breweries — Sierra Nevada in California and Red Hook in Washington — actually have outgrown the “micro” designation.”
2. “The biggest concentration of brew-pubs on the continent, meanwhile, is in nearby Ontario, where there are about two dozen in the Toronto area alone.”
3. “These small-scale operations have little effect on the big brewers… Instead, they have moved in on the imported specialty brands.”
4. “One reason Queen City chose to brew at Lion is that it could put foil wrapping on the necks of the bottles and other breweries couldn’t. “We sat back and said we didn’t want to run a microbrewery with a pub attached,” Smith says, “so we followed the path of Jim Koch with Samuel Adams in Boston. The tough part is predicting four or five weeks ahead of time what we’re going to need.”

You can click on the article for more but it is interesting that the acknowledgement of out-growing the category as well as contract brewing was so openly stated and presented simply as a sign of success.

Less familiar perhaps than the other stories is the weird 2002 tale of the “Sex For Sam” sponsored by Samuel Adams Beer in which “prizes were awarded to people who had sex in unlikely public places.” Unlike the many references to Mr. Koch the Ascendant in the media of the time, this is not one that weathers the passage of time so well. In the New York Post of 7 November 2003, William J. Gorta and Bill Hoffmann reported the story a year later after events in question – when the resulting criminal processes were concluded:

The Virginia woman who scandalized St. Patrick’s Cathedral by having sex in the pews as part of a sleazy radio stunt that revolted the city will not go to jail. Loretta Lynn Harper, 36, was sentenced to 40 hours of community service as part of a plea deal in which she admitted to disorderly conduct. Prosecutors took pity on Harper because her boyfriend, 38-year-old Brian Florence – her sex partner in the church tryst – died suddenly of heart failure last month.

Turns out the great idea was a joint project between Boston Beer and the soon to be fired WNEW-FM shock jocks Opie and Anthony. An FCC fine of $357,000 was levied against the radio station. The final two lines of the story is classic:

WNEW had no comment on the sentencing. A rep for Opie and Anthony and Sam Adams President Jim Koch did not return calls.

Wise. But a little more detail is provided in a gossip column in the New York Daily News of 29 August 29, 2002 which I provide in full for reasons of review of the delightful manner in which the gossipy tidbit was framed:

Opie and Anthony had a beer buddy rooting them on in the studio while they encouraged the St. Patrick’s Cathedral sex stunt that got them canned. Jim Koch, the head of Boston Beer Co., admitted he was on hand during the taping and issued an apology on the company’s Web site Monday. “We at the Boston Beer Co. formally apologize to all those upset or offended by the incident on the Opie and Anthony show and by our association with it,” wrote Koch. His company backed the show’s “Sex for Sam” contest, which promoted a trip to Boston to the company’s annual festival for couples who had public sex. The Samuel Adams brewer even called Lou Giovino, the Catholic League’s director of communications, to apologize. “I spoke with him twice since Monday,” Giovino told us, “And we’re satisfied with his apology.” But Giovino didn’t seem content when we told him he could listen to Koch’s studio hooting on the Smoking Gun’s Web site. “Oh, boy,” he sighed.

The past is a foreign country – they do things differently there. “Oh boy,” indeed.

One last tale. A little less… ripe and perhaps more in tune with where the future was actually going. In the 2 November 1996 issue of Newsweek magazine, there was a short piece headlined “Hobbies – It’s Beer O’Clock” in the regular Cyberscope column authored by Brad Stone and Jennifer Tanaka.

Seems like it’s hardly ever Miller time anymore. Now that America has developed a taste for microbrewed beer, The Real Beer Page (http:realbeer.com) should find a natural audience. It’s a one-stop destination for dozens of links to microbrewery home pages, beer Web zines and a database of brew pubs with a search engine to help you find one in your neighborhood. Cheers.

Dozens! Imagine. Particularly sweet is the note that the caption to an accompanying image was “Suds on the Menu” because no one loves an early web pun more than me. I also like the reference to “beer Web zines” which what I really should have called this place – A Good Beer Web Zine. Where are my Hammer Pants?

Fascists, Racists, Pinkos, Brewers And…

Not much inclined to write for the last week or so. Late 1970s nuclear fear retro followed quickly by 1930s Nazi fear retro. Seems our neighbours to the south hired a moron and he is turning out to be a fabulous moron attracting other morons to flit about his flame. Like last summer, one barely knows what to reach for but, perhaps unlike last summer, one knows one might need to. What to do in these troubled times? Perhaps explore how fascism, communism and racism (perhaps bundled as “totalitarian supremacism“?) has been known to brewing over time? Let’s see.

Earlier this year, Hungary witnessed a bit of a political controversy over the appearance of Heineken’s red star – which Hungarian law considers a totalitarian symbol. As might have been expected, it was apparently as much as anything about contemporary politics and the time-honoured role brewing money plays in that game.

Totes Supps can also show up in more unexpected ways. In 2016, a brewery in Bavaria was accused of offering a Nazi friendly lager named Grenzzaun Halbe, or Border Fence Half. Priced at 88 euro cents a bottle, it was considered code for HH or Heil Hitler. The brewer in the usual way explained “insisted the name and slogan were not directed against migrants, but referred to defending Bavarian culture“* but, oddly, also said they had lent resources to the refugee influx.

Then there are the old boys who, you know, just say those sorts of things. Yesterday, Jason Notte provided a bit of a walk down memory lane offering the legacy of US brewing mogul Bill Coors who was apparently quoted in 1984 for providing such comments as “…one of the best things they did for you is to drag your ancestors over here in chains…” and “…they lack the intellectual capacity to succeed, and it’s taking them down the tubes” though the resulting libel suit against a newspaper that had the gall to report his words was dropped. The old git is still with us apparently, turning 101 the other day. Other similar substantial claims were made against the brewery in those days. Interesting, then, that three years later this was an opinion reported by the Syracuse Herald-Journal of February 10, 1987 just when Coors was entering the CNY market:

“When you buy their product you are, in effect, inviting the Coors people into your home,” said Joseph Welch, executive secretary of the Greater Syracuse Labor Council. “I think anyone with a conscience wouldn’t want those kind of people in their homes.”**

But these brewers can also be ingrained into the movement. If we go back a bit further, one can look at what brewers did during the time when fascists were actually in the ascent. To the right is a very handy graph with the somewhat vague title “Birra Peroni’s strategic response to institutional pressure” from the 2016 book Accounting and Food: Some Italian Experiences by Sargiacomo, D’Amico and Di Pietra. I say vague given it illustrates, in part, this business decision from 1926 to the regime’s fall:

…the Fascist government tried to control production and balance demand and supply by controlling the supply side…. In this context, the company’s strategic response may be viewed as a compromise. Giacomo Peroni, former president of the earlier Unione Italiana Fabbricanti di Birra (Italian Brewers’ Union) was put at the helm of the new association. As the managers of the new association, Giacomo could act as an institutional entrepreneur and therefore bend the institutional change to his own and his company’s interests. In fact, despite the need to reduce the company’s production volume as imposed by the Fascist government, in his role Giacomo Peroni managed to avoid such cuts and toss them off on his competitors. This is suggested by the fact that it was precisely in those years that the company increased its production volume and sales.

Suggested?*** Hmm… Apparently, Peroni also fed demand from what are described as the “new African colonies” aka the invasion of Ethiopia. Nothing like a captive audience. Note: Peroni continues as a brand now owned by Japanese brewer Asahi, achieving apparently some recent success.

And we do also recall that the 1923 Beer Hall Putsch did lead to the army being called out, an arrest, a trial and a five year term. Well, then someone gave Hitler a pen in jail and he wrote down his evil which was shared after an early release.

What does all this prove? Well, as you can see in the footnotes, we can laugh at it. We can also support the democratic processes that stand against it. But that totalitarian supremacist is going to keep popping up. No point in pretending, offering a beer and dreaming that people are good. Some people are very bad. Having lived though an number of genocides at the youthful age of 54 – from Cambodia to the Balkans – I don’t expect that evil to change. But if we understand that it is an insidiously corrosive, inveigling tendency we should be aware that it needs being watched out for and given proper response.

*See here for more.
**See here for more.
***See here for more.

When Steam Was King… It Was Common

Two years ago – well, 23 months ago, I wrote a brief passing thing about the concept of “steam” beer in a post about another thing, cream ale, but given this week’s sale of Anchor, makers of steam beer who proudly proclaim they are San Francisco Craft brewers since 1896, to an evil dark star in the evil dark galaxy of international globalist beverage corporations, I thought it worth repeating and expanding slightly. Here is what I wrote:

Adjectives from another time. How irritating. I mentioned this the other day somewhere folk were discussing steam beer. One theory of the meaning is it’s a reference to the vapor from opening the bottle. Another says something else. Me, I think it’s the trendy word of the year of some point in the latter half of the 1800s. Don’t believe me? Just as there were steam trains and steamships, there were steam publishers. In 1870 there was a steam printer in New Bedford, Massachusetts. A steam printer was progress. Steam for a while there just meant “technologically advanced” or “the latest thing” in the Gilded Age. So steam beer is just neato beer. At a point in time. In a place. And the name stuck. That’s my theory.

And here is what I would like to add. To the right is a news item from the Albany Gazette of 10 March 1814. As I have looked around records from the 18o0s for example of the use of “steam” I describe above, I found this one describing a steam battery both early and entertaining. I assumed on first glance that this was some sort of power storage system. In fact it is for a barge loaded with cannon. 32 pounder cannon which are rather large cannon indeed. Well, all cannon are large if they are pointed at you I suppose but in this case they are significant. For the nationalist vexiologists amongst you, I can confirm that the proposed autonomously propelled barge system of cannon delivery was reported six months before the Battle of Baltimore. Were they part of the sea fencibles? Suffice it to say, as with steam publishing and steam train engines you had steam based warfare by battle barge.

Next – and again to the right – is a notice placed in the New York Herald on 11 September 1859 indicating that John Colgan was selling three grades of ale and perhaps three grades of porter after “having made arrangements with W.A. Livingston, proprietor of steam brewery…” This appears to be an example of contract brewing where Livingston owns the brewery and contract brews for the beer vendor, Colgan. Aside from that, it is a steam brewery. Livingston’s operation was listed in the 1860 Trow’s New York City Directory along with a number of other familiar great regional names in brewing such as Vassar, Taylor and Ballantine. And it lists over two pages a total of four steam breweries, including Livingston’s. Which makes it a common form of industry marketing.

“Steam” is quite venerable as a descriptor of technology. If you squint very closely at this full page of the Albany Register from 29 January 1798 you will see steam-jacks for sale. It is also a term that moved internationally. In the New York Herald for 15 September 1882, you see two German breweries named as steam breweries. And again in the Herald, in the 10 August 1880 edition to the right, we see the sale of the weiss brewery at 48 Ludlow Street details of which included a “steam Beer Kettle” amongst other things. One last one. An odd one. If you look at this notice from the Herald from 14 June 1894 you will see a help wanted ad seeking a “young man to bottle and steam beer.” Curious.

What does any of it mean? Well, steam beer and common might have a lot more to do with each other than the just the name of a style.

Your Monday Beer New Links For The Return To Office Work

It’s not like I dislike office work. It’s just that I like a week off in summer better. Drove too much. About 2500 km all in all. Did home repairs and lawn stuff. Took trousers to the tailor. Visited a tiny new brewery. Yes, that one right there. I expect to post on the beers I dragged home hidden amongst the kids’ camp and cottage crap. What else went on this week?

Flying Dog Quits The Brewers Association

The recently Maryland-based brewery Flying Dog announced it had quit the Brewers Association and folk quickly took sides or at least thought a bit about which side they might take. Nothing better than when libertarians and progressives face off over something even though the both have a thing for tie-die shirts. The press release is pretty clear about what’s behind the move:

The BA’s new Marketing & Advertising Code is nothing more than a blatant attempt to bully and intimidate craft brewers into self-censorship and to only create labels that are acceptable to the management and directors of the BA. By contrast, Flying Dog believes that consumers are intelligent enough to decide for themselves what choices are right for them: What books to read, movies to watch, music to listen to, or beers to consume (and whether or not they like the labeling).

What’s really interesting about this is how it is tied in as part of the new optional (and seemingly stalled at about 20-25% buy-in) logo thing. And… freedom!!! Or just licence… or debauchery… or something co-opted. J. Notte summed it up this way on Sunday: “BA sees itself as a parent setting the rules, Flying Dog sees BA as a roommate who just set a fire in the living room.” What I don’t understand was where the BA membership outreach and committee work was on the logo and the code of conduct? Was this all actually just imposed without any trial balloons? More to the point, will others quit, too?

The Economist Noticed Craft Beer!!!

I found this story entitled “Craft Beer in America Goes Flat” interesting, pretty cool in fact as The Economist isn’t this micro focused [Ed.: get it? An economics pun!!] usually but it gets to the point: “the number of brands has proliferated, the number of drinkers has not.” [Ed.: sweet attention to that verb structure, too.] It might have been a link for last week but the lack of chit chat about the story since it came out is interesting in itself. I am sure if we ever see a retraction in US craft beer we’ll have months and months and months of explanation of how it’s not a retraction from all the smart people with careers invested in the expansion of US craft beer.

Why Even Call It “Contract Brewing”?

Ben Johnson expanded on his article in Canada’s newspaper, The Old and Stale, with a blog post that unpacks the contract beer situation in a pretty clearheaded manner. Me? I take nothing from the argument that consumers don’t care given that labeling laws don’t require that anyone tell consumers that a beer is brewed somewhere that isn’t the little sweet Grannie’s cottage the branding would make you think… but the other arguments are pretty good.

Let’s be clear. The firm that brews the beer bought on a contract is a “contract brewer.” Other folk in the retail supply chain are maybe a “beer company.” Nothing wrong with being a beer company. Also, it obeys English as one who does not brew can’t also be brewing. Doubt me? Ask one of them to change the yeast strain to improve the batch. Oh, not allowed. By whom? Oh, the actual brewer.

And the Co-opting Of “Punk” Started A Decade Ago

Good to see, as reported by Matt C., a Sussex-based brewery Burning Sky… a wee actual-ish crafty brewery has back away from BrewDog’s weird insistence that they are somehow connected to “punk.” [Ed.: they are only getting that in 2017? It’s like your nerdy accountant cousin Ken who likes to pretend he gets that hop-hip all the kids are listening to.] Anyway, BrewDog is great at marketing, aiming to be wonderful at opening branch plants globally as well as a chain of bars and half their beers are even sorta OK. But, let’s be honest, it’s hardly craft anymore let alone punk. A fledgling lawyer and his pal, a very successful brewer, dreamed up a way to get rich through beer with a smidgen less – what? – less of something… than even Malcolm McLaren‘s relationship to the actual invention of punk. Tellingly, Matt could only find a managing director for the BrewDog bars division to get a quote from. Small. Traditional. That’s it. Keep in line. Punks do that. Keep. In. Line. And… err… something co-opted.

Other Things of Great Importance

Jeff Bell posted a lovely short vignette of an encounter on the streets of London with a man sharing his beer.

Tweet of the week? From Matthew Osgood who neatly summed up the irritation posed by craft beer evangelists who just won’t stop it what with their knocking at the door fun, pamphlets in hand:

…my issue is that I don’t need a six-beer tasting session every time I come over to watch a game.

Jeff Alworth was exploring what things were like ten and twenty years ago in his fair town of Portland, Oregon care of a tweet and one of his best posts ever. Recent history benefits as much from reliance on records as much as the far dimmer past I wallow about in.

Rebecca Pate reported on her visit to our mutual hometown, Halifax, where she had a Pete’s Super Donair and… visited 2 Crows. Which is interesting as “crows” was a slag in my years at our mutual undergrad college.

Is Andy Crouch the first beer writer to actually pay with his own money when visiting Asheville? Seems incongruous.

And last but certainly not least remember to follow Timely Tipple for the weekly brewing history links.

The Intern’s Beery Links For Mid-July

Ah, the mid-July week off. Nothing teaches you more about how life is a fleeting interim stage than July. The poppies and irises are already in the past. The last of the early radishes have long been dug under. Time is passing. One day you wake up and discover you are a 54 year old intern for some guy named Stan. Hmm.

What’s gone on this week in beer?

When The Selling Out Game Has Some Weird Players

The BeerCast has posted an excellent unpacking of the sale of the discount shelf of London Fields (mothballed) brewery by an experienced guest of the Queen to those oddest of flatmates, the Danes of Carlsberg and the Empire State folk at Brooklyn Brewery. Expect a shedding of everything associated now with the name and then a massive leveraging of the name. For a mere four million pounds, most owners of craft beer won’t get out of bed in the morning. Given the situations of all involved, this deal looks like and smells like money all around.

Cheery Not Niceness

I enjoy these teletext messages from Matthew Lawrenson on Twitter. They retain his snappy direct humour but it’s like the words are coming out of the mouth of Tinky-Winky. I love the format he is developing. Thirty years ago visiting family in Scotland, I would sneak into the TV room to play with the remote, exploring teletext. Checking the weather forecast for Skye in multi-colour dot matrix… then checking out the soccer scores. All while the TV plays on underneath the text info. Magic. As a form of brewing and craft commentary this singular and effective. This one was posted Friday morning my time here in North America. Note the author. And the cheeky image.

Being Nice

I am less certain about this conversation one Twitter – while making no comment on the particular conversation. It’s the pattern. You see it quite often, a double form of delicacy. The desire to speak discretely of a brewery or bar doing something wrong being jumped upon for either (1) not name the names or (2) raising the real issue without naming the names. I am never quite sure what makes folk more upset, not getting all the juicy gossip or finding fault with a craft community member without first satisfying a level of procedural test for bringing evidence before a criminal court. Yet, it is only beer. I dunno. Folk seem happy to slag airlines and coffee shops. It seems a particularly southern Ontario concern but you see it pop up in England, too. In this case, the misapprehension that brewery or bar staff have some deep loyalty if not a monogamous bond with the boss seems the root of the problem.

Oliver Grey expanded on this concern mid-week. He primarily discusses the tribal divide between big craft and big beer, framing it from the perspective of Campbell’s narrative structure:

I get it, the hero of the story needs a villain to triumph over. I wrote about it at length. But it’s important to remember that to the villain, the hero can often look like a terrorist. For every story a perspective, for every perspective a truth. Therein, the issue slumbers.

Seeing as he has to deal with fools like this, I get the point. But there is the greater risk that is engaged with far too much in beer – the Hosannas, all the Hosannas. Given alcohol makes you initially feel good, it is not unexpected that people like saying nice things about it but taking the next steps of treating it like something beyond criticism and discord has always struck me as a bit weird, leaving ideas and interests unexamined. Give me cheery naughtiness anytime.

Mentioning the Bad

Jeff Alworth made a promise on Friday that definitely borders on the niceness question:

…enough of the excuses: Boak and Bailey are right, I should be writing about bad beer more often. I’m actually going to start looking for them. Rather than just writing scathing reviews, though, I’ll use it as an opportunity to discuss why I think the beer is bad, because “bad” is in many dimensions an objective evaluation. A good brewer may fail to execute on a vision, which is one kind of bad. A mediocre brewer may compose an uninspiring recipe, a different kind. Or the beer may have faults and off-flavors, a kind of bad that is now rarer, at least in these parts. Beer may be bad because of technical, aesthetic, or other reasons–and there’s actual value in discussing the nature of the problems.

I am delighted by this declaration, if only because it is framed as contrary to the Jacksonian model we have inherited. I would note that it is not what was first given that was inherited but what was later devised. Change is good. Let’s change some more, please.

Jet Setting

In an effort to bite the hand that feeds me (not), I wonder about this tweet:

It’s not that I equate this sort of event with junketeers who dash off to lap up the gravy and PR before regurgitating some or all, then claiming to be clever. My question is whether this is simply another form of the internationalization of commodity craft, that globalist mono-culture that leaves nothing local in its wake. I would be thrilled to hear about what local beer questions and successes were discussed in South Africa by South Africans. Not sure I will.

Other Stuff

Interesting to see that Diageo via Guinness USA has a money flow to another beer site on the internets. GBH calls it underwriting. Beervana calls it sponsorship. This pays for interesting writing. Good. Also interesting that this goes largely uncommented upon especially compared to other funds flowing from other big drinks empires into smallish bank accounts. Just to be clear, I have happily spent sometimes shockingly generous sums for running ads on this website and its predecessor. To be fair, they were largely from outside the brewing world due to my (way back then) huge following. I call them ads. In the glory days, it paid for a lot of travel. Still, interesting quiet little pay packet play.

Yes, Mirella. Very good tee.

And finally, the best use of a GIF ever. Thanks Zak. This is going to end up dumber than “crafty” isn’t it.

Your Monday Morning Beer Links For Canada Day Weekend

As threatened and then oddly certified, I am stepping in for July as Stan has scampers off somewhere. And it seems Boak and Bailey are putting their feet up, too. So my July 2nd and a bit of the 3rd will be spent pounding the keyboard for your sideward glance – instead of focusing on the can of Bud and Coors Light like most beer loving Canadians will be doing. No rush. I have to make the best use of that lawn chair out back. Hmm… has there been anything going on worth discussing?

Wine News

As is Stan’s habit, I begin the week’s highlights with news from Clarence House. Prince Charles and herself spent a part of last Friday about an hour’s drive west of me partaking of the wines of Prince Edward Co., Ontario. I have written a few posts in the past about the region which you may wish to review before checking out the story as covered by the UK’s Daily Mail. Excellent exposture to the greater world market likely means my local prices go up. Thanks, Chuck.

In other wine news, Eric Asimov in The New York Times has made the case for simplicity and pleasure in his regular “Wine School” column:

That is especially true with the thirst-quenching wines we have been drinking over the last few weeks. These easygoing wines are primarily focused on the No. 1 task of any wine: to refresh. They do so deliciously, but these wines don’t offer much to think about. They are the lawn-mower beers of wine, ready to stimulate, energize and invigorate. They provoke physical reactions, and do not leave much room for contemplation.

I can hear the teeth grinding but being honest – for 99% of the time 99% of beer drinkers don’t sit around and contemplate 99% of their sipping anyway. Thinking about such things might include less thinking about such things. Think about it.

The Logo

Once again, the US Brewers Association PR committee has made a bit of a botch of a well meant bit of communications. At the start of the week, they revealed a new logo for their organization, then limited its use to only members who signed the special pledge and watched as their plans for market share demarcation got ripped. Given these folks came up with the fabulous failure of “craft v. crafty” what were we expecting? So many fonts for one image – is it five? And that weird outline. And an upside-down bottle.

The really problem the BA faces is that it can’t use the proper word that beer fans are really interested in – local. This is because it has spent a decade chasing the false promise of national craft with truckloads of California beer selling in New York gas stations and corner stores while Maine brewed Belgian-styled ale sell in Hong Kong and Dubai. So, the campaign and the logo have to fall back on second rate concepts.

The key concept in the messy logo is something called “INDE… PEN… DENT” which sits uneasily along with inordinate use of a “TM” and “CERTIFIED” given the limited visual geography. [Note: I couldn’t find the image’s trademark registration when I looked for 47 seconds and nothing about the logo relates to certification.] The problem with “independent” as a core message is that big industrial macro is independent too and the diversity of small local brewers can hardly be expressed with the “one ring to rule them all” approach that centralized trade industry branding offers. Plus anything can be “independent” can’t it.

Jeff Alworth takes a different approach which is quite compelling, separating message from branding. He argues that by moving away from “craft” and embracing “independent” as the core concept, the BA is taking back control of the debate. Bryan Roth also explores “independence” more from just the branding angle. But, for me, both these approaches (as both Jeff and Bryan state) are not without long term issues. Consider Mr C. Barnes at The Full Pint who is even less hopeful.

The Video

This is even sillier. Andy called it correctly when he called it “whining and whinging.” You may have more thoughts on the thing but I don’t see why anyone would bother. Why make that sort of ad when you have made this fabulous one?

Other things

The Sun newspaper-like thing reports that hipster craft is causing an inflationary effect on the price of lager. Who saw that coming?

The Sammy Smith “no swearing in our pubs” rule has led to at least one pub closing up for an evening due to naughty bad bad people being rude. Pete Brown, no fan apparently, called Humphry Smith, the head of the company behind the scheme to wipe out bad language the “nastiest, most unpleasant person in the brewing industry” by way of his introduction to a story on Humph in The Guardian which discloses this tidbit:

Smith’s eccentricity is the source of local legend and seems to know no bounds. Regulars inside Smith pubs claim he habitually dresses up as a tramp and poses as a customer to make sure his rules are being enforced. Punters in the Commercial Inn in Oldham claim Smith once sacked a bar worker for not handing him the correct change – another tale of summary sacking it has not been possible to confirm.

Quite the nut – but it is his ball so he can take it home whenever he gets in a huff, I suppose.

Finally, happy to report that the Canada Day long weekend was celebrated with Ontario made regional and local small brewery beers from Perth, Riverhead, Beyond the Pale, Great Lakes and Side Launch. Those two gents up there with their Buds? They are the 90%. It’s everywhere.

Fine. That’s enough for this week, Stan. Time to hang up the bloggers smock. Send your complaints and spelling correction suggestions to him via Twitter.

Imperial, Yes, But Cream Ale Was Also Light As Well As…

The more I get into the records referencing cream in 1800s New York brewing, the more obvious it is that the term was pervasive. It illustrates excellently, as a result, how branding existed independent of those claims to copyright we suffer from today. In law, there is an excellent and better word for such stuff that applies as much now as then – puffery. Claims made as to quality that are never ever really expected to be challenged. Look at that ad from the Jewish Daily News of 30 November 1916 again. Imperial Cream Ale. Is that the same as the Imperial Cream Ale of the Taylors of Albany from the early 1830s to the late 1860s? Or is the cream just a puff?

That image to the upper right? It’s a part of a column in the Plattsburg Republican from 21 August 1858 entitled “Items: or Crumbs for all kinds of
Chickens.” Is that puffery? Seems a bit more than that. Cream beer is being lumped into a class: non-intoxicating drinks. Sounds like a bit of a vague concept but at the same time the courts in New York State were struggling with the same term as it related to lager and the wider issues related to acceptance of the German immigrant wave in the middle third of the 1800s.

The book De Witt’s Connecticut Cook Book, and Housekeeper’s Assistant from 1871 includes these two recipes, one after the other, on page 100. The first for “common beer” has yeast added, the second, for “cream beer” doesn’t. Is “cream” then code for no alcohol? When I was a kid out east in Nova Scotia, one of my favourite things was cream soda. There were two types as I recall. Pink or clear. Pink was like drinking candy floss. Clear was like drinking candy floss… but was not pink. I hated pink cream soda. I was a clear cream soda man. Crush, if you have it… but only in Canada. Pop… soda… soda pop… was a class of soft drink that morphed out of beer. In the 1850s you could speak of California Pop Beer. In the 1830s you could speak of the Lemon Beer of Schenectady. In the excellent short book Soft Drinks – Their Origins and History by Colin Emmins, small beer is described as a progenitor of British soft drinks along with spa waters, syrupy uncarbonated cordials and that favourite of George III, plain barley water. [Continuum. Perhaps continua.] Consider the simple lemon…

The earliest English reference to lemonade dates from the publication in 1663 of The Parson’s Wedding, described by a friend of Samuel Pepys as ‘an obscene, loose play’, which had been first performed some years earlier. The drink seems to have come to England from Italy via France. Such lemonade was made from freshly squeezed lemons, sweetened with sugar or honey and diluted with water to make a still soft drink.

It appears that 1660s lemonade plus small beer could be a cause of that fancy 1830s upstate NY lemon beer. Could be. There would be other intermediaries and antecedents. Think of how the sulfurous spas of Staffordshire in the late 1600s, saw the invention a drink introduced the local hard to swallow spa water into their beer brewing. Is this how it works? Isn’t that how life works?

When you consider all that, I am brought back to how looking at beer through the lens of “style” ties language to technique a bit too tightly for my comfort. The stylist might suggest that in 1860, this brewery brewed an XX ale and in 1875 that brewery brewed an XX ale so they must be some way some how the same thing. I would quibble in two ways. Fifteen years is a long time in the conceptual instability of beer and, even if the two beers were contemporaries, a key point for each brewery was differentiation. The beers would not be the same even if they were similar.

Layered upon this is the fact that “style” is an idea really fixed somewhere in the 1980s after Jackson’s original expression which was altered in the years that followed. The resulting implications are important given how one must obey chronology. This means if (i) Jackson’s 1970s “classics and cloning” idea didn’t last more than ten years until (ii) the more familiar “corner to corner classification” concept comes into being then the application of “style” to brewing prior to the 1970s (if not 1990) is also a challenging if not wonky practice. Brewers brew to contemporary conventions even though they are but points in a fluid continuum. You can’t conform to an idea that doesn’t yet exist.

All About Beer published the article “How Cream Ale Rose: The Birth of Genesee’s Signature” by Tom Acitelli on 17 August 2015 which, as we can see above, contains an origins narrative for cream ale which (though very condensed so somewhat unfair to parse) is now really not all that sustainable:

Cream ale is one of the very few beer styles born and raised in the United States. Predating Prohibition, the style grew up as a response to the pilsners flooding the market via immigrant brewers from Central Europe. Cream ales were generally made with adjuncts such as corn and rice to lighten the body of what would otherwise end up as a thicker ale; brewers also fermented and aged them at temperatures cooler than normal for ales.

I think I am good until to the word “the” in the second sentence after the comma. If style can be applied to the concept at all, cream ales at best probably represented styles. They were not a response to pilsners as they predate Gillig and were in mass production happily in their own right though the mid- and latter 1800s. They became made with “adjuncts such as corn and rice to lighten the body” but so did ales as our recreation of Amdell’s 1901 Albany XX Ale illustrated. The last sentence may well be fine.

BUT! – now notice the gem of a wee factual trail actually setting out as the specific origin of Genesee Cream Ale as related to Acitelli:

His father and grandfather, a German immigrant, had been brewers in Belleville, Illinois, about 15 miles southeast of St. Louis. Bootleggers had approached his father, in fact, about brewing during Prohibition, but he demurred. Clarence Geminn himself was completely dedicated to the craft, according to his son, a fourth-generation brewer. “Saturday and Sunday he would go into check on things,” Gary Geminn told AAB from his home in Naples, New York. “Summer picnics had to wait until the afternoon; any outing had to wait.” As for the exact formula behind his father’s most enduring beer, no one’s talking—obviously not the brewery itself, nor did the beer’s progenitor.

Mid-west Germans? Now that starts sounding more like the parallel universe of cream beer than cream ale. Does its DNA include Germans moving to Pennsylvania in the 1700s, then on inland into Kentucky in the early 1800s then into the Mid-West later that century only to back track to upstate NY by the mid-1900s? Can we draw that line? Either to connect or perhaps delineate? Maybe we need to be prepared to do both if we are seeking to understand events prior to the point of conceptual homogeneity that is achieved with the crystallization of style when MJ meets what becomes the BA.

As for cream? It’s a lovely word. So many meanings. So many useful applications. So many more leads to follow.

Cream Ale, Cream Beer And Creamy Goodness

This ad in the Jewish Daily News of 30 November 1916 published out of New York has my wee brain spinning – and not only due to the works I can read and those I cannot read. I am starting to think “cream” is a nugget of a folk tale, an indigenous memory that keeps appearing generation after generation from, as Gary proposed, the later 1700s to today in the northeastern US for no other reason than its useful pleasantness.

Gotta think about this.