Your Thursday Beer News For That Day Just Five Weeks Before March

It gets like that in January. Counting the days to the warmer ones like prayers upon beads passed through the fingers. It’s time. Please be March soon. Please. Warmth. Now! Come on!! Time, like grace, arrives in its own pace I suppose.  Even calling this a Thursday post is jumping the gun a bit. These things get plunked together mostly on Wednesday. These things matter. Anyway, what’s been going on in the news?

I lived in PEI from 1997 to 2003 and am pretty sure John Bil shucked my first raw oyster. Love struck I wasCarr’s was an eight minute drive from my house and I often bought a dozen or two there to take out to the back yard and suck back on a Saturday afternoon. RIP.

Our pal Ethan and Community Beer Works are working with the owners of Buffalo’s Iroquois brand to revive a version of the venerable brew. An interesting form of partnership where craft leans of community pride in legacy lager.

Carla Jean Lauter tweeted the news Wednesday afternoon that Nova Scotia’s newbie Tusket Falls Brewing had decided to withdraw its Hanging Tree branding for one of its beers. Rightly so and quickly done as far as I can tell. That’s the Facebook announcement to the right. This was a good decision on their part but not one that goes without consideration. I grew up in Nova Scotia and, among other lessons learned in that complex culture, had the good fortune to be assigned as law school tutor in my last year to one of the leaders of the Province’s version of the Black Panther movement when he was in first year, the sadly departed, wonderful Burnley “Rocky” Jones. He did all the teaching in that friendship. I would have loved to have heard his views on the matter. See, Loyalist Canada was settled in the 1780s by the British Crown as a refuge for the outcasts, including African American freed former enslaved Loyalists, seeking shelter after the dislocation of the American Revolution. Court justice there as it was here in Kingston included hanging as part of that. Hell, in the War of 1812 at Niagara there was still drawing and quartering. As I tweeted to Ms Pate, another Bluenoser, the hanging tree could well symbolize peace, order and justice in Tusket as much as bigoted injustice elsewhere. Or it could represent both… right there. Were there lynchings in southwestern Nova Scotia? Some stories are more openly spoken of than others. Slavery lingered on a surprisingly long time here in Ontario the good. We talk little about that. And Rocky and others do not fight that good fight without good reason. We might wish it should and could depend on what happened in that place. But somethings are no longer about the story of a particular place. Somethings about beer are no longer local. And its not “just beer” in many cases. Yet, we happily talk of war. Q: could a Halifax brewery brand a beer based on the story of Deadman’s Island?

My co-author Jordan has made the big time, being cited as “Toronto beer writer and expert” by our state news broadcaster.* With good reason, too, as he has cleverly taken apart the fear mongering generated around the reasonable taxation of beer.

This is really what it is all about, isn’t it? Well done, Jeff. The setting, style and remodeling of his third pub, the
The Ypres Castle Inn all look fabulous. Good wee dug, tae.

I don’t often link to a comment at a blog but this one from the mysterious “qq” on the state of research into yeast is simply fantastic: “[t]o be honest anything is out of date that was written about the biology of the organisms making lager more than three years ago…” Wow! I mean I get it and I comments on the same about much of beer history, too, but that is quite a statement about the speed of increase in understanding beer basics. Read the whole thing as well as Boak and Bailey’s highly useful recommended lager reading.

Max finally gets a real job.

Gary Gillman has been very busy with posts and has written one about a very unstylish form of Canadian wine, native grape Canadian fortified wine, often labeled as sherry. Grim stuff but excellently explained. As I tweeted:

Well put. These were the bottles found, when I was a kid, empty up an alley or by forest swimming holes. I thought we had a few examples of better fortified wine ten or so years ago. But, likely as the PEC and Nia good stuff sells so well, no attraction to a maker.

Gary gets double billing this week as he also found and discussed the contents of a copy of the program from the first Great American Beer Festival from 1982. I have actually been pestering Stan for one of these off and on for years only to be told (repeatedly) that archiving was not part of the micro era. Tell me about it, says the amateur boy historian. The 1982 awards are still not even listed on the website but that seems to be the last year of the home brew focus.  Anyway, Gary speaks about the hops mainly in his post. I am more interested in the contemporary culture: which presenter got what level of billing, what the breweries said of their beers. Plenty to discuss.

More on closings. Crisis what crisis?  In the room the women come and go / Talking of Michelangelo. What’s it all about, Alfie?

That’s enough for this week. Plenty to chew on. See you in February!

*All I ever got was “an Ontario lawyer who reviews beers on his blog…” like I am some sort of loser…

The Session 131: Emergency 1-2-3!!!

One of my favourite things about The Session is a good crisis edition of… The Session.

Let’s be honest. The ball has been dropped about three times in the decade and more of this monthly beer blogging session on a common topic leaving thousands and thousands world wide distraught at the idea that there would not be any single thing to read on the topic of beer… well, posted by a beer blogger… in unison with other beer bloggers… you remember beer bloggers?

Fortunately, the world’s first beer blogger noticed and this beer blogger, the world’s second, is not going to let down the side. Jay whipped together a splendid topic entitled “New Session: Three Things In 2018“:

For our first question of the new year, what one word, or phrase, do you think should be used to describe beer that you’d like to drink?
For our second question of the new year, what two breweries do you think are very underrated? 
For our third question of the new year, name three kinds of beer you’d like to see more of. 

Hmm. Let’s see.  Well, you can tell it is a crisis topic as the three questions require five answers. What are my answers?

Word? Clear. It’s very fashionable to suggest no one has a right to note that a bad fad is a bad fad but 96% of all the nouveau cloudy beer is, as one would expect, bad cloudy beer. It takes a semi-pro PR specialist to suggest otherwise but, really, if you stuck to clearer beer would the world be worse off? No.

Under rated? In the 10,000 brewery universe that is an impossible question as they are not subject to any rating system which reflects their actual quality. No one knows them all. So, classes might be the next thing I can rely upon. Regionally, I would suggest Quebec breweries are under rated. In North America, La Belle Province is an enclave of another language, another culture. The beers reflect that culture. And it’s under explored. A second class? Corn based craft beer. Really? Grow up.

Three kinds I want to see more of? I like the word “kind” when it refers to a category, a class. A kind of beer is better when it gives comfort. So – maybe mild, dubbel and… 1700s porter. Made with diastatic malted Battledore barley. Yum.

Crisis averted. Again.

“Nipperkin” In The 1790s New York Press

I love me a good collection action by beer bloggers and today B+B published initial results on the meaning of nip and nipperkin after a bit of a Twitter discussion yesterday. Ignoring for the moment the question of why I am writing so much about their ideas while entirely ignoring the debacle of the BA’s most recent PR botch, let’s just understand one thing if nothing else in this makes sense – when a man loves a pottle then can a nipperkin be so bad?

To the upper right is a poem published in New York City’s Columbian Gazetteer of 9 January 1794.  The content of the poem is wallopingly inappropriate to our eye in how it essentially says “let thinking, more pies and drinkin!'” but there it is… stingo by the nipperkin. Can I apologize and promise in atonement to make a pie or pudding myself and read my wife something in Greek before making a toast? I shall try and might report back.

A bit of a survey about the databases tells me there is was not a lot of use for either word in the press for the time, though a poem on the role of stingo in flips appeared later that same year on the New York Daily Gazette of 25 August 1794.  Click on the image to the left. The recipe for flip is quite extraordinary: rum, maple syrup, hopped beer and pumpkin. But it is drunk by the mug into which a hot poker was plunged. Not by the tiny nipperkin.

A brief entry. Go add anything you find and report back to Boak and Bailey.

“No Liquor On Earth Is Like Nottingham Ale!”

As a lad, before the internet, I was a keener for the BBC World Service. I actually visited the studios at Bush House on the Strand in 1980 on a family holiday and sat in on a Dave Lee Travis show taping. Most evenings I would listen to the shortwave and at the top of the hour before the news hear the station’s identification signal, the Lillibullero. Little did I know that the short tune played right after “This is London” and before the “beep beep beep beep beep beeeeeeeeep” of the hour was taken from an English folk song called “Nottingham Ale“,* the singing of which which you can hear here

I learned that fact searching for references to the great ales of late 1600s England in an archive of mid- and late-1700s colonial New York newspapers. I came across this lyric to the right which was to be sung to the tune of “Nottingham Ale.” It was published in New York’s Gazette of the United States on 18 August 1790. Which means that there was some understanding in NYC at that time of Nottingham, England having, you know, an ale. So well known, in fact, that a brewer in New York, John F. Jones, appears to have been using the name for one of his own local ales if the New York Gazette of 12 March 1803 is to be believed.

What isn’t in the archive are references to Derby ale,** Hull ale or Margate ale, the coastal and carted ales of England in the 1600s. As we have seen, there are plenty of references in the NY press to other English ales not much discussed in the 1600s – ales like Taunton, Burton and Gainsborough. What is remarkable seems to be how while the pattern of naming these great ales for the cities from which they came continued, these transoceanic ales were named after a largely if not entirely a distinct class of city. Hmm.

Anyway, this short post bridges a few things that I need to unpack a bit more but most of all it should serve as encouragement for all you all to learn the words and tune of “Nottingham Ale” so that we may sing it when we meet next. Extra points for learning the version in praise of St. Andrew set out above, too.

*Amongst other antecedents.
**Need to work on a Derby post. I have found quite a lovely map from 1680…

A 1679 Classification Of Beer By John Locke


To the right you will see a passage from The Life of John Locke from 1876 that includes a quotation from a letter written by the philosopher in 1679. These is plenty to unpack from the passage but for present purposes I want to consider the bits about beer as it provides an excellent means to understand what I have been slowly exploring in that distant century.

Locke organizes English beer under three high level categories: (1) home-made, (2) for sale, and (3) compound. These are the broken down further by sub-categories or examples. Home-made is beer and ale as well as strong and small. Those brewed for sale are illustrated by Lambeth ale, Margate ale and Derby ale. Compound ales are described by an open ended list: cock, wormwood, lemon, scurvygrass and College ales are followed by an “etc.” There is also a single example of an import, Mum.

Home-made strong would include the familiar forms March and October brewed in big houses – as well as that newly pesky thing called September. The sort of propertied folk who might have a copy of the 1668 edition of A Way To Get Wealth where the two classes are called March and ordinary. By at the latest the mid-1700s they are joined by the massive ales for the heir of a great estate reaching the age of majority. While Locke might not be a customer himself, home-made strong and small would also include ale house beers of the sort mocked in the early 1600s poem on Elynour Rummyng.

Beers for sale are a familiar form we have seen before. Big ales shipped along the coast like Hull ale, Margate or Northdown ale, Derby ale and Nottingham ale are all familiar names from seventeenth century records. Lambeth ale is interesting. Pete Brown in his first book Man Walks Into A Pub stated (at page 77):

I’m not sure what’s special about Lambeth in the ale stakes, but Samuel Pepys used to swear by it, and he knew his ale.

Two years ago, I wrote about brewing at Lambeth in the early 1800s but that was a new facility, not from what I can see any continuation of earlier brewing at that site. And I don’t see Martyn discussing 1600s Lambeth in his book Amber, Gold & Black or on his website. Nothing at Shut Up About Barclay Perkins either. As you can see to the right, Lambeth ale is recorded in Beverages’ 1939 book Prices and Wages in England covering 1500 to 1900 but he notes at page 397 that he last sees it being specified as a type of beer in 1708.

Interesting to note that Burton is not listed by Locke. This confirms that Burton ale, as suspected, was not shipped until the improvement to the river in or just before 1712. You will see in that same page just above from Beverage’s research that Burton is noted as a specific ale starting in 1713. Neato chronology-wise.

What Locke calls compound ales is the most interesting aspect of his categorizations as it seems to include brewing that includes an odd ingredient like scurvygrass ale along with beers made for specific functions like College ale. One possibility is that College ale has an odd ingredient. We may have seen this before in the case of Coppinger’s early 1800s description of Dorchester Ale. It seems to turn on the inclusion of ginger and cinnamon. We have also seen in the early 1600s that English sailors off Newfoundland added the juices of bruised herbs to make medicinal tonic beers. Functional adjunct-laced brewing. It’s not much discussed from my reading but Locke clearly considered it of significant enough a status to include it.

The beauty of the passage is it provides a construct, a “conceit” if I recall my seventeenth century lit class correctly. The classification of things was a thing that either Plutarchan or Senacan essayists were up to and Locke gives us a bit of that usefully for the beer he saw around himself. It also sets a benchmark for consideration of the great changes in British brewing that come in the 1700s. I shall govern myself accordingly.

 

The Charlecote Park 1700s Brew House

Charlecote Park. Hmm. This is interesting:

Charlecote’s brewhouse has mostly 18th century brewing equipment, water pumps, coppers and stalls. It is a typical brew-house of a well-ordered English country estate during late 18th century. They equipment was used to brew beer for the household until early 20th century. Although we can no longer use the equipment that is here we are currently working on a project to make the outbuildings feel full of life again.

Now, you might ask why a four year old blog post by the UK’s National Trust would be all that interesting to me but in those four years I have written a lot about brewing prior to about 1820 and never looked at the archive of images they have placed online.

1803breweryWhat I particularly like about this particular image above* is how well it captures the functional technicalities as well as how similar the equipment is to the detail of a log cabin brewery at Geneva, New York described in the 1803-04 travel diary of Lord Selkirk. In the lower part of the diagram you see the boiler run off into the coolers. In the photo above, that lovely big brass tap and the wooden trough with that rich patina replace Selkirk’s simple line of ink.

Here is another image** of the brew house, one in black and white taken from the top of the stairs. Notice how at the far end of the cooler there is a cube shaped ladle that is used to fill the barrel which sits in its dedicated spot, its own carrel, waiting. Again, as illustrative as it is beautiful. When we consider many of the great mass drinking events that the Georgians loved so much, we recognize that it was these sorts of estates breweries that were brewing the beer.

There are other images at the National Trust archive answering to the searches “brew house” and “brewery” which, as a keen admirer of the Beer Blogger’s Code of Standards, I share for the benefit of sharper eyes than mine.

*See the attribution at the NT site.
**See the attribution at wikipedia.

The Value And Adulteration Of Porter Circa 1757

I found this passage below in The General Evening Post of London, England of December 1, 1757. It’s a very useful passage because it reminds us of many things which are quite alive in the brewing trade of today.

Notice how the concern is framed from the position of the public. The natural tension is with the interests of brewers and the solution is the need for regulation. Brewers are “men of large capital” who use “other ingredients” – the fact of which is “notorious from the conviction of some brewers.” Brewers are also avaricious:

… a combination is forming amongst them to raise the price of beer…

This is an “additional tax which the brewers want to saddle on” the public. Sounds like something out of early CAMRA pamphets from the 1970s, doesn’t it?

Boak and Bailey have somewhat restated the question in terms of the craft era in their post today about “Experiences vs. Commodities” – a form of question which has been bounced around for at least as long as the terms “beer blogging” and “craft” gained popular attention in around 2006. Around 2008, we were introduced to the idea of single cask short run beers which promised in themselves to be an experience conveyed via 750 ml corked bottles for the mere price of merely $24.99. One Colorado comment maker* of the time indicated that the trend really started with La Folie by New Belgium.

Unlike Probus in the 1750s, the point of view of writers has not been clear cut. The responses in the comments to this post in from October 2007** are instructive and in some cases a bit startling. But that was when it was still quite fair – or at least somewhat credible – to say that craft was still a lot like little Bambi struggling on its wobbly legs, trying to make sense of the great big bad world. Too soon to speak of value. Now things are different. Craft has shattered into at least three general forms of market presence – local, big craft and international macro – none of which are in any real risk of going away even if players come and go.

Because of this, I would suggest that we need to heed Probus’s words published a quarter millennium ago and leave the views of ten years ago behind. Craft has become commodity and it’s going to be OK. It’s a commodity in the standardization of international styles such as IPA and murk as well as in single brands like Goose Island. You can find pretty much the same beer everywhere. And if you can’t you are still seeing the internationalization of the fib of “craft” pretty much everywhere. We cling on to outdated ideas about craft and the value of any beer at our peril. We miss the actual in favour of the hype. We chase the marketed (whether from the PR consultants or the semi-pro enthusiasts) in favour of the quieter, local and lovely. The experience? Yes, it is still about the experience but that includes learning from our experience.

[By the way, not sure who Probus was. Apparently, Thomas Chatterson used the pen name but he was born in 1752.]

*Scroll down.
**Again, scroll down.

Caleb Haviland: A Brief Prequel Of A Tailor And Beer Merchant

 

 

 

It will soon be two years since I posted about the porter store house of Caleb Haviland at 77 John Street in the New York City of 1798. For some reason, I am very fond of the guy and his fabulous range of drinks from both the old and new homelands. Six English ales alone were on offer – Burton, Taunton, Liverpool, Gainsborough, Dorchester and Bath. Yum. Happy, then, was I to find a tidbit more.

If you look up there to the right you will see a notice placed in the Weekly Museum of 17 May 1794 you will see Caleb Haviland offering his services as a tailor at 77 Golden Hill Street in New York City. Interesting to note that number 77 used to be numbered as 13. Then, in the middle, you will see Joseph Ireland in the New York Daily Advertiser of 12 May 1795 offering an interestingly similar range of beers. In addition to London, New York and Philadelphia Porter, there was Billington’s beer as well as Burton, Taunton and Bristol ale.  The address, again, is 77 Golden Hill. Another notice placed in the New York Gazette of 20 July 1795 is up there to the left. Again, at 77 Golden Hill.

I equally all a’shiver over the reference to Golden Hill. If you look to the left, you will see the notice I published in the post from September 1798 in the New York Gazette. It describes the address as “77 John Street (late Golden Hill).” John Street is still there. It is two streets to the north of and parallel to Maiden Lane where the Rutgers brewed for many decades in the 1700s. Crossing these two streets is still Gold Street where the elusive Medcef Eden also brewed in the 1770s to the 1790s. Golden Hill was once the highest spot on Manhattan as well as the site of a 1770 clash between the British and locals. It was not golden because of the grain, however, but because of the yellow flowers that grew there when the Dutch arrived in the early 1620s.

 

 

 

 

If we can get back to Caleb, you will see to the left that Christmas 1791 was a bit grim, as he need to squeeze his customers and even threatens legal action in a notice dated 24 December 1791 placed in the New York Gazette. In the middle, things look happier as according to The Diary of 31 May 1792 he is looking for journeymen to work in his shop. But by 30 April 1793, according to the New York Gazette, things are booming as he is bringing in fine… no superfine cloth of all sorts and looking for an apprentice as long as they are from the country. You know what city folk are like.*

Then, in the wonderfully named periodical The Minerva, also of New York, dated 9 January 1797 we have this. A notice for the fluid goods for sale by Michael Moore & Co. located at No 77 John Street, late Golden Hill. He has taken over the business of Joseph Ireland, hopefully now staffed by steady sober folk. The trade is identified being undertaken at the house of Caleb Haviland, merchant tailor, who is also identified as one of the company. Things are progressing so well, Haviland is joining into new ventures in the town with others – and promising the delivery soon of imported bottles of London Porter, Bath Ale and Brown Stout. Fabulous.

By the publication of the New York Gazette on 14 June 1797, Haviland is dissolving what had become a partnership with Mr. Moore and was away to the races, taking on the porter vault by himself and becoming the drinks merchant we met in 2015.

*Sadly, an unnamed occupant of 13 Golden Hill was running a notice for the sale of an unnamed enslaved young woman and her child, as seen in The Diary of 16 March 1793, though with the statement “sold for no fault, only want of employ.” As we have seen, slavery was common in New York in that era.

The Promise Of Every Man His Own Brewer, 1768

I’ve been thinking about Samuel Child’s 1768 work Every Man His Own Brewer, Or, A Compendium of the English Brewery for a few days and particularly its fine narrative flow. Consider this brief passage in the preface:

I was once on an election, at a certain borough in Wiltshire, and, in the course of our canvass, drank sometimes to the amount of two quarts of beer in the forenoon, not only without sensible prejudice, but that it rather mended my health, and gave me brisk spirits. As I had not been used to drinking, especially in the morning, I admired at this, and found, on the most strict scrutiny, that nothing was used in this liquor but malt and hops, and that its happy vinos flavor was merely the result of good ingredients, well cured, a fine a fine chalk water, and not being too much boiled…

What a lovely way to introduce the basic idea of beer, a bit of knowledge that has been repeated in pretty much every book on brewing and good beer in the intervening 249 years but seldom stated so well. I have dug around in brewing texts from before 1800 hunting for facts about fern ale or that fib about smoke-ridden gak that so many beer experts erroneous suggest was the state of affairs back in the era that, you know, the expert never much studied. But I have not thought about the texts as writing or even read them from beginning to end. Maybe only for Coppinger because he was such an odd duck. 

I’ll do that, save the text to a reader of some sort. But right now look at the table up there. It’s from page 37. First, I love its title. The TABLE. As if Child would have added a few exclamation marks. As if he was just figuring out how to make a table out of HTML. Yet… there is another table also titled “The TABLE” just seven pages later. The thing I like next best is how it is immediately bragged up by the author:

These are hints sufficient to guide any one in the choice of his malts, as it respects the color of his beer, and the time it will be fit for use if judiciously brewed; and the experiment is to be made in the kiln as soon as the malt is perfected, and used as soon after as possible to preserve the genial spirit.

Brew with the malt as soon as kilned to attain the desired colour of the beer. Which means nine grades of beer brewed from any given malting should be considered attainable. Child then over pages and pages describes many sorts of beer: “London Beer under the name of Porter,” London Amber, Burton Ale, table beer, oat ale, Marlborough beers, Dorchester beers, Nottingham beers, Western White Ale.

The variety is quite extraordinary. As a whole, the book frames not so much the state of British brewing in the decade before the American Revolution, at a point before traditional brewing shifts to industrial with the shift to steam power starting with Whitbread in the 1780s as it now provides a guide how to go back and recreate them from the few basic elements he first considered on that election campaigning in Wiltshire. Including, towards the end, exotics including three pages on Brunswic Mum  and a shorter passage on Newfoundland spruce and molasses beer.

It would be a great project to annotate and experiment with the techniques described in the book. It is, after all, only through the use of a guide that one figures out if its any good or not.

20 December 2017 Update: Martyn has indicated in the comments below that the author is a euphemism for an unknown. Let us examine what we can find out. Below is the frontispiece for the third edition… GO!!!!

 

 

Issac Bobin’s Letter, 6 September 1720

As I was going through the blog posts shifting them over to the new platform for the past few months I realized that I’ve had tight waves of writing enthusiastically separated by other phases of, you know, treading water.  If I had a topic to run with, a new database to explore I got at it. But I also skipped over some things. Failed to suck the marrow. I had in my head that I had a stand alone post on Mr. Bobin’s letter above from 1720 but in fact had only written this in one of my posts about the Rutgers brewing dynasty in New York City from the 1640s to the early 1800s:

In a letter dated 6 September 1720 from Isaac Bobin to George Clarke we read:

…As to Albany stale Beer I cant get any in Town, so was obliged to go to Rutgers where I found none Older than Eight Days I was backward in sending such but Riche telling me you wanted Beer for your workmen and did not know what to do without have run the hazard to send two Barrels at £1 16/ the Barrels at 3/ and 6/. Rutgers says it is extraordinary good Beer and yet racking it off into other Barrels would flatten it and make it Drink Dead…

Isaac Bobin was the Private Secretary of Hon. George Clarke, Secretary of the Province of New York. So clearly Rutgers was as good as second to Albany stale for high society… or at least their workers. And in any case – we do not know if it was from Anthony’s brewery or Harman’s.

The Smithsonian has a better copy of the book of Bobin’s letters. What I didn’t get into were the details of the letter itself. Riche. Albany stale Beer. Drink Dead. Just what a whiner Bobin was. Riche? He seems to be the shipper, moving goods from the New York area to wherever the Hon. George Clarke was located. In another letter dated 15 September 1723, Clarke’s taste in fine good – including beer – is evident:

THERE goes now by Riche (upon whom I could not prevail to go sooner) a Barrel of Beef £1. 17f 6d; a Qr Cask of Wine @ £6; twelve pound of hard Soap @ 6£; twelve pd of Chocolat £1. if; two Barrls of Beer; a pd of Bohea Tea @ £ i.; Six qr of writing Paper. Will carryed with him from Mr. Lanes four Bottles of Brandy with a Letter from Mr. Lane.

In another letter dated 17 November 1719, beer and cider are being forwarded. Bobin’s job includes ensuring Clarke and his household has their drinks and treats. It all is very similar to the shipments for the colonial wealthy and well-placed we’ve seen half a century later from New York City to the empire’s Mohawk Valley frontier where Sir William Johnson received from the 1750s to 1770s: his beer from Mr. Lispenard, his imported Taunton ale and Newark cider .

I find the reference to stale in the 1720 letter interesting as it suggests a more sophisticated beer trade that merely making basic beer quickly and getting it out the door. Albany stale beer. Stale distinguishes as much as Albany does. Plus, Bobin compares to the “Albany stale” to the young Rutgers beer and seems to get in a muddle. What will the workers accept? Or is it perhaps that he is concerned what Clarke thinks the workers will accept. I worry about words like stale like I worry about the livers of the young beer communico-constulo class. We need to do better. Stale seems be a useful word in common usage for (exactly) yoinks but Martyn certainly places it, in the context of beer, as in use around the 1720s so Bobin’s usage is fairly current in England even if at the other side of the Atlantic Ocean. It’s thrown around generously in The London and Country Brewer in 1737 and used by Gervase Markham in the 1660s.

Aside from stale-ness, the dead-ness of the beer obviously is about its condition but why raking off is considered is unclear. Was it just at the wrong point in Rutger’s brewing process or was he operating his business by holding it in larger vessels and selling retail to his surrounding market, like the growler trade today? Again, not just any beer will do. In Samuel Child’s 1768 work Every Man His Own Brewer, Or, A Compendium of the English Brewery we see this passage referencing deadening at page 38:

It has been said before, what quantity of hops are requisite to each quarter of malt, and how the same are to be prepared; but here it must be considered that that if the beer is to be sent into a warmer climate in the cask, one third more hopping is absolutely necessary, or the increased heat will awaken the acid spirit of the malt, give it a prevalency over the corrective power of the hop, and ferment it into vinegar: to avoid this superior expence of hopping, the London and Bristol beers are usually drawn off and deadened, and then bottled for exportation; this really answers the purpose one way; but whether counterbalanced by charge of bottling and freight, &c. those who deal in this way can best determine. 

Just bask in that passage for a moment. It’s (i) a contemporary that British beer was prepared for transport to warmer climates and (ii) among a few other techniques, the intentional deadening a beer followed by bottling was a technique used for export. Burton was, after all, brewed for export. As was Taunton for Jamaica’s plantations. The British simply shipped beer everywhere. IPA was not unique. Was there a beer brewed for Hong Kong that we’ve also forgotten about? Dunno. What we do know is that Bobin is saying is that Rutgers warns against a deadened beer for local use. Would he have been deadening beer for export? In 1720s New York City?  We know that porter was shipped out of town later. We know that late in the century shipments of bottled porter were coming in.

Excellent stuff. I need to think about this more. But, like the seven doors of the Romantic poets, suffice it to say that a good record in itself can open up a wonderful opportunity to chase an idea. In an era of such early and falsely confident conclusion drawing, a useful reminder.